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Δημοφιλή Προϊόντα
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KETRON EVENTX SOUND MODULE
EVENT-X is designed to provide easy access to the most sophisticated style architecture ever developed on an arranger module.
It comes with over 500 Styles, divided into Real Styles, Live Styles or MIDI Styles.
The Real Styles, with their impressive authenticity, stand out thanks to the backing tracks in full audio format.
EVENT-X features a rich manual Lower section, with three independent parts and Mono / Poly modes.
You can use the new advanced Style Edit to program your new styles and save any customized configuration in the User memory.
€3.899,00KETRON EVENTX SOUND MODULE
€3.899,00Διαθέσιμο σε 7-15 ημέρες
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CASIO GP-310BKC7 HYBRID ΠΙΑΝΟ ΗΛΕΚΤΡΙΚΟ
Το υψηλής ποιότητας υβριδικό πιάνο, CELVIANO Grand Hybrid GP-310 – κατασκευασμένο σε συνεργασία με την C. Bechstein – αναπαράγει ακόμα και τις πιο λεπτές εκφάνσεις που χαρακτηρίζουν τον ήχο παγκοσμίως διάσημων grand pianos.
€3.200,00€3.500,00CASIO GP-310BKC7 HYBRID ΠΙΑΝΟ ΗΛΕΚΤΡΙΚΟ
€3.200,00€3.500,00In stock
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IGS AUDIO ONE LEVELING AMPLIFIER OPTICAL COMPRESSOR
One Leveling Amplifier
€1.700,00€1.900,00IGS AUDIO ONE LEVELING AMPLIFIER OPTICAL COMPRESSOR
€1.700,00€1.900,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO V8 COMPRESSOR
Smooth and gentle compression
€2.900,00€3.100,00IGS AUDIO V8 COMPRESSOR
€2.900,00€3.100,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO MULTICORE MULTIBAND COMPRESSOR
Three bands of classic analog VCA compression provide an infinite field of possibilities to shape the sound.
€3.550,00€3.700,00IGS AUDIO MULTICORE MULTIBAND COMPRESSOR
€3.550,00€3.700,00Διαθέσιμο σε 7-15 ημέρες
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Faber – Piano Adventures, Scale and Chord Book 1
A valuable tool for early-level pianists, this innovative book teaches all major and minor 5-finger scales for the Piano. Covering cross-hand arpeggios and primary chords, Piano Adventures – Scale And Chord Book 1 also contains scale exercises, including engaging teacher duets for each key and improvisation activities with creative prompts to inspire imagery, character and tempo.€12,50€13,90Faber – Piano Adventures, Scale and Chord Book 1
€12,50€13,90Διαθέσιμο σε 1-3 ημέρες
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Chopin – Liszt – Hiller – 33 easy piano pieces with practice tips Vol.5
With the new Urtext Primo series, Wiener Urtext Edition intends to bridge the gap between studying a piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach’s Minuet in G (BWV Anh. 116), Mozart’s Minuet in F (KV 5) or Schumann’s Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume in the series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills.
The pieces’ range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons.
The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.
This volume presents easy pieces for piano by great virtuosos. It unites the two greatest, and perhaps best-known, pianists of the 19th century, Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin, Hiller’s works are frequently reminiscent of folk music. His Irländisches Lied and Fandango, included in the collection, are fine examples of 19th-century ‘world music’.
