Προϊόντα

  • Chopin – Concerto No. 2 in F Minor, Op. 21

    Concerto No. 2 in F Minor, Op. 21Schirmer Library of Classics Volume 1351
    Piano DuetSchirmer Library of Classics

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  • Chopin – Concerto No. 2 in F Minor, Op. 21

    Concerto No. 2 in F Minor, Op. 21Schirmer Library of Classics Volume 1557
    Piano SoloSchirmer Library of Classics

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  • Chopin – Concerto No. 1 in E Minor, Op. 11

    Concerto No. 1 in E Minor, Op. 11Schirmer Library of Classics Volume 1350
    Piano DuetSchirmer Library of Classics

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  • Brahms – Concerto No. 2 in Bb, Op. 83

    Brahms – Concerto No. 2 in Bb, Op. 83Schirmer Library of Classics Volume 1465
    Piano DuetSchirmer Library of Classics

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  • Brahms – Concerto No. 1 in D Minor, Op. 15

    Concerto No. 1 in D Minor, Op. 15 (2-piano score)Schirmer Library of Classics Volume 1429
    Piano DuetSchirmer Library of Classics

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  • Beethoven – Concerto In D Major For Piano & Orch Op.61

    Beethoven, Ludwig vanConcerto for Pianoforte and Orchestra in D major op. 61 after the Violin Concerto- High quality Bärenreiter Urtext edition- Urtext solo piano part and an additional piano part with fingering- New kind of presentation of the piano reduction incorporating solo piano parts as customary in the 19 th century
     
    After attending the premiere of Beethoven’s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that!Working with all known sources, Del Mar finally presents us with Beethoven’s solo piano articulation and dynamics and Beethoven’s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven’s Solo and Tutti markings.All in all, a groundbreaking scholarly critical edition; a “must“ for every pianist, every orchestra and every music library.The piano reduction will be presented in a new format:As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted – as with string and wind concertos – in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print.

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  • Beethoven – Piano Concerto op. 61a after the Violin Conc. op. 61

    LUDWIG VAN BEETHOVENPiano Concerto op. 61a after the Violin Concerto op. 61
    Very few musicians are aware of the fact that Beethoven arranged his violin concerto also as a piano concerto. It is only recently that some pianists have discovered this truly rewarding work. Clementi, the London composer and publisher, had heard about the première of the violin concerto and probably sensed its potential. He asked Beethoven for a piano version, which was actually also published in 1808, at the same time as the original. Several important cadenzas had been especially composed for it; the one for the first movement is accompanied by the timpani – a unique and original touch! Our edition (piano reduction and study score) contains the text from the Complete Edition of Beethoven’s Works.
    Piano reduction, Urtext Edition, paperbound2 Pianos, 4-handsTwo copies needed for performance

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  • Beethoven Werke – Kadenzen zu Klavierkonzerten, VII 7

    #html-body [data-pb-style=I42DHJX]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Ludwig van BeethovenSect. 7, Vol. 7 | Cadenzas in the Piano Concertos
     
    Contents:
    Piano Concerto no. 1 in C major op. 15: first cadenza, 1st movement Piano Concerto no. 1 in C major op. 15: second cadenza 1st movement Piano Concerto no. 1 in C major op. 15: third cadenza, 1st movementPiano Concerto no. 2 in B flat major op. 19: cadenza 1st movement Piano Concerto no. 3 in C minor op. 37: cadenza 1st movement Piano Concerto no. 4 G major op. 58: first cadenza, 1st movementPiano Concerto no. 4 G major op. 58: second cadenza, 1st movement Piano Concerto no. 4 G major op. 58: third cadenza 1st movement Piano Concerto no. 4 G major op. 58: first cadenza, 3rd movement Piano Concerto no. 4 G major op. 58: second cadenza, 3rd movement Piano Concerto no. 4 G major op. 58: third cadenza, 3rd movement Piano Transcription of the Violin concerto in D major op. 61a: cadenza 1st movement Piano Transcription of the Violin concerto D major op. 61a: Transition: 2nd to 3rd movement Piano Transcription of the Violin concerto in D major op. 61a: first cadenza 3rd movement Piano Transcription of the Violin concerto in D major op. 61: first cadenza, 3rd movement Piano Concerto in d minor K. 466 by W.A. Mozart: Cadenza 1st movement WoO 58,1 Piano Concerto in d minor K. 466 by W. A. Mozart: Cadenza 3rd movement WoO 58,2

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  • Bach – Concerto In G Min BWV 1058 (Piano reduction)

    Bach, Johann SebastianConcerto for Harpsichord and Strings in G minor BWV 1058
     
    All eight concertos [BA 5224-BA 5231] are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, it also enables the works to be played on two harpsichords.

