Προϊόντα

  • Chopin – Complete Preludes, Nocturnes & Waltzes

    This volume includes all of Chopin’s 26 preludes, 21 nocturnes and 19 waltzes. It features a biography of the composer, notes on the individual genres, and pieces that surfaced after Joseffy’s time-honored editions were initiallypublished. Contents: 24 Preludes, Op. 28 · Prelude in C-sharp minor, Op. 45 · Prelude in A-flat Major, B. 86 · 3 Nocturnes, Op. 9 · 3 Nocturnes Op. 15 · 2 Nocturnes, Op. 27 · 2 Nocturnes, Op. 32 · 2 Nocturnes, Op. 37 · 2Nocturnes, Op. 48 · 2 Nocturnes, Op. 55 · 2 Nocturnes, Op. 62 · Nocturne in E minor, Op. 72, No. 1 · Nocturne in C-sharp minor, B. 49 · Nocturne in C minor, B. 108 · Grand Valse Brillante in E-flat Major, Op. 18 · 3 Waltzes, Op.34 · Waltz in A-flat Major, Op. 42 · 3 Waltzes, Op. 64 · 2 Waltzes, Op. 69 · 3 Waltzes, Op. 70 · Waltz in E Minor, B. 56 · Waltz in E Major, B. 44 · Waltz in A-flat Major, B. 21 · Waltz in E-flat Major, B. 46 · Waltz in E-flatMajor, B. 133 · Waltz in A minor, B. 150
    Prelude, Op. 28, No. 20
    Prelude, Op. 28, No. 7
    Nocturne, Op. 55, No. 1
    Nocturne, Op. 37, No. 1
    Waltz, Op. 70, No. 2
    Waltz In D-Flat Major, Op. 70, No. 3
    Waltz No. 14, Op. Posthumous, In E Minor
    Waltz In D-Flat Major, Op. 64, No. 1 (‘Minute Waltz’)
    Nocturne, Op. 27, No. 2
    Nocturne, Op. 27, No. 1
    Grand Valse Brillante In E-Flat Major, Op. 18
    Nocturne In C Minor, Kk. Ivb, No. 8
    Prelude, Op. 28, No. 9
    Nocturne, Op. 9, No. 1
    Nocturne, Op. 15, No. 2
    Nocturne, Op. 32, No. 2
    Prelude, Op. 28, No. 2
    Prelude, Op. 28, No. 13
    Prelude, Op. 28, No. 17
    Prelude, Op. 28, No. 21
    Prelude, Op. 28, No. 3
    Prelude, Op. 28, No. 5
    Prelude, Op. 28, No. 8
    Prelude, Op. 28, No. 10
    Prelude, Op. 28, No. 11
    Prelude, Op. 28, No. 12
    Prelude, Op. 28, No. 1
    Prelude, Op. 28, No. 14
    Prelude, Op. 28, No. 16
    Prelude, Op. 28, No. 18
    Prelude, Op. 28, No. 19
    Prelude, Op. 28, No. 23
    Prelude, Op. 28, No. 24
    Prelude In A-Flat Major, Kk. Ivb, No. 7
    Waltz No. 15, Op. Posthumous, In E Major
    Waltz In E-Flat Major, B. 46
    Waltz In E-Flat Major, B. 133
    Nocturne No. 20 In C-Sharp Minor (Posth).
    Prelude, Op. 45
    Waltz In A-Flat Major, B. 21 (Posth)
    Nocturne, Op. 48, No. 2
    Nocturne, Op. 72, No. 1
    Waltz, Op. 34, No. 3
    Waltz, Op. 64, No. 3
    Waltz, Op. 70, No. 1
    Waltz, Op. 69, No. 2
    Nocturne, Op. 9, No. 3
    Nocturne, Op. 15, No. 1
    Nocturne, Op. 48, No. 1
    Nocturne, Op. 55, No. 2
    Nocturne, Op. 62, No. 1
    Nocturne, Op. 62, No. 2
    Valse Brillante, Op. 34, No. 1
    Waltz, Op. 42
    Nocturne, Op. 15, No. 3
    Nocturne, Op. 32, No. 1
    Nocturne, Op. 37, No. 2
    Prelude In D-Flat Major, Op. 28, No. 15 ‘Raindrop’
    Nocturne, Op. 9, No. 2
    Prelude In E Minor, Op. 28, No. 4
    Prelude, Op. 28, No. 6
    Prelude, Op. 28, No. 22
    Waltz, Op. 34, No. 2
    Waltz, Op. 64, No. 2
    Waltz, Op. 69, No. 1

