G. Henle Verlag

  • G. Henle Verlag Haydn – The String Quartets

    For
    2 violins, viola, cello (string quartet)
    Musical Editions
    12 Study scores (Urtext edition)
    Item no.
    490914
    Author / Composer
    Joseph Haydn
    Editor
    Georg Feder, Warren Kirkendale, Horst Walter, Isidor Saslav, Warren Kirkendale
    Scope
    1271 pages
    Release year
    2009
    Publisher / Producer
    Henle Verlag
    On the occasion of Haydn’s anniversary year 2009, we have a particular highlight: all of Joseph Haydn’s 69 string quartets, in 12 paperback editions, collected together in an extremely affordable slipcase. All of the study scores minutely follow the musical text contained in the uncontested reference edition by the Joseph Haydn Institute in Cologne, whose scholarly critical Haydn Complete Edition is also published by Henle Publishers.
    Each quartet opus reflects the latest in scholarly research and is introduced by an informative preface. The musical text fulfils the highest aesthetic demands. A welcome present for every chamber music fan and the basis for every serious quartet player who wishes to play or study these works.
    String Quartet E flat major op. 1,0 Hob. II:6
    String Quartet B flat major op. 1,1 Hob. III:1
    String Quartet E flat major op. 1,2 Hob. III:2
    String Quartet D major op. 1,3 Hob. III:3
    String Quartet G major op. 1,4 Hob. III:4
    String Quartet C major op. 1,6 Hob. III:6
    String Quartet A major op. 2,1 Hob. III:7
    String Quartet E major op. 2,2 Hob. III:8
    String Quartet F major op. 2,4 Hob. III:10
    String Quartet B flat major op. 2,6 Hob. III:12
    String Quartet C major op. 9,1 Hob. III:19
    String Quartet E flat major op. 9,2 Hob. III:20
    String Quartet G major op. 9,3 Hob. III:21
    String Quartet d minor op. 9,4 Hob. III:22
    String Quartet B flat major op. 9,5 Hob. III:23
    String Quartet A major op. 9,6 Hob. III:24
    String Quartet E major op. 17,1 Hob. III:25
    String Quartet F major op. 17,2 Hob. III:26
    String Quartet E flat major op. 17,3 Hob. III:27
    String Quartet c minor op. 17,4 Hob. III:28
    String Quartet G major op. 17,5 Hob. III:29
    String Quartet D major op. 17,6 Hob. III:30
    String Quartet (Sun Quartet) E flat major op. 20,1 Hob. III:31
    String Quartet (Sun Quartet) C major op. 20,2 Hob. III:32
    String Quartet (Sun Quartet) g minor op. 20,3 Hob. III:33
    String Quartet (Sun Quartet) D major op. 20,4 Hob. III:34
    String Quartet (Sun Quartet) f minor op. 20,5 Hob. III:35
    String Quartet (Sun Quartet) A major op. 20,6 Hob. III:36
    String Quartet (Russian Quartet) b minor op. 33,1 Hob. III:37
    String Quartet (Russian Quartet) E flat major op. 33,2 Hob. III:38
    String Quartet (Bird Quartet) C major op. 33,3 Hob. III:39
    String Quartet (Russian Quartet) B flat major op. 33,4 Hob. III:40
    String Quartet (Russian Quartet) G major op. 33,5 Hob. III:41
    String Quartet (Russian Quartet) D major op. 33,6 Hob. III:42
    String Quartet d minor op. 42 Hob. III:43
    String Quartet B flat major op. 50, 1 Hob. III:44
    String Quartet C major op. 50, 2 Hob. III:45
    String Quartet E flat major op. 50, 3 Hob. III:46
    String Quartet f sharp minor op. 50, 4 Hob. III:47
    String Quartet F major op. 50, 5 Hob. III:48
    String Quartet D major op. 50, 6 Hob. III:49
    String Quartet G major op. 54, 1 Hob. III:58
    String Quartet C major op. 54, 2 Hob. III:57
    String Quartet E major op. 54, 3 Hob. III:59
    String Quartet A major op. 55, 1 Hob. III:60
    String Quartet f minor op. 55, 2 Hob. III:61
    String Quartet B flat major op. 55, 3 Hob. III:62
    String Quartet (Second Tost Quartets, The Lark) D major op. 64 Hob. III:63
    String Quartet (Second Tost Quartets) E flat major op. 64 Hob. III:64
    String Quartet (Second Tost Quartets) C major op. 64 Hob. III:65
    String Quartet (Second Tost Quartets) G major op. 64 Hob. III:66
    String Quartet (Second Tost Quartets) B flat major op. 64 Hob. III:67
    String Quartet (Second Tost Quartets) b minor op. 64 Hob. III:68
    String Quartet (Apponyi Quartet) B flat major op. 71 Hob. III:69
    String Quartet (Apponyi Quartet) D major op. 71 Hob. III:70
    String Quartet (Apponyi Quartet) E flat major op. 71 Hob. III:71
    String Quartet (Apponyi Quartet) C major op. 74 Hob. III:72
    String Quartet (Apponyi Quartet) F major op. 74 Hob. III:73
    String Quartet (Apponyi Quartet, “Reiterquartett”) g minor op. 74 Hob. III:74
    String Quartet (Erdödy) d minor op. 76,2 Hob. III:76
    String Quartet (Erdödy) G major op. 76,1 Hob. III:75
    String Quartet – Emperor Quartet (Erdödy) C major op. 76,3 Hob. III:77
    String Quartet (Erdödy) B flat major op. 76,4 Hob. III:78
    String Quartet (Erdödy) D major op. 76,5 Hob. III:79
    String Quartet (Erdödy) E flat major op. 76,6 Hob. III:80
    String Quartet (Lobkowitz) G major op. 77,1 Hob. III:81
    String Quartet (Lobkowitz) F major op. 77,2 Hob. III:82
    String Quartet d minor op. 103 Hob. III:83
    The Seven Last Words of Christ – Arrangement for String Quartet Hob. XX/1B

