PHOEBUS

  • Csupor – Flute Duos for Beginners, 2

    #html-body [data-pb-style=IAM1JC2]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The collection of flute duos covers all instrumental eras of the history of music starting from Jacopo da Bologna to Tchaikovsky. To make the volume more comprehensive, the editor added the arrangement for two flutes of some popular operatic and instrumental melodies such as the paraphrases of ‘Don Giovanni’ and ‘Carmen’ and the arrangement of the nocturn from ‘A Midsummer Night’s Dream’. Well-known and unknown melodies, fugues, dance and character pieces provide possibilities for pleasant and high-level common music making.
    Contents1.Bologna, J. da: Ballata 2.Dietrich, Sixtus: Duo 3.Lasso, Orlando di: Bicinium 4.Morley, Thomas: Duo 5.Praetorius, Michael: Duo 6.Ismeretlen szerző: Musette 7.Zipoli, Domenico: Pastorale 8.Pachelbel, Johann: Fuga 9.Händel, Georg Friedrich: Fuga 10.Pergolesi, Giovanni Battista: Siciliana 11.Pleyel, Ignaz Josef: Andantino & Rondo 12.Pleyel, Ignaz Josef: Rondo 13.Call, L. von: Duo in A major 14.Call, L. von: Andantino 15.Duvernoy, Frédéric: Minuet 16.Mozart, Wolfgang Amadeus: Allegretto 17.Mozart, Wolfgang Amadeus: Three Duos after the Opera Don Giovanni 18.Beethoven, Ludwig van: Minuet 19.Bizet, Georges: Little Fantasia after the Opera Carmen 20.Flotow, Friedrich von: Little Fantasia after the Opera Martha 21.Mendelssohn-Bartholdy, Felix: Notturno 22.Schumann, Robert: Three Duos: The First Loss; Humming Tune; Wild Rider 23.Tchaikovsky, Pyotr Ilyich: March of the Wooden Soldiers; Old French Air; German Air; Italian Air

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  • Papp – The Golden Key

    #html-body [data-pb-style=JXFKS91]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Δεκαέξι μικρά κομμάτια πιάνου για αρχάριους.
    Ο Ούγγρος συνθέτης και δάσκαλος πιάνου έγραψε μια σειρά από εξαιρετικά δημοφιλή εκπαιδευτικά και θεατρικά κομμάτια για παιδιά.
    Στο έργο αυτό ο γνωστός συνθέτης παρουσιάζει τα γεγονότα μιας ιστορίας των αδελφών Γκριμ με τη μορφή πανεύκολων κομματιών για πιάνο. Αυτή η ασυνήθιστη, ημιτελής ιστορία έχει εμπνεύσει ένα ασυνήθιστο μουσικό έργο: οι νεαροί παίκτες μπορούν να φτιάξουν τίτλους για τα τελευταία οκτώ κομμάτια και ενθαρρύνονται επίσης να σημειώσουν τις σκέψεις και τα συναισθήματά τους εμπνευσμένα από τη μουσική ή να τα εκφράσουν σε σχέδια. 

    Papp – The Golden Key

    14,6016,20

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  • PEAVEY PVi 2500

    Detent volume controls
    Ground lift switch
    2 dual speed fans for cooling
    Noise-free on-off
    Independent DC and thermal overload protection on each channel
    Short circuit and speaker protection
    DC servo operation
    Power ON, Clip, Signal, and Protect LED indicators for each channel
    Stereo (dual channel), parallel-input, or bridged mono operating modes with selector switch
    Road-worthy, rugged double rack space (2U) housing
    Parallel balanced XLR and 1/4″ TRS inputs
    ~115(60Hz)/~230V(50Hz) AC select switch and IEC power cord connector
    Built-in DC offset
    1900 Watts
    Binding post (banana plug) outputs
    Built-in digital current limiter

    PEAVEY PVi 2500

    589,00655,00

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  • PEAVEY PV Series MSP1 Microphone XLR

    Complete microphone/microphone stand package
    Includes PV®i100 dynamic cardioid microphone
    Designed for stand-mount application
    Black powder-coat finish tripod microphone stand with boom arm
    6-meter microphone cable
    Mic clip
    Convenient nylon carry bag
    Also available with 1/4″
    cable
    Packed Weight: 3.2 kg
    Packed Length: 90.81 cm
    Packed Width: 12.7 cm
    Packed Height: 10.16 cm

