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CASIO GP-310BKC7 HYBRID ΠΙΑΝΟ ΗΛΕΚΤΡΙΚΟ
Το υψηλής ποιότητας υβριδικό πιάνο, CELVIANO Grand Hybrid GP-310 – κατασκευασμένο σε συνεργασία με την C. Bechstein – αναπαράγει ακόμα και τις πιο λεπτές εκφάνσεις που χαρακτηρίζουν τον ήχο παγκοσμίως διάσημων grand pianos.
€3.200,00€3.500,00CASIO GP-310BKC7 HYBRID ΠΙΑΝΟ ΗΛΕΚΤΡΙΚΟ
€3.200,00€3.500,00Άμεσα Διαθέσιμο
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IGS AUDIO ONE LEVELING AMPLIFIER OPTICAL COMPRESSOR
One Leveling Amplifier
€1.700,00€1.900,00IGS AUDIO ONE LEVELING AMPLIFIER OPTICAL COMPRESSOR
€1.700,00€1.900,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO V8 COMPRESSOR
Smooth and gentle compression
€2.900,00€3.100,00IGS AUDIO V8 COMPRESSOR
€2.900,00€3.100,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO MULTICORE MULTIBAND COMPRESSOR
Three bands of classic analog VCA compression provide an infinite field of possibilities to shape the sound.
€3.550,00€3.700,00IGS AUDIO MULTICORE MULTIBAND COMPRESSOR
€3.550,00€3.700,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO VOLFRAM LIMITER STEREO FET COMPRESSOR
The Volfram Limiter is a dual mono version of the legendary 1176 archetype.
€2.000,00€2.200,00IGS AUDIO VOLFRAM LIMITER STEREO FET COMPRESSOR
€2.000,00€2.200,00Διαθέσιμο σε 7-15 ημέρες
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IGS AUDIO ZENER DIODES MASTERING COMPRESSOR
That’s all you need to compress your mix.
€2.900,00€3.100,00IGS AUDIO ZENER DIODES MASTERING COMPRESSOR
€2.900,00€3.100,00Διαθέσιμο σε 7-15 ημέρες
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Uhl – 48 Studies for Clarinet, Book 2
#html-body [data-pb-style=NN3WQ8H]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}These studies are intended to complement the existing teaching material for the clarinet, making the budding clarinettist familiar with the difficulties peculiar to modern instrumental music.€21,70€24,10Uhl – 48 Studies for Clarinet, Book 2
€21,70€24,10Διαθέσιμο σε 1-3 ημέρες
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Kreisler – Variations On A Theme by Corelli in F Major
#html-body [data-pb-style=V9A2SU9]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Variations on a theme by Corelli F major in the style of Giuseppe Tartini€14,50€16,10Διαθέσιμο σε 1-3 ημέρες
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Chopin – Variations On A Theme By Rossini
#html-body [data-pb-style=U71COCN]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Variations on a theme by Rossini from the opera “La Cenerentola”
€17,40€19,30Chopin – Variations On A Theme By Rossini
€17,40€19,30Διαθέσιμο σε 1-3 ημέρες
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Tchaikovsky – Pezzo Capriccioso for Cello & Piano
#html-body [data-pb-style=PIW7P2O]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Εκτός από τις διάσημες Rococo Variations, ο Pyotr I. Tchaikovsky συνέθεσε και ένα άλλο έργο για σόλο τσέλο: το Pezzo capriccioso, Έργο 62. Το έργο είναι αφιερωμένο στον Brandoukoff (Brandukov), με τον οποίο το παρουσίασε για πρώτη φορά στο περίφημο καλλιτεχνικό σαλόνι της οικογένειας Μπεναρδάκη, τον Φεβρουάριο του 1888. Ο ίδιος ο σολίστ πρότεινε μερικές μικρές τροποποιήσεις στο σόλο μέρος. Ακόμη και ο σπουδαίος βιρτουόζος του τσέλου και δάσκαλος, Maurice Gendron, ασχολήθηκε ξανά με το έργο, εμπλουτίζοντας το σόλο με περισσότερες βιρτουόζικες λεπτομέρειες και προσθέτοντας μια cadenza, μια εκτεταμένη ανακεφαλαίωση και ένα παρατεταμένο τέλος στο Pezzo.
