Barenreiter

  • Various Composers: Easy Pieces of the 17th & 18th Centuries, Bk.1

    The publication contains 25 simple compositions, which were selected by Alois Sarauer and Drahomira Krizkova, and is designed for intermediate pupils. These are piano pieces of many important figures of European Baroque music (H. Purcell, J.-Ph. Rameau, G. Ph. Telemann, J. Krieger, D. Zipoli) and particularly German Classicism (J. Ch. F. Bach, L. Mozart, J. Ph. Kirnberger, Ch. G. Neefe and others), of which most bear the titles of typical period dances. The selection therefore represents a highly appropriate repertoire of recital works.
    Menuet
    ​Air
    ​Menuet
    ​Allegretto
    ​Menuet
    ​Ballet
    ​Menuet
    ​Bourree (ze skladeb per WA Mozarta)
    Gigue
    ​Menuet
    ​Anglaise
    ​Polonaise (ze skladeb per WA Mozarta)
    ​Menuet
    ​Allegro
    ​Entrance (ze skladeb per WA Mozarta)
    ​Rigaudon
    ​Minuetto
    Tanec
    ​Polonaise (ze skladeb per WA Mozarta)
    ​Hornpipe
    ​Allegro
    ​Allegro (ze skladeb per WA Mozarta)
    ​Allegretto
    Arioso
    ​Allegro

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  • Speckert – Tango Classics for Cello and Piano

    George A. Speckert has now also translated the most beautiful tangos from Argentina for cello with piano accompaniment.
    There are classics like “El choclo”, gems by Eduardo Arolas and Rosendo Mendizábal, as well as lesser known ones like “El día que me quieras” by Carlos Gardel: simple but effectively implemented by the cellist, concise and stylistically exposed for the piano player.
    Foreword / Preface
    Piazzolla, Astor Pantaleon: Libertango
    Mendizábal, Rosendo: El Enrerriano
    Mendizábal, Rosendo: Odeon
    Arolas, Eduardo: Derecho viejo
    Villoldo, Ángel: El choclo
    Gardel, Carlos: El día que me quieas

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  • Pohl-Hesse – Christmas Hits for two Flutes

    Music for ChristmasNo other season of the year can rival Advent and the pre-Christmas season for music-making, whether in school, with friends or in the family. This edition contains Christmas hits from the German, English and French traditions, arranged for two flutes.The duet version always appears on the left-hand page of the edition. On the right is the carol, underlaid with the words for every stanza and printed with simple guitar chords.
    Adeste fideles
    God Rest You Merry, Gentleman
    Il est né, le divin Enfant!
    Stille Nacht, heilige Nacht
    O Tannenbaum
    Hark! THe Herald-Angels Sing
    Les anges dans nos compagnes
    Jingle Bells
    Joy To The World
    What Child Is This?
    O du fröhliche
    Entre le bœuf et l’âne gris
    We Wish You A Merry Christmas

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  • Sassmannshaus – Christmas for Beginner String Ensembles

    Christmas is a time for making music, especially in ensembles. This edition with its very easy arrangements for two violins, viola and cello is ideal for beginner string players to get into the Christmas spirit. The 27 pieces are based either on works of Baroque composers such as Lully or Handel, or on traditional, mostly German, Christmas carols. One of the pieces requires an additional violin, another a viola.With their uncomplicated structure and accompanying parts which tie in closely with the melody, these pieces encourage ensemble playing from an early age.
    Preface
    Vorwort
    Let’s be Glad and Full of Cheer / Lasst uns froh und munter sein
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Ring Sleighbells Ring / Kling Glöckchen
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Händel, Georg Friedrich
    Minuet / Menuett
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    O Snowflakes how Gently / Schneeflöckchen
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Händel, Georg Friedrich
    Festive March / Festlicher Marsch
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Händel, Georg Friedrich
    Bourrée
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Lift up Your Heads / Macht hoch die Tür
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Lully, Jean-Baptiste
    Minuet / Menuett
    Instrumentation: Violine (3), Viola, Basso continuo
    ·
    Snow Falls Silent and Deep / Leise rieselt der Schnee
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Caesar, Johann Melchior
    Sarabanda
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    From Highest Heaven I Come to Tell / Vom Himmel hoch
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Fischer, Johann Caspar Ferdinand
    Minuet / Menuett
    Instrumentation: Violine (2), Viola (2), Basso continuo
    ·
    A Great and Mighty Wonder / Es ist ein Ros entsprungen
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Händel, Georg Friedrich
    Minuet / Menuett
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Gruber, Franz Xaver
    Silent Night / Stille Nacht
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Fischer, Johann
    Gavotte
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    O What a Joyful Day / O freudenreicher Tag
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Caesar, Johann Melchior
    Bourrée
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Let us Weigh this Little Child / Lasst uns das Kindlein wiegen
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Every Cold December / Alle Jahre wieder
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    O Children Come Quickly / Ihr Kinderlein kommet
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    What a Blessed Time / O du fröhliche
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Fischer, Johann
    Minuet / Menuett
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Come all You Shepherds / Kommet, ihr Hirten
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    What can this be Happning / Was soll das bedeuten
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Beside Thy Cradle Here I Stand / Ich steh an deiner Krippen hier
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Sleep my Child / Schlaf, mein Kindelein
    Instrumentation: Violine (2), Viola, Basso continuo