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  • G. Henle Verlag Haydn – The string Quartets

    For
    2 violins, viola, cello (string quartet)
    Musical Editions
    12 Study scores (Urtext edition)
    Item no.
    490914
    Author / Composer
    Joseph Haydn
    Editor
    Georg Feder, Warren Kirkendale, Horst Walter, Isidor Saslav, Warren Kirkendale
    Scope
    1271 pages
    Release year
    2009
    Publisher / Producer
    Henle Verlag
    On the occasion of Haydn’s anniversary year 2009, we have a particular highlight: all of Joseph Haydn’s 69 string quartets, in 12 paperback editions, collected together in an extremely affordable slipcase. All of the study scores minutely follow the musical text contained in the uncontested reference edition by the Joseph Haydn Institute in Cologne, whose scholarly critical Haydn Complete Edition is also published by Henle Publishers.
    Each quartet opus reflects the latest in scholarly research and is introduced by an informative preface. The musical text fulfils the highest aesthetic demands. A welcome present for every chamber music fan and the basis for every serious quartet player who wishes to play or study these works.
    String Quartet E flat major op. 1,0 Hob. II:6
    String Quartet B flat major op. 1,1 Hob. III:1
    String Quartet E flat major op. 1,2 Hob. III:2
    String Quartet D major op. 1,3 Hob. III:3
    String Quartet G major op. 1,4 Hob. III:4
    String Quartet C major op. 1,6 Hob. III:6
    String Quartet A major op. 2,1 Hob. III:7
    String Quartet E major op. 2,2 Hob. III:8
    String Quartet F major op. 2,4 Hob. III:10
    String Quartet B flat major op. 2,6 Hob. III:12
    String Quartet C major op. 9,1 Hob. III:19
    String Quartet E flat major op. 9,2 Hob. III:20
    String Quartet G major op. 9,3 Hob. III:21
    String Quartet d minor op. 9,4 Hob. III:22
    String Quartet B flat major op. 9,5 Hob. III:23
    String Quartet A major op. 9,6 Hob. III:24
    String Quartet E major op. 17,1 Hob. III:25
    String Quartet F major op. 17,2 Hob. III:26
    String Quartet E flat major op. 17,3 Hob. III:27
    String Quartet c minor op. 17,4 Hob. III:28
    String Quartet G major op. 17,5 Hob. III:29
    String Quartet D major op. 17,6 Hob. III:30
    String Quartet (Sun Quartet) E flat major op. 20,1 Hob. III:31
    String Quartet (Sun Quartet) C major op. 20,2 Hob. III:32
    String Quartet (Sun Quartet) g minor op. 20,3 Hob. III:33
    String Quartet (Sun Quartet) D major op. 20,4 Hob. III:34
    String Quartet (Sun Quartet) f minor op. 20,5 Hob. III:35
    String Quartet (Sun Quartet) A major op. 20,6 Hob. III:36
    String Quartet (Russian Quartet) b minor op. 33,1 Hob. III:37
    String Quartet (Russian Quartet) E flat major op. 33,2 Hob. III:38
    String Quartet (Bird Quartet) C major op. 33,3 Hob. III:39
    String Quartet (Russian Quartet) B flat major op. 33,4 Hob. III:40
    String Quartet (Russian Quartet) G major op. 33,5 Hob. III:41
    String Quartet (Russian Quartet) D major op. 33,6 Hob. III:42
    String Quartet d minor op. 42 Hob. III:43
    String Quartet B flat major op. 50, 1 Hob. III:44
    String Quartet C major op. 50, 2 Hob. III:45
    String Quartet E flat major op. 50, 3 Hob. III:46
    String Quartet f sharp minor op. 50, 4 Hob. III:47
    String Quartet F major op. 50, 5 Hob. III:48
    String Quartet D major op. 50, 6 Hob. III:49
    String Quartet G major op. 54, 1 Hob. III:58
    String Quartet C major op. 54, 2 Hob. III:57
    String Quartet E major op. 54, 3 Hob. III:59
    String Quartet A major op. 55, 1 Hob. III:60
    String Quartet f minor op. 55, 2 Hob. III:61
    String Quartet B flat major op. 55, 3 Hob. III:62
    String Quartet (Second Tost Quartets, The Lark) D major op. 64 Hob. III:63
    String Quartet (Second Tost Quartets) E flat major op. 64 Hob. III:64
    String Quartet (Second Tost Quartets) C major op. 64 Hob. III:65
    String Quartet (Second Tost Quartets) G major op. 64 Hob. III:66
    String Quartet (Second Tost Quartets) B flat major op. 64 Hob. III:67
    String Quartet (Second Tost Quartets) b minor op. 64 Hob. III:68
    String Quartet (Apponyi Quartet) B flat major op. 71 Hob. III:69
    String Quartet (Apponyi Quartet) D major op. 71 Hob. III:70
    String Quartet (Apponyi Quartet) E flat major op. 71 Hob. III:71
    String Quartet (Apponyi Quartet) C major op. 74 Hob. III:72
    String Quartet (Apponyi Quartet) F major op. 74 Hob. III:73
    String Quartet (Apponyi Quartet, “Reiterquartett”) g minor op. 74 Hob. III:74
    String Quartet (Erdödy) d minor op. 76,2 Hob. III:76
    String Quartet (Erdödy) G major op. 76,1 Hob. III:75
    String Quartet – Emperor Quartet (Erdödy) C major op. 76,3 Hob. III:77
    String Quartet (Erdödy) B flat major op. 76,4 Hob. III:78
    String Quartet (Erdödy) D major op. 76,5 Hob. III:79
    String Quartet (Erdödy) E flat major op. 76,6 Hob. III:80
    String Quartet (Lobkowitz) G major op. 77,1 Hob. III:81
    String Quartet (Lobkowitz) F major op. 77,2 Hob. III:82
    String Quartet d minor op. 103 Hob. III:83
    The Seven Last Words of Christ – Arrangement for String Quartet Hob. XX/1B

