Προϊόντα

  • The Virtuoso Piano Transcription Series, Vol. 4 Rigoletto

    #html-body [data-pb-style=BVAA9V8]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}#html-body [data-pb-style=XUDTYAI]{max-width:360px}Franz Liszt (Composer) | Giuseppe Fortunino Francesco Verdi (Composer)RigolettoConcert-Paraphrase about the quartet by Franz LisztPiano
    The opera paraphrases take a prominent place among Liszt’s complete works as a self-contained art form alongside original compositions. Feruccio Busoni values the high artistic merit of these compositions in the manner in which their well-considered structural planning in the arrangement of form and contrast and the endeavour to expand and embellish the chosen motifs place Liszt’s opera fantasies apart from the “plebeian potpourri”. The early Verdi paraphrases, particularly this Rigoletto-Paraphrase composed in 1859, are far superior to the later paraphrases (including those based on Don Carlos and Aida). This exceedingly brillant concert piece based on arguably the most famous quartet in the history of opera is particularly significant for the unique way in which Liszt is able to bring together the juxtaposition of extreme contrasts – the Duke’s ardent declaration of love, Maddalena’s prattling rejection, the grief-stricken cantilene of Gilda’s and Rigoletto’s furious parlando – as in Verdi’s original, resulting in a marvellous formal unity.
     

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  • Liszt – Ungarische Rhapsodie No 1

    #html-body [data-pb-style=VPPPBLH]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Franz Liszt (Composer) | Eugen d’Albert (Editor)
    Hungarian Rhapsody
    No. 1 E major
     
    Piano
    Series:Edition Schott – Single Edition
     

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  • Szeleny – Nocturne

    #html-body [data-pb-style=YNT0KIX]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}István Szelényi (Composer)Nocturne

    Szeleny – Nocturne

    12,0013,30

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  • Strawinsky – L` Oiseau De Feu

    #html-body [data-pb-style=NRDHX04]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The Firebird Scherzo, Berceuse and Danse Infernale arranged for piano by Soulima Strawinsky

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  • BESPECO XTRA804L20 STAGE BOX 8 X IN/4 X OUT 20M

    Stage Box 8 εισόδων (Female XLR) & 4 εξόδων (Male XLR) με καλώδιο common shields. Μήκος καλωδίου 20 μέτρα.

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  • BESPECO TAB200 ΒΑΣΗ TABLET MAYΡH ΓΙΑ ΣΤΗΡΙΞΗ ΣΕ ΒΑΣΗ ΜΙΚΡΟΦΩΝΟΥ

    Θήκη tablet με δυνατότητα σύνδεσης σε stand μικροφώνου με διάμετρο από 14 mm έως 35 mm. Κατάλληλο για κάθε είδους tablet από 10″ έως 13″ οθόνη.

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  • BESPECO TAB200 ΒΑΣΗ TABLET MAYΡH ΓΙΑ ΣΤΗΡΙΞΗ ΣΕ ΒΑΣΗ ΜΙΚΡΟΦΩΝΟΥ

    Θήκη tablet με δυνατότητα σύνδεσης σε stand μικροφώνου με διάμετρο από 14 mm έως 35 mm. Κατάλληλο για κάθε είδους tablet από 10″ έως 13″ οθόνη.