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  • PEAVEY AQ 15 Aquarius Series

    Two-way bi-amplified analogue amp-powered speaker system
    15″
    heavy-duty woofer
    DX™14 compression driver, with a 1.4-inch titanium diaphragm
    670 watts peak dynamic woofer power, 330 watts peak dynamic tweeter power
    Bluetooth® streaming and pairing are supported
    DSP processing is 56-bit double-precision
    DSP I/O is at 48 kHz and 24 bits, with low-jitter, professional-grade components
    Dynamic bass boost function
    Fan-cooled for maximum reliability
    Peavey® Designed Quadratic Throat Waveguide™ technology, 110 by 80-degree coverage
    Input is via a combo female XLR and 1/4″
    TRS phone jack with balanced input OR a Bluetooth ® signal can be streamed to the speaker system.
    A Mic/Line switch to accommodate a wide range of input signals
    Thru/Mix output is via a male XLR jack
    Multiple Factory Preset EQ settings for the DSP crossover system
    Rugged plastic injection-molded trapezoidal enclosure
    The cabinet has dual rear corner angled sides for floor monitor use.
    Full-coverage perforated steel grille, with powder coat finish
    Pole mount moulded-in for 1 3/8″
    diameter poles
    Packed Weight: 22.4 kg
    Packed Length: 77.47 cm
    Packed Width: 47.94 cm
    Packed Height: 44.61 cm

    PEAVEY AQ 15 Aquarius Series

    668,00742,00

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  • PEAVEY PV14 BT

    New rugged, slim, low-profile console design
    Convenient tablet cradle
    8 combination XLR/1/4″
    low noise mic preamps
    Selectable Hi Pass Filter on first 8 inputs
    3-band EQ on all channels
    8 channels of Peavey’s exclusive MidMorph® EQ
    EQ bypass per channel
    4 channels of built-in compression
    Individual channel mutes
    Individual Listen/Solo function
    LED clip and signal present indication
    8 Channels of direct out
    Stereo pan control per channel
    Channel 9/10 stereo 1/4″, RCA, or 3.5mm input channel
    Dual selectable control room outputs
    One pre-fader AUX send
    KOSMOS® bass and treble enhancement
    Main stereo outputs with 1/4″
    unbalanced and balanced XLR connectors
    Precision 60 mm faders
    High-quality master LED meter bridge
    Master mic mute
    Studio-quality headphone output
    Equipped with Bluetooth wireless connectivity, Bluetooth 3.0 + EDR, A2DP
    On-board USB-A MP3 and WAV playback
    Stereo USB-B streaming audio in and out, 16-bit, up to 48kHz sample rates
    Built-in Digital Effects with LCD Display
    Peavey’s exclusive on-board Hi Z guitar input
    Global 48V phantom power
    Product Dimensions: wide x deep x high: 41.12 cm x 43.94 cm x 5.56 cm
    Packed Weight: 6 kg
    Packed Length: 51.99 cm
    Packed Width: 47.5 cm
    Packed Height: 8.99 cm

    PEAVEY PV14 BT

    563,00626,00

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  • PEAVEY IPR2 3000

    2- Channel independent fourth-order Linkwitz-Riley crossovers
    DDT
    Revolutionary IPR class D topology
    Combi XLR 1/4″
    inputs
    Speakon output connectors
    Light Weight
    LED illuminated
    Detented input controls
    1750w at 2 ohms
    950w at 4 ohms
    525w at 8 ohms
    Individual signal pass 1/4″
    jacks on each channel.
    Packed Weight: 4.9 kg
    Packed Length: 53.34 cm
    Packed Width: 31.75 cm
    Packed Height: 11.94 cm

    PEAVEY IPR2 3000

    917,001.019,00

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  • PEAVEY Milestone 5 Black (5-string)

    34″ scale
    Dual-expanding truss rod
    20 frets
    12″ radius
    19:1 ratio tuning machines
    One straight and one split single coil pickup
    Stamped steel bridge
    Chrome hardware
    Two-volume, master tone controls
    Case not included
    Maple neck with rosewood fretboard
    Balanced, comfortable body styling with sculpted front and back, improved access neck joint
    Packed Weight: 4.99 kg
    Packed Length: 120.65 cm
    Packed Width: 37.47 cm
    Packed Height: 8.89 cm

