Volume 35 of the New Liszt Edition contains free arrangements made between 1842 and 1845. Transcriptions of works by Alabyev, Bulakhov, Glinka and Wielhorsky attest to the composer’s journeys in Russia. Alongside them in this volume can be found two operatic paraphrases on themes by Gaetano Donizetti, a recently discovered transcription of Ernst (Herzog zu Sachsen-Coburg-Gotha), a Soriano transcription, paraphrases on national themes and songs: Canzone Napolitana, Gaudeamus igitur, and two French songs, and the Grosse Konzertfantasie über spanische Weisen presenting one melody each of three Spanish dances: the fandango, the cachucha and the jota. The appendix gives some of the more important earlier versions. An interesting feature of the volume is the first edition of the final, considerably reworked version of the Gaudeamus paraphrase.
Contents
1.Valse de concert sur deux motifs de Lucia et Parisina de Donizetti. Seconde édition2.Deux Mélodies russes. Arabesques 1. Le Rossignol, Romance de Alexandr Alexandrovitch Alabieff3.Deux Mélodies russes. Arabesques 2. Chanson bohémienne de Piotr Petrovitch Boulakhov4.Canzone Napolitana, Notturno5.Die Gräberinsel der Fürsten zu Gotha, Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha6.Romance du Comte Mikail Yourievitch Wielhorsky7.Galop russe de Boulgakov – Bulhakows Russischer Galop8.Tscherkessenmarsch aus Glinkas Oper: Russlan und Ludmilla (2nd version – 2. Fassung)9.Gaudeamus igitur, Paraphrase (2nd version – 2. Fassung)10.Marche funebre de Dom Sébastien de l’opéra de Gaetano Donizetti11.Faribolo Pastour. Chanson tirée du poeme de Franconetto de Jacques Jasmin12.Chanson (Pastorale) du Béarn13.Grosse Konzertfantasie über spanische Weisen14.Feuille morte. Élégie d’apres Mariano Soriano15.Valse a capriccio sur deux motifs de Lucia et Parisina de Gaetano Donizetti (1st version – 1. Fassung)16.Romance de Comte Mikail Yourievitch Wielhorsky (1st version – 1. Fassung)17.Marcia Circassa tratta dall’opera Russlan e Ludmilla di Glinka (1st version – 1. Fassung)18.Gaudeamus igitur. Chanson des étudiants. Paraphrase (1st version – 1. Fassung)
 
Pages: 208
Language: English / German
Publisher: Editio Musica Budapest

Series II of the New Liszt Edition contains Liszt’s free arrangements and transcriptions for the piano. Apart from one Beethoven transcription, Volume 7 contains only piano pieces based on works by Schubert. Throughout his life, Liszt respected and admired the art of Schubert, and was partial to arranging his compositions for piano, even when the Austrian composer was hardly known. This volume includes the arrangements made in 1844-46, the majority of which are piano versions of songs, and the three marches closing the volume are based on four-hand works by Schubert. It should be noted that the song Lebe wohl! was misleadingly published under Schubert’s name several times, and the composer was in actual fact not Schubert but August Heinrich von Weyrauch. Liszt could not have known this when he composed it, so this too features in the cycle 6 mélodies célebres de François Schubert.
ContentsCapriccio alla turca sur des motifs de Beethoven
6 Melodien von Franz Schubert 1. Lebe wohl! – Adieu!
6 Melodien von Franz Schubert 2. Mädchens Klage – Les Plaintes de la Jeune fille
6 Melodien von Franz Schubert 3. Das (Zügen-) Sterbeglöcklein – La Cloche des Agonisants
6 Melodien von Franz Schubert 4. Trockne Blumen – La Fleur Fanée
6 Melodien von Franz Schubert 5. Ungeduld – Toute ma vie (1st version – 1. Fassung)
6 Melodien von Franz Schubert 6. Die Forelle – La Truite (1st version – 1. Fassung)
Müller-Lieder von Franz Schubert 1. Das Wandern – Le meunier voyageur
Müller-Lieder von Franz Schubert 2. Der Müller und der Bach – La voix enchantresse
Müller-Lieder von Franz Schubert 3. Der Jäger – Le chasseur
Müller-Lieder von Franz Schubert 4. Die böse Farbe – Garde moi souvenir
Müller-Lieder von Franz Schubert 5. Wohin? – Au bord de la fontaine
Müller-Lieder von Franz Schubert 6. Ungeduld – Toute ma vie (3rd version – 3. Fassung)
Die Forelle. Lied von F. Schubert. 
Franz Schuberts Märsche 1. Trauermarsch – Grande marche funebre de Francois Schubert
Franz Schuberts Märsche 2. Grande Marche de Francois Schubert
Franz Schuberts Märsche 3. Grande Marche caractéristique de Francois Schubert
 