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  • Liszt – Klaviersonate H Moll Facsimile

    1973. In Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 25 pages of facsimile partitions. Text in German language. Classification Dewey: 780.26-Partitions

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  • G. Henle Verlag Beethoven – String Quartets (Complete)

    For connoisseurs of Beethoven’s chamber music, G. Henle Publishers offer a special package: all of Beethoven’s string quartets in paperback study editions as a seven-volume boxed set. Renowned editors such as Ernst Herttrich, Rainer Cadenbach and Emil Platen provide diligently edited Urtext editions. The specialist press is full of praise: “Overall, it has to be said that all the revisions of the present study editions of Beethoven’s String Quartets meet the high standards of objective, competent textual criticism and that the practising musician is thereby given a musical text whose textual, critical problems may lead to an intensive engagement with Beethoven’scompositions”. These editions, based on the Beethoven Complete Edition, take into account the complex source situation of the quartets. Detailed accompanying texts round off this splendid edition.
    Beethoven: Grosse Fuge in B flat major, Op. 133
    Beethoven: String Quartet No. 1 in F major, Op. 18 No. 1
    Beethoven: String Quartet No. 2 in G major, Op. 18 No. 2
    Beethoven: String Quartet No. 3 in D major, Op. 18 No. 3
    Beethoven: String Quartet No. 4 in C minor, Op. 18 No. 4
    Beethoven: String Quartet No. 5 in A major, Op. 18 No. 5
    Beethoven: String Quartet No. 6 in B flat major, Op. 18 No. 6
    Beethoven: String Quartet No. 7 in F major, Op. 59 No. 1 ‘Rasumovsky No. 1’
    Beethoven: String Quartet No. 8 in E minor, Op. 59 No. 2 ‘Rasumovsky No. 2’
    Beethoven: String Quartet No. 9 in C major, Op. 59 No. 3 ‘Rasumovsky No. 3’
    Beethoven: String Quartet No. 10 in E flat major, Op. 74 ‘Harp’
    Beethoven: String Quartet No. 11 in F minor Op. 95 ‘Serioso’
    Beethoven: String Quartet No. 12 in E flat major, Op. 127
    Beethoven: String Quartet No. 13 in B flat major, Op. 130
    Beethoven: String Quartet No. 14 in C sharp minor, Op. 131
    Beethoven: String Quartet No. 15 in A minor, Op. 132
    Beethoven: String Quartet No. 16 in F major, Op. 135