Chopin Frédéric: Bourée I in G (KK VIIb/1)
Chopin Frédéric: Bourée II in A (KK VIIb/2)
Chopin Frédéric: Cantabile in B (KK IVb/6)
Chopin Frédéric: Walzer / Waltz / Valse in a (KK IVb/11)
Chopin Frédéric: Sostenuto in Es (KK IVb/10)
Chopin Frédéric: Prélude in e (op. 28/4)
Chopin Frédéric: Prélude in h (op. 28/6)
Chopin Frédéric: Prélude in A (op. 28/7)
Chopin Frédéric: Prélude in c (op. 28/20)
Chopin Frédéric: Polonaise in B (KK IVa/1
Chopin Frédéric: Mazurka in g (op. 67/2)
Chopin Frédéric: Mazurka in F (op. 68/3)
Chopin Frédéric: Mazurka in As (op. 7/4a)
Liszt Franz: La cloche sonne
Liszt Franz: Ländler in As
Liszt Franz: Andantino in As
Liszt Franz: Ich liebe Dich
Liszt Franz: Andante in Des
Liszt Franz: Wiegenlied / Lullaby / Chant du berceau
Liszt Franz: Sancta Dorothea
Liszt Franz: Ave Maria
Liszt Franz: Weihnachtslied / Christmas carol / Chant de Noel
Liszt Franz: Die Hirten an der Krippe / The shepherds at the manger / Les Bergers à la crèche
Liszt Franz: Adagio religioso
Hiller Ferdinand von: Irländisches Lied / Irish Song / Chant irlandais (op. 117/2)
Hiller Ferdinand von: Schottisches Lied / Scottish Song / Chant écossais (op. 117/19)
Hiller Ferdinand von: Italienisches Lied / Italien Song / Chant italien (op. 117/31)
Hiller Ferdinand von: Polnisches Lied / Polish Song / Chant polonaise (op. 117/18)
Hiller Ferdinand von: Russisches Lied / Russian Song / Chant russe (op. 117/26)
Hiller Ferdinand von: Fandango (op. 117/28)
Hiller Ferdinand von: Ballade (op. 117/16)
Hiller Ferdinand von: Schlummerlied / Slumber Song / Berceuse (op. 66/I/2)
Hiller Ferdinand von: Lied / Song (op. 66/II/2)€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Bach – Notebook of Anna Magdalena
The 1725 Notebook of Anna Magdalena Bach is chiefly famous for pieces such as the two minuets in G major and G minor (Nos. 4 and 5 in the present collection) and the Aria di Giovannini. These three, indeed the majority of the pieces, were not composed by J. S. Bach but by other, often fairly unknown musicians. Though begun by her husband, Anna Magdalena Bach compiled the Notebook for her own domestic use. A definite asset to the collection is the Suite de Clavecin by Christian Petzold, organist at the Dresden court, which contains the two minuets mentioned above.
Komponist unbekannt: Menuet (BWV Anh. 113)
C. Petzold: Menuet (BWV Anh. 114)
C. Petzold: Menuet (BWV Anh. 115)
F. Couperin: Rondeau (Les Bergeries) (BWV Anh. 183)
Komponist unbekannt: Menuet (BWV Anh. 116)
Polonoise (BWV Anh. 117a)
Polonoise (BWV Anh. 117b)
Polonoise (BWV Anh. 119)
J.S. Bach: Choral (Wer nun den lieben Gott lässt walten) (BWV 691)
Gib dich zufrieden und sei stille (BWV 510-512)
Komponist unbekannt: Menuet (BWV Anh. 120)
Menuet (BWV Anh. 121)
C.P.E. Bach: Marche (BWV Anh. 122
Polonoise (BWV Anh. 123)
Marche (BWV Anh. 124)
Polonoise (BWV Anh. 125)
J.G.H. Bach?: Aria (So oft ich meine Tobackspfeife) (BWV 515)
Menuet fait par Mons. Böhm
Komponist unbekannt: Musette (BWV Anh. 126)
C.P.E. Bach: Marche (BWV Anh. 127)
Komponist unbekannt: Polonoise (BWV Anh. 128)
G.H. Stölzel: Bist du bei mir (Fassung für Singstimme und Tasteninstrument) (BWV 508)
Bist du bei mir (Fassung für Tasteninstrument) (BWV 508) -J.S. Bach: Aria (BWV 988/1)
C.P.E. Bach: Solo per il Cembalo (BWV Anh. 129)
J.A. Hasse: Polonoise (BWV Anh. 130)
J.S. Bach: Praeludium (BWV 846/1)
Komponist unbekannt: Warum betrübst du dich (BWV 516)
J.S. Bach: Rezitativo und Aria (aus BWV 82)
Komponist unbekannt: Schaf’s mit mir, Gott (BWV 514)
Komponist unbekannt: Menuet (BWV Anh. 132)
