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Δημοφιλή Προϊόντα
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CASIO GP-310BKC7 HYBRID ΠΙΑΝΟ ΗΛΕΚΤΡΙΚΟ
Το υψηλής ποιότητας υβριδικό πιάνο, CELVIANO Grand Hybrid GP-310 – κατασκευασμένο σε συνεργασία με την C. Bechstein – αναπαράγει ακόμα και τις πιο λεπτές εκφάνσεις που χαρακτηρίζουν τον ήχο παγκοσμίως διάσημων grand pianos.
€3.200,00€3.500,00CASIO GP-310BKC7 HYBRID ΠΙΑΝΟ ΗΛΕΚΤΡΙΚΟ
€3.200,00€3.500,00Άμεσα Διαθέσιμο
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IGS AUDIO ONE LEVELING AMPLIFIER OPTICAL COMPRESSOR
One Leveling Amplifier
€1.700,00€1.900,00IGS AUDIO ONE LEVELING AMPLIFIER OPTICAL COMPRESSOR
€1.700,00€1.900,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO V8 COMPRESSOR
Smooth and gentle compression
€2.900,00€3.100,00IGS AUDIO V8 COMPRESSOR
€2.900,00€3.100,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO MULTICORE MULTIBAND COMPRESSOR
Three bands of classic analog VCA compression provide an infinite field of possibilities to shape the sound.
€3.550,00€3.700,00IGS AUDIO MULTICORE MULTIBAND COMPRESSOR
€3.550,00€3.700,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO VOLFRAM LIMITER STEREO FET COMPRESSOR
The Volfram Limiter is a dual mono version of the legendary 1176 archetype.
€2.000,00€2.200,00IGS AUDIO VOLFRAM LIMITER STEREO FET COMPRESSOR
€2.000,00€2.200,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO ZENER DIODES MASTERING COMPRESSOR
That’s all you need to compress your mix.
€2.900,00€3.100,00IGS AUDIO ZENER DIODES MASTERING COMPRESSOR
€2.900,00€3.100,00Διαθέσιμο σε 7-15 ημέρες
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€14,00
€15,60Διαθέσιμο σε 1-3 ημέρες
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Liszt – Ungarische Rhapsodie No 1
#html-body [data-pb-style=VPPPBLH]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Franz Liszt (Composer) | Eugen d’Albert (Editor)
Hungarian Rhapsody
No. 1 E major
Piano
Series:Edition Schott – Single Edition
€5,60€6,20Liszt – Ungarische Rhapsodie No 1
€5,60€6,20Διαθέσιμο σε 1-3 ημέρες
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Szeleny – Nocturne
#html-body [data-pb-style=YNT0KIX]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}István Szelényi (Composer)Nocturne€12,00€13,30Szeleny – Nocturne
€12,00€13,30Διαθέσιμο σε 1-3 ημέρες
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Strawinsky – L` Oiseau De Feu
#html-body [data-pb-style=NRDHX04]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The Firebird Scherzo, Berceuse and Danse Infernale arranged for piano by Soulima Strawinsky€17,60€19,50Strawinsky – L` Oiseau De Feu
€17,60€19,50Διαθέσιμο σε 1-3 ημέρες
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Sutermeister – Capriccio
8 pages€10,00€11,10Sutermeister – Capriccio
€10,00€11,10Διαθέσιμο σε 1-3 ημέρες
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Chopin – Liszt – Hiller – 33 easy piano pieces with practice tips Vol.5
With the new Urtext Primo series, Wiener Urtext Edition intends to bridge the gap between studying a piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach’s Minuet in G (BWV Anh. 116), Mozart’s Minuet in F (KV 5) or Schumann’s Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume in the series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills.
The pieces’ range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons.
The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.
This volume presents easy pieces for piano by great virtuosos. It unites the two greatest, and perhaps best-known, pianists of the 19th century, Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin, Hiller’s works are frequently reminiscent of folk music. His Irländisches Lied and Fandango, included in the collection, are fine examples of 19th-century ‘world music’.