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  • G. Henle Verlag Haydn – The Oratorios

    For
    Soloists, mixed choir, orchestra
    Musical Editions
    4 Study scores (hardcover, Urtext edition)
    Item no.
    493088
    Author / Composer
    Joseph Haydn
    Editor
    Armin Raab, Hubert Unverricht, Annette Oppermann
    Scope
    1894 pages; 17 × 24 cm
    Release year
    2009
    Publisher / Producer
    Henle Verlag
    We are marking Joseph Haydn’s anniversary year (the bicentenary of his death) in style. We are not only publishing very affordable study scores of all of his oratorios, following the musical text in the Haydn Complete Edition, but have also collected them together in a slipcase. Aside from the musical text, each volume contains a preface in three languages reflecting the latest in scholarly research and a critical report with key information concerning the sources and textual criticism. These study editions are a feast for the eyes and have been produced with long-term use in mind. All in all a total of almost 2,000 pages of Henle Urtext filled with oratorio artistry at – our gift to the world of music!
    Il ritorno di Tobia Hob. XXI:1
    The Seasons Hob. XXI:3
    The Creation Hob. XXI:2
    The Seven Last Words of Christ – Vocal Version Hob. XX/2

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  • Beethoven – String Quintets

    A must for all ambitious string ensembles: this classic of the Henle catalogue has received a great many improvements based on the latest findings of scholarship.
    After years of research, Beethoven‘s complete string quintets are now available in a thoroughly revised set of parts and an improved appearance on the page. Needless to say, the parts are accompanied by a study score (HN 9267).
    String Quintet E flat major op. 4
    String Quintet C major op. 29
    String Quintet c minor op. 104
    Fugue for 2 Violins, 2 Violas and Violoncello D major op. 137
    Quintet Movement d minor Hess 40

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  • Beethoven – Piano Sonatas, Vol. 1

    The two-volume Henle Urtext edition of Beethoven’s piano sonatas (HN 32 and HN 34) has established itself over the decades as the standard and reference edition among pianists worldwide.
    After its publication in the early 1950s, under the responsibility of the Munich musicologist Bertha Antonia Wallner – with the support of the Bonn Beethoven Archive – this outstanding edition was quickly recognized by the pianist world as setting a benchmark. The decades of hard practical testing led to improvements and refinements, so that today this Henle Urtext edition of Beethoven’s piano sonatas is considered an undisputed reference.
    The printed fingerings of the pianist and important piano teacher Conrad Hansen are considered an important suggestion for solving technical-musical problems: “as few but advanced fingerings as possible” (Hansen).
    Alternatively, G. Henle Verlag offers the Beethoven sonatas in the printed Urtext without any fingering (HN 1032 and HN 1034), as well as a pocket score in the Study Edition series (HN 9032 and HN 9034). And in the digital edition of the “Henle Library” app, anyone interested can also find the sonatas, here combined with various subjective, selectable fingerings, namely by Eugen d’Albert, Claudio Arrau, Conrad Hansen and Artur Schnabel.
    Beethoven’s 32 piano sonatas present us with an almost inexhaustible wealth of pianistic-musical flights of fancy, mostly works that are very well-known in lessons, on stage and in recordings.
    Hans von Bülow emphasized the importance and value of Beethoven’s piano sonatas with his bon mot, they represented the “New Testament of Music”. These are deliberately the 32 sonatas with opus numbers; The 3 “Elector Sonatas” by the 13-year-old boy, WoO 47, are not considered to be part of the “New Testament”. These are available separately from Henle in Urtext (HN 255). G. Henle Verlag also offers each Beethoven sonata as a Urtext individual edition (printed or in the app).
    The characteristics of the Beethoven piano sonatas summarized in the Henle Urtext:
    Always up-to-date scientific-critical Urtext edition based on all available sources
    Music text optimizations as a result of ongoing commitment in musical practice
    All important information about text passages in footnotes on the sheet music page
    Unrivaledly beautiful and correct music image thanks to traditional hand engraving
    with fingering suggestions from Conrad Hansen (alternatives in the app)
    available in two anthologies with fingering, paperback or cloth
    available without fingering, paperback
    each sonata also available separately (printed and app)
    In order to meet the growing need for more annotated Urtext editions, but also to document the eminent Beethoven knowledge of one of the greatest living pianists of our time, Murray Perahia, G. Henle Verlag has been gradually publishing all Beethoven books for some time now. Sonatas in a parallel Urtext edition, the Perahia edition.
    Contents
    Sonata in F minor op. 2.1
    Sonata in A major op. 2.2
    Sonata in C major op. 2.3
    Sonata in E flat major op. 7
    Sonata in C minor op. 10.1
    Sonata in F major op. 10.2
    Sonata in D major op. 10.3
    Sonata [Pathétique] in C minor op. 13
    Sonata in E major op. 14.1
    Sonata in G major op. 14.2
    Sonata in B flat major op. 22
    Sonata in A flat major op. 26
    Sonata in E flat major op. 27.1
    Sonata (Moonlight Sonata) in C sharp minor op. 27.2
    Sonata [Pastorale] in D major op. 28