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  • Barenreiter’s Cello Collection – Concert Pieces for Cello and Piano

    In the line with the series “Bärenreiter’s Concert Pieces” which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s “Humoresque”, Mendelssohn Bartholdy’s “Song without Words”, Fauré’s “Berceuse” and “The Swan” by Camille Saint-Saëns.The editor is Christoph Sassmannshaus, the grandson of the founder of “The Sassmannshaus tradition”, Egon Sassmannshaus.
    Preface
    ·
    Vorwort
    ·
    Composer / Author:
    Simonetti, Achille
    Madrigal
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Beethoven, Ludwig van
    Menuett
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Dvorák, Antonín
    Humoresque op. 101/7
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Wolf, Hugo
    Wiegenlied
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Gabriel-Marie, Jean
    La Cinquantaine
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Goltermann, Georg
    Notturno op. 43/3
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Goltermann, Georg
    Notturno op. 92/1
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Have ten, Willem
    Romance op. 12/1
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Seitz, Friedrich
    Die Zigeuner kommen op. 16/4
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Goltermann, Georg
    Notturno op. 59/1
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Klengel, Julius
    Sarabande – Gigue op. 1
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Fauré, Gabriel
    Berceuse op. 16
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Have ten, Willem
    Rêverie op. 27
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Mendelssohn Bartholdy, Felix
    Lied ohne Worte / Song Without Words op. 109
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Fauré, Gabriel
    Sicilienne op. 78
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Leclair, Jean-Marie
    Gavotte
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Saint-Saëns, Camille
    Der Schwan / The Swan
    Instrumentation: Cello, Klavier

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  • Liszt – Easy Piano Pieces & Dances

    Besides the popular Consolations, it also includes Liszt’s delightful piano arrangements of Hungarian folk music and simplified versions he made of various pieces. Some miniatures from Liszt’s vast œuvre that were previously available only in obscure sources appear here for the first time in a collection.
    Composer / Author: Töpel, Michael
    Preface
    ·
    Composer / Author: Liszt, Franz
    Carrousel de Madame P[elet]-N[arbonne] R 60b (LW A271)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Christmas Song R 197 (LW A227)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Lullaby R 58 (LW A303)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Farewell. Russian Folksong R 104 (LW A324)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Piano Piece in E major R 60 (LW A233/1)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Piano Piece in A-flat major R 44a (LW A116)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    En Rêve. Nocturne R 87 (LW A336)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Un portrait en musique. La Marquise de Blocqueville R 65 (LW A241)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Two Piano Pieces R 60 (LW A233/3,4)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Two Hungarian Folksongs R 108 (LW A263/2,3)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Consolation No. I R 12 (LW A111b/1)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Consolation No. II R 12 (LW A111b/1)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Romance R 66a (LW A148)
    Instrumentation: Piano

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  • Bach – Six Partitas BWV 825-830

    Johann Sebastian Bach’s ‘six partitas’ BWV 825–830 represent the pinnacle of his keyboard suites. In the search for the greatest variety of stylistic and compositional techniques, the collection shows itself to have the status of a ‘musical art book’. In keeping with this, Bach had these most prestigious works printed at his own expense as Part I of the ‘Clavier Übung ’.This expanded new edition takes into consideration not only the revised main text of the ‘six partitas’ but also, for the first time evaluates printed copies known to have been used by Bach and his closest circle and copies made by his circle of pupils. These include annotations on ornamentation and valuable hints on performance practice which are invaluable for present-day musicians. This is the first extensive edition to take all existing sources into account. The editor is the British musicologist Richard Douglas Jones, well-known for his numerous discoveries and publications on Bach.Bach’s Six Partitas are also published in an edition with fingerings by the renowned Bach interpreter Ragna Schirmer.
     
