Cambridge University Press

  • Cambridge University Press Simon P. Keefe – The Cambridge Companion to Mozart Βιβλίο

    Bridging the gap between scholarly and popular images of Mozart, this volume provides comprehensive coverage of all of his important works; the reception of his music since his death; the contexts which inform his work and his significance as a performer. It paints a rounded yet focused picture of one of the most revered artists of all time and enhances readers’ appreciation of his extraordinary output.
     
     
    Pages: 294Language: EnglishPublisher: Cambridge University Press

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  • Cambridge University Press Walton Benjamin – Rossini in Restoration Paris 1Βιβλίο Μουσικολογίας – Μουσικής θεωρίας

    Best remembered for such light-hearted works as Il barbiere di Siviglia, Gioachino Rossini produced a sequence of large-scale serious French operas after his move to Paris in 1824 which overwhelmed audiences with their musical power, and responded to the French Restoration. Rather than presenting a traditional account of Rossini’s life and works, Benjamin Walton traces instead the shifting patterns of Rossinian criticism from before the composer’s arrival in Paris to the end of the 1820s, outlining a type of musical history that uses immersion in a narrow time period as a way to reconceive the relationships between opera and the wider currents of life outside the opera house. In place of the comic Rossini of later memory, this book argues for a composer whose music resonated with the experience of contemporary life, and was integrally bound up in the struggle to define French romanticism at the time. 
     
    Pages: 354
    Language: English
    Publisher: Cambridge University Press

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  • Cambridge University Press The Cambridge Mozart Encyclopedia Βιβλίο

    Mozart’s enduring popularity, among music lovers as a composer and among music historians as a subject for continued study, lies at the heart of The Cambridge Mozart Encyclopedia. This reference book functions both as a starting point for information on specific works, people, places and concepts as well as a summation of current thinking about Mozart. The extended articles on genres reflect the latest in scholarship and new ways of thinking about the works while the articles on people and places provide historical framework, as well as interpretation. It also includes a series of thematic articles that cast a wide net over the eighteenth century and Mozart’s relationship to it: these include Austria, Germany, aesthetics, travel, Enlightenment, Mozart as a reader and contemporaneous medicine, among others. The worklist provides the most up-to-date account in English of the authenticity and chronology of Mozart’s compositions. 
     
    Pages: 674
    Languages: English
    Publisher: CAMBRIDGE UNIVERSITY PRESS

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  • Cambridge University Press The Cambridge Companion to Mahler Βιβλίο

    In the years approaching the centenary of Mahler’s death, this book provides both summation of, and starting point for, an assessment and reassessment of the composer’s output and creative activity. Authored by a collection of leading specialists in Mahler scholarship, its opening chapters place the composer in socio-political and cultural contexts, and discuss his work in light of developments in the aesthetics of musical meaning. Part II examines from a variety of analytical, interpretative and critical standpoints the complete range of his output, from early student works and unfinished fragments to the sketches and performing versions of the Tenth Symphony. Part III evaluates Mahler’s role as interpreter of his own and other composers’ works during his lifelong career as operatic and orchestral conductor. Part IV addresses Mahler’s fluctuating reception history from scholarly, journalistic, creative, public and commercial perspectives, with special attention being paid to his compositional legacy. 
     
    Pages: 250Language: EnglishPublisher: Cambridge University Press

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  • Cambridge University Press Bowen – The Cambridge Companion to Conducting Βιβλίο

    Written by many working conductors, this book considers all facets of musical conducting. It includes practical advice on how to conduct different groups (choral, opera, symphony, early music) and a history of conducting presented as a study of national traditions. Designed for the lay reader who wants an inside look at the world of conducting as well as for potential students, it is a revealing study about a secretive industry. Managers, artistic directors, soloists, players and conductors openly discuss their different perspectives in this comprehensive work.

    An inside look at the world of conducting from those in the business – conductors, managers, studio producers, soloists, and players
    The practice and history of conducting are covered in one book
    Includes a comprehensive bibliography of books about conducting in all major European languages as well as unique photographs of conductors at work

    Contents
    Part I. Practice:

    1. The technique of conducting Raymond Holden
    2. Conductors in rehearsal Charles Barber
    3. Studio conduction Michael Haas
    4. The conductor and the soloist Joseph Silverstein
    5. Choral conducting Vance George
    6. Opera conducting Sir Charles Mackerras
    7. The orchestra speaks Robert L. Ripley

    Part II. History:

    8. The rise of conductors José Antonio Bowen
    9. The central European tradition José Antonio Bowen and Raymond Holden
    10. The French tradition David Cairns
    11. The Italian tradition Michael Rose
    12. The American tradition José Antonio Bowen and David Mermelstein
    13. The English tradition Stephen Johnson
    14. The Russian tradition David Nice

    Part III. Issues:

    15. The conductor as Artistic Director Bramwell Tovey
    16. Women on the podium Michelle Edwards
    17. Conducting early music Bernard Sherman
    18. Training conductors Harold Faberman
    19. The composer/conductor and modern music Martyn Brabbins
    20. Managers and the business of conduction Stephen Wright
    21. The future of conducting Leon Botstein

     
     
    Pages: 368Language: EnglishPublisher: Cambridge University Press

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  • Cambridge University Press The Cambridge Companion to Electronic Music Βιβλίο

    Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide diversity of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrete and elektronische musik, and contemporary trends such as electronic dance music and electronica. A fascinating array of composers and inventors have contributed to a diverse set of technologies, practices and music. This book brings together some novel threads through this scene, from the viewpoint of researchers at the forefront of the sonic explorations empowered by electronic technology. The chapters provide accessible and insightful overviews of core topic areas and uncover some hitherto less publicised corners of worldwide movements. Recent areas of intense activity such as audiovisuals, live electronic music, interactivity and network music are actively promoted. 
     
     
    Pages: 314
    Languages: English
    Publisher: CAMBRIDGE UNIVERSITY PRESS

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  • Cambridge University Press The Cambridge Companion to Ballet Βιβλίο

    Ballet is a paradox: much loved but little studied. It is a beautiful fairy tale; detached from its origins and unrelated to the men and women who created it. Yet ballet has a history, little known and rarely presented. These great works have dark sides and moral ambiguities, not always nor immediately visible. The daring and challenging quality of ballet as well as its perceived ‘safe’ nature is not only one of its fascinations but one of the intriguing questions to be explored in this Companion. The essays reveal the conception, intent and underlying meaning of ballets and recreate the historical reality in which they emerged. The reader will find new and unexpected aspects of ballet, its history and its aesthetics, the evolution of plot and narrative, new insights into the reality of training, the choice of costume and the transformation of an old art in a modern world. 
     
     
    Pages: 396
    Languages: English
    Publisher: CAMBRIDGE UNIVERSITY PRESS

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