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  • Beethoven – Sonatas for Piano and Violin, Vol.2

    Ludwig van Beethoven wrote his ten violin sonatas during a period of just fifteen years, between 1797 and 1812. Using our carefully revised two-volume edition of the complete sonatas, the performer can observe with fascination how Beethoven refashions, and varies, the principles of sonata form in each work.
    What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven’s original notation is reproduced in strict conformity with these models, vividly elucidating the musical relationships desired by the composer.
    Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethoven’s violin sonatas.
    Sonate A-dur op. 30,1
    Sonate c-moll op. 30,2
    Sonate G-dur op. 30,3
    Sonate [Kreutzersonate] A-dur op. 47
    Sonate G-dur op. 96

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  • G. Henle Verlag Mozart – Works for Piano Solo P/S Βιβλίο για πιάνο

    Piano lovers will find “their” Mozart for solo piano in fully commentated editions. The piano variations and the brand new revision of the piano pieces, which are simultaneously being published in Urtext format (HN 22), are new to the study edition series; yet another outstanding example of musicological thoroughness in the Mozart Year.
    Contents

    Piano Sonata C major KV 279 (189d), Level: Piano 6 medium
    Piano Sonata F major KV 280 (189e), Level: Piano 5 medium
    Piano Sonata B flat major KV 281 (189f), Level: Piano 6 medium
    Piano Sonata E flat major KV 282 (189g), Level: Piano 5 medium, ABRSM: Piano Grade 6
    Piano Sonata G major KV 283 (189h), Level: Piano 5 medium
    Piano Sonata D major KV 284 (205b), Level: Piano 6 medium, ABRSM: Piano DipABRSM
    Piano Sonata C major KV 309 (284b), Level: Piano 5 medium, ABRSM: Piano DipABRSM
    Piano Sonata a minor KV 310 (300d), Level: Piano 7 difficult, ABRSM: Piano LRSM
    Piano Sonata D major KV 311 (284c), Level: Piano 6 medium, ABRSM: Piano DipABRSM
    Piano Sonata C major KV 330 (300h), Level: Piano 6 medium
    Piano Sonata (Alla Turca) A major KV 331 (300i), Level: Piano 6 medium, ABRSM: Piano Grade 8
    Piano Sonata F major KV 332 (300k), Level: Piano 6 medium
    Piano Sonata B flat major KV 333 (315c), Level: Piano 6 medium
    Fantasy and Sonata c minor KV 475/457, Level: Piano 6 medium, ABRSM: Piano LRSM
    Piano Sonata F major KV 533/494, Level: Piano 7 difficult, ABRSM: Piano LRSM
    Piano Sonata B flat major KV 570, Level: Piano 6 medium, ABRSM: Piano DipABRSM
    Piano Sonata D major KV 576, Level: Piano 7 difficult, ABRSM: Piano LRSM
    Piano Sonata (Facile) C major KV 545, Level: Piano 5 medium
    Andante (Nannerl Music Book) KV 1a, Level: Piano 1 easy
    Allegro (Nannerl Music Book) KV 1b, Level: Piano 1 easy
    Allegro (Nannerl Music Book) KV 1c, Level: Piano 1 easy
    Minuet (Nannerl Music Book) KV 1d, Level: Piano 2 easy
    Minuet (Nannerl Music Book) KV 1e, Level: Piano 1 easy
    Minuet (Nannerl Music Book) KV 1f, Level: Piano 2 easy
    Minuet (Nannerl Music Book) KV 2, Level: Piano 1 easy
    Allegro (Nannerl Music Book) KV 3, Level: Piano 2 easy
    Minuet (Nannerl Music Book) KV 4, Level: Piano 2 easy
    Minuet (Nannerl Music Book) KV 5, Level: Piano 2 easy
    Allegro (Nannerl Music Book) KV 9a (5a), Level: Piano 3 easy
    Allegro (Nannerl Music Book) KV 6, Level: Piano 2 easy
    Andante (Nannerl Music Book) KV 6, Level: Piano 2 easy
    Minuet (Nannerl Music Book) C major KV 6, Level: Piano 1 easy, ABRSM: Piano Grade 1
    Minuet (Nannerl Music Book) F major KV 6, Level: Piano 2 easy
    Minuet (Nannerl Music Book) KV 7, Level: Piano 1 easy, ABRSM: Piano Grade 2
    Allegro (Nannerl Music Book) KV 8, Level: Piano 3 easy
    B. London Music Book KV 15a-15qq, Level: Piano 2 easy
    Piano Piece F major KV 33B, Level: Piano 1 easy
    Fugues G major, D major KV 154a (Anh. A 61/62), Level: Piano 3 easy