    Preface
    ·
    Vorwort
    ·
    Faksimile / Facsimile: Einzeldruck (1726) der Partita 1, Titelseite / Separate print (1726) of Partita 1, title page
    ·
    Faksimile / Facsimile: Einzeldruck (1727) der Partita 2, Titelseite / Separate print (1727) of Partita 2, title page
    ·
    Faksimile / Facsimile: Originaldruck von 1731, Titelseite / Original print of 1731, title page
    ·
    Faksimile / Facsimile: Verzierungstabelle in Bachs Handschrift / Table of ornaments in Bach’s hand
    ·
    Faksimile / Facsimile: Originaldruck von 1731, Sarabande der Partita 3 / Original print of 1731, Sarabande from Partita 3
    ·
    Faksimile / Facsimile: Originaldruck von 1731, Beginn der Partita 5 / Original print of 1731, opening of Partita 5
    ·
    Partita 1, BWV 825
    ·
    Partita 2, BWV 823
    ·
    Partita 3, BWV 827
    ·
    Partita 4, BWV 828
    ·
    Partita 5, BWV 829
    ·
    Partita 6, BWV 830
    ·
    Anhang I: Verzierte Fassungen / Appendix I: Ornamented versions:
    ·
    Partita 1, Sarabande, BWV 825-4, Nach Quelle G 26 / According to source G 26
    ·
    Partita 1, Menuet 2, BWV 825-6, Nach Quelle G 26 / According to source G 26
    ·
    Partita 2, Sinfonia, BWV 826-1, Nach Quelle H 20 / According to source H 20
    ·
    Partita 2, BWV 826, Nach den Quellen G 25, 26 und 28 / According to sources G 25, 26 and 28
    ·
    Faksimile / Facsimile: Sinfonia, T. 17-30, aus dem Originaldruck von 1731 (Quelle G 25) / Sinfonia, bb. 17-30, from the original print of 1731 (source G 25)
    ·
    Partita 4, Courante, BWV 828-3, Nach Quelle G 26 / According to source G 26
    ·
    Partita 5, Sarabande, BWV 829-4, Nach den Quellen G 26 und H 20 / According to sources G 26 und H 20
    ·
    Anhang II / Appendix II:
    ·
    Partita 3, Gigue, BWV 827-7, Variantenfassung nach Quelle G 25 / Variant version according to source G 25
    ·
    Faksimile / Facsimile: Gigue, T. 25-50, aus dem Originaldruck von 1731 (Quelle G 25) / Gigue, bb. 25-50, from the original print of 1731 (source G 25)
    ·
    Annotations to the music text
    ·
    Anmerkungen zum Notentext

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  • Bach – The Well-Tempered Clavier I BWV 846-869

    Volume 1 of the Well-Tempered Clavier, based on the New Bach Edition, closely follows Bach’s autograph score. The Foreword draws on earlier versions contained in the autograph as well as on non-autograph variants found in reliable secondary sources. This edition which does full justice to Bach’s work enables musicians to try out and play alternative readings.
    Vorwort
    ·
    Preface
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge C-Dur BWV 846
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge c-Moll BWV 847
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge Cis-Dur BWV 848
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge cis-Moll BWV 849
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge D-Dur BWV 850
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge d-Moll BWV 851
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge Es-Dur BWV 852
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge es/dis-Moll BWV 853
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge E-Dur BWV 854
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge e-Moll BWV 855
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge F-Dur BWV 856
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge f-Moll BWV 857
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge Fis-Dur BWV 858
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge fis-Moll BWV 859
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge G-Dur BWV 860
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge g-Moll BWV 861
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge As-Dur BWV 862
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge gis-Moll BWV 863
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge A-Dur BWV 864
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge a-Moll BWV 865
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge B-Dur BWV 866
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge b-Moll BWV 867
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge H-Dur BWV 868
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge h-Moll BWV 869
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Anhang: Fuge d-Moll BWV 851/2
    Version Quelle B2.12
    Instrumentation:
    Cembalo, Klavier

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  • Bach – The Well-Tempered Clavier II BWV 870-893

    Volume 2 of the „WTC“ has survived in two distinct manuscript traditions. Till now, all printed editions have combined these two traditions into a single hybrid edition, „preferring now this reading, now that one, at the editor’s discretion “ (A. Dürr).Our volume presents each piece in the version containing the largest number of Bach’s subsequent changes; significant variants from the other version are added as alternatives. A detailed preface by the editor discusses the source material and performance practice, including the execution of ornaments.
    Vorwort
    ·
    Preface
    ·
    Verzierungstabelle
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga C-Dur BWV 870
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga c-Moll BWV 871
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga Cis-Dur BWV 872
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga cis-Moll BWV 873
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga D-Dur BWV 874
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga d-Moll BWV 875
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga Es-Dur BWV 876
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga dis-Moll BWV 877
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga E-Dur BWV 878
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga e-Moll BWV 879
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga F-Dur BWV 880
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga f-Moll BWV 881
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga Fis-Dur BWV 882
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga fis-Moll BWV 883
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga G-Dur BWV 884
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga g-Moll BWV 885
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga As-Dur BWV 886
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga gis-Moll BWV 887
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga A-Dur BWV 888
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga a-Moll BWV 889
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga B-Dur BWV 890
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga b-Moll BWV 891
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga H-Dur BWV 892
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga h-Moll BWV 893
    Instrumentation:
    Cembalo, Klavier
    ·
     
