SOUNDSWITCH

  • Uhl – 48 Studies for Clarinet, Book 2

    #html-body [data-pb-style=NN3WQ8H]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}These studies are intended to complement the existing teaching material for the clarinet, making the budding clarinettist familiar with the difficulties peculiar to modern instrumental music.

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  • Kreisler – Variations On A Theme by Corelli in F Major

    #html-body [data-pb-style=V9A2SU9]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Variations on a theme by Corelli F major in the style of Giuseppe Tartini

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  • Chopin – Variations On A Theme By Rossini

    #html-body [data-pb-style=U71COCN]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Variations on a theme by Rossini from the opera “La Cenerentola” 
     

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  • Tchaikovsky – Pezzo Capriccioso for Cello & Piano

    #html-body [data-pb-style=PIW7P2O]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Εκτός από τις διάσημες Rococo Variations, ο Pyotr I. Tchaikovsky συνέθεσε και ένα άλλο έργο για σόλο τσέλο: το Pezzo capriccioso, Έργο 62. Το έργο είναι αφιερωμένο στον Brandoukoff (Brandukov), με τον οποίο το παρουσίασε για πρώτη φορά στο περίφημο καλλιτεχνικό σαλόνι της οικογένειας Μπεναρδάκη, τον Φεβρουάριο του 1888. Ο ίδιος ο σολίστ πρότεινε μερικές μικρές τροποποιήσεις στο σόλο μέρος. Ακόμη και ο σπουδαίος βιρτουόζος του τσέλου και δάσκαλος, Maurice Gendron, ασχολήθηκε ξανά με το έργο, εμπλουτίζοντας το σόλο με περισσότερες βιρτουόζικες λεπτομέρειες και προσθέτοντας μια cadenza, μια εκτεταμένη ανακεφαλαίωση και ένα παρατεταμένο τέλος στο Pezzo.
    Η παρούσα έκδοση δίνει τη δυνατότητα στον εκτελεστή να αποκτήσει μια πλήρη εικόνα των διαφορετικών εκδοχών και επιπέδων του έργου. Οι δακτυλισμοί, οι ενδείξεις δοξαριών και τα ερμηνευτικά βοηθήματα – εκτός από αυτά που περιλαμβάνονται στα πρόσθετα μέρη – είναι έργο του Maurice Gendron.

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  • Hercules DG-307B-FS1 2-in-1 Επιδαπέδια

    #html-body [data-pb-style=RN1QUFL]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}H 2-σε-1 βάση δαπέδου για Tablet & Smartphone HCDG-307B-FS1 προσφέρει ποικίλες επιλογές εφαρμογής. καθώς μπορείτε να την τοποθετήσετε σε διαφορετικές κλίσεις. Ιδανική για live, video παραγωγές & studio οι δυνατότητες είναι πολλές.
     
    Ύψος: 108 – 178 cm (42,6″ – 70,1″)
    Η θέση της συσκευής μπορεί να περιστραφεί 360°
    Προσαρμόστε tablet/smartphone σε μεγέθη από 15,5 – 33 cm (6,1″–13″)
    Ακτίνα βάσης: 32,5 cm (12,8″)
    Καθαρό βάρος: 1,8 κιλά (4 lbs)
    Χωρητικότητα φορτίου: 3 kg (6,6 Ibs)
    Διπλωμένο μέγεθος: 10 x 9,5 x 95 cm (3,94″ x 3,74″ x 37,4″)

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  • Hercules DG-307B-TS2 2-in-1 Επιτραπέζια

    #html-body [data-pb-style=JRAYTHW]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Η επιτραπέζια βάση HERCULES HCDG-307B-TS2 ταιριάζει σε tablet και smartphone και είναι η τέλεια λύση για χρήση σε στούντιο, live streaming, δημιουργία περιεχομένου για Social Media ή ακόμα και δουλεύεταε απο το σπίτι.
     