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  • PEAVEY VSX 48E

    VSX™ 48e DSP-based Loudspeaker Management SystemThe VSXe processors are DSP-based, loudspeaker management systems that boast a 96kHz sample rate and a floating point DSP processor for quite accurate filter response. The crossover filters are fully adjustable and any input can be routed to any output. The VSX Editor Program for PC allows complete remote setup and operation via the front panel USB port or by the rear panel Ethernet network connection. Files can also be saved and loaded using this interface software.
    Balanced Inputs: VSX 48e 4
    4 XLR balanced inputs and 8 XLR balanced outputs VSXe 48
    Maximum input and output level +20 dBu, XLR balanced inputs and outputs
    Frequency response 20 Hz to 20 kHz +0, -1 dB
    5 segment LED meters with limit indication on each output
    Every input features Gain, Mute, HP and LP filters, 8 bands of PEQ, polarity and Delay (680 mS)
    Security lock
    Dynamic range input to output greater than 109 dB (A-weighted) or 107 dB (unweighted)
    USB B port for setup and control
    24 bit Delta-Sigma A/D and D/A converters
    Every output features: 9 bands of PEQ, gain, compressor/limiter, polarity, Delay (680 mS), mute, and crossover/band-pass filters
    Ethernet port for setup and control
    Channels can be linked for simplified stereo operation
    96 kHz Sample rate
    Signal generator (sine, white noise, pink noise)
    PC Editor Programs allow complete remote setup and operation via USB or Ethernet
    Crossover/Band-pass filters feature Butterworth, Bessel or Linkwitz-Riley alignments from 1st order (6 dB/Oct) to 8th order (48 dB/Oct)
    Balanced Outputs: VSX 48e 8
    EQ filter types include: PEQ, Low-Shelf, Hi-Shelf, Low-Pass, High-Pass, All-Pass1 and All-Pass2
    5 segment LED meters on each input
    THD+N < 0.01% at 1 kHz Weight Unpacked: 5.80 lb(2.63 kg) Weight Packed: 7.72 lb(3.5 kg) Width Packed: 11.69"(29.6926 cm) Height Packed: 21.14"(53.6956 cm) Depth Packed: 4.9"(12.446 cm)

    PEAVEY VSX 48E

    655,00728,00

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  • PEAVEY PVXp 12 Bluetooth

    PVXp™ 12 Bluetooth® 12-inch Powered LoudspeakerThe PVXp™ 12 Bluetooth® features a reliable bi-amped power section that provides a total of 980 Watts of peak dynamic power with DSP-based compression and limiting. This enclosure features a 12″ heavy-duty woofer with a 2 3/8″ inch voice coil and 50-ounce magnet, and the RX14™ compression driver with a 1.4-inch titanium diaphragm on a 100-degree horizontal x 50-degree vertical pattern asymmetrical horn. The PVXp™ 12 Bluetooth® provides two channels with a balanced input via a combination jack that accepts balanced TRS 1/4″ inch input as well as a balanced XLR input. A switch is provided to change between line level gain and mic level gain. A third channel is for a Bluetooth source, or alternatively a 1/8″ AUX input jack. Each channel has an adjustable Level control and a three-band EQ section. There is a balanced output, a Male XLR, that can feed the mixed signals from the three channels out to another component. A front baffle LED indicator can be set to light when power is on, and when the “soft-limiting” DDT circuit is activated, or it can be turned off altogether. The LCD display and EQ preset, along with other DSP operating parameters are accessed via a one-knob selector.
    Two-way bi-amped sound reinforcement enclosure
    RX14™ compression driver, with a 1.4-inch titanium diaphragm
    Reliable fan-cooled power amps with DSP protection
    Total of 980W peak dynamic power
    DSP control for precise crossover, EQ and limiting functions
    Bluetooth input is via a dedicated input channel
    Mix/Thru Output is via a male XLR jack
    Durable plastic injection-moulded trapezoidal enclosure
    The extra angled section on the right side allows floor monitor use
    Pole mount moulded-in for 1 3/8″ diameter poles
    Top, bottom and right side flying point inserts
    12 heavy-duty woofer with 2 3/8″ voice coil & 50 oz. magnet
    Full-coverage heavy-duty perforated steel grilles, with powder coat finish
    DSP I/O is at 48 kHz and 24 bits, internal processing is 56-bit double-precision
    Peavey’s Quadratic Throat Waveguide technology, 100 by 50-degree coverage
    Asymmetrical horn aims the sound down 10 degrees, at the audience, not over their heads
    Analog input is via a combo female XLR and 1/4″ TRS phone jack with balanced input
    Three channels in total, two for analogue, and one for Bluetooth or AUX input via a 1/8 jack
    Each channel has a level control and a 3-band EQ section to adjust and shape the input signals