Aria di Giovannini (BWV 518)
J.S. Bach: Choral (BWV 299)
Choral (Notation für Tasteninstrument) (BWV 299)
Choral (BWV 299)
Komponist unbekannt: Wie wohl ist mir (BWV 517)
Aria (BWV 509)
O Ewig, du Donnerwort (BWV 513) (Bass: J.S. Bach)
Anhang: C. Petzold: Suite de Clavecin: Prélude
Allemande
Courante
Sarabande
Bourrée
Menuet alternativement
Menuet 2
Gigue
Passepied alternativement
Trio€18,90€21,00Bach – Notebook of Anna Magdalena
€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Beethoven – Concerto for Piano and Orchestra No.3 C-moll Op.37
Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface – by Beethoven scholar Hans-Werner Küthen – concludes with valuable information about the edition.€35,40€39,30Διαθέσιμο σε 1-3 ημέρες
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Schumann – Sonata g-Moll Op.22
“I am endlessly looking forward to the second sonata”, thus Clara wrote to Robert in 1838, “Your whole being is so clearly expressed in it.” Nonetheless, she encouraged him to revise the last movement in the same letter, which provided the composition with a completely new finale. The first two movements were also reworked several times. The editor assiduously provides information on the complicated genesis of the work in this new edition. The musical text is not only followed by the original final movement, which is musically and pianistically very demanding but also the model for the second movement: Schumann made an arrangement of one of his own songs (“In the Autumn”) for the piano.?€27,60€30,60Schumann – Sonata g-Moll Op.22
€27,60€30,60Διαθέσιμο σε 1-3 ημέρες
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Beethoven – Complete Bagatelles
Whenever one speaks about Beethoven’s piano music, it is usually his sonatas that come to mind. However, his other works for this instrument are of no less significance.
Thus it is not a coincidence that Beethoven published the majority of his Bagatellen with an opus number, as this went hand in hand with a certain regard for the pieces in question: they represent Beethoven’s lighter, more accessible side, disproving his all too hastily attributed reputation as a master of the weighty and serious.
Bagatelle c minor WoO 52
7 Bagatelles op. 33
Bagatelle E flat major op. 33,1
Bagatelle C major op. 33,2
Bagatelle F major op. 33,3
Bagatelle A major op. 33,4
Bagatelle C major op. 33,5
Bagatelle D major op. 33,6
Bagatelle A flat major op. 33,7
Bagatelle C major WoO 56
11 new Bagatelles op. 119
Bagatelle g minor op. 119,1
Bagatelle C major op. 119,2
Bagatelle D major op. 119,3
Bagatelle A major op. 119,4
Bagatelle c minor op. 119,5
Bagatelle G major op. 119,6
Bagatelle C major op. 119,7
Bagatelle C major op. 119,8
Bagatelle a minor op. 119,9
Bagatelle A major op. 119,10
Bagatelle B flat major op. 119,11
6 Bagatelles op. 126
Bagatelle G major op. 126,1
Bagatelle g minor op. 126,2
Bagatelle E flat major op. 126,3
Bagatelle b minor op. 126,4
Bagatelle G major op. 126,5
Bagatelle E flat major op. 126,6€21,60€24,00Beethoven – Complete Bagatelles
€21,60€24,00Διαθέσιμο σε 1-3 ημέρες
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Beethoven – Bagatelle a-moll WoO 59 (Für Elise)
There are probably very few piano students who have not tried their hand at this piece; it is undeniably one of the most popular classical piano pieces today. And yet unanswered questions still remain. They not only concern details in the musical text but also its famous nickname: Is “Elise”, the reading in the dedication in the autograph, even actually correct? Or should it read “Therese”?