    Anhang:
     
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga C-Dur BWV 870b
    Fassung A
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium C-Dur BWV 870b
    Variante der Fassung A
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium cis-Moll BWV 873
    Fassung A
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Fuga As-Dur BWV 886/2
    Variante
    Instrumentation:
    Cembalo, Klavier

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  • Beethoven – Concerto for Pianoforte & Orchestra no.5 in Eb maj op.73

    Beethoven’s fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven’s sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.
     
    – Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven’s day- With Beethoven’s continuo figures for the first time in a modern edition

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  • Handel – Keyboard Works I – The Eight Great Suites

    Throughout his life Handel was famous as a brilliant performer on keyboard instruments, and he began composing for them in his youth: his early training under Zachow included the study of the most important 17th-century German composers for the keyboard, and their influence can be seen in the harpsichord music which he had written by the time he left Hamburg for Italy in 1706. He seems to have taken it up again only after he settled in England in 1712, and during the next few years he wrote a large number of harpsichord works, with a peak about 1717, when he was becoming involved with the music at Cannons.Apparently Handel was in no hurry to publish these compositions, and manuscript copies were made for friends and patrons. The primary source for our text is the third impression of the Cluer edition. As well as the Walsh, le Cène and Leclerc editions there are important manuscript sources, including some autographs, which give much additional information concerning the text.

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  • Celletti – Geschichte Des Belcanto

    Belcanto, Virtuosentum, Hedonismus
    ​Die Vokalen Aspekte des Barocken Musiktheaters:
    ​Vom “recitar cantando” zur römischen Oper
    ​Monteverdi
    ​Cavalli und Cesti
    ​Legrenzi, Sartorio, P. A. Ziani und Pollarolo
    ​C. Pallavicino und Steffani
    ​Scarlatti
    ​Das goldene Zeitalter: Von Lotti bis Händel
    ​Einige Besonderheiten der Barocken Oper
    ​Die Kastraten und die Gesangskunst ihrer Zeit
    ​Die Sturm-Arien
    ​Die Buffo-Rollen
    ​Rossini:
    ​Rossinis Vorstellungen von Melodie und Gesang
    ​Einige Merkmale von Rossinis Vokalstil
    ​Die Gesangstypen Rossinis
    ​Der Gesang in der Ära Rossinis. Aufführungspraxis. Der Gesang aus der Sicht Stendhals
    ​Tod und Auferstehung des Belcanto
    ​Verzeichnis der Namen und Werke

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  • Rossini – The Barber of Seville Critical Commentary

    Editorial Policy
    ​Abbreviations
    ​Principal Sources
    ​Sources
    ​Critical Notes:
    ​Sinfonia
    ​Act I
    ​Act II
    ​Appendix I: Vocal variants of Rossini for the Cavatina Rosina (N. 5), the Duetto Rosina – Figaro (N. 7), and the Terzetto (N. 16)
    ​Appendix II: N. 14bis Recitativo ed Aria [Rosina]
    ​Appendix III: Two documented revivals from 1816: Bologna and Florence: N. 11a Cavatina Rosina / N. 8a Aria Bartolo
    ​Appendix IV: Revivals in Naples
    ​Appendix V (by Will Crutchfield): Early vocal ornamentation

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  • Beethoven – Symphony No. 9 in D minor op. 125 Critical Commentary

    Scoring: Picc.2.2.2.2.Kontra – 4.2.3.0 – Timp.Perc – Strings
    Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven’s Nine Symphonies edited by the first-class musicologist Jonathan Del Mar. The editorial process was a massive undertaking because of the complex source situation regarding Beethoven’s Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was unsurprising that Bärenreiter’s new Urtext edition caused a considerable stir in the music world.
    Since its publication, Del Mar’s edition enjoys the unabashed praise of conductors, performers and critics alike. It has become the most widely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.
    Facsimiles
    Signs and conventions
    Sources
    Critical Commentary: I, II, III, IV
    Contrabassoon: Critical Commentary
    Appendix
    Bibliography

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  • Beethoven – Symphony No. 8 in F major op. 93 Critical Commentary