    Ύψος: 31,5 – 39,5 cm (12,4″-15,6″)
    Η θέση της συσκευής μπορεί να περιστραφεί 360°
    Προσαρμόζεται σε tablet/smartphone με μεγέθη από 15,5 – 33 cm (6,1″–13″)
    Συνιστώμενο εύρος κλίσης: 45° – 90°
    Βάρος: 1,4 κιλά (3 lbs)
    Χωρητικότητα φόρτωσης: 2 kg (4,4 Ibs)
    Διπλωμένο μέγεθος: 13,5 x 10 x 31 cm (5,3″ x 3,9″ x 12,2″)

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  • Hercules BS-010BB & Gig Bag

    #html-body [data-pb-style=EGEWJUC]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Με το επιταπέζιο αναλόγιο μουσικής HCBS-010BB, μπορείτε να εξασκηθείτε άνετα οπουδήποτε. Η λαστιχένια βάση εμποδίζει την ολίσθηση του αναλογίου και η παρεχόμενη τσάντα μεταφοράς κάνει τη μεταφορά ακόμα πιο βολική. Αλλά δεν είναι μόνο οι παρτιτούρες που μπορούν να κρατηθούν σε αυτόν τον πρακτικό βοηθό. Γιατί να μην το χρησιμοποιήσετε και σε άλλες περιπτώσεις, για παράδειγμα με τη συσκευή tablet σας;
    Γραφείο: 41 x 23,5 cm (16,1″ x 9,3″)
    Αντιολισθητικό πόδι με ελαστικό πείρο
    Περιλαμβάνεται μαύρη τσάντα μεταφοράς
    Συγκρατητές 2 σελίδων
    Ύψος: 29 cm (11,4″)
    Βάρος: 0,52 kg (1,15 lbs)
    Χωρητικότητα φορτίου: 2 kg (4,41 Ibs)
    Διπλωμένο μέγεθος: 9 x 5 x 43 cm (3,5″ x 1,9″ x 16,9″)

    Hercules BS-010BB & Gig Bag

    19,3023,20

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  • Benda – Concerto in F Major

    The early classical concerto of Friedrich Wilhelm Heinrich Benda that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best advantage. Instrumentation: viola and strings with harpsichord; 2 horns ad libitum.

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  • The Virtuoso Piano Transcription Series, Vol. 4 Rigoletto

    #html-body [data-pb-style=BVAA9V8]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}#html-body [data-pb-style=XUDTYAI]{max-width:360px}Franz Liszt (Composer) | Giuseppe Fortunino Francesco Verdi (Composer)RigolettoConcert-Paraphrase about the quartet by Franz LisztPiano
    The opera paraphrases take a prominent place among Liszt’s complete works as a self-contained art form alongside original compositions. Feruccio Busoni values the high artistic merit of these compositions in the manner in which their well-considered structural planning in the arrangement of form and contrast and the endeavour to expand and embellish the chosen motifs place Liszt’s opera fantasies apart from the “plebeian potpourri”. The early Verdi paraphrases, particularly this Rigoletto-Paraphrase composed in 1859, are far superior to the later paraphrases (including those based on Don Carlos and Aida). This exceedingly brillant concert piece based on arguably the most famous quartet in the history of opera is particularly significant for the unique way in which Liszt is able to bring together the juxtaposition of extreme contrasts – the Duke’s ardent declaration of love, Maddalena’s prattling rejection, the grief-stricken cantilene of Gilda’s and Rigoletto’s furious parlando – as in Verdi’s original, resulting in a marvellous formal unity.
     

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  • Liszt – Ungarische Rhapsodie No 1

    #html-body [data-pb-style=VPPPBLH]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Franz Liszt (Composer) | Eugen d’Albert (Editor)
    Hungarian Rhapsody
    No. 1 E major
     
    Piano
    Series:Edition Schott – Single Edition
     

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  • Szeleny – Nocturne

    #html-body [data-pb-style=YNT0KIX]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}István Szelényi (Composer)Nocturne

    Szeleny – Nocturne

    12,0013,30

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  • Strawinsky – L` Oiseau De Feu

