Προϊόντα

  • Bach – Keyboard Arrangements of Works by Other Composers II

    #html-body [data-pb-style=UNVWGL7]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Bach, Johann SebastianKeyboard Arrangements of Works by Other Composers II BWV 978-984Seven concertos based on works by Vivaldi and others
    The three-part edition contains all of Bach’s arrangements of other composers’ compositions. The arrangements were probably commissioned by Prince Johann Ernst of Saxony-Weimar around 1713/1714. The concert arrangements are evidence of Bach’s intensive involvement with the then new Italian concert art and its leading exponent, Antonio Vivaldi.

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  • Agay – Classics to Moderns Vol.3

    #html-body [data-pb-style=CFI6H9N]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Μια επιλογή από πρωτότυπη μουσική για πιάνο όπως ακριβώς γράφτηκε από τους κορυφαίους συνθέτες τριών αιώνων. Η μουσική παρέχει στον πιανίστα ένα ρεπερτόριο που είναι ευχάριστο τόσο για τον παίκτη όσο και για τον ακροατή. Συγκέντρωση και επιμέλεια από τον Denes Agay. Κατάλληλο για πιανίστες από την τάξη 3-4.
    Songlist1. Bagatelle [Beethoven, Ludwig Van]2. Clowns [Kabalevsky, Dmitri]3. Ecossaise [Weber, Carl Maria Von]4. Evening In The Meadow [Rebikoff, Vladimir]5. First Loss [Schumann, Robert]6. Gymnopedie No.1 [Satie, Erik]7. Happy And Sad [Beethoven, Ludwig Van]8. La Charolaise [Couperin, Francois]9. Little Prelude In C [Bach, Johann Sebastian]10. Melody Ivan Sings [Khachaturian, Aram]11. Minuet [Haydn, Franz Joseph]12. Norwegian Dance [Grieg, Edvard]13. Old French Song [Tchaikovsky, Pyotr Ilyich]14. Peasant Song [Mendelssohn, Felix]15. Puppet’s Complaint [Franck, Cesar]
    16. Rigaudon [Handel, George Frideric]17. Rondo [Mozart, Wolfgang Amadeus]18. Sonata In G [Scarlatti, Domenico]19. The Mechanical Doll (Six Children’s Pieces) [Shostakovich, Dmitri]20. The Reaper’s Song Op.68 No.18 [Schumann, Robert]21. Waltz [Schubert, Franz]

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  • 123 Klavier Lehrekommentar, Heft 1 (German Edition)

    #html-body [data-pb-style=UV4655X]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Claudia Ehrenpreis (Composer) | Ulrike Wohlwender (Composer) | Claudia Ehrenpreis (Author)1 2 3 KLAVIER, Volume 1Μέθοδος Πιάνου για  2 – 8 Χέρια
    Η 1 2 3 KLAVIER είναι μια μέθοδος πιάνου σχεδιασμένη για παιδιά ηλικίας 6 έως 11 ετών, κατάλληλη για ατομικά, συνεργαζόμενα ή ομαδικά μαθήματα.

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  • 123 Klavier Lehrekommentar, Heft 2

    #html-body [data-pb-style=VTOCIEB]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Claudia Ehrenpreis (Composer) | Ulrike Wohlwender (Composer) | Claudia Ehrenpreis (Author)1 2 3 KLAVIER, Volume 2Μέθοδος Πιάνου για  2 – 8 Χέρια
    Η 1 2 3 KLAVIER είναι μια μέθοδος πιάνου σχεδιασμένη για παιδιά ηλικίας 6 έως 11 ετών, κατάλληλη για ατομικά, συνεργαζόμενα ή ομαδικά μαθήματα.
     

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  • The Joy Of 90’s Pop Hits

    #html-body [data-pb-style=QO5HA2J]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Fourteen charts hits arranged for piano solo.
    Arranged by Stephen Duro.
     
    Songlist
    Always – Bon Jovi
    …Baby One More Time – Britney Spears
    Common People – Pulp
    Don’t Look Back in Anger – Oasis
    I’d Do Anything for Love – Meatloaf
    Lovefool – The Cardigans
    No Matter What – Boyzone
    Perfect Moment – Martine McCutcheon
    Runaway – The Corrs
    Say You’ll Be There – Spice Girls
    She’s The One – Robbie Williams
    When You Say Nothing At All – Ronan Keating
    You Are Not Alone – Michael Jackson
    You’re Still The One – Shania Twain
     

    The Joy Of 90’s Pop Hits

    17,1019,00

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  • Scriabin – Piano Sonata no. 6 op. 62

    ALEXANDER SCRIABINPiano Sonata no. 6 op. 62
    A work of transcendent beauty and rich programmatic allusions, Skrjabin’s single-movement sixth Piano Sonata is a highly expressive product of the composer’s final outburst of piano music. This edition, by the renowned Skrjabin scholar Valentina Rubcova (Moscow), is based on the early printed editions and the composer’s virtually complete autograph manuscript.