And whom might Beethoven have actually meant? The most recent findings with regard to these questions are documented in our Henle Urtext edition. The revised musical text is now being published in advance of the long-awaited volume “Piano Pieces” in the Complete Edition, prepared by the Beethoven scholar Joanna Cobb Biermann.€6,20€6,90Διαθέσιμο σε 1-3 ημέρες
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Orchester Probespiel, Test Pieces for orchestral Auditions
In Orchestern und an den ausbildenden Hochschulen besteht seit langem Bedarf an einer praktischen und leicht zugänglichen Ausgabe der beim Probespiel vorgelegten Orchesterstellen. Der Inhalt dieses Heftes geht zurück auf Anregungen des Deutschen Musikrates und basiert auf statistischen Erhebungen der Deutschen Orchestervereinigung e.V. (DOV) sowie auf der langjährigen Berufserfahrung der Herausgeber als Orchestermusiker und Hochschulpädagogen.
Auf der gesondert erhätlichen CD sind die jeweiligen Werkausschnitte (Instrument mit Orchester) enthalten.
TUTTISTELLEN: L.v. Beethoven: Sinfonie Nr. 3 Es-Dur op. 55 (“Eroica”), 3. und 4. Satz
L.v. Beethoven: Sinfonie Nr. 5 c-Moll op. 67, 2. und 3. Satz
L.v. Beethoven: Sinfonie Nr. 9 d-Moll op. 125, 4. Satz
A. Berg: Wozzeck, 2. Akt
J. Brahms: Sinfonie Nr. 2 D-Dur op. 73, 4. Satz
A. Bruckner: Sinfonie Nr. 4 Es-Dur (“Romantische”), 4. Satz
A. Bruckner: Sinfonie Nr. 6 A-Dur, 1. Satz
A. Bruckner: Sinfonie Nr. 7 E-Dur, 1. und 4. Satz
W.A. Mozart: Sinfonie Nr. 40 g-Moll KV 550, 1. und 4. Satz
W.A. Mozart: Sinfonie Nr. 41 C-Dur (“Jupiter”) KV 551, 4. Satz
W.A. Mozart: Die Hochzeit des Figaro KV 492, Ouvertüre
W.A. Mozart: Die Zauberflöte KV 620, Ouvertüre
F. Schubert: Sinfonie Nr. 8 C-Dur, 3. und 4. Satz
B. Smetana: Die verkaufte Braut, Ouvertüre
R. Strauss: Till Eulenspiegels lustige Streiche op. 28
R. Strauss: Don Juan op. 20
R. Strauss: Ein Heldenleben op. 40
R. Strauss: Salome op. 54, 4. Szene
R. Strauss: Der Rosenkavalier op. 59, 2. Aufzug
G. Verdi: Rigoletto, 1. Akt, Nr. 1 (Chor)
G. Verdi: La Traviata, 1. Akt, 4. Szene; 2. Akt, 2.,7.und 8. Szene
G. Verdi: Die Macht des Schicksals, Ouvertüre
G. Verdi: Aida, 4. Akt
G. Verdi: Othello, 4. Akt
G. Verdi: Falstaff, 3. Akt, 1. Teil
R. Wagner: Die Meistersinger von Nürnberg, 1. Akt, 3. Szene; 2. Akt, 7. Szene (“Prügelszene”)
R. Wagner: Die Walküre, 1. Akt, Vorspiel, 1. und 2. Szene; 2. Akt, Vorspiel, 1. und 5. Szene; 3. Akt, 1. Szene
R. Wagner: Siegfried, 2. Akt, 3. Szene; 3. Akt, Vorspiel
C.M.v. Weber: Der Freischütz op. 77, Ouvertüre
C.M.v. Weber: Euryanthe op. 81, Ouvertüre
C.M.v. Weber: Oberon, Ouvertüre
SOLOSTELLEN: A. Berg: Wozzeck, 3. Akt
A. Berg: Lulu, 1. Akt, Prolog; 2. Akt, 1. Szene
K.A. Hartmann: Sinfonie Nr. 3, Anfang, Largo ma non troppo
G. Mahler: Sinfonie Nr. 1 D-Dur, 3. Satz
H. Pfitzner: Palestrina, 1. Akt, 3. u. 5. Szene
R. Strauss: Ariadne auf Naxos op. 60, 2. Akt
I. Strawinsky: Pulcinella-Suite, 7. Akt
G. Verdi: Rigoletto, 1. Akt, Nr. 3 (Duetto)
B.A. Zimmermann: Die Soldaten, 3. Akt, 4. Szene€34,20€38,00Διαθέσιμο σε 1-3 ημέρες
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Say – Violin Concerto, “1001 Nights In The Harem”
My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazades One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds.As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments.As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion. Faz?l Say
I Allegro · Cadenza
II Allegro assai · Cadenza
III Andantino
