Προϊόντα

  • Ernie Ball 6427 Braided Straight/Straight Mono Purple Python 3.00m

    Τα καλώδια οργάνων της Ernie Ball διαθέτουν σχεδιασμό υψηλής ποιότητας, και είναι κατασκευασμένα από ανώτερης ποιότητας υλικά , με στόχο την ποιότητα ήχου και τη μεγάλη διάρκεια ζωής.Οι διπλοί αγωγοί παρέχουν αξιόπιστο καθαρό ήχο με crispy πρίμα, σφιχτά μεσαία και πλούσιες αρμονικές. Πολλαπλά υλικά θωράκισης διατηρούν το σήμα με χαμηλό θόρυβο,ενώ το εξωτερικό πλεκτό περίβλημα παρέχει μια εμπειρία ανθεκτικότητας.Μήκος 3,05 μ.

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  • Ernie Ball 6426 Braided Straight/Straight Mono Emerald Argyle 3.00m

    Τα καλώδια οργάνων της Ernie Ball διαθέτουν σχεδιασμό υψηλής ποιότητας, και είναι κατασκευασμένα από ανώτερης ποιότητας υλικά , με στόχο την ποιότητα ήχου και τη μεγάλη διάρκεια ζωής.Οι διπλοί αγωγοί παρέχουν αξιόπιστο καθαρό ήχο με crispy πρίμα, σφιχτά μεσαία και πλούσιες αρμονικές. Πολλαπλά υλικά θωράκισης διατηρούν το σήμα με χαμηλό θόρυβο,ενώ το εξωτερικό πλεκτό περίβλημα παρέχει μια εμπειρία ανθεκτικότητας.Μήκος 3,05 μ.

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  • Seymour Duncan Slug Rail SET Black Humbucker

    Humbucker Set
    For bridge & Neck position
    Magnet material: Ceramic
    High output
    Shielded 4-wire connection cable
    Monstrous sound, perfect for the slowly increasing bass-heavy riffs that dominate stoner and doom metal
    Colour: Black
    Includes customised pickup frame to accommodate the 73 mm coil length
    Made in USA

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  • ReedGeek Black Diamond G4

    The G4 is the newest member of the ReedGeek Universal family. It utilizes state of the art, 100% USA alloy with very high vanadium carbide content for exceptionally good wear resistance. With our beautiful “Black Diamond” wear finish fostering a smooth “buttery” glide to the cut, the G4 excels on both natural cane and all synthetic reeds. Exciting features include a newly designed length with a comfortably rounded back scraper (for further adjustment options), a radius tip for precision work and two contoured and curved rail bevels (specially designed to profile rails and re-contour the spine & heart of both single and double reeds). With advanced profiling abilities such as these, the G4 is a must for every serious reed player!
    Ready to use
    Portable and safe for air travel
    Immediate results at any playing level
    Superior sounding reeds
    Longer, more reliable reed performance
    Never again throw away new reeds

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  • Csupor – Flute Duos for Beginners, 2

    #html-body [data-pb-style=IAM1JC2]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The collection of flute duos covers all instrumental eras of the history of music starting from Jacopo da Bologna to Tchaikovsky. To make the volume more comprehensive, the editor added the arrangement for two flutes of some popular operatic and instrumental melodies such as the paraphrases of ‘Don Giovanni’ and ‘Carmen’ and the arrangement of the nocturn from ‘A Midsummer Night’s Dream’. Well-known and unknown melodies, fugues, dance and character pieces provide possibilities for pleasant and high-level common music making.
    Contents1.Bologna, J. da: Ballata 2.Dietrich, Sixtus: Duo 3.Lasso, Orlando di: Bicinium 4.Morley, Thomas: Duo 5.Praetorius, Michael: Duo 6.Ismeretlen szerző: Musette 7.Zipoli, Domenico: Pastorale 8.Pachelbel, Johann: Fuga 9.Händel, Georg Friedrich: Fuga 10.Pergolesi, Giovanni Battista: Siciliana 11.Pleyel, Ignaz Josef: Andantino & Rondo 12.Pleyel, Ignaz Josef: Rondo 13.Call, L. von: Duo in A major 14.Call, L. von: Andantino 15.Duvernoy, Frédéric: Minuet 16.Mozart, Wolfgang Amadeus: Allegretto 17.Mozart, Wolfgang Amadeus: Three Duos after the Opera Don Giovanni 18.Beethoven, Ludwig van: Minuet 19.Bizet, Georges: Little Fantasia after the Opera Carmen 20.Flotow, Friedrich von: Little Fantasia after the Opera Martha 21.Mendelssohn-Bartholdy, Felix: Notturno 22.Schumann, Robert: Three Duos: The First Loss; Humming Tune; Wild Rider 23.Tchaikovsky, Pyotr Ilyich: March of the Wooden Soldiers; Old French Air; German Air; Italian Air

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  • Kahowez – Panflοten Folklore-Album

    #html-body [data-pb-style=FOVMYK6]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}1–2 panpipes, guitar [accordion/organ]; drums ad lib.

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  • Bach J.C. – Concerto In Re

    #html-body [data-pb-style=S5K9OTT]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Johann Christian Bach (1735 – 1782)Concerto in Re

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  • Italian Concerto by J.S. Bach (Moyse)

    #html-body [data-pb-style=QYXC19S]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Johann Sebastian Bach: Italian Concerto: Flute And Accomp.