    Facsimiles
    Signs and conventions
    Sources
    Critical Commentary: I, II, III, IV
    Appendices
    Bibliography

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  • Franz Schubert’s symphonies

    This overall presentation of Franz Schubert’s symphonies, written by prominent authors, follows the proven work introductions to Beethoven’s, Brahms and Bruckner’s symphonies in conception:The work introduction is characterized by:- ​​Generally understandable presentation- Separate chapters for each symphony with a description of the work, documents, and essay on overriding questions- Brief biography of Schubert- Impact of Schubert’s symphonies on those around us and on posterityThe authors:Marie-Agnes Dittrich, Christine Fischer, Peter Gülke, Rüdiger Heinze, Hans Joachim Kreutzer, Michael Kube, Jutta Pumpe, Doris Sennefelder, Wolfgang Stähr, Michael Stegemann, Renate Ulm, Egon Voss. The publisher Renate Ulm has been an editor in the music department of Bayerischer Rundfunk since 1989.
     
    Introduction
     
    Composer / Author:
    Sennefelder, Doris
    “Existing through my pain”. Notes on the work of Franz Schubert
     
    Composer / Author:
    Gulke, Peter
    How and in what way was Schubert symphonic?
    essay
     
    Composer / Author:
    Kube, Michael
    I. Symphony in D major (D 82)
    Work review and essay
     
    Composer / Author:
    Voss, Egon
    II. Symphony in B flat major (D125)
    Work review and essay
     
    Composer / Author:
    Stegeman, Michael
    III. Symphony in D major (D 200)
    Work review and essay
     
    Composer / Author:
    Heinze, Rudiger
    IV. Symphony in C minor (Tragic Symphony – D 417)
    Work review and essay
     
    Composer / Author:
    Ulm, Renate
    V. Symphony in B flat major (D 485)
    Work review and essay
     
    Composer / Author:
    Staehr, Wolfgang
    VI. Symphony in C major (D 589)
    Work review and essay
     
    Composer / Author:
    Gulke, Peter
    VII. Symphony in B minor (The unfinished – D 759)
    Work review and essay
     
    Composer / Author:
    Dittrich, Marie-Agnes
    VIII. Symphony in C major (“Great” C major symphony – D 944)
    Work review and essay
     
    Conclusion:
     
    Composer / Author:
    Pump, Jutta
    Spheres of activity: Schubert’s path to becoming a freelance artist
    essay
     
    Composer / Author:
    Kreutzer, Hans-Joachim
    Schubert as reflected in literature
    essay
     
    About the authors
     
    literature

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  • Schwabe – Noch Mehr Starke Stucke

    · Fréderic Burgmüller: Ballade
    Instrumentation: Klavier
    · Wolfgang Amadeus Mozart: Das Butterbrot
    Instrumentation: Klavier
    · Jürgen Moser: Funky Piano
    Instrumentation: Klavier
    · Reiko Arima: Dance
    Instrumentation: Klavier
    · Michael Vetter: Rondo
    Instrumentation: Klavier
    · Feuerblumen
    Instrumentation: Klavier
    · Klänge Béla Bartók: Gyermekt
    Instrumentation: Klavier
    · Johann Sebastian Bach: Präludium c-Moll
    Instrumentation: Klavier
    · Kim Fowley: Nut Rocker
    Instrumentation: Klavier
    · Fréderic Chopin: Prélude No. 4
    Instrumentation: Klavier
    · Matthias Schwabe: Toccata
    Instrumentation: Klavier
    · Edvard Grieg: Kobold
    Instrumentation: Klavier
    · George Gershwin: But not for me
    Instrumentation: Klavier
    · Joe McCoy: Why don’t you do right?
    Instrumentation: Klavier
    · Ludwig van Beethoven: Schmerzens-Walzer
    Instrumentation: Klavier
    · Fréderic Chopin: Mazurka
    Instrumentation: Klavier
    · Domenico Scarlatti: Sonate
    Instrumentation: Klavier
    · Eric Satie: Gnossienne No. 1
    Instrumentation: Klavier
    · Matthias Schwabe: Traumstück
    Instrumentation: Klavier
    · Bohuslav Martinu: Kolombìna Tancì / Colombine tanzt
    Instrumentation: Klavier
    · Edvard Grieg: Melodie
    Instrumentation: Klavier
    · George Gershwin: Fascinating Rhythm
    Instrumentation: Klavier
    · Peter Tschaikowsky: Lied der Lerche
    Instrumentation: Klavier
    · Franz Schubert: Deutsche Tänze
    Instrumentation: Klavier
    · Aram Chatschaturjan: Etüde
    Instrumentation: Klavier
    · Ludwig van Beethoven: Bagatelle No. 1
    Instrumentation: Klavier
    · Scott Joplin: Elite Syncopations
    Instrumentation: Klavier
    · Paul Desmond: Take Five
    Instrumentation: Klavier
    · Carl Philipp Emanuel Bach: Solfeggio Rg: Opus 19 Nr. 6
    Instrumentation: Klavier

