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ΒΙΒΛΙΑ ΦΩΝΗΤΙΚΗΣ
ΒΙΒΛΙΑ ΦΩΝΗΤΙΚΗ
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Rockschool Vocals, Debut (2021)
60 pages€26,60€29,60Rockschool Vocals, Debut (2021)
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Rockschool Vocals, Grade 1 (2021)
76 pages€26,60€29,60Rockschool Vocals, Grade 1 (2021)
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Rockschool Vocals, Grade 3 (2021)
84 pages€26,60€29,60Rockschool Vocals, Grade 3 (2021)
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Rockschool Vocals, Grade 2 (2021)
84 pages€26,60€29,60Rockschool Vocals, Grade 2 (2021)
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Rockschool Vocals, Grade 5 (2021)
88 pages€26,60€29,60Rockschool Vocals, Grade 5 (2021)
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Rockschool Vocals, Grade 4 (2021)
92 pages€26,60€29,60Rockschool Vocals, Grade 4 (2021)
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Russland In Seinen Liedern
Content
Abendglocken
Ach Nastassja
Auf dem Berg
Das Glöckchen
Der Hausierer
Der rote Sarafan
Die Birke
Die Post-Troika
Ej uchnjem! (Lied der Wolgaschiffer)
Es jagt die Troika geschwinde
Kalinka
Schwarze Augen
Stenka Rasin
Steppe ringsumher
Troikafahrt
Wir Soldaten sind nie allein
Pages: 32
Language: English / German
Publisher: Sikorski€12,10€13,50Russland In Seinen Liedern
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€7,50
€8,30Διαθέσιμο σε 1-3 ημέρες
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Mozart – Cosi Fan Tutte KV588
In the space of a few months, in the autumn and winter of 1789, Mozart filled more than 650 pages of a score that shows practically no signs of mental or physical exertion. The result was one of his most profound operas, Così fan tutte , which has held listeners spellbound with its blend of bitterness and comedy to the present day.Our new easy-to-play vocal score is based on the volume edited by Faye Ferguson and Wolfgang Rehm for the “New Mozart Edition” (NMA II/5/18) and on the latest scholarly findings from the critical commentary published by Henning Bey and Faye Ferguson in 2003.
Pages:441Language: English,GermanPublisher:Barenreiter€60,90€67,60Mozart – Cosi Fan Tutte KV588
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Mendelssohn – Elias Op.70
Immediately after completing “St. Paul” in 1836, Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of “Elijah” which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival, Mendelssohn finally embarked on work on the oratorio. “Elijah” was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the first performance, Mendelssohn undertook a revision of the oratorio in which whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.This Urtext edition of the oratorio edited by the Mendelssohn specialist Douglass Seaton is based on all critical sources. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.
Pages:311Language:English,GermanPublisher:Barenreiter€21,60€24,00Mendelssohn – Elias Op.70
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Haydn – Missa St Bernardi Von Offida Spartitoba
Bernard of Offida, 1604–1694, was a Capuchin monk, whose saintly life and devotion to the sick and poor, caused him to be beatified by Pope Pius VI on 19 May, 1795. St. Bernard’s name day falls on the 11th of September (a Saturday in 1797), and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis, and – just as in the previous Mass – the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn, or (shall we say) “supervised” by him. As in the Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn’s most admired works. Its dignity, its strength (we draw special attention to the extraordinary “Gratias”, with its brilliant contrapuntal writing), the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight – all these have made it one of Haydn’s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.
Pages:125Language:English,GermanPublisher:Barenreiter€18,80€20,90Haydn – Missa St Bernardi Von Offida Spartitoba
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Haydn – Schopfungsmesse Spartito
The Creation Mass was composed and first performed during the last decade ofHaydn’s life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt, on the occasion of the nameday of Princess Maria Hermenegild. The nickname ‘Creation’ stems from Haydn’s incorporating into the Gloria movement (at the words ‘Qui tollis peccata mundi’) a quotation from Adam and Eve’s duet in his oratorio The Creation.
Pages:161Language:English,GermanPublisher:Barenreiter€21,20€23,50Haydn – Schopfungsmesse Spartito
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Haydn – Missa In Tempore Belli “Mass in Time of War”
Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined – when preparing this edition – the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion, and thus also the work which Haydn had just finished and performed in Eisenstadt.
