ΒΙΒΛΙΑ ΠΝΕΥΣΤΩΝ

The series, as a whole, is designed to encourage students to achieve proper hand and body positions, strong finger technique, agility and proper breathing habits. Each study focuses on a particular challenge.
 
Pages: 62
Language: English 
Publisher: CARL FISCHER

Pages: 36
Language: French / English / Italian / German
Publisher: RICORDI

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM’s Grade 3 Clarinet syllabus from 2022.
Wolfgang Amadeus Mozart: Il mio tesoro (from Don Giovanni, K. 527)
Sarah Watts: Study in Pink (from ‘Fresh Air’)
Hermann Regner: Witching Hour in the Castle (from Clarinet Stories/Klarinettengeschichten)
Colin Evans: Lotus Talk
Gabriel Faure: Lydia, Op. 4 No. 2
Felix Mendelssohn: Venetianisches Gondellied (No. 6 from Lieder ohne worte, Op. 19b)
Colin Cowles: Waltzing Lil the Pterodactyl
Mike Mower: Cha-Cha Chart (from ‘The Quintessential Clarinet Vol 1’)
Bobbie-Jane Gardner: Jaiden’s Adventures with Toy Cars, Swings and Roundabouts

This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM’s Grade 2 Clarinet syllabus from 2022.
Johann Sebastian Bach: Gavotte II (Musette) (from English Suite No. 3, BWV 808)
John Blood: The Fisherman’s Bend: Hornpipe (no.1, Knautical Knots)
Helen Madden: Elephant Ballet
Andy Firth: Waltz for Libby
The Miller of Dee
Abiyoyo
Edmund Jolliffe: Ready to Pounce (No. 7 from Flying High)
James Rae: Pieces of Eight
Lloyd Coleman: Carnival Time

Transcription for 4 clarinets by B. Edwards.
Bordel 1900: The tango was born in Buenos-Aires in 1882. It was first played on the guitar and the flute. The piano was added later, followed by the bandoneon. It is music full of charm and vivacity, that gives the impression of the good spirits and volubility of the French, Italian and Spanish women who lived in these brothels, enticing the policemen, thieves, sailors and hoodlums who visited them. The tango is cheerful.
Café 1930: This is a different era of the tango. People no longer danced to it, as in the 1900s and became satisfied by just listening, which allowed for a more musical and romantic evolution. This was a radical transformation. The tango became slower, more melancholic, and incorporated new harmonies. Tango orchestras were made up of two violins, two bandoneons, a piano and a double bass. Sometimes it was sung.
Night-club 1960: A new evolution was witnessed during this period, in which international exchange increased considerably. Brazil and Argentina met in Buenos-Aires – bossa nova and the new tango were “same battle”. The public flocked to the nightclubs to listen earnestly to the new tango – a revolution and profound disruption of certain forms of old tango.
Concert d’aujourd’hui:  Certain concepts join tango music with contemporary music, such as recollections by Bartok, Stravinsky and several others on a tango base. This is today’s tango, the tango of the future…
 
 
Pages: 94 Language: English, French  Publisher: Henry Lemoine

Description Needed

Description Needed

graded tests as preparation for the jazz clarinet exams
compositions that introduce the melodic and harmonic vocabulary of jazz
an impressive range of styles, in swing or straight 8s, using rock, Latin or swing grooves
question-and-answer tests with written piano accompaniments, to practise improvising in time
a helpful description of each test, its objectives and what the examiner is looking for
the quick studies accommodate students working by ear or at sight
 
 
Pages: 80Language: EnglishPublisher: ABRSM