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  • Scriabin – Piano Sonata no. 7 op. 64

    ALEXANDER SCRIABINPiano Sonata no. 7 op. 64
    Skrjabin called his seventh sonata “White Mass”, drawing attention to the mystical basis that is stamped on all his late works, including this one. He attempts here to translate into sound his ideal of a “mystery” – a “Gesamtkunstwerk” of artistic, theological and philosophical ideas. Its aim, as stated in his own words, is the raising up of the human spirit. No longer is the formal scaffolding of the work based principally around that of sonata form, but around the idea of “evolutionary development from chaos to ecstasy”. This edition is the first to be based on the autograph, which is today in a private collection in the USA.

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  • Scriabin – Piano Sonata no. 8 op. 66

    ALEXANDER SCRIABINPiano Sonata no. 8 op. 66
    In his last years, Skryabin realized a noble and great idea. Inspired by his study of theosophical writings, he dreamed of joining music, poetry, mime, architecture, light, colour and even aromas to create a “Gesamtkunstwerk”, and thus elevate human beings to a higher level of consciousness. This “Mysterium” was never completed, but his late piano sonatas – conceived as preliminary studies – enable us to see what moved Skryabin. He spent a particularly long time working on his eighth sonata and proofread it intensively; but later quite a few mistakes still found their way into it. Thanks to the autograph and the first edition, ambiguous passages have now been cleared up and corrected in our Urtext edition.

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  • Haydn – Complete Piano Sonatas Vol.3

    #html-body [data-pb-style=K7W57DH]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Joseph Haydn (Composer)Complete Piano Sonatas III
    Ανάμεσα στο εκτεταμένο έργο του Haydn είναι ένα σχεδόν ανεξάντλητο απόθεμα σονάτες για πιάνο. Με περισσότερα από 50 συνολικά έργα, αποτελούν ένα σημαντικό τμήμα της συνολικής παραγωγής του. Ένα από τα μεγάλα επιτεύγματα αυτού του συνθέτη είναι ότι σε αυτές τις σονάτες –όπως και σε πολλά άλλα είδη, όπως οι συμφωνίες και τα κουαρτέτα εγχόρδων– ο Haydn γεφυρώνει διαφορετικές στιλιστικές εποχές και βάζει τον θεμέλιο λίθο για την κλασική σονάτα για πιάνο.Ο τόμος III ξεχωρίζει για τα έντεκα αξιολάτρευτα και σημαντικά κομμάτια του. Πέντε από αυτά είναι σε δύο κινήσεις, συμπεριλαμβανομένης της Σονάτας που παίζεται συχνά σε σολ μείζονα Hob.XVI:40.Τα έντεκα κομμάτια είναι όλα αριστουργήματα, μεταξύ των οποίων η ελάσσονα Sonata Hob.XVI.34, η E-flat major Sonata Hob. XVI:49 και μια δεύτερη E-flat Major Sonata (γραμμένη στην Αγγλία), Hob. XVI:52, αξίζουν ιδιαίτερης προσοχής.
    Περιεχόμενα:
    Sonata D major Hob. XVI:33Sonata e minor Hob. XVI:34Sonata G major Hob. XVI:40Sonata B flat major Hob. XVI:41Sonata D major Hob. XVI:42Sonata A flat major Hob. XVI:43Sonata C major Hob. XVI:48Sonata E flat major Hob. XVI:49Sonata C major Hob. XVI:50Sonata D major Hob. XVI:51Sonata E flat major Hob. XVI:52

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  • Haydn – Complete Piano Sonatas Vol.2

    #html-body [data-pb-style=HNSVCLE]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Ανάμεσα στο εκτεταμένο έργο του Haydn, οι σονάτες για πιάνο αποτελούν έναν αστείρευτο θησαυρό. Με περισσότερες από 50 σονάτες, αυτές οι συνθέσεις καταλαμβάνουν ένα σημαντικό μέρος της συνολικής του δημιουργίας. Ένα από τα μεγαλύτερα επιτεύγματά του είναι η ικανότητά του να γεφυρώνει διαφορετικές στιλιστικές εποχές, τόσο στις σονάτες του όσο και σε άλλα μουσικά είδη, όπως οι συμφωνίες και τα κουαρτέτα εγχόρδων, καθιερώνοντας έτσι τα θεμέλια της κλασικής σονάτας για πιάνο.
    Ο Τόμος ΙΙ περιλαμβάνει τρεις σειρές από έξι σονάτες, που συνέβαλαν στη διάδοση του Χάιντν στο ευρύ κοινό, είτε μέσα από έντυπες εκδόσεις είτε μέσω επαγγελματικών αντιγράφων. Αυτές οι συλλογές, χρονολογούμενες από τη δεκαετία του 1770, περιέχουν μερικές από τις πιο γνωστές και αγαπημένες του σονάτες, όπως εκείνες σε Ντο μείζονα, Ρε μείζονα και Σολ μείζονα (Hob. XVI:35, 37 και 27).
    Ξεχωριστή θέση κατέχει η σονάτα σε Ντο ελάσσονα, Hob. XVI:20, η οποία κλείνει τη συλλογή. Με το έντονο πάθος και την εκφραστικότητά της, προαναγγέλλει την τολμηρή μουσική γλώσσα του Μπετόβεν, αποτελώντας μια από τις πλέον εμβληματικές σονάτες του Haydn.