Pages:151Language:English,GermanPublisher:Barenreiter€22,50€25,00Haydn – Missa In Tempore Belli “Mass in Time of War”
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Bach – Missa In F Major (Lutheran Mass) BWV233
Pages:43Language:English,GermanPublisher:Barenreiter€8,90€9,80Διαθέσιμο σε 1-3 ημέρες
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Bach – Missa In A Major (Lutheran Mass) BWV234
Pages:45Language:English,GermanPublisher:Barenreiter€7,90€8,80Διαθέσιμο σε 1-3 ημέρες
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Mozart – Requiem KV 626
Mozart’s final work, the Requiem K. 626, was left incomplete.The completion of the fragmentary score by his assistant Franz Xaver Süssmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart’s thoughts.The completed Requiem score, published in the New Mozart Edition, serves as the basis for this vocal score edition which now appears in a revised form and newly engraved. Minor corrections have been made to the musical text, the vocal parts have been made easier to read and the piano accompaniment easier to play.Christoph Wolff, an authoritative Requiem connoisseur has supplied a Foreword with a clear and concise account of the work’s genesis and its musical features.This vocal score was revised in 2017.Vorwort
Preface
Composer / Author:
Mozart, Wolfgang Amadeus / Süßmayr, Franz Xaver
Requiem K. 626. The Requiem, completed by Franz Xaver Süßmayr, in its traditional form:
Instrumentation:
Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Basset horn (2), Bassoon (2), Trumpet (2), Trombone (3), Timpani, Violin (2), Viola, Basso continuo (Violoncello, Basso, Organ)
Duration (approx.):
I. Introitus
II. Kyrie
III. Sequenz:
1. Dies irae
2. Tuba mirum
3. Rex tremendae
4. Recordare
5. Confutatis
6. Lacrimosa
IV. Offertorium:
1. Domine Jesu
2. Hostias
V. Sanctus
VI. Benedictus
VII. Agnus Dei
VIII. Communio / Lux aeterna
Pages:80Language:English,GermanPublisher:Barenreiter€9,30€10,40Mozart – Requiem KV 626
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Mozart – Die Schuldigkeit Des Ersten Gebots KV35
This work, possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach , was assigned to three Salzburg composers: W. A. Mozart (part 1), Michael Haydn (part 2), and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas, perhaps taking Johann Ernst Eberlin and even his father Leopold as his models.The first performance took place in the Knights’ Hall of the prince’s palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701–1785), town councillor and mayor of Salzburg .Mozart wrote out many of the appoggiaturas in this early work, thereby providing a useful guide to the vocal practices of his day. Aria no. 2 has come down to us with an instructive passage in which the vocal part is ornamented in the hand of Leopold Mozart.The piano reduction, by K.-H. Müller , was prepared on the basis of the New Mozart Edition. The piano part is uncluttered and easy-to-play.
Pages:162Language:English,GermanPublisher:Barenreiter
€22,50€25,00Mozart – Die Schuldigkeit Des Ersten Gebots KV35
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Mozart – Missa in C Major “Sparrow Mass” KV220
Mozart’s “Missa in C major” (K.220), nicknamed the “Sparrow Mass” for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. The “Sparrow Mass” is one of the most significant pieces of church music from Mozart’s years in Salzburg.Thanks to its clarity and largely homophonic texture, it remains even today a work that is easily mastered in church and concert hall performances.
Pages:39Language:English-GermanPublisher:Barenreiter€9,80€10,90Mozart – Missa in C Major “Sparrow Mass” KV220
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Mozart – Missa in C “Credo-Messe” KV 257
Over time Wolfgang Amadeus Mozart‘s “Missa in C major” K. 257 has been given many nicknames. This work, also known as the “Great Credo Mass” was referred to as “Missa longa” by Leopold Mozart due to its duration. Mozart usually liked to call works of this magnitude “Missa solemnis“, but for unknown reasons, in the case of the “Great Credo Mass”, he did not use this title. As the work was originally composed for the ordination of Salzburg Canon Ignaz von Spaur, Leopold also called the work “Spaur Mass”.The mass was composed in late 1776 or early 1777 in the usual baroque tradition where the three trombones are set Tutti colla parte with the alto, tenor and bass parts.The spatial separation of singers in the Salzburg Cathedral is somewhat similar to the polychoral style, in which solo and choir ensemble performed separately with one organ each. The soloists along with the first organ formed the “concerto”, while the choir and the second organ took on the “ripieno” role.Walter Senn’s edition is largely based on the autograph score, as well as on a set of autograph parts that was added and corrected by Wolfgang Amadeus and Leopold Mozart at a later time.
Pages:61Language:English,GermanPublisher:Barenreiter
€16,30€18,10Mozart – Missa in C “Credo-Messe” KV 257
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Mozart – Missa In C Major “Dominicus Mass” KV66
The Missa solemnis K.66 was one of the compositions that Mozart composed for the first solemn mass celebrated by his childhood friend Pater Dominicus Hagenauer in the abbey church of St. Peter in Salzburg on 15 October 1769.
Pages:82Language:EnglishPublisher:Barenreiter€18,80€20,90Mozart – Missa In C Major “Dominicus Mass” KV66
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Following the 1996 film adaptation of the successful children’s novel ‘Matilda’ by Roald Dahl, a musical version is now being released, which will also be available on Netflix from December 25, 2022. The story about the highly gifted little girl with telekinetic abilities is also receiving the best reviews in the musical version.
Roald Dahl’s Matilda – The Musical presents 12 songs from the soundtrack provided to fans in this sheet music book for piano, voice and guitar. Written and composed exclusively for the film, the pieces here include sheet music, lyrics, chords and fingering charts.
Contents:
Bruce
The Hammer
I’m Here
Miracle
My House
Naughty
Quiet
Revolting Children
School Song
The Smell or Rebellion
Still Holding My Hand
When I Grow Up