Chopin Frédéric: Bourée I in G (KK VIIb/1)
Chopin Frédéric: Bourée II in A (KK VIIb/2)
Chopin Frédéric: Cantabile in B (KK IVb/6)
Chopin Frédéric: Walzer / Waltz / Valse in a (KK IVb/11)
Chopin Frédéric: Sostenuto in Es (KK IVb/10)
Chopin Frédéric: Prélude in e (op. 28/4)
Chopin Frédéric: Prélude in h (op. 28/6)
Chopin Frédéric: Prélude in A (op. 28/7)
Chopin Frédéric: Prélude in c (op. 28/20)
Chopin Frédéric: Polonaise in B (KK IVa/1
Chopin Frédéric: Mazurka in g (op. 67/2)
Chopin Frédéric: Mazurka in F (op. 68/3)
Chopin Frédéric: Mazurka in As (op. 7/4a)
Liszt Franz: La cloche sonne
Liszt Franz: Ländler in As
Liszt Franz: Andantino in As
Liszt Franz: Ich liebe Dich
Liszt Franz: Andante in Des
Liszt Franz: Wiegenlied / Lullaby / Chant du berceau
Liszt Franz: Sancta Dorothea
Liszt Franz: Ave Maria
Liszt Franz: Weihnachtslied / Christmas carol / Chant de Noel
Liszt Franz: Die Hirten an der Krippe / The shepherds at the manger / Les Bergers à la crèche
Liszt Franz: Adagio religioso
Hiller Ferdinand von: Irländisches Lied / Irish Song / Chant irlandais (op. 117/2)
Hiller Ferdinand von: Schottisches Lied / Scottish Song / Chant écossais (op. 117/19)
Hiller Ferdinand von: Italienisches Lied / Italien Song / Chant italien (op. 117/31)
Hiller Ferdinand von: Polnisches Lied / Polish Song / Chant polonaise (op. 117/18)
Hiller Ferdinand von: Russisches Lied / Russian Song / Chant russe (op. 117/26)
Hiller Ferdinand von: Fandango (op. 117/28)
Hiller Ferdinand von: Ballade (op. 117/16)
Hiller Ferdinand von: Schlummerlied / Slumber Song / Berceuse (op. 66/I/2)
Hiller Ferdinand von: Lied / Song (op. 66/II/2)€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Bach – Notebook of Anna Magdalena
The 1725 Notebook of Anna Magdalena Bach is chiefly famous for pieces such as the two minuets in G major and G minor (Nos. 4 and 5 in the present collection) and the Aria di Giovannini. These three, indeed the majority of the pieces, were not composed by J. S. Bach but by other, often fairly unknown musicians. Though begun by her husband, Anna Magdalena Bach compiled the Notebook for her own domestic use. A definite asset to the collection is the Suite de Clavecin by Christian Petzold, organist at the Dresden court, which contains the two minuets mentioned above.
Komponist unbekannt: Menuet (BWV Anh. 113)
C. Petzold: Menuet (BWV Anh. 114)
C. Petzold: Menuet (BWV Anh. 115)
F. Couperin: Rondeau (Les Bergeries) (BWV Anh. 183)
Komponist unbekannt: Menuet (BWV Anh. 116)
Polonoise (BWV Anh. 117a)
Polonoise (BWV Anh. 117b)
Polonoise (BWV Anh. 119)
J.S. Bach: Choral (Wer nun den lieben Gott lässt walten) (BWV 691)
Gib dich zufrieden und sei stille (BWV 510-512)
Komponist unbekannt: Menuet (BWV Anh. 120)
Menuet (BWV Anh. 121)
C.P.E. Bach: Marche (BWV Anh. 122
Polonoise (BWV Anh. 123)
Marche (BWV Anh. 124)
Polonoise (BWV Anh. 125)
J.G.H. Bach?: Aria (So oft ich meine Tobackspfeife) (BWV 515)
Menuet fait par Mons. Böhm
Komponist unbekannt: Musette (BWV Anh. 126)
C.P.E. Bach: Marche (BWV Anh. 127)
Komponist unbekannt: Polonoise (BWV Anh. 128)
G.H. Stölzel: Bist du bei mir (Fassung für Singstimme und Tasteninstrument) (BWV 508)
Bist du bei mir (Fassung für Tasteninstrument) (BWV 508) -J.S. Bach: Aria (BWV 988/1)
C.P.E. Bach: Solo per il Cembalo (BWV Anh. 129)
J.A. Hasse: Polonoise (BWV Anh. 130)
J.S. Bach: Praeludium (BWV 846/1)
Komponist unbekannt: Warum betrübst du dich (BWV 516)
J.S. Bach: Rezitativo und Aria (aus BWV 82)
Komponist unbekannt: Schaf’s mit mir, Gott (BWV 514)
Komponist unbekannt: Menuet (BWV Anh. 132)
Aria di Giovannini (BWV 518)
J.S. Bach: Choral (BWV 299)
Choral (Notation für Tasteninstrument) (BWV 299)
Choral (BWV 299)
Komponist unbekannt: Wie wohl ist mir (BWV 517)
Aria (BWV 509)
O Ewig, du Donnerwort (BWV 513) (Bass: J.S. Bach)
Anhang: C. Petzold: Suite de Clavecin: Prélude
Allemande
Courante
Sarabande
Bourrée
Menuet alternativement
Menuet 2
Gigue
Passepied alternativement
Trio€18,90€21,00Bach – Notebook of Anna Magdalena
€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Orchester Probespiel, Test Pieces for orchestral Auditions
In Orchestern und an den ausbildenden Hochschulen besteht seit langem Bedarf an einer praktischen und leicht zugänglichen Ausgabe der beim Probespiel vorgelegten Orchesterstellen. Der Inhalt dieses Heftes geht zurück auf Anregungen des Deutschen Musikrates und basiert auf statistischen Erhebungen der Deutschen Orchestervereinigung e.V. (DOV) sowie auf der langjährigen Berufserfahrung der Herausgeber als Orchestermusiker und Hochschulpädagogen.