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  • Twardowski – At The Zoo

    Das Klavier ist herzlich willkommen im Zoo. Ein Tastenlöwe braucht man für diese kleine Sammlung aber nicht zu sein. Antilope, Rentier, Elefant, alle sind sie da und scharen sich um die jungen Pianisten. Während das Känguru muntere Sprünge wagt, bewegt sich der Bär im gemächlichen Maestoso und mit wohlgesetzten Schritten, dem Krokodil steht das Legato besser zu Gesicht und der Biber verblüfft durch seine flinke Nagetechnik. Auf dem Rücken des Ponys kommt man mit kleinen Staccatoschritten schnell voran und mancher Grashüpfer setzt seine eigenen Akzente. Die besondere spieltechnische Aufgabe für die Klavierschüler, die jedes Stück in sich trägt, wird auf diese charmante Weise spielerisch und fast unmerklich gelernt. Nichts erinnert an eine trockene Etüde. Darüber hinaus teilt sich der Charakter der Musik auch durch die farbenfrohen Illustrationen von Marcin Bruchnalski mit. – Leichte Klavierstücke – Spielerisches Lernen technischer Fähigkeiten – Fantasievolle Melodien – Farbenfrohe Illustrationen Die Autoren Antoni Cofalik , polnischer Geigenpädagoge und Verfasser der bekannten Geigenschule „Das Geigen-ABC “ Romuald Twardowski , Pianist und Komponist Marcin Bruchnalski , Schulbuchillustrator und Cartoonist
    Vorwort
    ​Wir gehen in den Zoo​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Das Känguru​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Das Pony​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Das Rentier​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Zwei kleine Esel​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Der Bär​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Das Krokodil​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Die Biber​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Der Elefant​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Der Grashüpfer​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Die Ameisen​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Der löwe​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Die Antilope​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Die Robbe​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier
    ​Unsere lieben Schüler​Cofalik, Antoni / Twardoski, Romuald​Besetzung: Klavier

    Twardowski – At The Zoo

    15,9017,60

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  • Grieg – Easy Piano Pieces And Dances

    This collection contains the easiest piano pieces in their original form by Edvard Grieg. These miniatures form a useful addition to piano lessons and offer valuable insights into the range and variety of Grieg’s music.
    Vorwort
    Preface / Préface
    Zwei Klavierstücke
    Arietta op. 12 Nr. 1
    Valse op. 12 Nr. 2
    Klokkeklang (Glockengeläut) op. 54 Nr. 6
    Allegro ma non troppo op. 3 Nr. 1
    Halling op. 17 Nr. 20
    Sæbygga (Die Frau aus Setesdal) op. 17 Nr. 21
    Kulokk (Lockruf) op. 17 Nr. 22
    Eg veit ei lita jente (Ich weiß ein kleines Mädchen) op. 17 Nr. 16
    Kulokk (Lockruf) op. 66 Nr. 1
    Morgo ska du fa gifte deg (Morgen darfst du sie heiraten) 66 Nr. 10
    Ranveig op. 66 Nr. 12
    Gjendines badnlat (Gjendines Wiegenlied) op. 66 Nr. 19
    Prillaren fra Os prestegjeld. Springdans (Der Prillar aus dem Kirchspiel Os. Springdans) op. 72 Nr. 5
    Kivlemøyane. Springdans (Das Mädchen aus dem Kivledal. Sprindans) op. 72 Nr. 16
    Springdans
    Badnlat (Wiegenlied)
    Springdans
    Halling
    Lualat (Gebirgsweise) op. 73 Nr. 7
    Resignasjon (Resignation) op. 73 Nr. 1

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  • Debussy – Easy Piano Pieces And Dances

    The series Easy Piano Pieces and Dances offers first repertoire books for young players. It includes easier pieces by many of the most famous composers of Piano music. All works appear in their original form and are notarranged or simplified in any way. Each volume includes tried and tested fingering and no awkward page turns.
    Contents:The little NegroThe little shepherd from ‘Children’s Corner’Danse de lapoupéeDanse bohémienneClair de lune from ‘Suite bergamasque’Page d’albumRêverieArabesqueÉlégiePrélude (… Canope) from ‘Préludes, Volume2No. 10’
    Debussy: Arabesque No. 1
    Debussy: Canope (from Préludes – Book 2)
    Debussy: Danse bohemienne
    Debussy: Élégie, L138
    Debussy: Le petit nègre
    Debussy: Page d’album
    Debussy: Rêverie
    Debussy: Serenade for the Doll
    Debussy: Suite bergamasque: Clair de lune
    Debussy: The Little Shepherd (from Children’s Corner)

