SCHOTT
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Say – Violin Concerto, “1001 Nights In The Harem”
My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazades One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds.As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments.As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion. Faz?l Say
I Allegro · Cadenza
II Allegro assai · Cadenza
III Andantino
IV (ohne Satzbezeichnung) · Coda (Andantino)€49,40€54,80Say – Violin Concerto, “1001 Nights In The Harem”
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SCHOTT Locatelli – 24 Capricci Per Violino Solo Op.3 Βιβλίο για βιολί
With this new publication the 24 Capricci from “L’Arte del Violino” by Pietro Locatelli are available for teaching again. Their independence, extent and structure as well as their virtuosity earned them an exceptional position in the history of violin music which was later continued by Paganini’s Capriccios.
The score is preceded by a detailed introduction including performance and practice suggestions and referring in particular to important contemporaries such as Muffat, Corrette, Tartini, Geminiani, and Leopold Mozart.
The present edition is based on the text laid down by the critical edition in the ‘Opera Omnia’.
Contents Introduzione Introduction Enführung Introduction Ventiquattro Capricci per Violino solo Op. III Esercizi Preparatori Preparatory Exercises Exercices Préparatoires Einführende Übungen Premessa Segni e Abbreviazioni Preface Sign and Abbreviations Vorbemerkung Zeichen und Abkürzungen Préface Signes et Abréviations Capriccio I-XXIV
Editor: Dunning Albert
Fingering and Preparatory Exercises: Porta Enzo
Score Pages: 68
Language: Italian, English, French
Publisher: Schott€45,00€50,00Διαθέσιμο σε 1-3 ημέρες
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Penderecki – Concerto for Flute & Orchestra Da Camera
Pages:64Language:English,GermanPublisher:Schott€41,80€46,50Διαθέσιμο σε 1-3 ημέρες
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SCHOTT Francaix – Concerto for Flute and Orchestra Βιβλίο για φλάουτο και πιάνο
ContentsI Presto
II Andantino
III Scherzo
IV Allegro
V Allegretto con spirito molto
VI Vivo subito
Pages: 82 (Piano) & 27 (Flute)Language: EnglishPublisher: SCHOTT€41,40€46,00Διαθέσιμο σε 1-3 ημέρες
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Renate Bruce-Weber – Die fröhliche Violine Band 1(Package)
At the violin school The Happy Violin, the focus is on having fun while learning: the textbook aims at a playful, early start with the instrument. As the lesson progresses, the growing students are then consciously addressed in a language that corresponds to their age development. This also includes a stylistically diverse range of pieces from classical and folklore, and all sorts of interesting facts about the music and its composers are always reported.
Volume 1: Detailed introduction to the bow position – songs and pieces using only the first type of fingering, with a focus on rhythmic, melodic and bowing technique variety – playful exploration of violin playing techniques such as pizzicato, position playing, flageolet and double stops CD for volume 1 (T 3272). all songs and pieces, with funny dialogues spoken by children. A motivating addition to the lesson and a nice gift idea!
The playbook is designed as a supplement to the first volume of the teaching work The Happy Violin. Therefore, all violin parts can be played in the 1st fingering to suit the violin school. Musically, however, the booklet goes far beyond the content of a first year of teaching, so that the pieces are also well suited to recapitulating familiar content.
The pieces contain a wide variety of musical ideas and styles, from baroque to modern, from the shanty to the Japanese national anthem, from the light canon to the effective prelude piece.
Contents
Preface
Welcome to violin lessons
Visit to the violin maker
The four strings
The bow stance
Eighth notes
The left hand
The first type of grip
The flageolet
sign
Bound sheet music
The first double stops
Short notes
Songs for special occasions
Songs and plays:
Evening song
Ali ben Ule
All of Alabama’s monkeys
American gospel song
Andulka
To sing on rainy days
Asian dream song
Elevator
From Beethoven’s Violin Concerto
From the Peasant Cantata
From the 9th Symphony
Babushka’s Evening Song
At the violin maker
Bella Bimba
movement game
Brother Jacob
Cantata Domino
Chinese melody
The dachshund drama
The echo
The sad child
The excursion
The hedgehog and the porcupine
The Cuckoo and the donkey
The night violinist
The clever Purzel
The snail
The proud poodle
The proud poodle – something different
The old bridge
The old bridge-somewhat changed
The goose Agathe
The Nightingale
The snail mail
English sea shanty
English sea shanty (chorus)
Finger climbing song 1
Eve! Caroline!