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  • Busoni – Three Pieces

    #html-body [data-pb-style=J0H45JO]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Ferruccio Busoni (Composer) | Joachim Draheim (Editor)3 PiecesBusoni-Verz. 123, 196, 237 – Breitkopf Urtext

    Busoni – Three Pieces

    25,9028,80

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  • Smetana – Czech Dances

    Smetana, BedrichTschechische Tänze für Klavier
    “Czech Dances for Piano” are the last cycle, and at the same time, the high point in Bedrich Smetana’s works for piano. The impetus for the composition of this work for Smetana was probably the first series of “Slavonic Dances” by Antonin Dvorak.
    The volume contains the four polkas composed in 1877, with which Smetana completed his stylisation of the polka in masterly fashion, together with ten folk dances from 1879, with titles such as “ Furiant ”, “ Slepicka ” (Little Chicken), “ Oves ” (Oats), “ Medved ” (Bear), “ Cibulicka ” (Little Onion), “ Dupak ”, “ Hulan ” (Ulan), “ Obkrocak ” (Callipers), “ Sousedska ”, “ Skocna ” (Spring Dance).
    Behind these names are diverse, richly varied types of exuberant youths’ and lyrical girls’ dances. The cycle culminates in two group dances.
    – Tried and tested fingering by the editor- New foreword by Jarmila Gabrielova- (Czech, English, German )
     
    Content
    ·Predmluva·Edicní poznámka·Preface·Editor’s Notes·Vorwort·Anmerkung des Herausgebers·Ceské tance / Czech Dances / Tschechische Tänze:·Rada I / Series I / Reihe I:·Polka fis moll / Polka in F sharp minor / Polka fis-Moll·Polka a moll / Polka in A minor / Polka a-Moll·Polka F dur / Polka in F major / Polka F-Dur·Polka B dur / Polka in B flat major / Polka B-Dur·Rada II / Series II / Reihe II:·1. Furiant·2. Slepicka·3. Oves·4. Medved·5. Cibulicka·6. Dupák·7. Hulán·8. Obkrocák·9. Sousedská·10. Skocná
     
     

    Smetana – Czech Dances

    22,5025,00

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  • Smetana – Album Leaves

    Smetana, BedrichAlbum Leaves- Urtext based on the Complete Edition of Bedrich Smetana’s Piano Works- Tried and tested fingerings by the editor- New foreword by Jarmila Gabrielova (Cz/Eng/Ger)
    A further volume of Smetana’s piano works reveals the composer as creator of short, lyrical pieces – moments of repose, varied in character and style. The pieces were mostly written in the 1840s-50s with the intention of composing works using all 24 keys, something which Smetana ultimately did not fully realise. The composer prepared some of them for publication himself – the first six works were published in 1851 as “Album Leaves” op. 2, and others were issued later under the title “Sketches”, with the dedication “to Frau Clara Schumann in deepest admiration” (opp. 4–5, 1858). This edition contains a complete collection of pieces, also including occasional compositions and posthumously-published pieces. The music in the volume is based on the “Complete Edition of Bedrich Smetana’s Piano Works” and has been provided with fingering and pedalling suggestions by the pianist and Smetana interpreter Jan Novotny.
    Contents
    ·Lístky do památníku op. 2: / Stammbuchblätter op. 2: / Album Leaves Op. 2:·Prelude·Chanson·Lístek do památníku G dur / Stammbuchblatt G-Dur / Album Leaf in G major·Lístek do památníku e moll / Stammbuchblatt e-Moll / Album Leaf in E minor·Lístek do památníku D dur / Stammbuchblatt D-Dur / Album Leaf in D major·Lístek do památníku h moll / Stammbuchblatt h-Moll / Album Leaf in B minor·Lístky do památníku op. 3: / Stammbuchblätter op. 3: / Album Leaves Op. 3:·Robertu Schumannovi / An Robert Schumann / To Robert Schumann·Písen pocestneho / Wanderlied / The Wayfarer’s Song·Lístek do památníku cis moll / Stammbuchblatt cis-Moll / Album Leaf in C-sharp minor·Crty op. 4: / Skizzen op. 4: / Sketches Op. 4:·Preludium / Präludium / Prelude·Idyla / Idylle / Idyll·Vzpomínka / Erinnerung / Souvenir·Vytrvalá snaha / Beharrliches Streben / Persistent Endeavour·Crty op. 5: / Skizzen op. 5: / Sketches Op. 5:·Scherzo-polka·Zádumcivost / Schwermut / Melancholy·Prívetivá krajina / Freundliche Landschaft / Friendly Landscape·Rapsodie / Rhapsodie / Rhapsody·Skladby z pozustalosti: / Kompositionen aus dem Nachlass: / Posthumous Compositions:·Lístek do památníku h moll / Stammbuchblatt h-Moll / Album Leaf in B minor·Toccatina·Lístek do památníku G dur / Stammbuchblatt G-Dur / Album Leaf in G major·Lístek do památníku g moll / Stammbuchblatt g-Moll / Album Leaf in G minor·Lístek do památníku es moll / Stammbuchblatt es-Moll / Album Leaf in E-flat minor·Lístek do památníku b moll / Stammbuchblatt b-Moll / Album Leaf in B-flat minor·Skladby prílezitostne uplatnene: / Gelegenheitsstücke: / Compositions for Various Occasions:·Pensee fugitive·Lístek do památníku B dur / Stammbuchblatt B-Dur / Album Leaf in B-flat major·Andante