    Fugue g minor KV 401 (375e), Level: Piano 6 medium
    Modulierendes Präludium KV deest (Anh. C 15.11), Level: Piano 6 medium, ABRSM: Harpsichord Grade 8 (recommended)
    Präludium C major KV 395 (300g), Level: Piano 6 medium
    Sonata movement B flat major KV 400 (372a), Level: Piano 5 medium
    Prelude (Fantasy) and Fugue C major KV 394 (383a), Level: Piano 6 medium
    Fantasy c minor KV 396 (385f), Level: Piano 7 difficult
    Fantasy d minor KV 397 (385g), Level: Piano 6 medium
    Fragment of a Suite C major KV 399 (385i), Level: Piano 6 medium
    Marche funèbre del Signor Maestro Contrapunto c minor KV 453a, Level: Piano 3 easy
    Rondo D major KV 485, Level: Piano 5 medium
    Rondo a minor KV 511, Level: Piano 6 medium, ABRSM: Piano LRSM
    Adagio b minor KV 540, Level: Piano 6 medium, ABRSM: Piano DipABRSM
    Gigue G major KV 574, Level: Piano 6 medium, ABRSM: Piano Grade 7 (recommended)
    Minuet D major KV 355 (576b), Level: Piano 4 medium
    Andantino E flat major KV 236 (588b), Level: Piano 3 easy
    Piano Sonata movement g minor KV 312 (590d), Level: Piano 5 medium
    Andante for a Musical Clock F major KV 616, Level: Piano 6 medium
    Adagio for Glass Harmonica C major KV 356 (617a), Level: Piano 3 easy
    12 Minuets KV 103 (61d), Level: Piano 3 easy
    Minuet C major KV 61gII, Level: Piano 3 easy
    Minuet D major KV 94 (73h), Level: Piano 2 easy
    11 Minuets KV 176, Level: Piano 3 easy
    Kontretänze KV deest (269b), Level: Piano 3 easy
    8 Minuets KV 315a (315g), Level: Piano 3 easy
    March C major KV 408/1 (383e), Level: Piano 4 medium
    6 German Dances KV 509, Level: Piano 4 medium
    Kontretanz “The Thunderstorm”, Versions A and B D major KV 534, Level: Piano 4 medium
    2 Piano pieces B flat major, E flat major KV Anh. 20a (626b/25), Level: Piano 3 easy
    Ballettmusic from “Ascanio in Alba” KV Anh. 207 (Anh. C27.06), Level: Piano 3 easy
    Piano Sonata (Allegro and Allegretto) F major KV Anh. 135 (547a), Level: Piano 5 medium
    Fragment from the Nannerl Music Book B flat major KV 9b (5b)
    Fragment from the London Music Book F major KV 15nn
    Fragment from the London Music Book C major KV 15rr
    Fragment from the London Music Book C major KV 15ss
    Fragment (Sarabande) from the Suite C major KV 399 (385i)
    8 Variations on a Dutch Song KV Anh. 208 (24), Level: Piano 5 medium
    7 Piano Variations on “Willem van Nassau” D major KV 25, Level: Piano 5 medium
    6 Piano Variations on “Mio caro Adone” KV 180 (173c), Level: Piano 5 medium
    12 Piano Variations on a Minuet KV 179 (189a), Level: Piano 6 medium
    9 Piano Variations on the Ariette “Lison dormait” KV 264 (315d), Level: Piano 6 medium
    8 Piano Variations on a March from “Les Mariages Samnites” KV 352 (374c), Level: Piano 5 medium
    12 Piano Variations on “La belle Françoise” KV 353 (300f), Level: Piano 5 medium
    12 Piano Variations on the Romance “Je suis Lindor” KV 354 (299a), Level: Piano 6 medium
    6 Piano Variations on “Salve, tu Domine” KV 398 (416e), Level: Piano 6 medium
    10 Piano Variations on “Unser dummer Pöbel meint” KV 455, Level: Piano 6 medium, ABRSM: Piano DipABRSM
    12 Piano Variations on an Allegretto KV 500, Level: Piano 6 medium
    6 Piano Variations on an Allegretto KV 54 (547b), Level: Piano 5 medium
    9 Piano Variations on a Minuet by Duport KV 573, Level: Piano 6 medium, ABRSM: Piano DipABRSM
    8 Piano Variations on “Ein Weib ist das herrlichste Ding” KV 613, Level: Piano 6 medium
    8 Piano Variations on “Come un’agnello” KV 460 (454a), Level: Piano 6 medium
    Theme and two Variations KV 460 (454a), Level: Piano 5 medium
    6 Piano Variations on the Final Theme of the Clarinet Quintet K. 581 KV Anh. 137, Level: Piano 6 medium
    12 Piano Variations on “Ah, vous dirai-je Maman” KV 265 (300e), Level: Piano 5 medium, ABRSM: Piano Grade 5 (recommended)