Carnival duet
Holiday song
French troubadour song
Brother Jacques
Happy violin piece
Spring song
Five scale tongue twisters
birthday song
Ghost music
Good morning, Mr. Spielmann
Hot, Kathreinerle
Hey, hitch up the car
Heijo, hitch up the car (canon)
In the rocking chair
Indian dance
Joseph, dear Joseph my
Canon from Israel
Do you know this song?
Little festival music
Little finger exercise
Little melody
Small scale piece
Cuckoo song
Song of the Snake Charmer
Song with the note B
March for the Emperor of China
Morning song
musette
Another climbing scale
Another piece with double stops
Oh joyful day
O Savior, tear open the heavens
Intermission piece
polka
Little rose, little rose
String changing exercise
Scottish March
Scottish New Year’s Eve song
swing dance
Dance song
Tim the piper
I stepped outside the door today
Trumpet fanfare
Hungarian dance
Good luck and many blessings
Virtuoso piece
From the sky above
waltz
what is that supposed to mean
What is the little mouse dreaming about?
Lullaby
We climb up
We’re calling everyone
We play with and without breaks
We practice the dotted rhythm
We practice for the swing dance
Miracle song
Happy birthday
At Easter
Two small fifth pieces
Playbook:
Two pieces on open strings:
Sunday walk
Birthday rally
Two canons:
Autumn canon
Spring canon
Two songs from Israel:
Love song (Hana’ava babanot)
Praise to King David
Two songs from Spain:
Summer Song (Segador)
The Shepherdess (La Pastoreta)
Two sea shanties:
Was once a small sailing boat
My Bonnie is over the ocean
Two pieces from the “Happy Violin”:
Peasant Cantata (JS Bach)
The night violinist
Two pieces from the early baroque:
Peasant Dance (M. Praetorius)
Dance (M. Praetorius)
Two pieces from the Baroque period:
Little Hunting Music (G. Ph. Telemann)
Variations on: “We have three cats” (Augsburger Tafelkonfekt)
Two pieces from the 21st century:
The scary cobra
Dance of the earthworms
Two songs from Australia:
Moreton Bay
The frigate Catalpa
Two pieces for stage performances:
Enter the contortionists
Rondo after a Polish dance€36,90€41,00Διαθέσιμο σε 1-3 ημέρες
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Beethoven- Variationen uber Volksweisen Op.105, 107
Pages: 118Language: English, GermanPublisher: Schott€36,00€40,00Beethoven- Variationen uber Volksweisen Op.105, 107
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Orchester Probespiel, Test Pieces for orchestral Auditions
In Orchestern und an den ausbildenden Hochschulen besteht seit langem Bedarf an einer praktischen und leicht zugänglichen Ausgabe der beim Probespiel vorgelegten Orchesterstellen. Der Inhalt dieses Heftes geht zurück auf Anregungen des Deutschen Musikrates und basiert auf statistischen Erhebungen der Deutschen Orchestervereinigung e.V. (DOV) sowie auf der langjährigen Berufserfahrung der Herausgeber als Orchestermusiker und Hochschulpädagogen.
Auf der gesondert erhätlichen CD sind die jeweiligen Werkausschnitte (Instrument mit Orchester) enthalten.