    #html-body [data-pb-style=NRDHX04]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The Firebird Scherzo, Berceuse and Danse Infernale arranged for piano by Soulima Strawinsky

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  • Feuillard – Daily Exercises for Violoncello

    Louis R. Feuillard (1872-1941) is best known as the teacher of Paul Tortelier, who described him as a man with an extraordinary pedagogical feeling. His daily exercises cover the most important areas of cello technique, such as exercises in the neck and thumb positions, double stops and bow exercises. Particularly because of the logical structure of the exercises, they have been one of the standard works of etude literature for cello since their first appearance in 1919.
    Part: Exercises in the neck positions
    Part: Exercises that encompass the cello in its entirety
    Part: Exercises with thumb attachment
    Part: double handles
    Part: bow exercises

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  • Renate Bruce-Weber – Die fröhliche Violine Band 1(Package)

    At the violin school The Happy Violin, the focus is on having fun while learning: the textbook aims at a playful, early start with the instrument. As the lesson progresses, the growing students are then consciously addressed in a language that corresponds to their age development. This also includes a stylistically diverse range of pieces from classical and folklore, and all sorts of interesting facts about the music and its composers are always reported.
    Volume 1: Detailed introduction to the bow position – songs and pieces using only the first type of fingering, with a focus on rhythmic, melodic and bowing technique variety – playful exploration of violin playing techniques such as pizzicato, position playing, flageolet and double stops CD for volume 1 (T 3272). all songs and pieces, with funny dialogues spoken by children. A motivating addition to the lesson and a nice gift idea!
    The playbook is designed as a supplement to the first volume of the teaching work The Happy Violin. Therefore, all violin parts can be played in the 1st fingering to suit the violin school. Musically, however, the booklet goes far beyond the content of a first year of teaching, so that the pieces are also well suited to recapitulating familiar content.
    The pieces contain a wide variety of musical ideas and styles, from baroque to modern, from the shanty to the Japanese national anthem, from the light canon to the effective prelude piece.
    Contents
    Preface
    Welcome to violin lessons
    Visit to the violin maker
    The four strings
    The bow stance
    Eighth notes
    The left hand
    The first type of grip
    The flageolet
    sign
    Bound sheet music
    The first double stops
    Short notes
    Songs for special occasions
    Songs and plays:
    Evening song
    Ali ben Ule
    All of Alabama’s monkeys
    American gospel song
    Andulka
    To sing on rainy days
    Asian dream song
    Elevator
    From Beethoven’s Violin Concerto
    From the Peasant Cantata
    From the 9th Symphony
    Babushka’s Evening Song
    At the violin maker
    Bella Bimba
    movement game
    Brother Jacob
    Cantata Domino
    Chinese melody
    The dachshund drama
    The echo
    The sad child
    The excursion
    The hedgehog and the porcupine
    The Cuckoo and the donkey
    The night violinist
    The clever Purzel
    The snail
    The proud poodle
    The proud poodle – something different
    The old bridge
    The old bridge-somewhat changed
    The goose Agathe
    The Nightingale
    The snail mail
    English sea shanty
    English sea shanty (chorus)
    Finger climbing song 1
    Eve! Caroline!
    Carnival duet
    Holiday song
    French troubadour song
    Brother Jacques
    Happy violin piece
    Spring song
    Five scale tongue twisters
    birthday song
    Ghost music
    Good morning, Mr. Spielmann
    Hot, Kathreinerle
    Hey, hitch up the car
    Heijo, hitch up the car (canon)
    In the rocking chair
    Indian dance
    Joseph, dear Joseph my
    Canon from Israel
    Do you know this song?
    Little festival music
    Little finger exercise
    Little melody
    Small scale piece
    Cuckoo song
    Song of the Snake Charmer
    Song with the note B
    March for the Emperor of China
    Morning song
    musette
    Another climbing scale
    Another piece with double stops
    Oh joyful day
    O Savior, tear open the heavens
    Intermission piece
    polka
    Little rose, little rose
    String changing exercise
    Scottish March
    Scottish New Year’s Eve song
    swing dance
    Dance song
    Tim the piper
    I stepped outside the door today
    Trumpet fanfare
    Hungarian dance
    Good luck and many blessings
    Virtuoso piece
    From the sky above
    waltz
    what is that supposed to mean
    What is the little mouse dreaming about?
    Lullaby
    We climb up
    We’re calling everyone
    We play with and without breaks
    We practice the dotted rhythm
    We practice for the swing dance
    Miracle song
    Happy birthday
    At Easter
    Two small fifth pieces
    Playbook:
    Two pieces on open strings:
    Sunday walk
    Birthday rally
    Two canons:
    Autumn canon
    Spring canon
    Two songs from Israel:
    Love song (Hana’ava babanot)
    Praise to King David
    Two songs from Spain:
    Summer Song (Segador)
    The Shepherdess (La Pastoreta)
    Two sea shanties:
    Was once a small sailing boat
    My Bonnie is over the ocean
    Two pieces from the “Happy Violin”:
    Peasant Cantata (JS Bach)
    The night violinist
    Two pieces from the early baroque:
    Peasant Dance (M. Praetorius)
    Dance (M. Praetorius)
    Two pieces from the Baroque period:
    Little Hunting Music (G. Ph. Telemann)
    Variations on: “We have three cats” (Augsburger Tafelkonfekt)
    Two pieces from the 21st century:
    The scary cobra
    Dance of the earthworms
    Two songs from Australia:
    Moreton Bay
    The frigate Catalpa
    Two pieces for stage performances:
    Enter the contortionists
    Rondo after a Polish dance

