#html-body [data-pb-style=PVRHV3K]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The Clarinéo 2.0With the NUVO Clarinéo 2.0, children from the age of 4 can learn to play the clarinet. Many woodwind instruments have a reed (wood or plastic) attached to the mouthpiece on the underside. When the clarinet is blown into, a tone is produced by the vibration of the reed. In the Clarinéo 2.0, this reed is made of durable plastic. The mouthpiece as well as the reed have a guide notch which makes inserting the reed easy and child friendly.As with all NUVO instruments, the NUVO Clarinéo 2.0 is built in the basic pitch of C. It is lighter and smaller than a Bb clarinet and has a full, mellow tone. Without transposing, you can play all the notes of a C voice: Recorder, piano, flute, or vocal notes. This makes it particularly suitable for basic, general music lessons. It is 100% waterproof and can be easily cleaned regularly with warm water and a few drops of dishwashing detergent.The equipment of the NUVO Clarinéo 2.0 includes a mouthpiece attachment, two NUVO plastic reeds in the instrument, 1 cane reed, Étui with strap, special grease for all joints, pull-through cleaning cloth,  and the NUVO introductory leaflet.
TÜV certified materialsTuning CSilicone pads100% waterproof and washableEasy to cleanWeight: 275 gramsBody: Lightweight polymerBell: SiliconeMouthpiece with guide notchReinforced mouthpiece holderStainless steel roller, Stainless steel axes, Adjustable thumb restAccessories: 2x NUVO plastic reeds in the instrument, 1 cane reed, padded case with strap, special grease for all joints, pull-through cleaning cloth, introductory leafletColour: white/green

Piano works occupy a special place in Szymanowski’s output as a demonstration of his style and an indubitable contribution to the development of twentieth-century piano music. The piano played an important part in his life. He always composed at it and appeared as an interpreter of his own works and accompanist in performances of his own songs and works for violin and piano. The present collection contains preludes, the ”Prelude and Fugue”, studies, mazurkas, four Polish dances, the ”Romantic Waltz”, the ”Metopes” and the ”Masques”. The works or extracts from particular cycles present an overview of Karol Szymanowski’s piano output with the exception of the larger forms, such as sonata, fantasia or variations. His early compositions (preludes), full of youthful emotionalism, still remain under the influence of Chopin, Brahms or Skriabin, but are not devoid of the originality and individuality characteristic of Szymanowski’s style. In the studies Op. 4 we see greater tonal expansion, more complicated structures and a wealth of interpretatitve directions. The works after 1914 bring new technical and aesthetic qualities. The studies Op. 33 are very short pieces, performed attacca and contrasting in mood, expression, texture or colour. The ”Metopes” and the ”Masques” derive from the same, ”impressionistic” period; they are the only piano works which are programmatic, originating in the literary interests of the composer. New stylistic assumptions and a modern sound language can be found in the Mazurkas involving stylisation of mountain folk music, the exploitation of its melodic, rhythmic and tonal features being combined with mazurka form. The four Polish dances are characterised by simplicity of texture, clarity and conciseness of form. The ”Romantic Waltz” is an occasional work, not typical in Szymanowski’s output.
CONTENTS
1. Preludes Op.1 Nos.1-5-7
2. Prelude & Fugue C-sharp minor
3. Studies Op.33 Nos.1-2-3-4
4. Studies Op.4 Nos.3-4
5. Mazurkas Op.50 Nos.1-2-3-4
6. 4 Polish Dances
7. Valse Romantique
8. Metopes Calypso Op.29 No.2
9. Masques Op.34 No.2 Tantris the Clown