Liszt’s reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the romantic repertoire.This superbly produced yet inexpensive two-volume edition presents all of Liszt’s etudes as edited by the great pianist, composer, and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and Härtel in Leipzig in 1910–11.This first volume, Series I, includes many of Liszt’s most inspired piano works. The Etude en 12 Exercises and the 12 Grandes Etudes can both be regarded as early versions of the Etudes d’ Exécution Transcendante (Transcendental Etudes). Each set is a highly successful work in its own terms, and both generally surpass the famous final version in difficulty. The separate “Mazeppa” is yet another working of one of the etudes from these sets. The individual etudes range dramatically in style from the delicate refinement of “Feux Follets” to the startling bravura of “Wilde Jagd” (both from the Transcendental Etudes). Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality.
Reprint of the Breitkopf & Härtel, Leipzig, 1910–1911 editions.
272 Pages

The present volume reproduces — directly from an authoritative Russian edition — the famous cycle of solo piano works that comprises a summa of Liszt’s pianistic achievement, representing the maturation of his style over a period of decades. The Années de Pèlerinage (Years of Pilgrimage) consists of the Première Année(Suisse); DeuxiemeAnnée (Italie) — including the formidable “Après une lecture du Dante” — and its supplement, Venezia e Napoli; and Troisième Année. Also included in this volume are a number of related pieces: “Lyon,” from Album d’un voyageur; the three pieces called Apparitions; the original version of Venezia e Napoli. In addition, new English translations of the Russian footnotes and of the editor’s preface have been provided. Printed in a sturdy, attractive, and inexpensive format, this rich cycle of masterly works for solo piano belongs in the library of every serious pianist or music lover.