SOUNDSWITCH

  • Uhl – 48 Studies for Clarinet, Book 2

    #html-body [data-pb-style=NN3WQ8H]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}These studies are intended to complement the existing teaching material for the clarinet, making the budding clarinettist familiar with the difficulties peculiar to modern instrumental music.

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  • Kreisler – Variations On A Theme by Corelli in F Major

    #html-body [data-pb-style=V9A2SU9]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Variations on a theme by Corelli F major in the style of Giuseppe Tartini

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  • Christmas Celebration

    #html-body [data-pb-style=OYMKMLV]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Το “Christmas Celebration: Advanced Piano Solos”, σε επιμέλεια του Tom Roed, είναι μια συλλογή 64 σελίδων που περιλαμβάνει εξελιγμένες διασκευές αγαπημένων χριστουγεννιάτικων τραγουδιών.
    Σχεδιασμένο για προχωρημένους πιανίστες, αυτό το βιβλίο περιλαμβάνει κλασικές μελωδίες όπως:
    “Have Yourself a Merry Little Christmas””Believe” (από την ταινία The Polar Express)”I’ll Be Home for Christmas””It’s the Most Wonderful Time of the Year””Sleigh Ride””Jingle Bells”Εκδόθηκε από τον οίκο Alfred Music το 2005 και είναι διαθέσιμο σε έντυπη μορφή με ISBN 9780757941832.
     
    Περιεχόμενα
    Away in a Manger Believe (from “The Polar Express”)Alan Silvestri (composer); Glen Ballard (composer)Do They Know It’s Christmas? (Feed the World)Bob Geldof (composer); Midge Ure (composer)Don’t Save It All for Christmas DayPeter Zizzo (composer); Ric Wake (composer); Celine Dion (composer)Frosty the SnowmanSteve Nelson (composer); Jack Rollins (composer)Grandma Got Run Over by a ReindeerRandy Brooks (composer)Have Yourself a Merry Little ChristmasRalph Blane (composer); Hugh Martin (lyricist)I’ll Be Home for ChristmasKim Gannon (lyricist); Walter Kent (composer)It Must Have Been the MistletoeJustin Wilde (composer); Doug Konecky (composer)It’s the Most Wonderful Time of the YearEdward Pola (composer); George Wyle (composer)Jingle Bell RockJoe Beal (composer); Jim Boothe (composer)Jingle Bells
    Silent Night The First Noel We Wish You a Merry Christmas Winter Wonderland Felix Bernard (composer); Dick Smith (lyricist)Let It Snow! Let It Snow! Let It Snow!Jule Styne (composer); Sammy Cahn (lyricist)Santa Claus Is Comin’ to Town (Vocal Version)Haven Gillespie (lyricist); J. Fred Coots (composer)Sending You a Little ChristmasJim Brickman (composer); Billy Mann (composer); Victoria Shaw (composer)Sleigh Ride (with Lyrics)Leroy Anderson (composer); Mitchell Parish (lyricist)Spirit of the Season (from “The Polar Express”)Alan Silvestri (composer); Glen Ballard (composer)The Christmas Waltz Jule Styne (composer); Sammy Cahn (lyricist)The Gift Jim Brickman (composer); Tom Douglas (composer)

    Christmas Celebration

    20,9023,20

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  • Beyond Bop Drumming & Online Audio

    #html-body [data-pb-style=FCJQQ4R]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Beyond Bop Drumming είναι το συναρπαστικό επόμενο βιβλίο του John Riley, μετά το πολυβραβευμένο Art of Bop Drumming. Βασισμένο στις προόδους της τεχνικής των ντραμς κατά την περίοδο του post-bop της δεκαετίας του 1960, το βιβλίο και το συνοδευτικό ηχητικό υλικό καλύπτουν θέματα όπως: τεχνικές broken time playing, παραλλαγές στο ride-cymbal, ιδέες για unison σε υψηλές ταχύτητες, υπονοούμενη μετρική μετατροπή, ιδέες για σόλο, ανάλυση σόλο, πλήρεις μεταγραφές και κομμάτια για εξάσκηση.

