Προϊόντα

  • PEACE TM-2B Yellow

    22 pairs of aluminium jingles
    Ergonomic handle
    ABS frame
    Color: Yellow

    PEACE TM-2B Yellow

    11,7013,00

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  • PEACE T-1G5

    Material: Chromed Metal
    Comes with metal beater
    Side dimensions: 13 cm

    PEACE T-1G5

    3,303,70

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  • Various Composers: Easy Pieces of the 17th & 18th Centuries, Bk.1

    The publication contains 25 simple compositions, which were selected by Alois Sarauer and Drahomira Krizkova, and is designed for intermediate pupils. These are piano pieces of many important figures of European Baroque music (H. Purcell, J.-Ph. Rameau, G. Ph. Telemann, J. Krieger, D. Zipoli) and particularly German Classicism (J. Ch. F. Bach, L. Mozart, J. Ph. Kirnberger, Ch. G. Neefe and others), of which most bear the titles of typical period dances. The selection therefore represents a highly appropriate repertoire of recital works.
    Menuet
    ​Air
    ​Menuet
    ​Allegretto
    ​Menuet
    ​Ballet
    ​Menuet
    ​Bourree (ze skladeb per WA Mozarta)
    Gigue
    ​Menuet
    ​Anglaise
    ​Polonaise (ze skladeb per WA Mozarta)
    ​Menuet
    ​Allegro
    ​Entrance (ze skladeb per WA Mozarta)
    ​Rigaudon
    ​Minuetto
    Tanec
    ​Polonaise (ze skladeb per WA Mozarta)
    ​Hornpipe
    ​Allegro
    ​Allegro (ze skladeb per WA Mozarta)
    ​Allegretto
    Arioso
    ​Allegro

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  • Speckert – Tango Classics for Cello and Piano

    George A. Speckert has now also translated the most beautiful tangos from Argentina for cello with piano accompaniment.
    There are classics like “El choclo”, gems by Eduardo Arolas and Rosendo Mendizábal, as well as lesser known ones like “El día que me quieras” by Carlos Gardel: simple but effectively implemented by the cellist, concise and stylistically exposed for the piano player.
    Foreword / Preface
    Piazzolla, Astor Pantaleon: Libertango
    Mendizábal, Rosendo: El Enrerriano
    Mendizábal, Rosendo: Odeon
    Arolas, Eduardo: Derecho viejo
    Villoldo, Ángel: El choclo
    Gardel, Carlos: El día que me quieas

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  • PEACE SD-146-55 Metal Series 12 x 5,5″

    In an effort to give every drummer an independent voice, the Batterie line of snare drums has always been constructed with variety in mind. True to this principle, 4 all new Auxiliary snare models have been added to the Batterie library of sound. Covering the spectrum that calls for extreme highs, the sharp contrast of these Auxiliary snares meet the loop-laden demands of today’s active music. Each model is fitted with our Crescent Suspension Mount for easy reach and infinite positioning.
    Dimensions: 12”x5,5”
    Shell: Steel 1,0mm
    Hoops: Steel 1,6mm
    Lugs: 8

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  • Pohl-Hesse – Christmas Hits for two Flutes

    Music for ChristmasNo other season of the year can rival Advent and the pre-Christmas season for music-making, whether in school, with friends or in the family. This edition contains Christmas hits from the German, English and French traditions, arranged for two flutes.The duet version always appears on the left-hand page of the edition. On the right is the carol, underlaid with the words for every stanza and printed with simple guitar chords.
    Adeste fideles
    God Rest You Merry, Gentleman
    Il est né, le divin Enfant!
    Stille Nacht, heilige Nacht
    O Tannenbaum
    Hark! THe Herald-Angels Sing
    Les anges dans nos compagnes
    Jingle Bells
    Joy To The World
    What Child Is This?
    O du fröhliche
    Entre le bœuf et l’âne gris
    We Wish You A Merry Christmas

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  • Sassmannshaus – Christmas for Beginner String Ensembles