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  • PEAVEY PVX12

    Two-way sound reinforcement enclosure
    12″
    heavy-duty woofer with 2 3/8″ voice coil & 50 oz. magnet
    RX™ 14 compression driver, with 1.4-inch titanium diaphragm
    400W program / 800W peak power handling
    Peavey’s exclusive Quadratic Throat Waveguide™ technology, 100 by 50-degree coverage
    Asymmetrical horn aims the sound down 10°, at the audience, not over their heads
    Crossover network for driver protection and EQ
    High-frequency driver protection
    Durable plastic injection-molded trapezoidal enclosure
    The extra angled section on the right side allows floor monitor use
    Full-coverage heavy-duty perforated steel grilles, with powder coat finish and weather-resistant foam cloth
    Pole mount molded-In
    Top, bottom and right side flying point inserts
    Packed Weight: 20 kg
    Packed Length: 67.95 cm
    Packed Width: 50.8 cm
    Packed Height: 46.36 cm

    PEAVEY PVX12

    328,00364,00

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  • Zongoraiskola 2

    80 Pages

    Zongoraiskola 2

    24,4027,10

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  • Debussy – Clair De Lune

    10,4011,50

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  • Early Chamber Music – Violin Trios

    Cara, Marchetto: Frottola
    Ismeretlen szerzõ (Codex Kájoni): Passamezzo Antico
    Caroso, Fabritio: Il canario
    Praetorius, Michael: Ballet des coqs
    Negri, Ccesare: Villanella
    Peuerl, Paul: Ballet
    Franck, Melchior: Galliarda
    Franck, Melchior: Alla tedesca
    Haussmann, Valentin: Alla polacca
    Scheidt, Samuel: Canon cancrizans
    Ismeretlen szerzõ (Codex Kájoni): Curant
    Ismeretlen szerzõ (Codex Kájoni): Bergamasca
    Ismeretlen szerzõ (Lõcse): Chorea ex C
    Ismeretlen szerzõ: Polonica
    Cornysh, William: ‘Dal ”Hey Robin, Joly Robin”’
    Tomkins, Thomas: ”’The Dance of Robin Hood”’
    Byrd, William: La Volta
    Purcell, Henry: Menüett
    Purcell, Henry: Prelude
    Purcell, Henry: Trumpet Air
    Purcell, Henry: Augmentatio
    Corelli, Arcangelo: Sarabanda

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  • PEAVEY VSX 48E

    VSX™ 48e DSP-based Loudspeaker Management SystemThe VSXe processors are DSP-based, loudspeaker management systems that boast a 96kHz sample rate and a floating point DSP processor for quite accurate filter response. The crossover filters are fully adjustable and any input can be routed to any output. The VSX Editor Program for PC allows complete remote setup and operation via the front panel USB port or by the rear panel Ethernet network connection. Files can also be saved and loaded using this interface software.
    Balanced Inputs: VSX 48e 4
    4 XLR balanced inputs and 8 XLR balanced outputs VSXe 48
    Maximum input and output level +20 dBu, XLR balanced inputs and outputs
    Frequency response 20 Hz to 20 kHz +0, -1 dB
    5 segment LED meters with limit indication on each output
    Every input features Gain, Mute, HP and LP filters, 8 bands of PEQ, polarity and Delay (680 mS)
    Security lock
    Dynamic range input to output greater than 109 dB (A-weighted) or 107 dB (unweighted)
    USB B port for setup and control
    24 bit Delta-Sigma A/D and D/A converters
    Every output features: 9 bands of PEQ, gain, compressor/limiter, polarity, Delay (680 mS), mute, and crossover/band-pass filters
    Ethernet port for setup and control
    Channels can be linked for simplified stereo operation
    96 kHz Sample rate
    Signal generator (sine, white noise, pink noise)
    PC Editor Programs allow complete remote setup and operation via USB or Ethernet
    Crossover/Band-pass filters feature Butterworth, Bessel or Linkwitz-Riley alignments from 1st order (6 dB/Oct) to 8th order (48 dB/Oct)
    Balanced Outputs: VSX 48e 8
    EQ filter types include: PEQ, Low-Shelf, Hi-Shelf, Low-Pass, High-Pass, All-Pass1 and All-Pass2
    5 segment LED meters on each input
    THD+N < 0.01% at 1 kHz Weight Unpacked: 5.80 lb(2.63 kg) Weight Packed: 7.72 lb(3.5 kg) Width Packed: 11.69"(29.6926 cm) Height Packed: 21.14"(53.6956 cm) Depth Packed: 4.9"(12.446 cm)