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  • Piano music by female composers

    Female composers have made their way in the face of prejudice and opposition. For a long time the prejudice prevailed that women lack the requisite creative talent to compose great music. It is indeed true that women have been less active in the field of musical composition than their male contemporaries, but reasons for this are found in the social circumstances of the recent past:
    In the late eighteenth and nineteenth centuries, the ages of the Enlightenment and the flowering of great achievement in music, women were denied the education and encouragement which would have made individual accomplishment possible beyond the limits of domestic music-making. In spite of these hindrances there were highly gifted women who overcame the hurdles and were able to prove their talent for composition. Of course these belonged to the wealthy middle and upper classes, or were women from musical families who were able to receive a thorough training.
    This selection, comprising 19 female composers from eight countries, cannot claim to be completely representative, both because it is limited to the period from the eighteenth century to the present, and because there is, as yet, no systematic catalogue of the autographs and printed editions in archives and libraries. But our editors are happy that this publication is worthwhile and justified, and that each of the pieces can speak for itself.
    Women will in future pursue musical composition amid a manifest change in society’s view of women and its attitude towards them.
    Vorwort
    Zu den Komponistinnen
    Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau
    Marianne Matinez (1744-1812): Sonate No. 3
    Maria Szymanowska (1789-1831): Nocturne
    Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4
    Clara Schumann (1819-1896): Andante con sentimento
    Louise Farrenc (1804-1875): Impromptu
    Cécile Chaminade (1857-1944): Pierrette, op. 41
    Ilse Fromm-Michaels (1888-1986): Langsamer Walzer
    Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein
    Lotte Backes (1901-1987): Slow
    L.ili Boulanger (1893-1918): D’ un vieux jardin
    Priaulx Rainier (1903-1986): Barbaric Dance
    Elizabeth Lutyens (1906-1983): Two Bagatelles
    Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil
    Verdina Shlonsky (1913-1990): Introduction
    Ivana Loudova: 2 Stücke (Dornröschen
    Wiegenlied)
    Barbara Heller (*1936): Piano Muziek
    Böhmisches Lied
    Susanne Erding (*1955): Chillan
    Johanna Senfter (1879-1961): Erster Schmerz
    Vogelweise

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  • Doflein – The Doflein Method Vol.1, The Beginning [English]