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  • Rockschool Classical Keys, Debut & Online Audio (2021)

    The essential syllabus for the aspiring, contemporary keyboardist. Keys Debut will provide you with everything you need for your Debut exam, including a diverse range of repertoire, a truly innovative range of supporting tests and a vast array of professionally recorded backing tracks and audio examples.
    Bill Withers – ‘Ain’t No Sunshine’
    Bob Marley & the Wailers – ‘One Love/People Get Ready’
    Celine Dion & Peabo Bryson – ‘Beauty and the Beast’
    Emeli Sandé – ‘Next To Me’
    John Lennon – ‘Imagine’
    The Killers – ‘Mr Brightside’

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  • Ernie Ball 5363 Tangerine Blossom Jacquard

    Το νούμερο ένα στον κόσμο λουρί κιθάρας τώρα σε ένα νέο κομψό σχεδιασμό, που διαθέτει κεντημένο σχέδιο Tangerine Blossom το οποίο καταλήγει σε δέρμα. Ανθεκτικό αλλά και άνετο κατασκευασμένο από πλέγμα πολυπροπυλένιου, θα σας προσφέρει κομψότητα, άνεση αλλά και σιγουριά.

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  • Ernie Ball 5362 White Blossom Jacquard

    Το νούμερο ένα στον κόσμο λουρί κιθάρας τώρα σε ένα νέο κομψό σχεδιασμό, που διαθέτει κεντημένο σχέδιο White Blossom το οποίο καταλήγει σε δέρμα. Ανθεκτικό αλλά και άνετο κατασκευασμένο από πλέγμα πολυπροπυλένιου, θα σας προσφέρει κομψότητα, άνεση αλλά και σιγουριά.

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  • Ernie Ball 5361 Western Rose Jacquard

    Το νούμερο ένα στον κόσμο λουρί κιθάρας τώρα σε ένα νέο κομψό σχεδιασμό, που διαθέτει κεντημένο σχέδιο Western Rose το οποίο καταλήγει σε δέρμα. Ανθεκτικό αλλά και άνετο κατασκευασμένο από πλέγμα πολυπροπυλένιου, θα σας προσφέρει κομψότητα, άνεση αλλά και σιγουριά.

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  • Ernie Ball 5360 Pleasant Pheasant Jacquard

    Το νούμερο ένα στον κόσμο λουρί κιθάρας τώρα σε ένα νέο κομψό σχεδιασμό, που διαθέτει κεντημένο σχέδιο Pleasant Pheasant το οποίο καταλήγει σε δέρμα. Ανθεκτικό αλλά και άνετο κατασκευασμένο από πλέγμα πολυπροπυλένιου, θα σας προσφέρει κομψότητα, άνεση αλλά και σιγουριά.

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  • Ernie Ball 5359 Lavender Rose Jacquard

    Το νούμερο ένα στον κόσμο λουρί κιθάρας τώρα σε ένα νέο κομψό σχεδιασμό, που διαθέτει κεντημένο σχέδιο Lavender Rose το οποίο καταλήγει σε δέρμα. Ανθεκτικό αλλά και άνετο κατασκευασμένο από πλέγμα πολυπροπυλένιου, θα σας προσφέρει κομψότητα, άνεση αλλά και σιγουριά.

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  • Ernie Ball 5358 Tangerine Rose Jacquard

    Το νούμερο ένα στον κόσμο λουρί κιθάρας τώρα σε ένα νέο κομψό σχεδιασμό, που διαθέτει κεντημένο σχέδιο Tangerine Rose το οποίο καταλήγει σε δέρμα. Ανθεκτικό αλλά και άνετο κατασκευασμένο από πλέγμα πολυπροπυλένιου, θα σας προσφέρει κομψότητα, άνεση αλλά και σιγουριά.