    Christmas is a time for making music, especially in ensembles. This edition with its very easy arrangements for two violins, viola and cello is ideal for beginner string players to get into the Christmas spirit. The 27 pieces are based either on works of Baroque composers such as Lully or Handel, or on traditional, mostly German, Christmas carols. One of the pieces requires an additional violin, another a viola.With their uncomplicated structure and accompanying parts which tie in closely with the melody, these pieces encourage ensemble playing from an early age.
    Preface
    Vorwort
    Let’s be Glad and Full of Cheer / Lasst uns froh und munter sein
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Ring Sleighbells Ring / Kling Glöckchen
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Händel, Georg Friedrich
    Minuet / Menuett
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    O Snowflakes how Gently / Schneeflöckchen
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Händel, Georg Friedrich
    Festive March / Festlicher Marsch
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Händel, Georg Friedrich
    Bourrée
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Lift up Your Heads / Macht hoch die Tür
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Lully, Jean-Baptiste
    Minuet / Menuett
    Instrumentation: Violine (3), Viola, Basso continuo
    ·
    Snow Falls Silent and Deep / Leise rieselt der Schnee
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Caesar, Johann Melchior
    Sarabanda
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    From Highest Heaven I Come to Tell / Vom Himmel hoch
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Fischer, Johann Caspar Ferdinand
    Minuet / Menuett
    Instrumentation: Violine (2), Viola (2), Basso continuo
    ·
    A Great and Mighty Wonder / Es ist ein Ros entsprungen
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Händel, Georg Friedrich
    Minuet / Menuett
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Gruber, Franz Xaver
    Silent Night / Stille Nacht
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Fischer, Johann
    Gavotte
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    O What a Joyful Day / O freudenreicher Tag
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Caesar, Johann Melchior
    Bourrée
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Let us Weigh this Little Child / Lasst uns das Kindlein wiegen
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Every Cold December / Alle Jahre wieder
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    O Children Come Quickly / Ihr Kinderlein kommet
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    What a Blessed Time / O du fröhliche
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Fischer, Johann
    Minuet / Menuett
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Come all You Shepherds / Kommet, ihr Hirten
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    What can this be Happning / Was soll das bedeuten
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Beside Thy Cradle Here I Stand / Ich steh an deiner Krippen hier
    Instrumentation: Violine (2), Viola, Basso continuo
    ·
    Sleep my Child / Schlaf, mein Kindelein
    Instrumentation: Violine (2), Viola, Basso continuo

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  • Barenreiter’s Cello Collection – Concert Pieces for Cello and Piano

    In the line with the series “Bärenreiter’s Concert Pieces” which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s “Humoresque”, Mendelssohn Bartholdy’s “Song without Words”, Fauré’s “Berceuse” and “The Swan” by Camille Saint-Saëns.The editor is Christoph Sassmannshaus, the grandson of the founder of “The Sassmannshaus tradition”, Egon Sassmannshaus.
    Preface
    ·
    Vorwort
    ·
    Composer / Author:
    Simonetti, Achille
    Madrigal
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Beethoven, Ludwig van
    Menuett
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Dvorák, Antonín
    Humoresque op. 101/7
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Wolf, Hugo
    Wiegenlied
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Gabriel-Marie, Jean
    La Cinquantaine
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Goltermann, Georg
    Notturno op. 43/3
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Goltermann, Georg
    Notturno op. 92/1
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Have ten, Willem
    Romance op. 12/1
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Seitz, Friedrich
    Die Zigeuner kommen op. 16/4
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Goltermann, Georg
    Notturno op. 59/1
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Klengel, Julius
    Sarabande – Gigue op. 1
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Fauré, Gabriel
    Berceuse op. 16
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Have ten, Willem
    Rêverie op. 27
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Mendelssohn Bartholdy, Felix
    Lied ohne Worte / Song Without Words op. 109
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Fauré, Gabriel
    Sicilienne op. 78
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Leclair, Jean-Marie
    Gavotte
    Instrumentation: Cello, Klavier
    ·
    Composer / Author:
    Saint-Saëns, Camille
    Der Schwan / The Swan
    Instrumentation: Cello, Klavier

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  • Liszt – Easy Piano Pieces & Dances