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  • Bach C.P.E. – Concerto for Harpsichord & Strings in D min BWV 1052a

    Bach, Carl Philipp Emanuel
    Concerto for Harpsichord and Strings in D minor BWV 1052a
    After Johann Sebastian Bach
    All eight concertos [BA 5224-BA 5231] are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, it also enables the works to be played on two harpsichords. 

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  • Seitz – Concerto in D major op. 22

    #html-body [data-pb-style=U39QB9G]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The series “Bärenreiter’s Concert Pieces” presents further editions with works by Oskar Rieding (BA 8982), Friedrich Seitz (BA 8979) and Joseph-Hector Fiocco (Ba 8977).All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method.
     

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  • Mozart – Concerto for Piano & Orchestra n.8 in C major K. 246 “Lutzow”

    Mozart, Wolfgang Amadeus
    Concerto for Piano and Orchestra no. 8 in C major K. 246 “Lützow Concerto”

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  • Tschaikowsky – Easy Piano Pieces and Dances

    #html-body [data-pb-style=SG63QEU]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Αυτή η προσιτή έκδοση περιλαμβάνει μια προσεκτικά επιλεγμένη συλλογή από τα πιο εύκολα κομμάτια και χορούς για πιάνο του Πιοτρ Τσαϊκόφσκι. Παρόλο που το πλούσιο και συχνά απαιτητικό ρεπερτόριό του για πιάνο περιέχει πολλά γνωστά έργα, αυτή η συλλογή εστιάζει σε κομμάτια χαρακτήρα που είναι ιδιαίτερα προσιτά και ευχάριστα στην εκτέλεση.
    Η συλλογή περιλαμβάνει τα πιο όμορφα κομμάτια από το Άλμπουμ για Παιδιά (op. 39), τις ποιητικές εικόνες από τον κύκλο The Seasons(op. 37), καθώς και μοναδικές εκπλήξεις που ενθαρρύνουν τους πιανίστες να ανακαλύψουν περισσότερο τον μαγικό κόσμο του συνθέτη.
    Ξεχωρίζουν οι διασκευές του Τσαϊκόφσκι σε ρωσικά παραδοσιακά τραγούδια, που παρουσιάζονται τόσο στις πρωτότυπες εκδοχές για τέσσερα χέρια όσο και σε εκδοχές για σόλο πιάνο. Αυτές οι μικρές φόρμες αποκαλύπτουν την ικανότητά του να αποτυπώνει τον πλούτο της ρωσικής λαϊκής μουσικής με μοναδική μαεστρία.
    Η έκδοση περιλαμβάνει επίσης δοκιμασμένες και αξιόπιστες δακτυλοθεσίες, ενώ η ευρύχωρη διάταξη των σελίδων διευκολύνει την ανάγνωση. Πρόκειται για μια πολύχρωμη και πρωτότυπη επιλογή, ιδανική για μαθήματα πιάνου, εμπλουτισμένη με χρήσιμες σημειώσεις για κάθε κομμάτι.
     
    Περιεχόμενα:
    VorwortPrefaceFrom “50 Russian Folk Songs”:The maiden went outprimo + secondo partsThe swaying fir tree at the gateprimo + secondo partsThou, my little green doveprimo + secondo partsThou, my little green dovesoloThe maiden went outsoloThe swaying fir tree at the gatesoloFrom “Children’s Album” op.39Old French songMazurkaNeapolitan dancing songSweet reverieThe witchPolkaItalian songFrom “The Seasons” op.37aMarch – The Lark’s SongMay – White nightsJune – BarcaroleFrom “12 Pieces for Piano” op. 40Chanson tristeFrom “Trio” op. 50Theme in E major

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  • Progris – A Modern Method for Keyboard Study, Vol.1

    #html-body [data-pb-style=FDVWBUV]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The Berklee Keyboard Program provides controlled, progressive instruction in the fundamentals of keyboard technique.
    All musical examples are original
    Volume 1

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  • Groussain – Gammes & Arpeges Pour Clarinette Vol.1

    Gammes et Arpeges
     
    Exercices fondametaux et Journaliers pour la clarinette en deux cahiers.
     
    1er cahier (manuel): Cours preparatoire

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  • Urbain – Classique Au Jazz, Vol.2

    #html-body [data-pb-style=I3TMYQ2]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Classique au jazz. Volume 2Benoit URBAIN
    7 Jazz Improvisations on classical pieces (Urtext)
    Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Bartok

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