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  • Chapin – Advanced Tech Modern Drummer & Online Audio

    #html-body [data-pb-style=QGQHR3X]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Το κλασικό βιβλίο για την ανεξαρτησία στα ντραμς είναι πλέον ανανεωμένο και βελτιωμένο, συνοδευόμενο από online υλικό! Ο Jim Chapin, γνωστός ως ο «Πατέρας της Ανεξαρτησίας στη Jazz», έχει γράψει ένα από τα πιο δημοφιλή βιβλία για drumset όλων των εποχών. Αυτό το κλασικό έργο δεν πρέπει να λείπει από καμία βιβλιοθήκη ντράμερ, καθώς πάντα υπάρχει κάτι νέο να μάθει και να αναπτύξει κανείς μέσα από αυτό το εξαιρετικό βιβλίο. Είτε για αρχάριους είτε για προχωρημένους ντράμερ, το σύστημα αυτό βελτιώνει σημαντικά την ανεξαρτησία, τον συντονισμό, την τεχνική, τη δύναμη, την ταχύτητα και την αντοχή στο drumset. Αφιερωμένο στον Sanford Moeller, αυτό το βιβλίο αποδεικνύει την αποτελεσματικότητα της διδασκαλίας του Jim Chapin με μοναδικό τρόπο.

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  • Alfred’s Basic Piano Library – Top Hits! Christmas Book, Complete Level 2 & 3 (Αγγλική Έκδοση)

    #html-body [data-pb-style=M5MJIDR]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Top Hits! Christmas περιλαμβάνει αγαπημένες μουσικές συνθέσεις που έχουν γίνει αναπόσπαστο μέρος της εορταστικής περιόδου. Το βιβλίο συνδέεται με την εκπαιδευτική σειρά Alfred’s Basic Piano Library. Καλύπτει πλήρως τα Επίπεδα 2 & 3. Τίτλοι: Do You Hear What I Hear * Feliz Navidad * Frosty the Snow Man * Home for the Holidays * I Saw Mommy Kissing Santa Claus * I’ll Be Home for Christmas * Jingle-Bell Rock * Let It Snow! Let It Snow! Let It Snow! * Nuttin’ for Christmas * Rockin’ Around the Christmas Tree * Rudolph the Red-Nosed Reindeer * Shake Me I Rattle * Silver Bells * The Chipmunk Song.

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  • Chopin – Variations On A Theme By Rossini

    #html-body [data-pb-style=U71COCN]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Variations on a theme by Rossini from the opera “La Cenerentola” 
     

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  • Tchaikovsky – Pezzo Capriccioso for Cello & Piano

    #html-body [data-pb-style=PIW7P2O]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Εκτός από τις διάσημες Rococo Variations, ο Pyotr I. Tchaikovsky συνέθεσε και ένα άλλο έργο για σόλο τσέλο: το Pezzo capriccioso, Έργο 62. Το έργο είναι αφιερωμένο στον Brandoukoff (Brandukov), με τον οποίο το παρουσίασε για πρώτη φορά στο περίφημο καλλιτεχνικό σαλόνι της οικογένειας Μπεναρδάκη, τον Φεβρουάριο του 1888. Ο ίδιος ο σολίστ πρότεινε μερικές μικρές τροποποιήσεις στο σόλο μέρος. Ακόμη και ο σπουδαίος βιρτουόζος του τσέλου και δάσκαλος, Maurice Gendron, ασχολήθηκε ξανά με το έργο, εμπλουτίζοντας το σόλο με περισσότερες βιρτουόζικες λεπτομέρειες και προσθέτοντας μια cadenza, μια εκτεταμένη ανακεφαλαίωση και ένα παρατεταμένο τέλος στο Pezzo.
    Η παρούσα έκδοση δίνει τη δυνατότητα στον εκτελεστή να αποκτήσει μια πλήρη εικόνα των διαφορετικών εκδοχών και επιπέδων του έργου. Οι δακτυλισμοί, οι ενδείξεις δοξαριών και τα ερμηνευτικά βοηθήματα – εκτός από αυτά που περιλαμβάνονται στα πρόσθετα μέρη – είναι έργο του Maurice Gendron.