    Besides the popular Consolations, it also includes Liszt’s delightful piano arrangements of Hungarian folk music and simplified versions he made of various pieces. Some miniatures from Liszt’s vast œuvre that were previously available only in obscure sources appear here for the first time in a collection.
    Composer / Author: Töpel, Michael
    Preface
    ·
    Composer / Author: Liszt, Franz
    Carrousel de Madame P[elet]-N[arbonne] R 60b (LW A271)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Christmas Song R 197 (LW A227)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Lullaby R 58 (LW A303)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Farewell. Russian Folksong R 104 (LW A324)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Piano Piece in E major R 60 (LW A233/1)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Piano Piece in A-flat major R 44a (LW A116)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    En Rêve. Nocturne R 87 (LW A336)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Un portrait en musique. La Marquise de Blocqueville R 65 (LW A241)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Two Piano Pieces R 60 (LW A233/3,4)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Two Hungarian Folksongs R 108 (LW A263/2,3)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Consolation No. I R 12 (LW A111b/1)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Consolation No. II R 12 (LW A111b/1)
    Instrumentation: Piano
    ·
    Composer / Author: Liszt, Franz
    Romance R 66a (LW A148)
    Instrumentation: Piano

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  • Bach – Six Partitas BWV 825-830

    Johann Sebastian Bach’s ‘six partitas’ BWV 825–830 represent the pinnacle of his keyboard suites. In the search for the greatest variety of stylistic and compositional techniques, the collection shows itself to have the status of a ‘musical art book’. In keeping with this, Bach had these most prestigious works printed at his own expense as Part I of the ‘Clavier Übung ’.This expanded new edition takes into consideration not only the revised main text of the ‘six partitas’ but also, for the first time evaluates printed copies known to have been used by Bach and his closest circle and copies made by his circle of pupils. These include annotations on ornamentation and valuable hints on performance practice which are invaluable for present-day musicians. This is the first extensive edition to take all existing sources into account. The editor is the British musicologist Richard Douglas Jones, well-known for his numerous discoveries and publications on Bach.Bach’s Six Partitas are also published in an edition with fingerings by the renowned Bach interpreter Ragna Schirmer.
     
    Preface
    ·
    Vorwort
    ·
    Faksimile / Facsimile: Einzeldruck (1726) der Partita 1, Titelseite / Separate print (1726) of Partita 1, title page
    ·
    Faksimile / Facsimile: Einzeldruck (1727) der Partita 2, Titelseite / Separate print (1727) of Partita 2, title page
    ·
    Faksimile / Facsimile: Originaldruck von 1731, Titelseite / Original print of 1731, title page
    ·
    Faksimile / Facsimile: Verzierungstabelle in Bachs Handschrift / Table of ornaments in Bach’s hand
    ·
    Faksimile / Facsimile: Originaldruck von 1731, Sarabande der Partita 3 / Original print of 1731, Sarabande from Partita 3
    ·
    Faksimile / Facsimile: Originaldruck von 1731, Beginn der Partita 5 / Original print of 1731, opening of Partita 5
    ·
    Partita 1, BWV 825
    ·
    Partita 2, BWV 823
    ·
    Partita 3, BWV 827
    ·
    Partita 4, BWV 828
    ·
    Partita 5, BWV 829
    ·
    Partita 6, BWV 830
    ·
    Anhang I: Verzierte Fassungen / Appendix I: Ornamented versions:
    ·
    Partita 1, Sarabande, BWV 825-4, Nach Quelle G 26 / According to source G 26
    ·
    Partita 1, Menuet 2, BWV 825-6, Nach Quelle G 26 / According to source G 26
    ·
    Partita 2, Sinfonia, BWV 826-1, Nach Quelle H 20 / According to source H 20
    ·
    Partita 2, BWV 826, Nach den Quellen G 25, 26 und 28 / According to sources G 25, 26 and 28
    ·
    Faksimile / Facsimile: Sinfonia, T. 17-30, aus dem Originaldruck von 1731 (Quelle G 25) / Sinfonia, bb. 17-30, from the original print of 1731 (source G 25)
    ·
    Partita 4, Courante, BWV 828-3, Nach Quelle G 26 / According to source G 26
    ·
    Partita 5, Sarabande, BWV 829-4, Nach den Quellen G 26 und H 20 / According to sources G 26 und H 20
    ·
    Anhang II / Appendix II:
    ·
    Partita 3, Gigue, BWV 827-7, Variantenfassung nach Quelle G 25 / Variant version according to source G 25
    ·
    Faksimile / Facsimile: Gigue, T. 25-50, aus dem Originaldruck von 1731 (Quelle G 25) / Gigue, bb. 25-50, from the original print of 1731 (source G 25)
    ·
    Annotations to the music text
    ·
    Anmerkungen zum Notentext