TUTTISTELLEN: L.v. Beethoven: Sinfonie Nr. 3 Es-Dur op. 55 (“Eroica”), 3. und 4. Satz
L.v. Beethoven: Sinfonie Nr. 5 c-Moll op. 67, 2. und 3. Satz
L.v. Beethoven: Sinfonie Nr. 9 d-Moll op. 125, 4. Satz
A. Berg: Wozzeck, 2. Akt
J. Brahms: Sinfonie Nr. 2 D-Dur op. 73, 4. Satz
A. Bruckner: Sinfonie Nr. 4 Es-Dur (“Romantische”), 4. Satz
A. Bruckner: Sinfonie Nr. 6 A-Dur, 1. Satz
A. Bruckner: Sinfonie Nr. 7 E-Dur, 1. und 4. Satz
W.A. Mozart: Sinfonie Nr. 40 g-Moll KV 550, 1. und 4. Satz
W.A. Mozart: Sinfonie Nr. 41 C-Dur (“Jupiter”) KV 551, 4. Satz
W.A. Mozart: Die Hochzeit des Figaro KV 492, Ouvertüre
W.A. Mozart: Die Zauberflöte KV 620, Ouvertüre
F. Schubert: Sinfonie Nr. 8 C-Dur, 3. und 4. Satz
B. Smetana: Die verkaufte Braut, Ouvertüre
R. Strauss: Till Eulenspiegels lustige Streiche op. 28
R. Strauss: Don Juan op. 20
R. Strauss: Ein Heldenleben op. 40
R. Strauss: Salome op. 54, 4. Szene
R. Strauss: Der Rosenkavalier op. 59, 2. Aufzug
G. Verdi: Rigoletto, 1. Akt, Nr. 1 (Chor)
G. Verdi: La Traviata, 1. Akt, 4. Szene; 2. Akt, 2.,7.und 8. Szene
G. Verdi: Die Macht des Schicksals, Ouvertüre
G. Verdi: Aida, 4. Akt
G. Verdi: Othello, 4. Akt
G. Verdi: Falstaff, 3. Akt, 1. Teil
R. Wagner: Die Meistersinger von Nürnberg, 1. Akt, 3. Szene; 2. Akt, 7. Szene (“Prügelszene”)
R. Wagner: Die Walküre, 1. Akt, Vorspiel, 1. und 2. Szene; 2. Akt, Vorspiel, 1. und 5. Szene; 3. Akt, 1. Szene
R. Wagner: Siegfried, 2. Akt, 3. Szene; 3. Akt, Vorspiel
C.M.v. Weber: Der Freischütz op. 77, Ouvertüre
C.M.v. Weber: Euryanthe op. 81, Ouvertüre
C.M.v. Weber: Oberon, Ouvertüre
SOLOSTELLEN: A. Berg: Wozzeck, 3. Akt
A. Berg: Lulu, 1. Akt, Prolog; 2. Akt, 1. Szene
K.A. Hartmann: Sinfonie Nr. 3, Anfang, Largo ma non troppo
G. Mahler: Sinfonie Nr. 1 D-Dur, 3. Satz
H. Pfitzner: Palestrina, 1. Akt, 3. u. 5. Szene
R. Strauss: Ariadne auf Naxos op. 60, 2. Akt
I. Strawinsky: Pulcinella-Suite, 7. Akt
G. Verdi: Rigoletto, 1. Akt, Nr. 3 (Duetto)
B.A. Zimmermann: Die Soldaten, 3. Akt, 4. Szene€34,20€38,00Διαθέσιμο σε 1-3 ημέρες
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SCHOTT Schubert – Samtliche Klaviersonate Band 2
for
Piano
Musical Editions
Music score
Item no.
223831
Author / Composer
Franz Schubert
Editor
Martino Tirimo
Level
advanced
Scope
280 pages
Release year
1998
Publisher / Producer
Wiener Urtext Edition
The Wiener Urtext Edition presents the first critical edition of Franz Schubert’s piano sonatas arranged in chronological order. The newly revised text is based on the sources and is accompanied by a description of genesis and history, information on Schubert’s instruments and his piano writing, plus notes on authentic performance practice. The editorial approach is documented in a critical report. In order to enable a complete performance the movements only extant in fragmentary form have been carefully reconstructed in accordance with up-to-date research.
Vorwort
Zur Edition
Schubert und das Klavier
Sonate Nr. 9 fis-Moll D 571
Sonate Nr. 10 H-Dur D 575
Sonate Nr. 11 C-Dur D 613
Sonate Nr. 12 f-Moll D 625
Sonate Nr. 13 A-Dur
Sonate Nr. 14 a-Moll D 784
Sonate Nr. 15 C-Dur D 840
Sonate Nr. 16 a-Moll D 845
Anhang: Sonate cis-Moll D 655 (Fragment)
Sonate e-Moll D 769A (Fragment)
Kritischer Bericht€34,00Διαθέσιμο σε 1-3 ημέρες
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SCHOTT Gurdjieff – Music for the Piano Vol.3
G. I. Gurdjieff travelled for many years through Central Asia and the Middle East collecting melodies and ritual dances, which his friend and pupil Thomas de Hartmann wrote down and arranged as piano pieces.(Vol. 1 = ED 7841, Vol. 2 = ED 7842)CD recordings:Vol. 1 = WER 62842Vol. 2 = WER 62922 Vol. 3 = WER 66252 Vol. 4 = WER 66432
Prayer
Pity for One’s Self
Laudamus
Hymn for Christmas Day
Joyous Hymn
As if the Stormy Years had Passed
Rejoice, Beelzebub!