    PEAVEY VSX 48E

    655,00728,00

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  • PEAVEY PVXp 12 Bluetooth

    PVXp™ 12 Bluetooth® 12-inch Powered LoudspeakerThe PVXp™ 12 Bluetooth® features a reliable bi-amped power section that provides a total of 980 Watts of peak dynamic power with DSP-based compression and limiting. This enclosure features a 12″ heavy-duty woofer with a 2 3/8″ inch voice coil and 50-ounce magnet, and the RX14™ compression driver with a 1.4-inch titanium diaphragm on a 100-degree horizontal x 50-degree vertical pattern asymmetrical horn. The PVXp™ 12 Bluetooth® provides two channels with a balanced input via a combination jack that accepts balanced TRS 1/4″ inch input as well as a balanced XLR input. A switch is provided to change between line level gain and mic level gain. A third channel is for a Bluetooth source, or alternatively a 1/8″ AUX input jack. Each channel has an adjustable Level control and a three-band EQ section. There is a balanced output, a Male XLR, that can feed the mixed signals from the three channels out to another component. A front baffle LED indicator can be set to light when power is on, and when the “soft-limiting” DDT circuit is activated, or it can be turned off altogether. The LCD display and EQ preset, along with other DSP operating parameters are accessed via a one-knob selector.
    Two-way bi-amped sound reinforcement enclosure
    RX14™ compression driver, with a 1.4-inch titanium diaphragm
    Reliable fan-cooled power amps with DSP protection
    Total of 980W peak dynamic power
    DSP control for precise crossover, EQ and limiting functions
    Bluetooth input is via a dedicated input channel
    Mix/Thru Output is via a male XLR jack
    Durable plastic injection-moulded trapezoidal enclosure
    The extra angled section on the right side allows floor monitor use
    Pole mount moulded-in for 1 3/8″ diameter poles
    Top, bottom and right side flying point inserts
    12 heavy-duty woofer with 2 3/8″ voice coil & 50 oz. magnet
    Full-coverage heavy-duty perforated steel grilles, with powder coat finish
    DSP I/O is at 48 kHz and 24 bits, internal processing is 56-bit double-precision
    Peavey’s Quadratic Throat Waveguide technology, 100 by 50-degree coverage
    Asymmetrical horn aims the sound down 10 degrees, at the audience, not over their heads
    Analog input is via a combo female XLR and 1/4″ TRS phone jack with balanced input
    Three channels in total, two for analogue, and one for Bluetooth or AUX input via a 1/8 jack
    Each channel has a level control and a 3-band EQ section to adjust and shape the input signals

    PEAVEY PVXp 12 Bluetooth

    707,00786,00

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  • PEAVEY PVXp 15 Bluetooth