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  • Beethoven – Easy Piano Pieces And Dances

    This collection contains the easiest piano pieces in their original form by Ludwig van Beethoven. These miniatures form a useful addition to piano lessons and offer valuable insights into the range and variety of Beethoven’s music.
    Beethoven: Air de la petite Russie (No. 3 from National Airs with variations, Op. 107)
    Beethoven: Air écossais “St. Patrick’s Day” (No. 4 from National Airs with variations, Op. 107)
    Beethoven: Air russe “Schöne Minka” (No. 7 from National Airs with variations, Op. 107)
    Beethoven: Bagatelle in C major, WoO 54, ‘Lustig-Traurig’
    Beethoven: Bagatelle in D Major, Op. 33, No. 6
    Beethoven: Bagatelles (11), Op. 119: No. 1 in G minor
    Beethoven: Ecossaise in E flat major, WoO 86
    Beethoven: Ecossaises (6) in E flat major WoO 83: No. 1
    Beethoven: Für Elise (Bagatelle in A minor, WoO59)
    Beethoven: German Dance in B flat major (No. 2 from German Dances, WoO 13)
    Beethoven: German Dance in B flat major (No. 6 from German Dances, WoO 13)
    Beethoven: German Dance in D major (No. 7 from Ländler, WoO 11)
    Beethoven: Minuets WoO 10 – No. 2 in G major
    Beethoven: Piano Sonatina No 37 in G major, Anh. 5, No. 1
    Beethoven: Piano Sonatina No. 38 in F major, Anh. 5, No. 2
    Beethoven: Rondo in C major, WoO 48
    Beethoven: Variations (6) in F major on a Swiss Song, WoO 64

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  • Schumann – Easy Piano Pieces And Dances

    An inexpensive practical edition of the easiest pieces from Schumann’s enormous oeuvre for piano, providing not only a microcosm of material for piano lessons but fascinating insights into the music of this great romantic composer.
    Especially interesting are the simple pieces he wrote for, but later omitted from, his famous Album for the Young.
    Vorwort
    Preface
    Aus den von Schumann unveröffentlichten Stücken zum “Album für die Jugend” op. 68:
    Bärentanz
    Walzer
    Praeludium
    Gukkuk im Versteck
    Haschemann
    Eine berühmte Melodie von L. van Beethoven
    Ein Stückchen von Mozart
    Auf der Gondel
    Aus den “Albumblättern” op. 124:
    Walzer op. 124 Nr. 4
    Phantasietanz op. 124 Nr. 5
    Wiegenliedchen op. 124 Nr. 6
    Schlummerlied op. 124 Nr. 16
    Aus den “Bunten Blättern”, op.99:
    Stücklein op. 99 Nr. 1
    Klavierstück in Fughettenform op. 126 Nr. 1
    Albumblatt op. 99 Nr. 4
    Kinder-Sonate G-Dur op. 118 Nr. 1

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  • Piano Album Vienna Classic

    Easy to moderately difficult pieces by Haydn, Mozart and Beethoven – the three great classics of the “ Viennese School ” – form the main focus of this album. But these three ’greats’ were not the only composers to leave an imprint on piano music between 1760 and 1827.
    Accordingly, our collection also contains appealing pieces by Mozart’s pupils Thomas Attwood and Johann Nepomuk Hummel and the composer-publisher Anton Diabelli. Works by such contemporaries as Anton Benda, Daniel G. Türk and James Hook also introduce pianists to the great expressive range of classical piano music.
    As appealing in its contents as in its appearance, this collection is rounded off with annotated colour illustrations of contemporary keyboard instruments. It consists entirely of original compositions accompanied by reliable fingering.
    By focusing on relatively short pieces in a wide range of forms, the volume is ideal for adding variety to piano lessons while conveying a vivid impression of the major genres of classical piano music, from dances and variations to the nascent sonata form.
    The rich selection of easy to moderately difficult original piano pieces by great classical composers
    Judicious fingering suggestions
    Readily affordable volume for piano lessons
    Colour photos of historical instruments
    Vorwort
    Preface
    Préface
    Allegro Es-Moll
    Sonate c-Moll Hob. XVI:7
    Vier deutsche Tänze Hob. IX:12 Nr. 1-4
    Allegro G-Dur Hob. III:41IV
    Fantasie d-Moll KV 397 (385g)
    Adagio für Glasharmonika C-Dur KV 356 (617a)
    Alla turca A-Dur KV 331
    Sonata quasi una fantasia op. 27,2
    Klavierstück a-Moll WoO 59
    Sechs Variationen F-Dur WoO 64
    Bagatelle B-Dur 119 Nr. 11
    Rondo F-Dur
    Rondo F-Dur
    Un poco andante G-Dur
    Sonatine G-Dur
    Allegro C-Dur
    Dialogue Taquin
    Larghetto amoroso C-Dur
    Arietta B-Dur
    Waltz A-Dur
    Menuett A-Dur D 334
    Sonatina D-Dur