Prayer for Mercy u.a.
Prayer for Mercy und vieles mehr€33,90€37,60SCHOTT Gurdjieff – Music for the Piano Vol.3
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SCHOTT Holst – The Planets
‘The Planets’, originally a suite for Orchestra, was composed between 1914 and 1916 by Gustav Holst. Holst was always interested in astrology and therefore was inspired to take the seven planets of the solar system to create a suite. Themes like ‘Mars, the bringer of war’ and ‘Venus, the bringer of peace’ are on the one hand proof that Gustav Holst partially also considered the mythological features of the Gods and Goddesses. On the other hand these themes show that ‘The Planets’ was created under the impression of World War I.
This edition of ‘The Planets’ is an edition for Piano solo. The editor Katsuma Nakajima set a high value on feeling the orchestral power in the edition for Piano as well. The piano version is therefore similar to the original version and contains as well all seven themes.
The seven themes are:
‘Mars, the bringer of war’, ‘Venus, the bringer of peace’, ‘Mercury, the winged messenger’, ‘Jupiter, the bringer of jollity’, ‘Saturn, the bringer of old age’, ‘Uranus, the magician’ and ‘Neptune, the mystic’.
Instrumentation: piano
Edition: Sheet music, Introduction in Japanese and English
Language: Japanese • English€33,90€37,60SCHOTT Holst – The Planets
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SCHOTT Ullmann – Klaviersonaten Vol. II
Ullman‘s seven Piano Sonatas were written between 1936 and 1944. Though rediscovered as recently as 1990, they are now available in a number of recordings. Neo-classical in approach, the piano writing and the use of polytonality places them closer to Skriabin and Prokofiev than to the works of Ullman‘s teachers Arnold Schoenberg and Alois Hába – this applies also to the Piano Concerto, written during the same period. The numerous quotes from Mozart, Wagner, Mahler, and Dukas to folksongs and tunes from operettas are particularly interesting in this context.
Ullmann, V: Piano Sonatas Vol. 2 – No. 5-7
Pages: 92€33,70€37,40SCHOTT Ullmann – Klaviersonaten Vol. II
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Wehle – Clarinet Fundamentals 2
Systematic Fingering Course
Pages: 136
Language: English
Publisher: Schott€32,80€36,40Wehle – Clarinet Fundamentals 2
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Piano music by female composers
Female composers have made their way in the face of prejudice and opposition. For a long time the prejudice prevailed that women lack the requisite creative talent to compose great music. It is indeed true that women have been less active in the field of musical composition than their male contemporaries, but reasons for this are found in the social circumstances of the recent past:
In the late eighteenth and nineteenth centuries, the ages of the Enlightenment and the flowering of great achievement in music, women were denied the education and encouragement which would have made individual accomplishment possible beyond the limits of domestic music-making. In spite of these hindrances there were highly gifted women who overcame the hurdles and were able to prove their talent for composition. Of course these belonged to the wealthy middle and upper classes, or were women from musical families who were able to receive a thorough training.
This selection, comprising 19 female composers from eight countries, cannot claim to be completely representative, both because it is limited to the period from the eighteenth century to the present, and because there is, as yet, no systematic catalogue of the autographs and printed editions in archives and libraries. But our editors are happy that this publication is worthwhile and justified, and that each of the pieces can speak for itself.
Women will in future pursue musical composition amid a manifest change in society’s view of women and its attitude towards them.
Vorwort
Zu den Komponistinnen
Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau
Marianne Matinez (1744-1812): Sonate No. 3
Maria Szymanowska (1789-1831): Nocturne
Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4
Clara Schumann (1819-1896): Andante con sentimento
Louise Farrenc (1804-1875): Impromptu
Cécile Chaminade (1857-1944): Pierrette, op. 41
Ilse Fromm-Michaels (1888-1986): Langsamer Walzer
Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein
Lotte Backes (1901-1987): Slow
L.ili Boulanger (1893-1918): D’ un vieux jardin
Priaulx Rainier (1903-1986): Barbaric Dance
Elizabeth Lutyens (1906-1983): Two Bagatelles
Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil
Verdina Shlonsky (1913-1990): Introduction
Ivana Loudova: 2 Stücke (Dornröschen
Wiegenlied)
Barbara Heller (*1936): Piano Muziek
Böhmisches Lied
Susanne Erding (*1955): Chillan
Johanna Senfter (1879-1961): Erster Schmerz
Vogelweise€32,60€36,20Piano music by female composers
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Ligeti – Etudes Pour Piano I Book 2
Similar to Book 1 of Ligeti’s Etudes, Book 2 requires the same level of technical ability to perform some of the composer’s most demanding pieces. With their shifting rhythms, irregular intervals and polymetric nature, they have become a standard in the Piano repertoire.