    PVXp™ 15 Bluetooth® 15-inch Powered LoudspeakerThe PVXp™ 15 Bluetooth® features a reliable bi-amped power section that provides a total of 980 Watts of peak dynamic power with DSP-based compression and limiting. This enclosure features a 15″ heavy-duty woofer with a 2 3/8 inch voice coil and 50-ounce magnet, and the RX14™ compression driver with a 1.4-inch titanium diaphragm on a 100-degree horizontal x 50-degree vertical pattern asymmetrical horn. The PVXp™ 15 Bluetooth® provides two channels with a balanced input via a combination jack that accepts balanced TRS 1/4 inch input as well as a balanced XLR input. A switch is provided to change between line level gain and mic level gain. A third channel is for a Bluetooth source, or alternatively a 1/8″ AUX input jack. Each channel has an adjustable Level control and a three-band EQ section. There is a balanced output, a Male XLR, that can feed the mixed signals from the three channels out to another component. A front baffle LED indicator can be set to light when power is on, and when the “soft-limiting” DDT circuit is activated, or it can be turned off altogether. The LCD display and EQ preset, along with other DSP operating parameters, are accessed via a one-knob selector.
    RX14™ compression driver, with 1.4-inch titanium diaphragm
    Reliable fan-cooled power amps with DSP protection
    Total of 980W peak dynamic power
    DSP control for precise crossover, EQ and limiting functions
    Bluetooth input is via a dedicated input channel
    Mix/Thru Output is via a male XLR jack
    Durable plastic injection-moulded trapezoidal enclosure
    The extra angled section on the right side allows floor monitor use
    Pole mount moulded-in for 1 3/8″ diameter poles
    Top, bottom and right side flying point inserts
    15 heavy-duty woofer with 2 3/8″ voice coil & 50 oz. magnet
    Full-coverage heavy-duty perforated steel grilles, with powder coat finish
    DSP I/O is at 48 kHz and 24 bits, internal processing is 56-bit double-precision
    Peavey’s Quadratic Throat Waveguide technology, 100 by 50-degree coverage
    Asymmetrical horn aims the sound down 10 degrees, at the audience, not over their heads
    Analog input is via a combo female XLR and 1/4″ TRS phone jack with balanced input
    Three channels in total, two for analogue, and one for Bluetooth or AUX input via a 1/8″ jack
    Each channel has a level control and a 3-band EQ section to adjust and shape the input signals

    PEAVEY PVXp 15 Bluetooth

    759,00844,00

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  • PEAVEY 6505 4×12 Straight

    The 6505® 412 cabinets are outfitted with four Celestion Vintage 30 speakers and feature a closed-back cabinet made of high-density plywood construction.
    16 ohms
    Celestion Vintage 30 speakers
    2 1/4 inch inputs
    Stereo or Mono operation
    240 watts (RMS) closed-back cabinet
    18-ply Baltic birch plywood construction
    Recessed handles
    Heavy-duty casters
    Weight Unpacked: 43.545 kg
    Weight Packed: 46.72 kg
    Width Packed: 43.18 cm
    Height Packed: 90.805 cm
    Depth Packed: 81.28 cm
    1.313,001.459,00

    PEAVEY 6505 4×12 Straight

    1.313,001.459,00

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  • Liszt – Piano Works Free Arrangements VI II/6

    Volume 35 of the New Liszt Edition contains free arrangements made between 1842 and 1845. Transcriptions of works by Alabyev, Bulakhov, Glinka and Wielhorsky attest to the composer’s journeys in Russia. Alongside them in this volume can be found two operatic paraphrases on themes by Gaetano Donizetti, a recently discovered transcription of Ernst (Herzog zu Sachsen-Coburg-Gotha), a Soriano transcription, paraphrases on national themes and songs: Canzone Napolitana, Gaudeamus igitur, and two French songs, and the Grosse Konzertfantasie über spanische Weisen presenting one melody each of three Spanish dances: the fandango, the cachucha and the jota. The appendix gives some of the more important earlier versions. An interesting feature of the volume is the first edition of the final, considerably reworked version of the Gaudeamus paraphrase.
    Contents
    1.Valse de concert sur deux motifs de Lucia et Parisina de Donizetti. Seconde édition2.Deux Mélodies russes. Arabesques 1. Le Rossignol, Romance de Alexandr Alexandrovitch Alabieff3.Deux Mélodies russes. Arabesques 2. Chanson bohémienne de Piotr Petrovitch Boulakhov4.Canzone Napolitana, Notturno5.Die Gräberinsel der Fürsten zu Gotha, Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha6.Romance du Comte Mikail Yourievitch Wielhorsky7.Galop russe de Boulgakov – Bulhakows Russischer Galop8.Tscherkessenmarsch aus Glinkas Oper: Russlan und Ludmilla (2nd version – 2. Fassung)9.Gaudeamus igitur, Paraphrase (2nd version – 2. Fassung)10.Marche funebre de Dom Sébastien de l’opéra de Gaetano Donizetti11.Faribolo Pastour. Chanson tirée du poeme de Franconetto de Jacques Jasmin12.Chanson (Pastorale) du Béarn13.Grosse Konzertfantasie über spanische Weisen14.Feuille morte. Élégie d’apres Mariano Soriano15.Valse a capriccio sur deux motifs de Lucia et Parisina de Gaetano Donizetti (1st version – 1. Fassung)16.Romance de Comte Mikail Yourievitch Wielhorsky (1st version – 1. Fassung)17.Marcia Circassa tratta dall’opera Russlan e Ludmilla di Glinka (1st version – 1. Fassung)18.Gaudeamus igitur. Chanson des étudiants. Paraphrase (1st version – 1. Fassung)
     