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  • Alfred’s Premier Piano Course – Lesson 2A & CD

    #html-body [data-pb-style=S6QP4F2]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Alfred’s Premier Piano Course – Lesson Book 2A
    Η σειρά Alfred’s Premier Piano Course συνδιάζει με πολύ όμορφο και έξυπνο τρόπο, ασυνήθιστα ελκυστική μουσική και στίχους σε μορφή μαθημάτων. Το βιβλίο περιλαμβάνει note reading, rhythm reading, sight-reading & technical workouts. Κάθε κομμάτι στο CD ηχογραφήθηκε σε ρυθμό απόδοσης και πιο αργό ρυθμό εξάσκησης.
    Contents
    01 On with the Show – Performance02 On with the Show – Practice03 Twinkling Skyline – Performance04 Twinkling Skyline – Practice05 Bartok’s Study – Performance06 Bartok’s Study – Practice07 Au clair de la lune – Performance08 Au clair de la lune – Practice09 The Food Court – Performance10 The Food Court – Practice11 Tonic and Dominant – Performance12 Tonic and Dominant – Practice13 Shadows – Performance14 Shadows – Practice15 Boogie Boarding – Performance16 Boogie Boarding – Practice17 My New Skate Shoes – Performance18 My New Skate Shoes – Practice19 Trumpet Voluntary – Performance20 Trumpet Voluntary – Practice21 QWERTY – Performance22 QWERTY – Practice23 Together – Performance24 Together – Practice25 Folk Song Mix-Up – Performance26 Folk Song Mix-Up – Practice27 Homework – Performance28 Homework – Practice29 Movin’ On – Performance30 Movin’ On – Practice31 Minuet – Performance32 Minuet – Practice33 Tilt-a-Whirl – Performance34 Tilt-a-Whirl – Practice35 The Gymnast – Performance36 The Gymnast – Practice37 Half-Way There – Performance38 Half-Way There – Practice39 Whole Steps Only – Performance40 Whole Steps Only – Practice41 The Ocean Deep – Performance42 The Ocean Deep – Practice43 The Autograph – Performance44 The Autograph – Practice45 Growing – Performance46 Growing – Practice47 Classic Dance – Performance48 Classic Dance – Practice49 Rainy Day Blues – Performance50 Rainy Day Blues – Practice51 King’s Adventure – Performance52 King’s Adventure – Practice

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  • Benda – Concerto in F Major

    The early classical concerto of Friedrich Wilhelm Heinrich Benda that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best advantage. Instrumentation: viola and strings with harpsichord; 2 horns ad libitum.

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  • The Virtuoso Piano Transcription Series, Vol. 4 Rigoletto

    #html-body [data-pb-style=BVAA9V8]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}#html-body [data-pb-style=XUDTYAI]{max-width:360px}Franz Liszt (Composer) | Giuseppe Fortunino Francesco Verdi (Composer)RigolettoConcert-Paraphrase about the quartet by Franz LisztPiano
    The opera paraphrases take a prominent place among Liszt’s complete works as a self-contained art form alongside original compositions. Feruccio Busoni values the high artistic merit of these compositions in the manner in which their well-considered structural planning in the arrangement of form and contrast and the endeavour to expand and embellish the chosen motifs place Liszt’s opera fantasies apart from the “plebeian potpourri”. The early Verdi paraphrases, particularly this Rigoletto-Paraphrase composed in 1859, are far superior to the later paraphrases (including those based on Don Carlos and Aida). This exceedingly brillant concert piece based on arguably the most famous quartet in the history of opera is particularly significant for the unique way in which Liszt is able to bring together the juxtaposition of extreme contrasts – the Duke’s ardent declaration of love, Maddalena’s prattling rejection, the grief-stricken cantilene of Gilda’s and Rigoletto’s furious parlando – as in Verdi’s original, resulting in a marvellous formal unity.
     