    Piano Album Vienna Classic

    18,8020,90

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  • Piano Album Baroque

    In the Baroque Era, the term “clavier” referred to all keyboard instruments: virginal, clavichord, harpsichord, fortepiano, and others. Bärenreiter’s “Baroque” Piano Album presents a representative selection of the major forms of Baroque clavier music from England, Italy, France and Germany.
    The anthology is divided into these four countries and illustrated with pictures of historical instruments to convey an impression of music-making in the country concerned.
    The volume begins with the Italian composer Girolamo Frescobaldi, whose keyboard works exemplify the stylistic transition from the Renaissance to the Baroque.
    It then moves on to the English virginalists and the French clavecinistes and ends with the epochal of Johann Sebastian Bach.
    Apart from traits which prevailed in each of these countries, piano pupils will learn about the various stages of the Early High and Late Baroque period as well as about the major musical genres, from dance to fugue.
    Special care was taken in the selection of the pieces to ensure that they could be played on the modern piano.
    Since Baroque ornaments must be executed differently for each composer, practical suggestions are included in the musical text. Reliable fingering has been added to make the volume ideal for use in piano lessons.
    A representative overview of the major styles in Baroque clavier music
    44 easy-to-play pieces
    Colour illustrations of historical keyboard instruments
    The musical text includes suggestions for ornaments
    Reliable fingering
    Vorwort
    Preface
    Préface
    England – Angleterre:
    Jig
    Byrd, William
    Alman
    Farnaby, Giles
    Faine would I wed – Gerne möcht’ ich heiraten – Je voudrais bien me marier
    Farnaby, Richard
    Corranto
    Anonymus
    Saraband
    Lawes, William
    Theatre Tune – Theaterlied – Air de théâtre
    Blow, John
    Air
    Blow, John
    Trumpet Tune – Trompetenmelodie – Air de trompette
    Purcell, Henry
    A Minuet
    Purcell, Henry
    A New Ground
    Purcell, Henry
    Suite
    Purcell, Daniel
    The Catherine
    Barrett, John
    Italien – Italy – Italie
    Balletto Primo
    Frescobaldi, Girolamo
    Corrente Prima
    Frescobaldi, Girolamo
    Tre Arie
    Pasquini, Bernardo
    Sarabanda
    Corelli, Arcangelo
    Sonata I
    Scarlatti, Domenico
    Aria
    Scarlatti, Domenico
    Minuetto
    Zipoli, Domenico
    Giga
    Zipoli, Domenico
    Frankreich – France
    Branle de Basque – Baskischer Branle – Basque Branle
    Couperin, Louis
    La Pastourelle
    Couperin, Louis
    Menuet
    Anglebert, Jean-Henri d’
    Menuet
    Roux, Gaspard le
    Les coucous bénévoles – Die wohlwollenden Kuckucke – The Kindly Cuckoos
    Couperin, François
    Menuet
    Marchand, Louis
    Flûtes – Flöten – Flutes
    Dandrieu, Jean François
    Sarabande
    Rameau, Jean-Philippe
    La Joyeuse – Die Fröhliche – The Merry Maid
    Rameau, Jean-Philippe
    Rigaudon
    Rameau, Jean-Philippe
    Menuet en Rondeau
    Rameau, Jean-Philippe
    Air pour Zéphire – Arie für Zephir – Song for Zephyr
    Rameau, Jean-Philippe
    Deutschland – Germany – Allemagne
    Courant
    Froberger, Johann Jacob
    Sarabande
    Kerll, Johann Kaspar
    Praeludium und Fuge
    Fischer, Johann Caspar Ferdinand
    Gigue
    Telemann, Georg Philipp
    Menuet
    Graupner, Johann Christoph
    Menuet HWV 532
    Händel, Georg Friedrich
    Musette BWV Anh. 126
    Bach, Johann Sebastian
    Menuet BWV Anh. 132
    Bach, Johann Sebastian
    Praeludium BWV 999
    Bach, Johann Sebastian
    Praeambulum BWV 784
    Bach, Johann Sebastian
    Praeludium BWV 847
    Bach, Johann Sebastian
    Allemande BWV 814/1
    Bach, Johann Sebastian

    Piano Album Baroque

    19,3021,40

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