IV (ohne Satzbezeichnung) · Coda (Andantino)€49,40€54,80Say – Violin Concerto, “1001 Nights In The Harem”
€49,40€54,80Διαθέσιμο σε 1-3 ημέρες
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Baroque Keyboard Anthology
J.-P. Rameau: Menuet en Rondeau
C. de Seixas: Minuete
H. Purcell: Prelude
H. Purcell: Minuet
H. Purcell: A New Irish Tune
J.C.F. Fischer: Praeludium harpeggiato
J. Blow: Gavot
Anonymous: Musette
G.F. Händel: Impertinence
J. Barrett: Minuet
G.F. Händel: Sarabande
N. Pasquali: Air from Judas Macchabeus
D. Buxtehude: Saraband
C. Balbastre: Joseph est bien marié
J.P. Kirnberger: Minuetto in Contrap, alla 8
Durocher: Prelude
Durocher: La Joyeuse
Durocher: Tamborin
A.H. Wenck: Andante
G.P. Telemann: Fantasie D Major TWV 33:14 (Gravement
Gayment
Allegrement)
D. Scarlatti: Sonata K. 322
F. Couperin: Le Petit-Rien€23,40€26,00Baroque Keyboard Anthology
€23,40€26,00Διαθέσιμο σε 1-3 ημέρες
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€23,50
€26,10Διαθέσιμο σε 1-3 ημέρες
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Shostakovich – Three Fantastic Dances
These three piano miniatures composed in 1920 present an early Shostakovich and his interpretation of different traditional dance styles from a contemporary perspective. There is much of Shostakovich’s familiar lively rhythms and unusual harmonies in these youthful pieces, as well as his fascination with folk forms and melodies which would characterise many of his later works.
3 Fantastic Dances Op.5€17,00€18,90Shostakovich – Three Fantastic Dances
€17,00€18,90Διαθέσιμο σε 1-3 ημέρες
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Nelson – The Essential String Method, Double Bass Vol.3
The award-winning Essential String Method offers an exciting advance in teaching stringed instruments, integrating musical awareness, creativity and technical development from the outset. Making their way through the series, pupils encounter an attractive selection of new tunes and arrangements on which to build their repertoire.
The material is presented as a logical progression of musical activities involving the instrument and the voice. These make learning fun and are easily incorporated into instrumental lessons, simultaneously developing the pupil’s technical and musical abilities while reinforcing aspects of the school music curriculum.
Developed by leading string teachers, The Essential String Method provides a proven framework that draws on recognised concepts in good teaching practice, laying reliable foundations for future musical development.
The edition is part of the Trinity syllabus 2007 (grade 1).
Carnival Waltz (Elliott)
Conversation Piece (JS Bach arr Nelson)
Doodle Day (Elliott)
Fly like a Bird (Nelson)
Grandfather’s Clock (Elliott)
Hatikvah (Elliott)
High Jump (Nelson)
I have a Bonnet (Nelson)
Jiggy Jessie (Howard)
John Grumlie (Elliott)
Lament (Thorne)
Marching Scale (York)
Marmaduke Mackenzie (Nelson)
Michael Finnegan (Nelson)
New Waltz Variations (Nelson)
Pease Pudding Hot (Nelson)
Poor Old John (Nelson)
Reeling Around (Nelson)
Shortnin’ Bread (Nelson)
Snakes & Ladders (Elliott)
Swinging Scale (York)
This Old Man (Elliott)
Tree Swing (Nelson)
Turkey in the Straw (Nelson)
Turn the Glasses Over (Nelson)
Waltzing Scale (York)
Whirlpool (Nelson)€29,10€32,30Διαθέσιμο σε 1-3 ημέρες
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Nelson – The Essential String Method, Double Bass Vol.2
The edition is part of the ABRSM Summer 2006 syllabus (grade 1) and of the Trinity syllabus 2007 (grade initial).