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  • Liszt – Ungarische Rhapsodie No 1

    #html-body [data-pb-style=VPPPBLH]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Franz Liszt (Composer) | Eugen d’Albert (Editor)
    Hungarian Rhapsody
    No. 1 E major
     
    Piano
    Series:Edition Schott – Single Edition
     

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  • Szeleny – Nocturne

    #html-body [data-pb-style=YNT0KIX]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}István Szelényi (Composer)Nocturne

    Szeleny – Nocturne

    12,0013,30

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  • Strawinsky – L` Oiseau De Feu

    #html-body [data-pb-style=NRDHX04]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The Firebird Scherzo, Berceuse and Danse Infernale arranged for piano by Soulima Strawinsky

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  • Benedict – Sight Reading for the Classical Guitar, Level IV-V

    Daily sight reading material with emphasis on interpretation, phrasing and form.
    ‘These are excellent sight reading books that will be of tremendous help to all guitar students … a most valuable contribution to the classical guitar instruction.’ Liona Boyd
    ‘… fastidiously compiled … an invaluable teaching aid, with creative and beautiful musical material, and I give these books my enthusiastic support and endorsement.’ Stephen Boswell (Vancouver)

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  • Feuillard – Daily Exercises for Violoncello

    Louis R. Feuillard (1872-1941) is best known as the teacher of Paul Tortelier, who described him as a man with an extraordinary pedagogical feeling. His daily exercises cover the most important areas of cello technique, such as exercises in the neck and thumb positions, double stops and bow exercises. Particularly because of the logical structure of the exercises, they have been one of the standard works of etude literature for cello since their first appearance in 1919.
    Part: Exercises in the neck positions
    Part: Exercises that encompass the cello in its entirety
    Part: Exercises with thumb attachment
    Part: double handles
    Part: bow exercises

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  • Renate Bruce-Weber – Die fröhliche Violine Band 1(Package)

    At the violin school The Happy Violin, the focus is on having fun while learning: the textbook aims at a playful, early start with the instrument. As the lesson progresses, the growing students are then consciously addressed in a language that corresponds to their age development. This also includes a stylistically diverse range of pieces from classical and folklore, and all sorts of interesting facts about the music and its composers are always reported.
    Volume 1: Detailed introduction to the bow position – songs and pieces using only the first type of fingering, with a focus on rhythmic, melodic and bowing technique variety – playful exploration of violin playing techniques such as pizzicato, position playing, flageolet and double stops CD for volume 1 (T 3272). all songs and pieces, with funny dialogues spoken by children. A motivating addition to the lesson and a nice gift idea!
    The playbook is designed as a supplement to the first volume of the teaching work The Happy Violin. Therefore, all violin parts can be played in the 1st fingering to suit the violin school. Musically, however, the booklet goes far beyond the content of a first year of teaching, so that the pieces are also well suited to recapitulating familiar content.
    The pieces contain a wide variety of musical ideas and styles, from baroque to modern, from the shanty to the Japanese national anthem, from the light canon to the effective prelude piece.
    Contents
    Preface
    Welcome to violin lessons
    Visit to the violin maker
    The four strings
    The bow stance
    Eighth notes
    The left hand
    The first type of grip
    The flageolet
    sign
    Bound sheet music
    The first double stops
    Short notes
    Songs for special occasions
    Songs and plays:
    Evening song
    Ali ben Ule
    All of Alabama’s monkeys
    American gospel song
    Andulka
    To sing on rainy days
    Asian dream song
    Elevator
    From Beethoven’s Violin Concerto
    From the Peasant Cantata
    From the 9th Symphony
    Babushka’s Evening Song
    At the violin maker
    Bella Bimba
    movement game
    Brother Jacob
    Cantata Domino
    Chinese melody
    The dachshund drama
    The echo
    The sad child
    The excursion
    The hedgehog and the porcupine
    The Cuckoo and the donkey
    The night violinist
    The clever Purzel
    The snail
    The proud poodle
    The proud poodle – something different
    The old bridge
    The old bridge-somewhat changed
    The goose Agathe
    The Nightingale
    The snail mail
    English sea shanty
    English sea shanty (chorus)
    Finger climbing song 1
    Eve! Caroline!
    Carnival duet
    Holiday song
    French troubadour song
    Brother Jacques
    Happy violin piece
    Spring song
    Five scale tongue twisters
    birthday song
    Ghost music
    Good morning, Mr. Spielmann
    Hot, Kathreinerle
    Hey, hitch up the car
    Heijo, hitch up the car (canon)
    In the rocking chair
    Indian dance
    Joseph, dear Joseph my
    Canon from Israel
    Do you know this song?
    Little festival music
    Little finger exercise
    Little melody
    Small scale piece
    Cuckoo song
    Song of the Snake Charmer
    Song with the note B
    March for the Emperor of China
    Morning song
    musette
    Another climbing scale
    Another piece with double stops
    Oh joyful day
    O Savior, tear open the heavens
    Intermission piece
    polka
    Little rose, little rose
    String changing exercise
    Scottish March
    Scottish New Year’s Eve song
    swing dance
    Dance song
    Tim the piper
    I stepped outside the door today
    Trumpet fanfare
    Hungarian dance
    Good luck and many blessings
    Virtuoso piece
    From the sky above
    waltz
    what is that supposed to mean
    What is the little mouse dreaming about?
    Lullaby
    We climb up
    We’re calling everyone
    We play with and without breaks
    We practice the dotted rhythm
    We practice for the swing dance
    Miracle song
    Happy birthday
    At Easter
    Two small fifth pieces
    Playbook:
    Two pieces on open strings:
    Sunday walk
    Birthday rally
    Two canons:
    Autumn canon
    Spring canon
    Two songs from Israel:
    Love song (Hana’ava babanot)
    Praise to King David
    Two songs from Spain:
    Summer Song (Segador)
    The Shepherdess (La Pastoreta)
    Two sea shanties:
    Was once a small sailing boat
    My Bonnie is over the ocean
    Two pieces from the “Happy Violin”:
    Peasant Cantata (JS Bach)
    The night violinist
    Two pieces from the early baroque:
    Peasant Dance (M. Praetorius)
    Dance (M. Praetorius)
    Two pieces from the Baroque period:
    Little Hunting Music (G. Ph. Telemann)
    Variations on: “We have three cats” (Augsburger Tafelkonfekt)
    Two pieces from the 21st century:
    The scary cobra
    Dance of the earthworms
    Two songs from Australia:
    Moreton Bay
    The frigate Catalpa
    Two pieces for stage performances:
    Enter the contortionists
    Rondo after a Polish dance