    PEAVEY PVXp 12 Bluetooth

    707,00786,00

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  • PEAVEY PVXp 15 Bluetooth

    PVXp™ 15 Bluetooth® 15-inch Powered LoudspeakerThe PVXp™ 15 Bluetooth® features a reliable bi-amped power section that provides a total of 980 Watts of peak dynamic power with DSP-based compression and limiting. This enclosure features a 15″ heavy-duty woofer with a 2 3/8 inch voice coil and 50-ounce magnet, and the RX14™ compression driver with a 1.4-inch titanium diaphragm on a 100-degree horizontal x 50-degree vertical pattern asymmetrical horn. The PVXp™ 15 Bluetooth® provides two channels with a balanced input via a combination jack that accepts balanced TRS 1/4 inch input as well as a balanced XLR input. A switch is provided to change between line level gain and mic level gain. A third channel is for a Bluetooth source, or alternatively a 1/8″ AUX input jack. Each channel has an adjustable Level control and a three-band EQ section. There is a balanced output, a Male XLR, that can feed the mixed signals from the three channels out to another component. A front baffle LED indicator can be set to light when power is on, and when the “soft-limiting” DDT circuit is activated, or it can be turned off altogether. The LCD display and EQ preset, along with other DSP operating parameters, are accessed via a one-knob selector.
    RX14™ compression driver, with 1.4-inch titanium diaphragm
    Reliable fan-cooled power amps with DSP protection
    Total of 980W peak dynamic power
    DSP control for precise crossover, EQ and limiting functions
    Bluetooth input is via a dedicated input channel
    Mix/Thru Output is via a male XLR jack
    Durable plastic injection-moulded trapezoidal enclosure
    The extra angled section on the right side allows floor monitor use
    Pole mount moulded-in for 1 3/8″ diameter poles
    Top, bottom and right side flying point inserts
    15 heavy-duty woofer with 2 3/8″ voice coil & 50 oz. magnet
    Full-coverage heavy-duty perforated steel grilles, with powder coat finish
    DSP I/O is at 48 kHz and 24 bits, internal processing is 56-bit double-precision
    Peavey’s Quadratic Throat Waveguide technology, 100 by 50-degree coverage
    Asymmetrical horn aims the sound down 10 degrees, at the audience, not over their heads
    Analog input is via a combo female XLR and 1/4″ TRS phone jack with balanced input
    Three channels in total, two for analogue, and one for Bluetooth or AUX input via a 1/8″ jack
    Each channel has a level control and a 3-band EQ section to adjust and shape the input signals

    PEAVEY PVXp 15 Bluetooth

    759,00844,00

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  • PEAVEY 6505 4×12 Straight

    The 6505® 412 cabinets are outfitted with four Celestion Vintage 30 speakers and feature a closed-back cabinet made of high-density plywood construction.
    16 ohms
    Celestion Vintage 30 speakers
    2 1/4 inch inputs
    Stereo or Mono operation
    240 watts (RMS) closed-back cabinet
    18-ply Baltic birch plywood construction
    Recessed handles
    Heavy-duty casters
    Weight Unpacked: 43.545 kg
    Weight Packed: 46.72 kg
    Width Packed: 43.18 cm
    Height Packed: 90.805 cm
    Depth Packed: 81.28 cm
    1.313,001.459,00

    PEAVEY 6505 4×12 Straight

    1.313,001.459,00

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  • Sturm – Singen auf den ersten Blick & CD

