Προϊόντα

  • Tschaikowsky – Easy Pieces

    Traumerei (“Youth Album”)
    Kamarinskaya
    Song (“Snow White”)
    Song of the Bards (“Maid of Orleans”)
    March (“The Nutcracker”)
    Pas de caractère (“Sleeping Beauty”)
    Dance of the Girls (“Snow White”)
    Russian dance (“Opritchnik”)
    Russian song
    Scène (“Swan Lake”)
    Dance of the pages and dwarves (“The Maid of Orléans”)
    Traumerei (“Youth Album”)

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  • Haydn – Concerto In D Major

    Haydn’s famous Concerto In D for Flute and Piano.Part of the ABRSM Flute Gtrade 7 Syllabus.

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  • Beethoven – Piano Sonatas, Vol. 1

    The two-volume Henle Urtext edition of Beethoven’s piano sonatas (HN 32 and HN 34) has established itself over the decades as the standard and reference edition among pianists worldwide.
    After its publication in the early 1950s, under the responsibility of the Munich musicologist Bertha Antonia Wallner – with the support of the Bonn Beethoven Archive – this outstanding edition was quickly recognized by the pianist world as setting a benchmark. The decades of hard practical testing led to improvements and refinements, so that today this Henle Urtext edition of Beethoven’s piano sonatas is considered an undisputed reference.
    The printed fingerings of the pianist and important piano teacher Conrad Hansen are considered an important suggestion for solving technical-musical problems: “as few but advanced fingerings as possible” (Hansen).
    Alternatively, G. Henle Verlag offers the Beethoven sonatas in the printed Urtext without any fingering (HN 1032 and HN 1034), as well as a pocket score in the Study Edition series (HN 9032 and HN 9034). And in the digital edition of the “Henle Library” app, anyone interested can also find the sonatas, here combined with various subjective, selectable fingerings, namely by Eugen d’Albert, Claudio Arrau, Conrad Hansen and Artur Schnabel.
    Beethoven’s 32 piano sonatas present us with an almost inexhaustible wealth of pianistic-musical flights of fancy, mostly works that are very well-known in lessons, on stage and in recordings.
    Hans von Bülow emphasized the importance and value of Beethoven’s piano sonatas with his bon mot, they represented the “New Testament of Music”. These are deliberately the 32 sonatas with opus numbers; The 3 “Elector Sonatas” by the 13-year-old boy, WoO 47, are not considered to be part of the “New Testament”. These are available separately from Henle in Urtext (HN 255). G. Henle Verlag also offers each Beethoven sonata as a Urtext individual edition (printed or in the app).
    The characteristics of the Beethoven piano sonatas summarized in the Henle Urtext:
    Always up-to-date scientific-critical Urtext edition based on all available sources
    Music text optimizations as a result of ongoing commitment in musical practice
    All important information about text passages in footnotes on the sheet music page
    Unrivaledly beautiful and correct music image thanks to traditional hand engraving
    with fingering suggestions from Conrad Hansen (alternatives in the app)
    available in two anthologies with fingering, paperback or cloth
    available without fingering, paperback
    each sonata also available separately (printed and app)
    In order to meet the growing need for more annotated Urtext editions, but also to document the eminent Beethoven knowledge of one of the greatest living pianists of our time, Murray Perahia, G. Henle Verlag has been gradually publishing all Beethoven books for some time now. Sonatas in a parallel Urtext edition, the Perahia edition.
    Contents
    Sonata in F minor op. 2.1
    Sonata in A major op. 2.2
    Sonata in C major op. 2.3
    Sonata in E flat major op. 7
    Sonata in C minor op. 10.1
    Sonata in F major op. 10.2
    Sonata in D major op. 10.3
    Sonata [Pathétique] in C minor op. 13
    Sonata in E major op. 14.1
    Sonata in G major op. 14.2
    Sonata in B flat major op. 22
    Sonata in A flat major op. 26
    Sonata in E flat major op. 27.1
    Sonata (Moonlight Sonata) in C sharp minor op. 27.2
    Sonata [Pastorale] in D major op. 28

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  • Mozart – 12 Variations on “Ah, vous dirai-je Maman” Kv265

    Only very few works in the piano literature have become as popular as this theme with twelve variations. Mozart’s popularity began soon after his death, as evidenced by numerous handwritten copies and prints.
    There is no certain information about the circumstances of its origin. “Ah, vous dirai-je Maman” has now been conclusively dated to 1781. At that time, Mozart wanted to succeed as a prominent piano teacher in Vienna. His variations remain an excellent teaching work to this day.
    Our edition has been fundamentally revised and now also offers an extremely informative foreword by Mozart expert Ulrich Konrad. A facsimile of the work based on Mozart’s manuscript has also been published by Henle (HN 3213).