Auf der gesondert erhätlichen CD sind die jeweiligen Werkausschnitte (Instrument mit Orchester) enthalten.
TUTTISTELLEN: L.v. Beethoven: Sinfonie Nr. 3 Es-Dur op. 55 (“Eroica”), 3. und 4. Satz
L.v. Beethoven: Sinfonie Nr. 5 c-Moll op. 67, 2. und 3. Satz
L.v. Beethoven: Sinfonie Nr. 9 d-Moll op. 125, 4. Satz
A. Berg: Wozzeck, 2. Akt
J. Brahms: Sinfonie Nr. 2 D-Dur op. 73, 4. Satz
A. Bruckner: Sinfonie Nr. 4 Es-Dur (“Romantische”), 4. Satz
A. Bruckner: Sinfonie Nr. 6 A-Dur, 1. Satz
A. Bruckner: Sinfonie Nr. 7 E-Dur, 1. und 4. Satz
W.A. Mozart: Sinfonie Nr. 40 g-Moll KV 550, 1. und 4. Satz
W.A. Mozart: Sinfonie Nr. 41 C-Dur (“Jupiter”) KV 551, 4. Satz
W.A. Mozart: Die Hochzeit des Figaro KV 492, Ouvertüre
W.A. Mozart: Die Zauberflöte KV 620, Ouvertüre
F. Schubert: Sinfonie Nr. 8 C-Dur, 3. und 4. Satz
B. Smetana: Die verkaufte Braut, Ouvertüre
R. Strauss: Till Eulenspiegels lustige Streiche op. 28
R. Strauss: Don Juan op. 20
R. Strauss: Ein Heldenleben op. 40
R. Strauss: Salome op. 54, 4. Szene
R. Strauss: Der Rosenkavalier op. 59, 2. Aufzug
G. Verdi: Rigoletto, 1. Akt, Nr. 1 (Chor)
G. Verdi: La Traviata, 1. Akt, 4. Szene; 2. Akt, 2.,7.und 8. Szene
G. Verdi: Die Macht des Schicksals, Ouvertüre
G. Verdi: Aida, 4. Akt
G. Verdi: Othello, 4. Akt
G. Verdi: Falstaff, 3. Akt, 1. Teil
R. Wagner: Die Meistersinger von Nürnberg, 1. Akt, 3. Szene; 2. Akt, 7. Szene (“Prügelszene”)
R. Wagner: Die Walküre, 1. Akt, Vorspiel, 1. und 2. Szene; 2. Akt, Vorspiel, 1. und 5. Szene; 3. Akt, 1. Szene
R. Wagner: Siegfried, 2. Akt, 3. Szene; 3. Akt, Vorspiel
C.M.v. Weber: Der Freischütz op. 77, Ouvertüre
C.M.v. Weber: Euryanthe op. 81, Ouvertüre
C.M.v. Weber: Oberon, Ouvertüre
SOLOSTELLEN: A. Berg: Wozzeck, 3. Akt
A. Berg: Lulu, 1. Akt, Prolog; 2. Akt, 1. Szene
K.A. Hartmann: Sinfonie Nr. 3, Anfang, Largo ma non troppo
G. Mahler: Sinfonie Nr. 1 D-Dur, 3. Satz
H. Pfitzner: Palestrina, 1. Akt, 3. u. 5. Szene
R. Strauss: Ariadne auf Naxos op. 60, 2. Akt
I. Strawinsky: Pulcinella-Suite, 7. Akt
G. Verdi: Rigoletto, 1. Akt, Nr. 3 (Duetto)
B.A. Zimmermann: Die Soldaten, 3. Akt, 4. Szene€34,20€38,00Διαθέσιμο σε 1-3 ημέρες
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Say – Violin Concerto, “1001 Nights In The Harem”
My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazades One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds.As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments.As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion. Faz?l Say
I Allegro · Cadenza
II Allegro assai · Cadenza
III Andantino
IV (ohne Satzbezeichnung) · Coda (Andantino)€49,40€54,80Say – Violin Concerto, “1001 Nights In The Harem”
€49,40€54,80Διαθέσιμο σε 1-3 ημέρες
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Baroque Keyboard Anthology
J.-P. Rameau: Menuet en Rondeau
C. de Seixas: Minuete
H. Purcell: Prelude
H. Purcell: Minuet
H. Purcell: A New Irish Tune
J.C.F. Fischer: Praeludium harpeggiato
J. Blow: Gavot
Anonymous: Musette
G.F. Händel: Impertinence
J. Barrett: Minuet
G.F. Händel: Sarabande
N. Pasquali: Air from Judas Macchabeus
D. Buxtehude: Saraband
C. Balbastre: Joseph est bien marié
J.P. Kirnberger: Minuetto in Contrap, alla 8
Durocher: Prelude
Durocher: La Joyeuse
Durocher: Tamborin
A.H. Wenck: Andante
