Volume / Series : BÄRENREITER URTEXT
Editor: Breig, Werner
Language: English/German
Pages: 116
Publisher: Barenreiter
All four Mozart horn concertos are closely associated with the horn player Joseph Leutgeb, for whom they were written during the composer’s period in Vienna (between 1783 and 1791). They display his compositional approach to the possibilities and limitations of the instrument at that time and were also influenced by Leutgeb’s skills as a performer; he was evidently a virtuoso of the hand-stopping technique on the horn.
The new Bärenreiter Urtext study score replaces the existing individual horn concerto editions (TP 307–310). It contains the authoritative musical text of the New Mozart Edition together with Franz Giegling’s informative foreword(Ger/Eng) on the history of composition of the works, on their transmission and on the former edition of the works which has been revised for the new edition,based on current scholarly findings.
For the first time the study score also includes the Concerto in D major K. 412 + 514 (386b) which is traditionally performed in the version completed by Franz Xaver Süßmayr as well as Mozart’s incomplete Rondo movement with the famous derisive allusions to the horn player Joseph Leutgeb.
– All four horn concertos now available in an Urtext study score edition
– Mozart’s incomplete Rondo K. 412 included for the first time
– Informative revised foreword (Ger/Eng)
CONTENTS
Vorwort
Zur Edition
Preface
Editorial
Composer / Author: Mozart, Wolfgang Amadeus
Concerto E flat major K. 417
Concerto E flat major K. 495
Concerto E flat major K. 447
Concerto D major K. 412 + K. 514 (386b)
Version: Süßmayr
Appendix: Rondo D major K. 412 (386b)
Fragment

Language: German/English
Product format: Piano reduction, Part
Instrumentation: Violin Solo, Piano
Solo Pages: 7
Piano Pages: 6
Publisher: Barenreiter
CONTENTS
The series “Bärenreiter’s Concert Pieces” presents further editions with works by Oskar Rieding (BA 8982), Friedrich Seitz (BA 8979) and Joseph-Hector Fiocco (Ba 8977).
All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method.
The series will be continued and will introduce students to more demanding repertoire with a gradually increasing level of difficulty.

Volume / Series : BÄRENREITER URTEXT
Editor: Woodfull-Harris, Douglas
Language: English, French, German
Pages: 70
Publisher: Barenreiter
Debussy’s only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period, “ Prélude à l’après -midi d’un faune ” and “ Pelléas et Mélisande ”, the quartet established the composer’s position as the rising star of the French music scene.
Discrepancies existed from the initial publication in 1894 between the score, corrected and seen into print by the composer and the parts, not corrected by him. At a later point, Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.
This scholarly-critical edition utilises all sources including the composer’s letters, which offer a valuable insight into the genesis of the composition.
– Indispensable edition for all string quartets
– High quality Bärenreiter Urtext edition
– With a foreword (Ger/Fr/Eng) and facsimiles