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  • Piano music by female composers

    Female composers have made their way in the face of prejudice and opposition. For a long time the prejudice prevailed that women lack the requisite creative talent to compose great music. It is indeed true that women have been less active in the field of musical composition than their male contemporaries, but reasons for this are found in the social circumstances of the recent past:
    In the late eighteenth and nineteenth centuries, the ages of the Enlightenment and the flowering of great achievement in music, women were denied the education and encouragement which would have made individual accomplishment possible beyond the limits of domestic music-making. In spite of these hindrances there were highly gifted women who overcame the hurdles and were able to prove their talent for composition. Of course these belonged to the wealthy middle and upper classes, or were women from musical families who were able to receive a thorough training.
    This selection, comprising 19 female composers from eight countries, cannot claim to be completely representative, both because it is limited to the period from the eighteenth century to the present, and because there is, as yet, no systematic catalogue of the autographs and printed editions in archives and libraries. But our editors are happy that this publication is worthwhile and justified, and that each of the pieces can speak for itself.
    Women will in future pursue musical composition amid a manifest change in society’s view of women and its attitude towards them.
    Vorwort
    Zu den Komponistinnen
    Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau
    Marianne Matinez (1744-1812): Sonate No. 3
    Maria Szymanowska (1789-1831): Nocturne
    Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4
    Clara Schumann (1819-1896): Andante con sentimento
    Louise Farrenc (1804-1875): Impromptu
    Cécile Chaminade (1857-1944): Pierrette, op. 41
    Ilse Fromm-Michaels (1888-1986): Langsamer Walzer
    Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein
    Lotte Backes (1901-1987): Slow
    L.ili Boulanger (1893-1918): D’ un vieux jardin
    Priaulx Rainier (1903-1986): Barbaric Dance
    Elizabeth Lutyens (1906-1983): Two Bagatelles
    Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil
    Verdina Shlonsky (1913-1990): Introduction
    Ivana Loudova: 2 Stücke (Dornröschen
    Wiegenlied)
    Barbara Heller (*1936): Piano Muziek
    Böhmisches Lied
    Susanne Erding (*1955): Chillan
    Johanna Senfter (1879-1961): Erster Schmerz
    Vogelweise