     
     
    Pages: 815Language: English, GermanPublisher: G. Henle Verlag

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  • Chopin – Mazurken (Urtext)

    Next to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.
    Content text:
    Mazurkas op. 6 (including 2 alternative versions)Mazurkas op. 7Mazurkas op. 17Mazurkas op. 24Mazurkas op. 30Mazurkas op. 33Mazurkas op. 41Mazurkas op. 50Mazurkas op. 56Mazurkas op. 59Mazurkas op. 63Mazurkas op. 67Mazurkas op. 68Mazurkas KK IIa, 2,3Mazurkas KK IIb, 4,5Mazurkas KK IVb, 1-4Appendix: Mazurka op. 7,4aAppendix: Mazurka KK IVa, 7Appendix: Mazurka op. 7,2a
     

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  • G. Henle Verlag Schubert – Klaviersonaten Band III

    Schubert’s 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year- old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas. The intensity with which Schubert approached the genre of the piano sonata meant that he left a large number of piano sonatas incomplete. Volume III of the three-part Henle Urtext edition contains – next to the early sonatas from the years 1815-1818 – the fragments completed by Paul Badura-Skoda, whose completions are highlighted each time by small cue notes. The Critical Report in the Appendix also provides precise information about the genesis of the individual works.
    For
    Piano
    Author / Composer
    Schubert, Franz Peter
    Editor
    Badura-Skoda, Paul
    Publisher / Producer
    Henle Verlag

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  • Reicha – Quintet for Wind Instruments E Flat Major Op.88/2

    Reicha published a total of 24 wind quintets for the “classical” scoring of flute, oboe, clarinet, horn and bassoon- op. 88 no. 2 is one of the best-loved and most played. “If it were possible to surpass Haydn in the composition of quartets and quintets, Reicha would have succeeded with these quintets”, thus raved the “Allgemeine Musikalische Zeitung” on a performance of Reicha’s quintets, “it seems to me that it is impossible to unite more correctness and clarity with more inventiveness and originality.” This work exudes inspiration and spirit from every note. In addition to the parts, we have also produced a handy study edition of the score.

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  • G. Henle Verlag Beethoven – Piano Concerto Op.61a

    Very few musicians are aware of the fact that Beethoven arranged his violin concerto also as a piano concerto. It is only recently that some pianists have discovered this truly rewarding work. Clementi, the London composer and publisher, had heard about the première of the violin concerto and probably sensed its potential. He asked Beethoven for a piano version, which was actually also published in 1808, at the same time as the original. Several important cadenzas had been specially composed for it- the one for the first movement is accompanied by the timpani a unique and original touch! Our edition (piano reduction and study score) contains the text from the recently published volume in the Complete Edition of Beethoven’s Works.
    Beethoven: Piano Concerto in D major, arranged by the composer after the Violin Concerto, Op. 61a
    Arrangement: Two Pianos (2PF)
    Publisher: Henle Verlag
    Catalogue Number: HN815
    Pages: 93

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  • Mozart – String Quintets Vol. 2

    In the Mozart Year 2006, Henle will begin publication of all of Mozart’s string quintets in a three-volume Urtext edition (parts and study scores). Volume II, comprising the best-known and most often played quintets in C major (K. 515), g minor (K. 516) and c minor (K. 406/516b) from 1787 is the first to appear.
    This Urtext edition contains an exciting finding: it draws upon a hitherto unknown source. Recently Ernst Herttrich, one of the two editors, found handwritten parts for these works, containing additions in Mozart’s hand – predominantly concerning dynamics and articulation. The music world is sure to eagerly await volumes I and III which are to be published in the course of the next two years.
    String Quintet C major KV 515
    String Quintet g minor KV 516
    String Quintet c minor KV 406 (516b)

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  • Schubert – Piano Quintet In A Maj Op.Post.114

    Franz Schubert transformed five-song melodies from his rich output of Lieder into instrumental music. The song “The Trout” from 1817 served as a theme for the variations in his Quintet D. 667 for piano, violin, viola, violoncello and double bass, one of chamber music’s most popular works. The piece’s sunny mood – it sounds much more cheerful than Schubert’s other chamber music – comes across like an echo of the felicitous summer months of 1819.
    The then twenty-two-year-old Schubert passed these in the convivial company at Steyr in Upper Austria and subsequently set to work composing. The present Urtext edition largely follows the Viennese first edition, which likely reproduces the original version of the now-lost autograph.
    In addition, it takes into account the only manuscript source of this work, a copy by Schubert’s friend Albert Stadler. Musicians everywhere will appreciate the optimally-placed page turns in the individual parts!

