ΒΙΒΛΙΑ ΚΛΑΣΣΙΚΩΝ ΕΓΧΟΡΔΩΝ

Contents
Sonata I G-minor, BWV 1001
Partita I B-minor, BWV 1002
Sonata II A-minor, BWV 1003
Partita II D-minor, BWV 1004
Sonata III C-major, BWV 1005
Partita III E-major, BWV 1006
Sonata I, First Movement: Arrangement for String Quartet (to demonstrate the polyphonic structure)
 
 
Pages: 144Language: English, GermanPublisher: Edition Peters

Exercises for promoting dexterity in Various Positions
Contents

Exercises on One String
Exercises on Two Strings
Exercises to be practised with wrist-movement only, keeping the right arm perfectly quiet
Exercise on Three Strings
Exericses on Four Strings
Exercises in the Second Position
Exercises in the First and Second Positions
Exercises in the Third Positions
Exercises in the First, Second and Third Positions
Exercises in the Fourth Position
Exercises in the First-Fourth Positions
Exercises in the Fifth Position
Exercises passing through Five Positions
Exercises in the Sixth Position
Exercises passing through Six Positions
Exercises in the Seventh Position

 
 
Pages: 48Language: EnglishPublisher: G. Schirmer

Score Pages: 11 x 2
Language: English
Publisher: Boosey & Hawkes

Handel returned repeatedly throughout his life to the composition of works for violin and basso continuo.
The earliest autograph, HWV 358, was composed around 1707, his last work for this combination of instruments, the Sonata in D major, HWV 371, stems from circa 1750.
In addition to the 5 sonatas, which have survived as autographs, there are 4 other sonatas of a spurious nature which have found a place in the violin repertoire under Handel’s name although they are certainly not from his pen. These sonatas are attempts by other unknown composers to make a name by using the style of the great master. To round off this first ever publication of Handel’s Complete Works for Violin and Basso continuo, there are two movements currently not available in any other performing edition: the Allegro, HWV 408 and an Andante, HWV 412.
The Authoritative Performing Edition
– Edition with the recently-revised Urtext of the Halle Handel Edition
– First ever performing edition of the complete works for violin and basso continuo in one volume
– With separate violin and continuo bass parts, the latter with figures
– Basso continuo part with figures including 2 movements not available in any other performing edition
– Includes valuable comments on performance practice
– An Associated Board recommended title
Contents
Sonata in G major HWV 358
Sonata in D minor HWV 359a
Sonata in A major HWV 361
Sonata in G minor HWV 364a
Sonata in D major HWV 371
Sonata in G minor HWV 368
Sonata in F major HWV 370
Sonata in A major HWV 372
Sonata in E major HWV 373
Allegro in C minor HWV 408
Andante in A minor HWV 412
 
 
 
Score Pages: 70
Violin Part Pages: 40
Basso Continuo Part Pages: 32
Language: English, German
Publisher: Bärenreiter

The Urtext edition of one of the most important solo string works of the 20th century.
First published in 1994, this authentic edition restores to print many of the details from the composer’s original manuscript, most significantly his famous passage in quarter-tones. An introduction and letters from the composer to Yehudi Menuhin, for whom the work was written, are also included.
 
 
 
Editor: Peter Bartók
Score Pages: 21
Language: English, French, German
Publisher: Boosey & Hawkes

Excerpts from the Operatic and Concert Repertoire. Leader and repetiteur of the first Violin.
There has been a long-felt need in orchestras and at music colleges or academies for a practical and easily accessible edition of the orchestral works presented during auditions. The contents of this volume was inspired by suggestions of the German Music Council and is based on statistical surveys of the Deutsche Orchestervereinigung e.V. (DOV), as well as on the editors’ many years of professional experience as orchestra musicians and college or academy teachers.
The separately available CD contains the respective excerpts from the work (instrument with orchestra).
Contents J.S. Bach: St Matthew Passion, No.39 Aria: Erbarme dich J.S. Bach: St Matthew Passion, No.42 Aria: Gebt mir meinen Jesum wieder J.S. Bach: Christmas Oratorio, No.31 Aria: Schließe, mein Herze J.S. Bach: Mass in Bb minor, Aria: Laudamus J.S. Bach: Mass in Bb minor, Aria: Benedictus L.v. Beethoven: Missa solemnis D major op.123 Sanctus A. Berg: Lulu 3rd Act G. Bizet: Carmen 1st Act, No.9 Recitative J. Brahms: Symphony No.1 C major op.68, 2nd movement A. Dvorák: Concerto for cello and Orchestra in Bb major op.104, 3rd movement J. Haydn: Symphony No.103 Eb major Hob. I, 103 (“Mit dem Paukenwirbel”), 2nd movement P. Hindemith: Philharmonisches Konzert, 5th Variation L. Janácek: Jenufa, 2nd Act, 6th Scene F. Lehár: Paganini, 1st and 2nd Acts W.A. Mozart: Die Entführung aus dem Serail KV 384, No.11 Aria: Martern aller Arten W.A. Mozart: Haffner-Serenade D major KV 250, 4th movement O. Nicolai: The Merry Wives of Windsor, 2nd Act, 9th Scene, No.7c: Duet G. Puccini: La Bohème, 1st and 3rd Acts N. Rimsky-Korsakov: Scheherazade, 1st, 2nd, 3rd and 4th movements R. Schumann: Symphony No.4 D major op. 120, 2nd movement R. Strauss: Der Rosenkavalier op.59, 1st Act R. Strauss: Ein Heldenleben op.40 R. Strauss: Till Eulenspiegels lustige Streiche op.28 R. Strauss: Also sprach Zarathustra op.30 R. Strauss: Die Frau ohne Schatten op.65, 1st and 3rd Acts R. Strauss: Der Bürger als Edelmann, No.6: Auftritt und Tanz der Schneider Peter I. Tchaikovsky: Swan Lake op.20, 1st Act No.5, 2nd Act No.13, 3rd Act No.6 Peter I. Tchaikovsky: Concerto No.2 for Piano and Orchestra G major op.44, 2nd movement R. Wagner: Tannhäuser, Overture
 
 
 
Editor: Boerries, Karin
Score Pages: 72
Language: English, German
Publisher: Schott