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  • Renate Bruce-Weber – Die fröhliche Violine Band 1(Package)

    At the violin school The Happy Violin, the focus is on having fun while learning: the textbook aims at a playful, early start with the instrument. As the lesson progresses, the growing students are then consciously addressed in a language that corresponds to their age development. This also includes a stylistically diverse range of pieces from classical and folklore, and all sorts of interesting facts about the music and its composers are always reported.
    Volume 1: Detailed introduction to the bow position – songs and pieces using only the first type of fingering, with a focus on rhythmic, melodic and bowing technique variety – playful exploration of violin playing techniques such as pizzicato, position playing, flageolet and double stops CD for volume 1 (T 3272). all songs and pieces, with funny dialogues spoken by children. A motivating addition to the lesson and a nice gift idea!
    The playbook is designed as a supplement to the first volume of the teaching work The Happy Violin. Therefore, all violin parts can be played in the 1st fingering to suit the violin school. Musically, however, the booklet goes far beyond the content of a first year of teaching, so that the pieces are also well suited to recapitulating familiar content.
    The pieces contain a wide variety of musical ideas and styles, from baroque to modern, from the shanty to the Japanese national anthem, from the light canon to the effective prelude piece.
    Contents
    Preface
    Welcome to violin lessons
    Visit to the violin maker
    The four strings
    The bow stance
    Eighth notes
    The left hand
    The first type of grip
    The flageolet
    sign
    Bound sheet music
    The first double stops
    Short notes
    Songs for special occasions
    Songs and plays:
    Evening song
    Ali ben Ule
    All of Alabama’s monkeys
    American gospel song
    Andulka
    To sing on rainy days
    Asian dream song
    Elevator
    From Beethoven’s Violin Concerto
    From the Peasant Cantata
    From the 9th Symphony
    Babushka’s Evening Song
    At the violin maker
    Bella Bimba
    movement game
    Brother Jacob
    Cantata Domino
    Chinese melody
    The dachshund drama
    The echo
    The sad child
    The excursion
    The hedgehog and the porcupine
    The Cuckoo and the donkey
    The night violinist
    The clever Purzel
    The snail
    The proud poodle
    The proud poodle – something different
    The old bridge
    The old bridge-somewhat changed
    The goose Agathe
    The Nightingale
    The snail mail
    English sea shanty
    English sea shanty (chorus)
    Finger climbing song 1
    Eve! Caroline!
    Carnival duet
    Holiday song
    French troubadour song
    Brother Jacques
    Happy violin piece
    Spring song
    Five scale tongue twisters
    birthday song
    Ghost music
    Good morning, Mr. Spielmann
    Hot, Kathreinerle
    Hey, hitch up the car
    Heijo, hitch up the car (canon)
    In the rocking chair
    Indian dance
    Joseph, dear Joseph my
    Canon from Israel
    Do you know this song?
    Little festival music
    Little finger exercise
    Little melody
    Small scale piece
    Cuckoo song
    Song of the Snake Charmer
    Song with the note B
    March for the Emperor of China
    Morning song
    musette
    Another climbing scale
    Another piece with double stops
    Oh joyful day
    O Savior, tear open the heavens
    Intermission piece
    polka
    Little rose, little rose
    String changing exercise
    Scottish March
    Scottish New Year’s Eve song
    swing dance
    Dance song
    Tim the piper
    I stepped outside the door today
    Trumpet fanfare
    Hungarian dance
    Good luck and many blessings
    Virtuoso piece
    From the sky above
    waltz
    what is that supposed to mean
    What is the little mouse dreaming about?
    Lullaby
    We climb up
    We’re calling everyone
    We play with and without breaks
    We practice the dotted rhythm
    We practice for the swing dance
    Miracle song
    Happy birthday
    At Easter
    Two small fifth pieces
    Playbook:
    Two pieces on open strings:
    Sunday walk
    Birthday rally
    Two canons:
    Autumn canon
    Spring canon
    Two songs from Israel:
    Love song (Hana’ava babanot)
    Praise to King David
    Two songs from Spain:
    Summer Song (Segador)
    The Shepherdess (La Pastoreta)
    Two sea shanties:
    Was once a small sailing boat
    My Bonnie is over the ocean
    Two pieces from the “Happy Violin”:
    Peasant Cantata (JS Bach)
    The night violinist
    Two pieces from the early baroque:
    Peasant Dance (M. Praetorius)
    Dance (M. Praetorius)
    Two pieces from the Baroque period:
    Little Hunting Music (G. Ph. Telemann)
    Variations on: “We have three cats” (Augsburger Tafelkonfekt)
    Two pieces from the 21st century:
    The scary cobra
    Dance of the earthworms
    Two songs from Australia:
    Moreton Bay
    The frigate Catalpa
    Two pieces for stage performances:
    Enter the contortionists
    Rondo after a Polish dance

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  • Dinicu – Hora Staccato

    23,0025,50

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  • Rachmaninoff – Corelli Variations Op.42

    Rachmaninoff wrote his well-known piano cycle in 1931, at a time when his great works for piano solo and the piano concertos had already made him very famous. Yet it is by no means the “work of an old man”. The composer’s variations on the theme “La folia” (taken from a sonata by Corelli) are like a series of fireworks on the piano. He once drily said to a friend, “All this mad running about is necessary in order to efface the theme”. Did Rachmaninoff succeed in silencing “la folia” – i.e. the “madness”? Why not see for yourself!