G.P. Telemann: Fantasie D Major TWV 33:14 (Gravement
Gayment
Allegrement)
D. Scarlatti: Sonata K. 322
F. Couperin: Le Petit-Rien€23,40€26,00Baroque Keyboard Anthology
€23,40€26,00Διαθέσιμο σε 1-3 ημέρες
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Sturm – Singen auf den ersten Blick & CD
This book is aimed at singers who wish to acquire sound knowledge of music-reading and improve their sight-singing skills.It is possible to approach this subject on all levels. This is why this book is suitable for absolute beginners and advanced singers alike. A navigation system facilitates fast orientation and ‘picks’ every user up exactly where he or she stands at the moment.
In addition, the book contains recapitulatory exercises as well as an accompanying CD which enables the singer to review the acquired knowledge at any time.
Vorwort
Einstieg: Hallo und herzlich willkommen
Am Anfang steht der Rhythmus
Der Ton macht die Musik
Das kleine 1×1 des Übens
Noch Fragen
Auf dem Sprungbrett: Vom Marsch bis zur Disko
Der dritte Ton und die ersten Tonsprünge
Der Dreiklang: Der vierte Ton der Tonleiter
Achtung Taktwechsel
Fünf Töne und ein Dreiklang
Das Hexachord: Ein halbes Dutzend Töne
Mach mal Pause
Kunstspringen für Fortgeschrittene
Ganz oder gar nicht
Das Hexachord
Die vollständige Tonleiter: Keine halbe Sache
Der hat nocht gefehlt
Kann man den Grundpuls weiter unterteilen
Weitere Dreiklänge innerhalb der Tonleiter
Dur und Moll: Zum Auftakt
“Unter” dem Grundton
Die Moll-Tonleiter
Das Gegenstück zu “alla breve”
So viele Noten
Dur und Moll im Kreuzverhör
Teuflischer Tonsprung
Hoch hinaus: In den höchsten Tönen
Nochmal ein Taktwechsel
Und halten
Gegen den Strich
Weitsprung
Weiterleitung
Zwischentöne: Umleitung
Weitere Leittöne durch zusätzliche Vorzeichen
Wie die Tonarten zu ihren Vorzeichen kamen
Was Vorzeichen am Anfang einer Zeile mit denen vor einer Note zu tun haben
Und was ist das
Zum Finale
Anhang: Tonhöhen und Notennamen
Dur oder Moll? Wie man Tonarten und Grundton eines Stückes erkennt
Übersicht über die Tonarten bis fünf Vorzeichen
Lösungen zu den Rätseln
Übersicht der Tracks auf der CD€30,70€34,10Sturm – Singen auf den ersten Blick & CD
€30,70€34,10Διαθέσιμο σε 1-3 ημέρες
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Theodorakis – Epitaph (Iliopoulos)
Wo ist mein Junge hingeflogen
Meine duftenden Lippen
An einem Tag im Mai
Du bist untergegangen, mein Stern
Du warst gutherzig
Am Fenster standest Du
Hätte ich doch das Wasser des Lebens
Mein Süsser, Du bist nicht verschwunden€26,00€28,90Theodorakis – Epitaph (Iliopoulos)
€26,00€28,90Διαθέσιμο σε 1-3 ημέρες
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Genzmer – 1st Sonatina
Allegro
Adagio
Presto
Allegro€21,40€23,80Genzmer – 1st Sonatina
€21,40€23,80Διαθέσιμο σε 1-3 ημέρες
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Tchaikovsky- The Nutcracker (Simple Arrangement)
The series Get to Know Classical Masterpieces provides an introduction to well-known compositions in simple arrangements for piano by Hans-Günter Heumann. Complete with texts and colour illustrations throughout, these editions will appeal not only to both child and adult pianists but to any music-lover who wishes to get to know these works better.