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  • Villa-Lobos – Piano Works I

    #html-body [data-pb-style=HKCEW0H]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Oeuvres pour piano vol.1
    Heitor Villa-Lobos (1887-1959) was Brazil`s most famous classical composer. This book contains the second set of A PROLE DO BEBE (The Baby´s Family) that depict various animals in a toy menagarie. Includes extensive introductory notes.

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  • Villa-Lobos – Piano Music

    #html-body [data-pb-style=Q36KV1G]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Piano Music: “Prole Do Bebê” Vol. 1, “Danças Características Africanas” and Other Works (Volume 1) 
     
    Brazilian composer Heitor Villa-Lobos (1887–1959) is renowned for the unique originality of his music, based in large part on indigenous melodies and rhythms associated with Brazilian folk music. These native elements, as well as many other facets of his work, may be heard and studied in this rich selection of his finest piano music.Thirty-three sparkling pieces include “Segunda Suite Infantil,” “Danças Caracteristicas Africanas,” “Suite Floral, Prole do Bebê,” “Simples Coletânea,” “Histórias da Carochinha,” and “Carnaval das Crianças.”Pianists and all music lovers will delight in this evocative, sensuous, and vibrant music, reprinted here from authoritative editions.
     

    Villa-Lobos – Piano Music

    19,3021,40

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  • Joaquin Turina In Twenty Three Pieces for Piano

    Includes Intermediate to Advanced level repertoire.
    Content
    Chanson Dans La Nuit
    Chanson Mauresque
    Circulos Ritmicos
    Dans Les Jardins De Murcia
    Danza De La Seduccion
    Danza Ritmica
    Danza Ritual
    Fiesta De Las Calderas
    Generalife
    Invocacion
    Jolie Fille
    L’Andalouse
    La Belle Murcienne
    La Marchande De Fleurs
    La Puerta Del Sol
    Miramar
    Petenera
    Sacro Monte
    Seguiriya
    Sous Les Orangers
    Tango
    Zambra
    Zapateado

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  • Turina – Danses Gitanes, V-Sacro-Monte

    Danses Gitanes , Sacro-monte/ Joaquin Turina

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  • Tchaikowsky – Twelve Piano Pieces op. 40

    PETER ILICH TCHAIKOVSKYTwelve Piano Pieces op. 40
    In early 1878, Peter Tchaikovsky had just sent his opera “Eugene Onegin” and his Fourth Symphony on their way, but had no intention of taking a creative break. On the contrary, he immediately took up his pen and composed his Twelve Pieces op. 40 for piano. This cycle features various genres, including piano pieces typical of the epoch such as etudes, waltzes and mazurkas, but they are also joined by pieces presumably connected with Tchaikovsky’s biography. These bear titles like “Au village”, “Marche funèbre” and “Rêverie interrompe”. For this Urtext edition, it was possible to consult the autograph engraver’s copy in the Glinka Museum in Moscow, as well as rare Russian prints from 1879 and 1890, as described in detail in the preface.

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  • Tchaikowsky – Six Piano Pieces op. 19

    PETER ILICH TCHAIKOVSKYSix Piano Pieces op. 19
    Peter Ilyich Tchaikovsky numbers among the most frequently performed composers in the concert halls of the world. He had already composed two symphonies, three operas, the fantasy-overture “Romeo and Juliet” and a string quartet when he wrote his enchanting “Six Pieces for Piano” op. 19 in 1873. Each of the pieces is dedicated to one of his friends or to pianists close to him, and was individually tailored to their respective technical abilities. This Henle Urtext edition offers a preface that discusses in detail the genesis and the source situation of these piano pieces. They offer a good opportunity to get to know and love this popular Russian composer away from his best-known works.

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  • Tchaikovsky – Marche Slave for Piano Op.31

    #html-body [data-pb-style=GA3CYAM]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Tchaikovsky: Marche slave, Op. 31
    Piano Solo
    Marche Slave, Op. 31, («Σλαβική Πορεία») παρουσιάστηκε για πρώτη φορά στη Μόσχα τον Νοέμβριο του 1876. Είναι ένα ξεσηκωτικό πατριωτικό έργο βασισμένο σε σερβικά και ρωσικά λαϊκά θέματα. Ο Τσαϊκόφσκι ανατέθηκε να γράψει το κομμάτι ειδικά για μια συναυλία προς όφελος των Σέρβων στρατιωτών που τραυματίστηκαν ενώ πολεμούσαν (με τη βοήθεια Ρώσων εθελοντών) ενάντια στην Οθωμανική Αυτοκρατορία. Ως εκ τούτου, ο τίτλος αφορά μια πορεία για όλους τους Σλάβους και όχι απλώς για τους Ρώσους.

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  • Scriabin – Piano Sonata Nr.9 Op.68

    ALEXANDER SCRIABINPiano Sonata no. 9 op. 68
    Skrjabin’s 9th Sonata is often referred to as the “Black Mass”. Unlike the 7th Sonata, the so-called “White Mass”, this name did not stem from the composer. He writes: “In the ninth sonata I came closer than ever before to the Satanic …”.The mystic-dark sphere fascinated Skrjabin. Anyone who listens to this bizarre work will involuntarily become caught up in the diabolical vortex – the music heads towards the sonata’s dramatic conclusion as if being pulled in an undertow. The highly expressive work was given its first performance by the composer himself. Following its first publication he revised it, and this new edition was the primary source for our edition.

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