    A course of violin instruction combined with musical theory and practice in duet-playing
    Chapter 1: Music with five notes
    Chapter 2: Music with six notes
    Chapter 3: Music with eight notes
    Chapter 4
    Chapter 5: Key-note on the first finger
    Chapter 6: Combination of both attitudes of the fingers
    Chapter 7: Dotted Quarter Notes (Dotted Crotchets)
    Chapter 8: Key-note on the third finger
    Chapter 9: Key-note on the second finger (C Major)
    Chapter 10: The keys and their signatures
    Chapter 11: Songs and pieces to Play
    Chapter 12: Music in the minor mode
    Chapter 13: Syncopation

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  • Hercules DS-460BP Flute TravLite, set with Music-Stand and bag

    The HERCULES TravLite Flute Stand DS460B one-piece design folds and stores easily and conveniently inside the flute.
    Features
    The Lightweight Design is easy to set up and provides a strong, stable base for the instrument.
    The Compact In-Bell Design allows stand to store safely in the bell of the instrument taking no space in the instrument case.
    The Velvet Base Design protects the finish of the instrument.
    Specs
    Height: 148 mm
    Weight: 0.1 kg
    Base Radius: 165 mm
    Folded Size: Diameter 19 mm x Height 128 mm

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  • Hercules DS410BP TravLite, set with Music-Stand and bag

    The HERCULES TravLite Trumpet Stand DS410B folds easily and compactly, and can be placed inside the bell; velvet pads protect the instrument. It is easy to set up and provides a strong, stable base for the instrument.
    Features
    The Lightweight Five-Leg Design is easy to set up and provides a strong and stable base for the instrument.
    The Compact In-Bell Design allows stand to store safely in the bell of the instrument taking no space in the instrument case.
    The Velvet Base Design protects the finish of the instrument.
    Specs
    Height: 175 mm
    Weight: 0.28 kg
    Base Radius: 170 mm
    Folded Size: 180 mm x 70 mm x 70 mm
    Velvet bag included.

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  • Hercules BS-243B Fourscore Orchestra EZ Grip

    The HERCULES Fourscore Stand BS243B features the EZ Grip Height Adjustment and quick release mechanism, the extended desk holds up to four pages. H-Clip included.
    Features
    Quick-release desk that measures 815 mm wide to hold more sheet music.
    EZ Grip height adjustment with only one hand.
    Quick-release mechanism makes storage more convenient and easy.
    Excellent loading capacity up to 5kg.
    Specs
    Height: 710 mm – 1140 mm
    Weight: 4.4 kg
    Load capacity: 5kg
    Folded size: 822mm x 165mm x 361mm
    Desk: 815mm x 360mm

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  • Hercules DG-137B Multi Microphone Mount

    The Hercules DG137B is a multi-mount for microphones and devices designed with various mounting options. It is a safe and robust solution for micing drums, cymbals, and other acoustic/electric instruments. This mount is great for recording and live performance settings and removes the need for a traditional mic stand. While designed for microphones, it can be also used to mount cameras in conjunction with adding a threaded camera adaptor.
    Features
    Fits microphones and other devices.
    360-degree ball-joint angle adjustment.
    Fully-covered one-piece clamp fits 15.8 mm – 25.4 mm (0.62 – 1”) round tubes and 19 mm (0.75”) square tubes..
    Specs
    Weight: 0.45 kg
    Length: 247 mm
    Folded Size 203 mm

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  • Hercules SS410B Auto Lock 218cm

    Positioning your speakers is a breeze with the AutoLock Speaker Stand with EZ Adapter Pole Top from HERCULES Stands. Featuring the Quick-N-EZ AutoLock system, the stand enables you to easily raise the upper tube to any height between 46.1 and 82.7″, and locks into place to prevent the speaker from sliding back down. The included Quick-N-EZ speaker adapter expands to fit the speaker pole mounts sized 1.38 to 1.57″.
    Constructed from all-aluminum tubes, and featuring built-in metal leg housing as well as a safety pin system, the stand can support speakers weighing up to 99.2 lb. To reinforce its load-bearing components, the stand is designed with a bevelled edge on the lower shaft, adding stability and strength to your setup. The stand folds compactly for convenient travel and storage.

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