Galamb borong (1988/89)
Fém (1989)
Vertige (1990)
Der Zauberlehrling (1994)
En suspens (1994)
Entrelacs (1993)
L’escalier du diable (1993)
Coloana infinita (1993)
(Anhang) XIVa Coloana fara sfârsit (für mechanisches Klavier) (1993)€32,00€35,50Ligeti – Etudes Pour Piano I Book 2
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SCHOTT Gurdjieff – Music for Piano Vol.2
First Series
Sayyid Chant and Dance
For Professor Skridlov
Sayyid Chant and Dance
Dervish Dance
Persian Dervish
Dervish Chant and Dance
Sayyid Chant and Dance
Sayyid Chant and Dance
Sayyid Chant and Dance
Sayyid Chant and Dance
Dervish Dance
Sayyid Chant Second Series
Persian Dervish
Dervish Dance
Sayyid Chant and Dance
Sayyid Dance
Sayyid Dance
Sayyid Chant and Dance
Sayyid Chant and Dance
Sayyid Dance
Sayyid Dance
Sayyid Dance (Dervish) Third Series
Sayyid Chant and Dance
Sayyid Chant and Dance
Sayyid Dance
Katzapsky Song
Sayyid Dance
Sayyid Chant and Dance
Bayaty Dervish Dance
Caucasian Dance
Kurdo-Greek Melody
Kurdish Song (Sayyid)
Sayyid Chant and Dance
Sayyid Chant and Dance€32,00Διαθέσιμο σε 1-3 ημέρες
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SCHOTT Gurdjieff – Music for Piano Vol.1
First Series
Greek Melody
Greek Round Dance
Greek Song
Kurd Melody for two Flutes
Oriental Song
Persian Song
Atarnakh, Kurd Song
Tibetan Melody
Duduki
Armenian Melody
Song of the Molokans
Kurd Shepherd Melody Second Series
Song of the Aisors
Kurd Shepherd’s Dance
Song of the Fisherwomen
Mamasha
Persian Dance
Song of Ancient Rome
Armenian Song
Ancient Greek Melody
Long ago in Mikhailov
Oriental Melody
Assyrian Women Mourners Third Series
Kurd Melody from Isfahan
Hindu Melody
Armenian Song
Greek Melody
Afghan Melody
Kurd Melody
Ancient Greek Melody
Ancient Greek Dance
Greek Song
Arabian Dance
Greek Melody
Tibetan “Masques”, No. 1
Tibetan “Masques”, No. 2€32,00€35,50SCHOTT Gurdjieff – Music for Piano Vol.1
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SCHOTT Gurdjieff – Music for Piano Vol.4
Inhalt:
Vorwort
Hymns from a Great Temple
Fragments from “The Struggle of the Magicians”
Four Early Pieces
The Essentuki Prayer
Return from a Journey
The Initiation of the Priestess
The Bokharian Derbish, Hadji-Asvath-Troov
Appendix (2 Fragmente)
Kritische Anmerkungen€32,00€35,50SCHOTT Gurdjieff – Music for Piano Vol.4
€32,00€35,50Διαθέσιμο σε 1-3 ημέρες
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SCHOTT Hindemith – Konzertmusik for Viola & Piano Βιβλίο για βιόλα
For Solo Viola and Larger Chamber Orchestra
Piano Reduction
Score Pages: 34
Cello Part Pages: 15
Language: German
Publisher: Schott€31,50€35,00Διαθέσιμο σε 1-3 ημέρες
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SCHOTT Korngold – Sonata In G Major, Op.6 Βιβλίο για Πιάνο και Βιολί
Contents
I Ben moderato, ma con passione
II Scherzo
III Adagio
IV Finale
Score Pages: 65
Violin Part Pages: 19
Language: English, German
Publisher: Schott€31,00€34,50Διαθέσιμο σε 1-3 ημέρες
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SCHOTT Fritz Kreisler Repertoire – The Best Pieces for Violin and Piano Vol 1 Βιβλίο για βιολί
Μία συλλογή απο κομμάτια του Fritz Kreisler’s για πιάνο και βιολί. Τόμος 1.Σελίδες: 120
Γλώσσα: Αγγλικά / Γερμανικά / Ιαπωνικά / Ισπανικά / Γαλλικά
Εκδόσεις: SchottΠεριεχόμενα:
Prefaceoriginal compositions: Caprice ViennoisBerceuse RomantiquePolichinelleShepherd’s MadrigalGipsy CapriceSyncopationClassical Manuscripts: Chanson Louis XIII et Pavane in the Style of Louis CouperinPraeludium and Allegro in the Style of Gaetano PugnaniSicilienne and Rigaudon in the Style of Francois FrancoeurOld Viennese Dances: I Liebesfreud, II Liebesleid, III Schön RosmarinTranscriptions: Enrique Granados: Danse espagnoleIsaac Albéniz: Tango op. 165/2