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  • Bach – The Well-Tempered Clavier I BWV 846-869

    Volume 1 of the Well-Tempered Clavier, based on the New Bach Edition, closely follows Bach’s autograph score. The Foreword draws on earlier versions contained in the autograph as well as on non-autograph variants found in reliable secondary sources. This edition which does full justice to Bach’s work enables musicians to try out and play alternative readings.
    Vorwort
    ·
    Preface
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge C-Dur BWV 846
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge c-Moll BWV 847
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge Cis-Dur BWV 848
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge cis-Moll BWV 849
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge D-Dur BWV 850
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge d-Moll BWV 851
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge Es-Dur BWV 852
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge es/dis-Moll BWV 853
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge E-Dur BWV 854
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge e-Moll BWV 855
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge F-Dur BWV 856
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge f-Moll BWV 857
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge Fis-Dur BWV 858
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge fis-Moll BWV 859
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge G-Dur BWV 860
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge g-Moll BWV 861
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge As-Dur BWV 862
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge gis-Moll BWV 863
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge A-Dur BWV 864
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge a-Moll BWV 865
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge B-Dur BWV 866
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge b-Moll BWV 867
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge H-Dur BWV 868
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuge h-Moll BWV 869
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Anhang: Fuge d-Moll BWV 851/2
    Version Quelle B2.12
    Instrumentation:
    Cembalo, Klavier

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  • Bach – The Well-Tempered Clavier II BWV 870-893

    Volume 2 of the „WTC“ has survived in two distinct manuscript traditions. Till now, all printed editions have combined these two traditions into a single hybrid edition, „preferring now this reading, now that one, at the editor’s discretion “ (A. Dürr).Our volume presents each piece in the version containing the largest number of Bach’s subsequent changes; significant variants from the other version are added as alternatives. A detailed preface by the editor discusses the source material and performance practice, including the execution of ornaments.
    Vorwort
    ·
    Preface
    ·
    Verzierungstabelle
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga C-Dur BWV 870
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga c-Moll BWV 871
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga Cis-Dur BWV 872
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga cis-Moll BWV 873
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga D-Dur BWV 874
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga d-Moll BWV 875
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga Es-Dur BWV 876
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga dis-Moll BWV 877
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga E-Dur BWV 878
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga e-Moll BWV 879
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga F-Dur BWV 880
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga f-Moll BWV 881
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga Fis-Dur BWV 882
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga fis-Moll BWV 883
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga G-Dur BWV 884
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga g-Moll BWV 885
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga As-Dur BWV 886
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga gis-Moll BWV 887
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga A-Dur BWV 888
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga a-Moll BWV 889
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga B-Dur BWV 890
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga b-Moll BWV 891
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga H-Dur BWV 892
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga h-Moll BWV 893
    Instrumentation:
    Cembalo, Klavier
    ·
     
    Anhang:
     
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium und Fuga C-Dur BWV 870b
    Fassung A
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium C-Dur BWV 870b
    Variante der Fassung A
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Praeludium cis-Moll BWV 873
    Fassung A
    Instrumentation:
    Cembalo, Klavier
    ·
    Composer / Author:
    Bach, Johann Sebastian
    Fuga As-Dur BWV 886/2
    Variante
    Instrumentation:
    Cembalo, Klavier

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  • Beethoven – Concerto for Pianoforte & Orchestra no.5 in Eb maj op.73

    Beethoven’s fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven’s sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.
     
    – Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven’s day- With Beethoven’s continuo figures for the first time in a modern edition

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  • PEACE DRT-101

    Black PVC seat
    Seat measurements: 370mm x 330mm
    Min height: 385mm
    Max height: 560mm
    3 double braced legs for great stability
    Height adjustment: screw system

    PEACE DRT-101

    139,00154,00

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  • PEACE DRT-109D

    Black PVC seat
    Seat measurements: 2″x300mm
    Min height: 405mm
    Max height: 560mm
    3 double braced legs for great stability
    Height adjustment: by through

    PEACE DRT-109D

    76,0084,00

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  • PEACE Clear 20″

    Diameter: 20″
    Finishes: Clear
    Ideal for Bass Drum

    PEACE Clear 20″

    18,5020,60

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