    Smetana – Album Leaves

    25,5028,30

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  • Smetana – On The Seashore

    On the Seashore / Concert Etude in C Major / Fantasia on Czech Folksongs
    Following on from the “Polkas” (BA 9506) and the “Czech Dances” for Piano (BA 9507) a further edition of piano works by Bedrich Smetana appeared. This edition contains virtuosic compositions which reveal Smetana’s compositional mastery and his demanding technique in the style of Franz Liszt and other leading Romantics.
    The edition contains the “Allegro capriccioso” dedicated to Alexander Dreyschock , the Concert Etude in C major, the Etude “On the Seashore” (one of Smetana’s most frequently played pieces), the “Fantasia on Czech Folksongs” and finally the early Etude in A minor.
    The musical text of the volume is based on the Complete Edition of the “Piano Works by Bedrich Smetana” and contains fingerings by the pianist and Smetana interpreter Jan Novotny.
    – Urtext from the Complete Edition of the “Piano Works by Bedrich Smetana”- Tried and tested fingerings by the editor- Detailed foreword ( Cz /Eng/Ger) by Jarmila Gabrielova
    Contents:
     
    Predmluva
     
    Edicní poznámka
     
    Preface
     
    Editor’s Notes
     
    Vorwort
     
    Anmerkung des Herausgebers
     
    Allegro capriccioso
     
    Koncertní etuda C dur / Concert Etude in C major / Konzertetüde C-Dur
     
    Na brehu morském – Vzpomínka / On the Seashore – A Reminiscence / Am Seegestade – eine Erinnerung
     
    Fantasie na ceské národní písne / Fantasia on Czech Folksongs / Fantasie über tschechische Volkslieder
     
    Etuda a moll / Etude in A minor / Etüde a-Moll

    Smetana – On The Seashore

    20,7023,00

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  • Martinu – Film En Miniature

    The Puppets indeed create a special midpoint between instructive and concert compositions. Moreover, children’s world was given a few more nice piano pieces that became popular for education – Film en miniature though belongs to more demanding pieces.Martinu (1890-1959) completed this work in Paris in 1925, the cycle relates, however, to native Policka (names of particular pieces contain topographic addresses connected with both Vysocina and also Paris).Film en miniature consists of six compositions: opening Tango originating in rhythms of habanera dance, Scherzo, Berceuse, Valse, Chanson and Carillon.

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  • Martinu – Spring In The Garden

    #html-body [data-pb-style=KDT4XCO]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The set of four piano pieces for children titled Jaro v zahrade (Spring in the Garden), H. 125 by Bohuslav Martinu (1890-1959) is here published in a new edition. The composer’s autograph is missing today, and therefore the editor Ales Brezina (whose changes are indicated in the musical text with square brackets) limited himself to correcting several obvious errors. He has retained the fingering suggested by Vilém Kurz who prepared the first edition. Perhaps the most visible change from earlier editions is omission of the titles of individual pieces in the set, because it is very likely that they are not the invention of the composer but rather were added later by the publisher or someone else. The piano texture is simple and takes into consideration the instructive intention of the work, whose greatest attributes are its lyricism and playfulness. Preface by the editor is published in four languages (Cz./Eng./Ger./Fr.).
     

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