A complete course for individual and group teaching.
Sheila Nelson’s award-winning teaching approach available in a clearly structured progressive method covering preliminary to grade three in all stringed instruments.
The Essential String Method – Double Bass Book 2 develops the pupil as a musician as well as an instrumentalist through an integrated programme of games, activities, songs and pieces.
Developed by Double Bassist, Cathy Elliott.
Cowboy Chorus (Nelson)
Cuckoo Round (Elliott)
Dancing Partners (Elliott)
Echo Duet (Nelson)
Fed Up (Nelson)
Frere Jacques
Goosey Goosey Gander (Elliott)
Have a Good Time (Nelson)
Hurricane Bill (Elliott)
I am a River (Nelson)
Kangaroo Dance (Elliott)
Lavender’s Blue (Elliott)
Let’s Have a Holiday (Elliott)
Magic Polka (Nelson)
March of the Alligators (Elliott)
Marching Scale (Nelson)
Mix-and-Match (Elliott)
Moravian Carol (Nelson)
Old MacDonald (Nelson)
On the Beat (Elliott)
Rondo Duo (Elliott)
Seesaw (Elliott)
Sombreros (Elliott)
Swan Song (Elliott)
There’s a hole in my Bucket (Elliott)
Ticking Clocks (Elliott)
Twinkle Duet (Elliott)
Two Little Blackbirds (Elliott)
Waltzing Scale (York)€29,10€32,30Διαθέσιμο σε 1-3 ημέρες
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Music Nomad MN800 Fret Shield-Protector F-25,50″ Fret Scale
Δεν υπάρχει τίποτα καλύτερο από την ηρεμία και την εξοικονόμηση χρόνου και χρημάτων. Το Fret Shield της MusicNomad θέτει ένα νέο υψηλότερο πρότυπο για την απόλυτη προστασία της ταστιέρας όταν εκτελείτε εργασίες με τάστα, όπως στίλβωση, λιμάρισμα και στρογγύλεμα τάστων.Πείτε “ΟΧΙ” στην μπλε ταινία με το επαναχρησιμοποιούμενο σχέδιό μας που τοποθετείται σε δευτερόλεπτα, προστατεύει πλήρως χωρίς να καταστρέφει την ταστιέρα. Ο υψηλής ποιότητας ανοξείδωτος χάλυβας μας έχει το τέλειο πάχος 0,008″ (.20mm), χρησιμοποιεί μια διαδικασία κατασκευής ακριβείας χωρίς γρέζια και αφήνει όλες τις άκρες λείες και στρογγυλεμένες. Οι καινοτόμες διαμορφωμένες πτυσσόμενες άκρες μας επιτρέπουν στα λαστιχάκια που περιλαμβάνουμε να συγκρατούν το Fret Shield στη θέση του με ασφάλεια και να διατηρούν τα λαστιχάκια κάτω από την επάνω επιφάνεια για να μην τα καταστρέφουν κατά τη διαδικασία στίλβωσης. Τα Fret Shields διατίθενται στα πιο δημοφιλή μεγέθη Fret Scale και περιλαμβάνουν ακόμη και μια βολική τρύπα για κρέμασμα. Είτε η ταστιέρα σας είναι από φινιρισμένο σφενδάμι είτε από ακατέργαστο παλίσανδρο με ένθετα, η ταστιέρα σας θα σας ευχαριστήσει για την προστασία της. Αυτή είναι η ποιότητα της MusicNomad – που ανεβάζει τον πήχη στη φροντίδα του εξοπλισμού.
Ενδίκνονται για ταστίερες με κλίμακα 25.5″ όπως: FENDER® (Strat, Tele, Squier), TAYLOR®, IBANEZ®, CHARVEL®, ESP®, JACKSON®, KRAMER®, SCHECTER®, PRS® Silver Sky and STEINBERGER®.€74,00€85,00Διαθέσιμο σε 1-3 ημέρες