€30,90€34,30SCHOTT Fritz Kreisler Repertoire – The Best Pieces for Violin and Piano Vol 1 Βιβλίο για βιολί
€30,90€34,30Διαθέσιμο σε 1-3 ημέρες
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Sturm – Singen auf den ersten Blick & CD
This book is aimed at singers who wish to acquire sound knowledge of music-reading and improve their sight-singing skills.It is possible to approach this subject on all levels. This is why this book is suitable for absolute beginners and advanced singers alike. A navigation system facilitates fast orientation and ‘picks’ every user up exactly where he or she stands at the moment.
In addition, the book contains recapitulatory exercises as well as an accompanying CD which enables the singer to review the acquired knowledge at any time.
Vorwort
Einstieg: Hallo und herzlich willkommen
Am Anfang steht der Rhythmus
Der Ton macht die Musik
Das kleine 1×1 des Übens
Noch Fragen
Auf dem Sprungbrett: Vom Marsch bis zur Disko
Der dritte Ton und die ersten Tonsprünge
Der Dreiklang: Der vierte Ton der Tonleiter
Achtung Taktwechsel
Fünf Töne und ein Dreiklang
Das Hexachord: Ein halbes Dutzend Töne
Mach mal Pause
Kunstspringen für Fortgeschrittene
Ganz oder gar nicht
Das Hexachord
Die vollständige Tonleiter: Keine halbe Sache
Der hat nocht gefehlt
Kann man den Grundpuls weiter unterteilen
Weitere Dreiklänge innerhalb der Tonleiter
Dur und Moll: Zum Auftakt
“Unter” dem Grundton
Die Moll-Tonleiter
Das Gegenstück zu “alla breve”
So viele Noten
Dur und Moll im Kreuzverhör
Teuflischer Tonsprung
Hoch hinaus: In den höchsten Tönen
Nochmal ein Taktwechsel
Und halten
Gegen den Strich
Weitsprung
Weiterleitung
Zwischentöne: Umleitung
Weitere Leittöne durch zusätzliche Vorzeichen
Wie die Tonarten zu ihren Vorzeichen kamen
Was Vorzeichen am Anfang einer Zeile mit denen vor einer Note zu tun haben
Und was ist das
Zum Finale
Anhang: Tonhöhen und Notennamen
Dur oder Moll? Wie man Tonarten und Grundton eines Stückes erkennt
Übersicht über die Tonarten bis fünf Vorzeichen
Lösungen zu den Rätseln
Übersicht der Tracks auf der CD€30,70€34,10Sturm – Singen auf den ersten Blick & CD
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SCHOTT Renate Bruce – Weber Die Fröhliche Band 2 Βιβλίο για βιόλα
Die fröhliche Viola’ is a viola method for children which is aimed primarily at pupils who start to learn playing the viola without taking a detour to the violin. Those who have already played the violin and use the method as a ‘way to change instruments’ may skip some pieces or even start with Vol.2.
Like ‘Die fröhliche Violine’, this book intends to make the children have fun while learning to play the viola. For this purpose, a stylistically varied range of classical and folkloristic songs and instrumental pieces encourage music-making, and small texts provide interesting information on the viola, the music and its composers.
The viola is used both as a solo and as an accompanying instrument, and the ‘hearing’ and ‘counting’ of middle and lower lines are specifically trained. Due to the fact that many songs and secondary parts are notated in the treble clef and thanks to examples for trio and quartet playing, this book especially encourages ensemble playing with friends or within the family.
Score Pages: 144
Language: German
Publisher: Schott€29,90€33,20Διαθέσιμο σε 1-3 ημέρες