Η παρούσα έκδοση δίνει τη δυνατότητα στον εκτελεστή να αποκτήσει μια πλήρη εικόνα των διαφορετικών εκδοχών και επιπέδων του έργου. Οι δακτυλισμοί, οι ενδείξεις δοξαριών και τα ερμηνευτικά βοηθήματα – εκτός από αυτά που περιλαμβάνονται στα πρόσθετα μέρη – είναι έργο του Maurice Gendron.€28,00€31,10Tchaikovsky – Pezzo Capriccioso for Cello & Piano
€28,00€31,10Διαθέσιμο σε 1-3 ημέρες
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Benda – Concerto in F Major
The early classical concerto of Friedrich Wilhelm Heinrich Benda that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best advantage. Instrumentation: viola and strings with harpsichord; 2 horns ad libitum.€27,70€30,80Benda – Concerto in F Major
€27,70€30,80Διαθέσιμο σε 1-3 ημέρες
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The Virtuoso Piano Transcription Series, Vol. 4 Rigoletto
#html-body [data-pb-style=BVAA9V8]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}#html-body [data-pb-style=XUDTYAI]{max-width:360px}Franz Liszt (Composer) | Giuseppe Fortunino Francesco Verdi (Composer)RigolettoConcert-Paraphrase about the quartet by Franz LisztPiano
The opera paraphrases take a prominent place among Liszt’s complete works as a self-contained art form alongside original compositions. Feruccio Busoni values the high artistic merit of these compositions in the manner in which their well-considered structural planning in the arrangement of form and contrast and the endeavour to expand and embellish the chosen motifs place Liszt’s opera fantasies apart from the “plebeian potpourri”. The early Verdi paraphrases, particularly this Rigoletto-Paraphrase composed in 1859, are far superior to the later paraphrases (including those based on Don Carlos and Aida). This exceedingly brillant concert piece based on arguably the most famous quartet in the history of opera is particularly significant for the unique way in which Liszt is able to bring together the juxtaposition of extreme contrasts – the Duke’s ardent declaration of love, Maddalena’s prattling rejection, the grief-stricken cantilene of Gilda’s and Rigoletto’s furious parlando – as in Verdi’s original, resulting in a marvellous formal unity.
€14,00€15,60Διαθέσιμο σε 1-3 ημέρες
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Liszt – Ungarische Rhapsodie No 1
#html-body [data-pb-style=VPPPBLH]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Franz Liszt (Composer) | Eugen d’Albert (Editor)
Hungarian Rhapsody
No. 1 E major
Piano
Series:Edition Schott – Single Edition
€5,60€6,20Liszt – Ungarische Rhapsodie No 1
€5,60€6,20Διαθέσιμο σε 1-3 ημέρες
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Szeleny – Nocturne
#html-body [data-pb-style=YNT0KIX]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}István Szelényi (Composer)Nocturne€12,00€13,30Szeleny – Nocturne
€12,00€13,30Διαθέσιμο σε 1-3 ημέρες
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Strawinsky – L` Oiseau De Feu
#html-body [data-pb-style=NRDHX04]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The Firebird Scherzo, Berceuse and Danse Infernale arranged for piano by Soulima Strawinsky€17,60€19,50Strawinsky – L` Oiseau De Feu
€17,60€19,50Διαθέσιμο σε 1-3 ημέρες
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Feuillard – Daily Exercises for Violoncello
Louis R. Feuillard (1872-1941) is best known as the teacher of Paul Tortelier, who described him as a man with an extraordinary pedagogical feeling. His daily exercises cover the most important areas of cello technique, such as exercises in the neck and thumb positions, double stops and bow exercises. Particularly because of the logical structure of the exercises, they have been one of the standard works of etude literature for cello since their first appearance in 1919.
Part: Exercises in the neck positions
Part: Exercises that encompass the cello in its entirety
Part: Exercises with thumb attachment
Part: double handles
Part: bow exercises€22,40€24,90Feuillard – Daily Exercises for Violoncello
€22,40€24,90Διαθέσιμο σε 1-3 ημέρες
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Renate Bruce-Weber – Die fröhliche Violine Band 1(Package)
At the violin school The Happy Violin, the focus is on having fun while learning: the textbook aims at a playful, early start with the instrument. As the lesson progresses, the growing students are then consciously addressed in a language that corresponds to their age development. This also includes a stylistically diverse range of pieces from classical and folklore, and all sorts of interesting facts about the music and its composers are always reported.
Volume 1: Detailed introduction to the bow position – songs and pieces using only the first type of fingering, with a focus on rhythmic, melodic and bowing technique variety – playful exploration of violin playing techniques such as pizzicato, position playing, flageolet and double stops CD for volume 1 (T 3272). all songs and pieces, with funny dialogues spoken by children. A motivating addition to the lesson and a nice gift idea!
The playbook is designed as a supplement to the first volume of the teaching work The Happy Violin. Therefore, all violin parts can be played in the 1st fingering to suit the violin school. Musically, however, the booklet goes far beyond the content of a first year of teaching, so that the pieces are also well suited to recapitulating familiar content.