    This book is aimed at singers who wish to acquire sound knowledge of music-reading and improve their sight-singing skills.It is possible to approach this subject on all levels. This is why this book is suitable for absolute beginners and advanced singers alike. A navigation system facilitates fast orientation and ‘picks’ every user up exactly where he or she stands at the moment.
    In addition, the book contains recapitulatory exercises as well as an accompanying CD which enables the singer to review the acquired knowledge at any time.
    Vorwort
    Einstieg: Hallo und herzlich willkommen
    Am Anfang steht der Rhythmus
    Der Ton macht die Musik
    Das kleine 1×1 des Übens
    Noch Fragen
    Auf dem Sprungbrett: Vom Marsch bis zur Disko
    Der dritte Ton und die ersten Tonsprünge
    Der Dreiklang: Der vierte Ton der Tonleiter
    Achtung Taktwechsel
    Fünf Töne und ein Dreiklang
    Das Hexachord: Ein halbes Dutzend Töne
    Mach mal Pause
    Kunstspringen für Fortgeschrittene
    Ganz oder gar nicht
    Das Hexachord
    Die vollständige Tonleiter: Keine halbe Sache
    Der hat nocht gefehlt
    Kann man den Grundpuls weiter unterteilen
    Weitere Dreiklänge innerhalb der Tonleiter
    Dur und Moll: Zum Auftakt
    “Unter” dem Grundton
    Die Moll-Tonleiter
    Das Gegenstück zu “alla breve”
    So viele Noten
    Dur und Moll im Kreuzverhör
    Teuflischer Tonsprung
    Hoch hinaus: In den höchsten Tönen
    Nochmal ein Taktwechsel
    Und halten
    Gegen den Strich
    Weitsprung
    Weiterleitung
    Zwischentöne: Umleitung
    Weitere Leittöne durch zusätzliche Vorzeichen
    Wie die Tonarten zu ihren Vorzeichen kamen
    Was Vorzeichen am Anfang einer Zeile mit denen vor einer Note zu tun haben
    Und was ist das
    Zum Finale
    Anhang: Tonhöhen und Notennamen
    Dur oder Moll? Wie man Tonarten und Grundton eines Stückes erkennt
    Übersicht über die Tonarten bis fünf Vorzeichen
    Lösungen zu den Rätseln
    Übersicht der Tracks auf der CD

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  • Theodorakis – Epitaph (Iliopoulos)

    Wo ist mein Junge hingeflogen
    Meine duftenden Lippen
    An einem Tag im Mai
    Du bist untergegangen, mein Stern
    Du warst gutherzig
    Am Fenster standest Du
    Hätte ich doch das Wasser des Lebens
    Mein Süsser, Du bist nicht verschwunden

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  • Genzmer – 1st Sonatina

    Allegro
    Adagio
    Presto
    Allegro

    Genzmer – 1st Sonatina

    21,4023,80

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  • Tchaikovsky- The Nutcracker (Simple Arrangement)

    The series Get to Know Classical Masterpieces provides an introduction to well-known compositions in simple arrangements for piano by Hans-Günter Heumann. Complete with texts and colour illustrations throughout, these editions will appeal not only to both child and adult pianists but to any music-lover who wishes to get to know these works better.
    Steckbrief: Peter Iljitsch Tschaikowsky
    Steckbrief: Der Nussknacker
    Handlung des Balletts
    Ouvertüre
    Begrüßung der Gäste
    Marsch
    Onkel Drosselmeyer
    Klara und der Nussknacker
    Großvatertanz
    Pas de deux von Klara und dem Nussknacker-Prinzen
    Schneeflocken-Walzer
    Divertissement: a) Spanischer Tanz
    b) Arabischer Tanz
    c) Chinesischer Tanz
    d) Russischer Tanz (Trepak)
    e) Tanz der Rohrflöten
    f) Mutter Gigogne
    Blumenwalzer
    Finale (Walzer)

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  • Kember – Piano Sight Reading 1

    This book of pieces aims to establish good practice and provide an early introduction to the essential skill of sight-reading. In Part 1 the basic keys of C, G, F and D major and A and D minor are explored while keeping movement limited to steps, skips and repeated notes in a 5-note range.
    Preface
    Part 1:
    Preparation
    Three steps to success
    Patterns: 5-finger shapes and sequences frequently used
    Sight-reading exercises
    Part 2:
    Four steps to success
    Introducing intervals of 4ths and 5ths
    More sight-reading exercises
    Ties and simple syncopations
    Simple exercises with hands together

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