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  • Doflein – The Doflein Method Vol.1, The Beginning [English]

    A course of violin instruction combined with musical theory and practice in duet-playing
    Chapter 1: Music with five notes
    Chapter 2: Music with six notes
    Chapter 3: Music with eight notes
    Chapter 4
    Chapter 5: Key-note on the first finger
    Chapter 6: Combination of both attitudes of the fingers
    Chapter 7: Dotted Quarter Notes (Dotted Crotchets)
    Chapter 8: Key-note on the third finger
    Chapter 9: Key-note on the second finger (C Major)
    Chapter 10: The keys and their signatures
    Chapter 11: Songs and pieces to Play
    Chapter 12: Music in the minor mode
    Chapter 13: Syncopation

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  • Alfred’s Basic Piano Library – Recital Book Level 4 (Αγγλική Έκδοση)

    Allegro (Sonatina in G)
    Amazing Grace
    An Ancient Dance
    Cielito Lindo (Beautiful Heaven)
    Country Gardens
    Forest Green
    Irish Wedding Dance
    La Donna E Mobile
    Lullaby
    Night Song
    Sakura (Cherry Blossoms)
    The Glow-worm
    The Jugglers
    The Polovetsian Dances (Theme From)
    The Sloop John B.
    The Tap-Dancer

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  • Das Neue Sonatinenbuch

    Keep the old, but be generous with the new. Fundamentally the editor of the New Sonatina Book has followed this principle.
    Therefore in the book are found sonatas for children which are almost classical, as well as other works that have long been used successfully in teaching the piano but which are not found in previous collections such as, for example, the Vienna Sonatinas of Mozart acquired fame so quickly in the new Schott edition, the charming Spring Sonatina by Handrock, some melodious compositions of Theodor Kirchner, and as a contemporary work Gretchaninoff’s Sonatina which has proved itself as a splendid display pieces for pupils’ concerts.
    The collection is as far as possible arranged in order of difficulty, but as frequently different movements of a work demand different levels of technique, a completely logical sequence was not possible, particularly as the individual talent of the pupil plays an important part. In order to acquaint pupils with polyphonic music some easy pieces by Handel, Telemann, Krebs and Max Reger (Canons) have been included.
    A. Corelli: Sarabande e-Moll
    A. Gretchaninoff: Nach dem Balle, op. 98/13
    A. Gretchaninoff: Wiegenlied, op. 98/9
    André: Sonatine G-Dur, op. 34
    Bolck: Sonatine G-Dur, op. 59/2
    G.F. Händel: Air B-Dur
    G.F. Händel: Impertinence g-Moll
    G.F. Händel: Menuett G-Dur
    H. Purcell: Lied
    Handrock: Frühlingssonatine F-Dur
    Haslinger: Sonatine C-Dur
    Hofmann: Ländler, op. 7/3
    J. Haydn: Sonatine G-Dur
    J. Pachelbel: Fuga C-Dur
    J.L. Dussek: Sonatine G-Dur, op. 20/1
    Kuhlau: Sonatine G-Dur, op. 88/2
    Kuhlau: Sonatinen C-Dur und G-Dur, op. 55/1 und 3
    L.v. Beethoven: Sonatine G-Dur, op. 49/2
    L.v. Beethoven: Sonatinen G-Dur und F-Dur
    M. Clementi: Sonatinen G-Dur und D-Dur, op. 36/5 und 6
    M. Reger: Fast zu keck!, op. 17/12
    Schmid: Marsch, op. 95/16
    Schmid: Scherzo, op. 53/5
    Schmitt: Sonatine A-Dur, op. 207/2
    Schytte: Sonatine D-Dur, op. 76/3
    V.D. Kirchner: Sonatine C-Dur, op. 70/1
    W. A. Mozart: Sonatinen C-Dur und G-Dur
    W.A. Mozart: Wiener Sonatine C-Dur

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