Pages: 132
Language: English / German
Publisher: Editio Musica Budapest

The volume includes the famous ‘Weinen, Klagen’ variations, based on Bach’s similarly-titled cantata and motifs from the ‘Crucifixus’ of his B minor Mass; a paraphrase of Gounod’s ‘Hymne a Ste Cécile’, appearing here for the first time in print, ‘A la Chapelle Sixtine’, based on Allegri’s ‘Miserere’ and Mozart’s ‘Ave verum Corpus’ (the part based on a chorus from the ‘Ave verum Corpus’ can also be performed separately), the ‘Rapsodie espagnole’, a fantasia on themes from the incidental music to Beethoven’s ‘Die Ruinen von Athen’, Liszt’s transcription of the Pilgrims’ Chorus from Richard Wagner’s opera ‘Tannhäuser’, and ‘Les adieux’. ‘Reverie sur un motif de l’opéra Roméo et Juliette”’. 
Pages: 168
Language: English / German
Publisher: Editio Musica Budapest

Series II of the New Liszt Edition contains Liszt’s free arrangements and transcriptions for the piano. Volume 14 includes pieces based on works by Händel, Ferdinand Huber, Verdi, Dargomyzhsky, Eduard Lassen, Saint-Saens, Massenet, and Géza Zichy. After losing his right arm in an accident, with his friend Liszt’s encouragement Count Géza Zichy published his studies for the left hand, and he dedicated them to the great composer. In a letter of thanks Liszt expressed his gratitude, and attached his version of the studies, arranged for two hands. Another piece with a Hungarian connection is the work Revive Szegedin!. The basis for this was a piece by Massenet that was itself an arrangement: Massenet orchestrated a march by the amateur composer Ignác Frank Szabadi for a concert in Paris in aid of the victims of the flood in the town of Szeged in 1879. Liszt was one of the people invited to the concert, and he responded with the manuscript of Revive Szegedin!. The extent to which Liszt followed the structure of the original works and how much of his own material he added varies from piece to piece.
ContentsDanse macabre. Poeme symphonique de Camille Saint-Saens
Trois morceaux suisses ( 2nd version – 2. Fassung) 1. Ranz de vaches. Mélodie de F. Huber, avec variations
Trois morceaux suisses (2nd version -2. Fassung) 2. Un soir dans la montagne. Mélodie d’Ernest Knop.Nocturne
Trois morceaux suisses ( 2nd version – 2. Fassung) 3. Ranz de chevres. Mélodie de F. Huber. RondeauValse d’Adele. Pour piano a la main gauche seule par le Comte Géza Zichy
Agnus Dei della Messa da Requiem di Giuseppe Verdi ( 2nd version – 2. Fassung)Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 1. Hagen und KriemhildAus der Musik von Eduard Lassen zu Hebbels Nibelungen 2. BechlarnAus der Musik von Eduard Lassen zu Goethes Faust 1. OsterhymneAus der Musik von Eduard Lassen zu Goethes Faust 2. Hoffest. Marsch und PolonaiseRevive Szegedin! Marche hongroise de Szabadi, orchestrée par Massenet
Sarabande und Chaconne aus dem Singspiel ‘Almira’ von Georg Friedrich Händel
Tarantella de Dargomijski’Vive Henri IV’
 
Pages: 156
Language: English / German
Publisher: Editio Musica Budapest