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  • G. Henle Verlag Ysaye – Six Sonatas for Violin Solo, Op.27 Βιβλίο για βιολί

    First came Johann Sebastian Bach’s sonatas and partitas, then Nicolò Paganini’s caprices. Now, with the op. 27 sonatas of Eugène Ysaÿe, the key works in the repertoire for unaccompanied violin are available in urtext editions from Henle. Ysaÿe peppered these challenging works with extraordinary difficulties, dedicating each of them to a virtuoso violinist of his day and tailoring it to suit his special capabilities. Thanks to newly discovered source material, we are able to present a “definitive text” that in many respects supersedes the previously available text from the first edition.
     
     
    Pages: 56Language: English, German, FrenchPublisher: G.Henle Verlag

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  • G. Henle Verlag Wieck-Schumann – Selected Piano Works Βιβλίο για πιάνο

    Clara Wieck-Schumann (1819-1896), who married Robert Schumann in 1840, was a fascinating artistic figure – both as a pianist and as a composer. While her legendary virtuosity has faded away for ever, her works still live. Clara already began composing when she was a child: her opus 1 (of a total of 23 opera) was published when she was a mere 11 years old. This volume contains a selection of some of her most valuable compositions for piano, including a very worthwhile, hitherto unpublished “Romance”.
     
     
    Pages: 98Language: English, German, FrenchPublisher: G.Henle Verlag

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  • Mozart – String Quintets Vol. 3

    With the publication of the masterpieces K. 593 and 614, all of Mozart’s string quintets are now available in Henle Urtext. Our edition corrects several widespread misreadings of the musical text and also draws on the first printings as important sources. The first printing of the Finale from the Quintet in D major K. 593 diverges greatly from the autograph. The editors consider it probable that the print version was authorized, which is the reason why we have published both versions of the movement (to enable a better comparison it is given as an ossia version above the musical text). In the Preface and Comments, the editors shed light on the source situation of these two immortal works written in the last two years of Mozart’s life.

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  • Bruch – Streichquintett Es-Dur

    On May 18, 2006, a manuscript was auctioned at Sotheby’s that made the world of chamber music sit up and take notice: Shortly before his death, Max Bruch composed three string works that he was no longer able to publish himself. After his death, the two quintets and the octet were considered lost. While the other two works are now accessible again, the E-flat major quintet has not yet been found.
    Only now did the well-preserved copy appear in the Sotheby’s catalogue. Evaluated according to all the rules of source criticism, this first edition makes this attractive late-Romantic work available.

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  • Beethoven – Concerto for Piano and Orchestra No.3 C-moll Op.37

    Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface – by Beethoven scholar Hans-Werner Küthen – concludes with valuable information about the edition.

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  • Mozart – String Quintets Vol.1

    “Because I only need four parts to express everything” – Haydn is said to have replied thus when asked why he had not composed a string quintet. Mozart saw things differently. He applied himself to this genre six times, even giving important parts to the two violas.
    Following Volume II, which contains the three most often played quintets, we now warmly recommend Mozart’s first Quintet K. 174 to ensembles, before in 2008 the 3rd and final volume will be published. The editors were able to refer to the autograph, which is once again accessible. It shows Mozart’s intensive compositional work, resulting in the fact that he composed the minuet and finale of the work a second time. The first version of both movements is included in the appendix of our edition, enabling insightful comparisons.
    String Quintet B flat major KV 174
    Original Trio to the Menuet
    First, Rejected Version of the Finale

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  • G. Henle Verlag Schumann – Sonata f-Moll Op.14

    As is the case with quite a few of his works, there are two versions of Schumann’s opus 14 – a three-movement “Concert sans Orchestre” from 1836 and a “Grande Sonate” in five movements from 1853. We do not know the reason for the revision; the publisher of the first version was, however, delighted; he considered the “idea of the concerto” to be very up-to-date. Perhaps Schumann later reacted to what the dedicatee Ignaz Moscheles had said that the piece had “less of the demands of a concerto and more the characteristics of a grand sonata”. In our revised edition, which now also contains the complete early version, the editor Ernst Herttrich provides detailed information on both versions in an extensive preface and commentary.
    For PianoItem no. 401326Author / Composer Robert SchumannEditor Herttrich, ErnstPublisher / Producer Henle Verlag
    Pages: 123

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