Rossini – The Barber of Seville Critical Commentary

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Editorial Policy
​Abbreviations
​Principal Sources
​Sources
​Critical Notes:
​Sinfonia
​Act I
​Act II
​Appendix I: Vocal variants of Rossini for the Cavatina Rosina (N. 5), the Duetto Rosina – Figaro (N. 7), and the Terzetto (N. 16)
​Appendix II: N. 14bis Recitativo ed Aria [Rosina]
​Appendix III: Two documented revivals from 1816: Bologna and Florence: N. 11a Cavatina Rosina / N. 8a Aria Bartolo
​Appendix IV: Revivals in Naples
​Appendix V (by Will Crutchfield): Early vocal ornamentation
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Editorial Policy
​Abbreviations
​Principal Sources
​Sources
​Critical Notes:
​Sinfonia
​Act I
​Act II
​Appendix I: Vocal variants of Rossini for the Cavatina Rosina (N. 5), the Duetto Rosina – Figaro (N. 7), and the Terzetto (N. 16)
​Appendix II: N. 14bis Recitativo ed Aria [Rosina]
​Appendix III: Two documented revivals from 1816: Bologna and Florence: N. 11a Cavatina Rosina / N. 8a Aria Bartolo
​Appendix IV: Revivals in Naples
​Appendix V (by Will Crutchfield): Early vocal ornamentation

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Rossini - The Barber of Seville Critical Commentary