Steckbrief: Peter Iljitsch Tschaikowsky
Steckbrief: Der Nussknacker
Handlung des Balletts
Ouvertüre
Begrüßung der Gäste
Marsch
Onkel Drosselmeyer
Klara und der Nussknacker
Großvatertanz
Pas de deux von Klara und dem Nussknacker-Prinzen
Schneeflocken-Walzer
Divertissement: a) Spanischer Tanz
b) Arabischer Tanz
c) Chinesischer Tanz
d) Russischer Tanz (Trepak)
e) Tanz der Rohrflöten
f) Mutter Gigogne
Blumenwalzer
Finale (Walzer)€22,20€24,60Tchaikovsky- The Nutcracker (Simple Arrangement)
€22,20€24,60Διαθέσιμο σε 1-3 ημέρες
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Kember – Piano Sight Reading 1
This book of pieces aims to establish good practice and provide an early introduction to the essential skill of sight-reading. In Part 1 the basic keys of C, G, F and D major and A and D minor are explored while keeping movement limited to steps, skips and repeated notes in a 5-note range.
Preface
Part 1:
Preparation
Three steps to success
Patterns: 5-finger shapes and sequences frequently used
Sight-reading exercises
Part 2:
Four steps to success
Introducing intervals of 4ths and 5ths
More sight-reading exercises
Ties and simple syncopations
Simple exercises with hands together€19,70€21,90Kember – Piano Sight Reading 1
€19,70€21,90Διαθέσιμο σε 1-3 ημέρες
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Kember – Piano Sight Reading 2
This volume builds on the progress achieved by following the outlines and good practice established in Book 1. This book helps to establish the habit of regular sight-reading, generally recognized as a vital skill in all fields of music. To this end, the exercises are progressive and structured to increase the pupil’s awareness of new rhythms, keys and range of notes.
Changes of hand position are introduced gradually, as is the recognition of and familiarity with chord shapes in both 2- and 3-note groups. – A progressive approach based on self-learning- 150 graduated exercises- Both hands treated equally for melody and chord playing- Hands together used throughout
Simple hands together
no position moves
Semiquavers in 2/4 time
Semiquavers in 3/8 time
Position changes in the right hand
Position changes in the left hand
Simple position changes in both hands
Introducing chords
2nds and 3rds
Introducing chords
4ths and 6ths
Introducing chords
5ths and 6ths
Introducing chords
5ths and 7ths
Introducing various 2-note chords
Introducing triads and inversions
Introducing dominant 7th chords
The key of E minor
The key of B minor
The key of B flat major
The key of G minor€19,70€21,90Kember – Piano Sight Reading 2
€19,70€21,90Διαθέσιμο σε 1-3 ημέρες
The opera paraphrases take a prominent place among Liszt’s complete works as a self-contained art form alongside original compositions. Feruccio Busoni values the high artistic merit of these compositions in the manner in which their well-considered structural planning in the arrangement of form and contrast and the endeavour to expand and embellish the chosen motifs place Liszt’s opera fantasies apart from the “plebeian potpourri”. The early Verdi paraphrases, particularly this Rigoletto-Paraphrase composed in 1859, are far superior to the later paraphrases (including those based on Don Carlos and Aida). This exceedingly brillant concert piece based on arguably the most famous quartet in the history of opera is particularly significant for the unique way in which Liszt is able to bring together the juxtaposition of extreme contrasts – the Duke’s ardent declaration of love, Maddalena’s prattling rejection, the grief-stricken cantilene of Gilda’s and Rigoletto’s furious parlando – as in Verdi’s original, resulting in a marvellous formal unity.