The pieces contain a wide variety of musical ideas and styles, from baroque to modern, from the shanty to the Japanese national anthem, from the light canon to the effective prelude piece.
Contents
Preface
Welcome to violin lessons
Visit to the violin maker
The four strings
The bow stance
Eighth notes
The left hand
The first type of grip
The flageolet
sign
Bound sheet music
The first double stops
Short notes
Songs for special occasions
Songs and plays:
Evening song
Ali ben Ule
All of Alabama’s monkeys
American gospel song
Andulka
To sing on rainy days
Asian dream song
Elevator
From Beethoven’s Violin Concerto
From the Peasant Cantata
From the 9th Symphony
Babushka’s Evening Song
At the violin maker
Bella Bimba
movement game
Brother Jacob
Cantata Domino
Chinese melody
The dachshund drama
The echo
The sad child
The excursion
The hedgehog and the porcupine
The Cuckoo and the donkey
The night violinist
The clever Purzel
The snail
The proud poodle
The proud poodle – something different
The old bridge
The old bridge-somewhat changed
The goose Agathe
The Nightingale
The snail mail
English sea shanty
English sea shanty (chorus)
Finger climbing song 1
Eve! Caroline!
Carnival duet
Holiday song
French troubadour song
Brother Jacques
Happy violin piece
Spring song
Five scale tongue twisters
birthday song
Ghost music
Good morning, Mr. Spielmann
Hot, Kathreinerle
Hey, hitch up the car
Heijo, hitch up the car (canon)
In the rocking chair
Indian dance
Joseph, dear Joseph my
Canon from Israel
Do you know this song?
Little festival music
Little finger exercise
Little melody
Small scale piece
Cuckoo song
Song of the Snake Charmer
Song with the note B
March for the Emperor of China
Morning song
musette
Another climbing scale
Another piece with double stops
Oh joyful day
O Savior, tear open the heavens
Intermission piece
polka
Little rose, little rose
String changing exercise
Scottish March
Scottish New Year’s Eve song
swing dance
Dance song
Tim the piper
I stepped outside the door today
Trumpet fanfare
Hungarian dance
Good luck and many blessings
Virtuoso piece
From the sky above
waltz
what is that supposed to mean
What is the little mouse dreaming about?
Lullaby
We climb up
We’re calling everyone
We play with and without breaks
We practice the dotted rhythm
We practice for the swing dance
Miracle song
Happy birthday
At Easter
Two small fifth pieces
Playbook:
Two pieces on open strings:
Sunday walk
Birthday rally
Two canons:
Autumn canon
Spring canon
Two songs from Israel:
Love song (Hana’ava babanot)
Praise to King David
Two songs from Spain:
Summer Song (Segador)
The Shepherdess (La Pastoreta)
Two sea shanties:
Was once a small sailing boat
My Bonnie is over the ocean
Two pieces from the “Happy Violin”:
Peasant Cantata (JS Bach)
The night violinist
Two pieces from the early baroque:
Peasant Dance (M. Praetorius)
Dance (M. Praetorius)
Two pieces from the Baroque period:
Little Hunting Music (G. Ph. Telemann)
Variations on: “We have three cats” (Augsburger Tafelkonfekt)
Two pieces from the 21st century:
The scary cobra
Dance of the earthworms
Two songs from Australia:
Moreton Bay
The frigate Catalpa
Two pieces for stage performances:
Enter the contortionists
Rondo after a Polish dance€36,90€41,00Διαθέσιμο σε 1-3 ημέρες
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Piano music by female composers
Female composers have made their way in the face of prejudice and opposition. For a long time the prejudice prevailed that women lack the requisite creative talent to compose great music. It is indeed true that women have been less active in the field of musical composition than their male contemporaries, but reasons for this are found in the social circumstances of the recent past:
In the late eighteenth and nineteenth centuries, the ages of the Enlightenment and the flowering of great achievement in music, women were denied the education and encouragement which would have made individual accomplishment possible beyond the limits of domestic music-making. In spite of these hindrances there were highly gifted women who overcame the hurdles and were able to prove their talent for composition. Of course these belonged to the wealthy middle and upper classes, or were women from musical families who were able to receive a thorough training.
This selection, comprising 19 female composers from eight countries, cannot claim to be completely representative, both because it is limited to the period from the eighteenth century to the present, and because there is, as yet, no systematic catalogue of the autographs and printed editions in archives and libraries. But our editors are happy that this publication is worthwhile and justified, and that each of the pieces can speak for itself.