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  • Shostakovich – Waltz No.2

    Possibly one of Shostakovich’s most famous and best-loved tunes, the Waltz from his Suite for Variety Orchestra has appeared in many arrangements. Simple, yet engaging, it’s always an audience pleaser and David Brooker has provided some new versions for string players.

    Shostakovich – Waltz No.2

    15,0016,70

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  • Beethoven – Sonatas for Piano and Violin, Vol.2

    Ludwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer can observe with fascination how Beethoven refashions, and varies, the principles of sonata form in each work.
    What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven’s original notation is reproduced in strict conformity with these models, vividly elucidating the musical relationships desired by the composer.
    Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethoven’s violin sonatas.
    Sonate A-dur op. 30,1
    Sonate c-moll op. 30,2
    Sonate G-dur op. 30,3
    Sonate [Kreutzersonate] A-dur op. 47
    Sonate G-dur op. 96

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  • Bach – Little Preludes and Fughes

    This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them.
    If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them; you will then immediately see that they are real gems. Incidentally, all of Bach’s piano works are available from Henle both with and without fingerings.
    Little Preludes from the “Pianobook” for W.F. Bach BWV 924-928, 930, 931
    6 Little Preludes for Beginners on Piano BWV 933-938
    6 Little Preludes BWV 939-943, 999
    Fughetta c minor BWV 961
    Fugue C major BWV 952
    Fugue C major BWV 953
    Prelude G major BWV 902a
    Fughetta BWV 902
    Prelude and Fughetta d minor BWV 899
    Prelude and Fugue e minor BWV 900
    Prelude and Fugue a minor BWV 895

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  • Piano music by female composers

    Female composers have made their way in the face of prejudice and opposition. For a long time the prejudice prevailed that women lack the requisite creative talent to compose great music. It is indeed true that women have been less active in the field of musical composition than their male contemporaries, but reasons for this are found in the social circumstances of the recent past:
    In the late eighteenth and nineteenth centuries, the ages of the Enlightenment and the flowering of great achievement in music, women were denied the education and encouragement which would have made individual accomplishment possible beyond the limits of domestic music-making. In spite of these hindrances there were highly gifted women who overcame the hurdles and were able to prove their talent for composition. Of course these belonged to the wealthy middle and upper classes, or were women from musical families who were able to receive a thorough training.
    This selection, comprising 19 female composers from eight countries, cannot claim to be completely representative, both because it is limited to the period from the eighteenth century to the present, and because there is, as yet, no systematic catalogue of the autographs and printed editions in archives and libraries. But our editors are happy that this publication is worthwhile and justified, and that each of the pieces can speak for itself.
    Women will in future pursue musical composition amid a manifest change in society’s view of women and its attitude towards them.
    Vorwort
    Zu den Komponistinnen
    Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau
    Marianne Matinez (1744-1812): Sonate No. 3
    Maria Szymanowska (1789-1831): Nocturne
    Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4
    Clara Schumann (1819-1896): Andante con sentimento
    Louise Farrenc (1804-1875): Impromptu
    Cécile Chaminade (1857-1944): Pierrette, op. 41
    Ilse Fromm-Michaels (1888-1986): Langsamer Walzer
    Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein
    Lotte Backes (1901-1987): Slow
    L.ili Boulanger (1893-1918): D’ un vieux jardin
    Priaulx Rainier (1903-1986): Barbaric Dance
    Elizabeth Lutyens (1906-1983): Two Bagatelles
    Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil
    Verdina Shlonsky (1913-1990): Introduction
    Ivana Loudova: 2 Stücke (Dornröschen
    Wiegenlied)
    Barbara Heller (*1936): Piano Muziek
    Böhmisches Lied
    Susanne Erding (*1955): Chillan
    Johanna Senfter (1879-1961): Erster Schmerz
    Vogelweise

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