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  • Chopin – Complete Preludes, Nocturnes & Waltzes

    This volume includes all of Chopin’s 26 preludes, 21 nocturnes and 19 waltzes. It features a biography of the composer, notes on the individual genres, and pieces that surfaced after Joseffy’s time-honored editions were initiallypublished. Contents: 24 Preludes, Op. 28 · Prelude in C-sharp minor, Op. 45 · Prelude in A-flat Major, B. 86 · 3 Nocturnes, Op. 9 · 3 Nocturnes Op. 15 · 2 Nocturnes, Op. 27 · 2 Nocturnes, Op. 32 · 2 Nocturnes, Op. 37 · 2Nocturnes, Op. 48 · 2 Nocturnes, Op. 55 · 2 Nocturnes, Op. 62 · Nocturne in E minor, Op. 72, No. 1 · Nocturne in C-sharp minor, B. 49 · Nocturne in C minor, B. 108 · Grand Valse Brillante in E-flat Major, Op. 18 · 3 Waltzes, Op.34 · Waltz in A-flat Major, Op. 42 · 3 Waltzes, Op. 64 · 2 Waltzes, Op. 69 · 3 Waltzes, Op. 70 · Waltz in E Minor, B. 56 · Waltz in E Major, B. 44 · Waltz in A-flat Major, B. 21 · Waltz in E-flat Major, B. 46 · Waltz in E-flatMajor, B. 133 · Waltz in A minor, B. 150
    Prelude, Op. 28, No. 20
    Prelude, Op. 28, No. 7
    Nocturne, Op. 55, No. 1
    Nocturne, Op. 37, No. 1
    Waltz, Op. 70, No. 2
    Waltz In D-Flat Major, Op. 70, No. 3
    Waltz No. 14, Op. Posthumous, In E Minor
    Waltz In D-Flat Major, Op. 64, No. 1 (‘Minute Waltz’)
    Nocturne, Op. 27, No. 2
    Nocturne, Op. 27, No. 1
    Grand Valse Brillante In E-Flat Major, Op. 18
    Nocturne In C Minor, Kk. Ivb, No. 8
    Prelude, Op. 28, No. 9
    Nocturne, Op. 9, No. 1
    Nocturne, Op. 15, No. 2
    Nocturne, Op. 32, No. 2
    Prelude, Op. 28, No. 2
    Prelude, Op. 28, No. 13
    Prelude, Op. 28, No. 17
    Prelude, Op. 28, No. 21
    Prelude, Op. 28, No. 3
    Prelude, Op. 28, No. 5
    Prelude, Op. 28, No. 8
    Prelude, Op. 28, No. 10
    Prelude, Op. 28, No. 11
    Prelude, Op. 28, No. 12
    Prelude, Op. 28, No. 1
    Prelude, Op. 28, No. 14
    Prelude, Op. 28, No. 16
    Prelude, Op. 28, No. 18
    Prelude, Op. 28, No. 19
    Prelude, Op. 28, No. 23
    Prelude, Op. 28, No. 24
    Prelude In A-Flat Major, Kk. Ivb, No. 7
    Waltz No. 15, Op. Posthumous, In E Major
    Waltz In E-Flat Major, B. 46
    Waltz In E-Flat Major, B. 133
    Nocturne No. 20 In C-Sharp Minor (Posth).
    Prelude, Op. 45
    Waltz In A-Flat Major, B. 21 (Posth)
    Nocturne, Op. 48, No. 2
    Nocturne, Op. 72, No. 1
    Waltz, Op. 34, No. 3
    Waltz, Op. 64, No. 3
    Waltz, Op. 70, No. 1
    Waltz, Op. 69, No. 2
    Nocturne, Op. 9, No. 3
    Nocturne, Op. 15, No. 1
    Nocturne, Op. 48, No. 1
    Nocturne, Op. 55, No. 2
    Nocturne, Op. 62, No. 1
    Nocturne, Op. 62, No. 2
    Valse Brillante, Op. 34, No. 1
    Waltz, Op. 42
    Nocturne, Op. 15, No. 3
    Nocturne, Op. 32, No. 1
    Nocturne, Op. 37, No. 2
    Prelude In D-Flat Major, Op. 28, No. 15 ‘Raindrop’
    Nocturne, Op. 9, No. 2
    Prelude In E Minor, Op. 28, No. 4
    Prelude, Op. 28, No. 6
    Prelude, Op. 28, No. 22
    Waltz, Op. 34, No. 2
    Waltz, Op. 64, No. 2
    Waltz, Op. 69, No. 1

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  • Rockschool Classical Keys, Debut & Online Audio (2021)

    The essential syllabus for the aspiring, contemporary keyboardist. Keys Debut will provide you with everything you need for your Debut exam, including a diverse range of repertoire, a truly innovative range of supporting tests and a vast array of professionally recorded backing tracks and audio examples.
    Bill Withers – ‘Ain’t No Sunshine’
    Bob Marley & the Wailers – ‘One Love/People Get Ready’
    Celine Dion & Peabo Bryson – ‘Beauty and the Beast’
    Emeli Sandé – ‘Next To Me’
    John Lennon – ‘Imagine’
    The Killers – ‘Mr Brightside’

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