Women will in future pursue musical composition amid a manifest change in society’s view of women and its attitude towards them.
Vorwort
Zu den Komponistinnen
Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau
Marianne Matinez (1744-1812): Sonate No. 3
Maria Szymanowska (1789-1831): Nocturne
Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4
Clara Schumann (1819-1896): Andante con sentimento
Louise Farrenc (1804-1875): Impromptu
Cécile Chaminade (1857-1944): Pierrette, op. 41
Ilse Fromm-Michaels (1888-1986): Langsamer Walzer
Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein
Lotte Backes (1901-1987): Slow
L.ili Boulanger (1893-1918): D’ un vieux jardin
Priaulx Rainier (1903-1986): Barbaric Dance
Elizabeth Lutyens (1906-1983): Two Bagatelles
Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil
Verdina Shlonsky (1913-1990): Introduction
Ivana Loudova: 2 Stücke (Dornröschen
Wiegenlied)
Barbara Heller (*1936): Piano Muziek
Böhmisches Lied
Susanne Erding (*1955): Chillan
Johanna Senfter (1879-1961): Erster Schmerz
Vogelweise€32,60€36,20Piano music by female composers
€32,60€36,20Διαθέσιμο σε 1-3 ημέρες
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Doflein – The Doflein Method Vol.1, The Beginning [English]
A course of violin instruction combined with musical theory and practice in duet-playing
Chapter 1: Music with five notes
Chapter 2: Music with six notes
Chapter 3: Music with eight notes
Chapter 4
Chapter 5: Key-note on the first finger
Chapter 6: Combination of both attitudes of the fingers
Chapter 7: Dotted Quarter Notes (Dotted Crotchets)
Chapter 8: Key-note on the third finger
Chapter 9: Key-note on the second finger (C Major)
Chapter 10: The keys and their signatures
Chapter 11: Songs and pieces to Play
Chapter 12: Music in the minor mode
Chapter 13: Syncopation€22,40€24,90Διαθέσιμο σε 1-3 ημέρες
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Das Neue Sonatinenbuch
Keep the old, but be generous with the new. Fundamentally the editor of the New Sonatina Book has followed this principle.
Therefore in the book are found sonatas for children which are almost classical, as well as other works that have long been used successfully in teaching the piano but which are not found in previous collections such as, for example, the Vienna Sonatinas of Mozart acquired fame so quickly in the new Schott edition, the charming Spring Sonatina by Handrock, some melodious compositions of Theodor Kirchner, and as a contemporary work Gretchaninoff’s Sonatina which has proved itself as a splendid display pieces for pupils’ concerts.
The collection is as far as possible arranged in order of difficulty, but as frequently different movements of a work demand different levels of technique, a completely logical sequence was not possible, particularly as the individual talent of the pupil plays an important part. In order to acquaint pupils with polyphonic music some easy pieces by Handel, Telemann, Krebs and Max Reger (Canons) have been included.
A. Corelli: Sarabande e-Moll
A. Gretchaninoff: Nach dem Balle, op. 98/13
A. Gretchaninoff: Wiegenlied, op. 98/9
André: Sonatine G-Dur, op. 34
Bolck: Sonatine G-Dur, op. 59/2
G.F. Händel: Air B-Dur
G.F. Händel: Impertinence g-Moll
G.F. Händel: Menuett G-Dur
H. Purcell: Lied
Handrock: Frühlingssonatine F-Dur
Haslinger: Sonatine C-Dur
Hofmann: Ländler, op. 7/3
J. Haydn: Sonatine G-Dur
J. Pachelbel: Fuga C-Dur
J.L. Dussek: Sonatine G-Dur, op. 20/1
Kuhlau: Sonatine G-Dur, op. 88/2
Kuhlau: Sonatinen C-Dur und G-Dur, op. 55/1 und 3
L.v. Beethoven: Sonatine G-Dur, op. 49/2
L.v. Beethoven: Sonatinen G-Dur und F-Dur
M. Clementi: Sonatinen G-Dur und D-Dur, op. 36/5 und 6
M. Reger: Fast zu keck!, op. 17/12
Schmid: Marsch, op. 95/16
Schmid: Scherzo, op. 53/5
Schmitt: Sonatine A-Dur, op. 207/2
Schytte: Sonatine D-Dur, op. 76/3
V.D. Kirchner: Sonatine C-Dur, op. 70/1
W. A. Mozart: Sonatinen C-Dur und G-Dur
W.A. Mozart: Wiener Sonatine C-Dur€25,00€27,80Das Neue Sonatinenbuch
€25,00€27,80Διαθέσιμο σε 1-3 ημέρες