    Pages: 208
    Language: English / German
    Publisher: Editio Musica Budapest

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  • Liszt – Piano Works Free Arrangements VII II/7

    Series II of the New Liszt Edition contains Liszt’s free arrangements and transcriptions for the piano. Apart from one Beethoven transcription, Volume 7 contains only piano pieces based on works by Schubert. Throughout his life, Liszt respected and admired the art of Schubert, and was partial to arranging his compositions for piano, even when the Austrian composer was hardly known. This volume includes the arrangements made in 1844-46, the majority of which are piano versions of songs, and the three marches closing the volume are based on four-hand works by Schubert. It should be noted that the song Lebe wohl! was misleadingly published under Schubert’s name several times, and the composer was in actual fact not Schubert but August Heinrich von Weyrauch. Liszt could not have known this when he composed it, so this too features in the cycle 6 mélodies célebres de François Schubert.
    ContentsCapriccio alla turca sur des motifs de Beethoven
    6 Melodien von Franz Schubert 1. Lebe wohl! – Adieu!
    6 Melodien von Franz Schubert 2. Mädchens Klage – Les Plaintes de la Jeune fille
    6 Melodien von Franz Schubert 3. Das (Zügen-) Sterbeglöcklein – La Cloche des Agonisants
    6 Melodien von Franz Schubert 4. Trockne Blumen – La Fleur Fanée
    6 Melodien von Franz Schubert 5. Ungeduld – Toute ma vie (1st version – 1. Fassung)
    6 Melodien von Franz Schubert 6. Die Forelle – La Truite (1st version – 1. Fassung)
    Müller-Lieder von Franz Schubert 1. Das Wandern – Le meunier voyageur
    Müller-Lieder von Franz Schubert 2. Der Müller und der Bach – La voix enchantresse
    Müller-Lieder von Franz Schubert 3. Der Jäger – Le chasseur
    Müller-Lieder von Franz Schubert 4. Die böse Farbe – Garde moi souvenir
    Müller-Lieder von Franz Schubert 5. Wohin? – Au bord de la fontaine
    Müller-Lieder von Franz Schubert 6. Ungeduld – Toute ma vie (3rd version – 3. Fassung)
    Die Forelle. Lied von F. Schubert. 
    Franz Schuberts Märsche 1. Trauermarsch – Grande marche funebre de Francois Schubert
    Franz Schuberts Märsche 2. Grande Marche de Francois Schubert
    Franz Schuberts Märsche 3. Grande Marche caractéristique de Francois Schubert
     
    Pages: 132
    Language: English / German
    Publisher: Editio Musica Budapest

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  • Liszt – Piano Works Free Arrangements VIII II/8

    Volume 32 of the New Liszt Edition contains free arrangements and fantasies Liszt made between 1846 and 1857. The composers of the transcribed works are Auber, Chopin, Conradi, Dessauer, Gaetano Donizetti and Giuseppe Donizetti, Erkel, Festetics, Verdi, and Weber. The paraphrase from Ferenc Erkel’s opera Hunyadi László, the Schwanengesang und Marsch is published here in print for the first time.
    Contents
    Tarentelle di bravura d’apres la Tarentelle de La muette de Portici d’AuberDessauers Lieder 1. LockungDessauers Lieder 2. Zwei WegeDessauers Lieder 3. Spanisches Lied. BoleroSpanisches Ständchen. Melodie von Graf Leó FesteticsLeier und Schwert nach Carl Maria von Weber. Heroide’Spirto gentil.’ Cavatina from the Opera La Favorita by Gaetano DonizettiZigeuner-Polka d’August ConradiGrande paraphrase de la Marche de Giuseppe Donizetti composée pour Sa Majesté le Sultan Abdul-Medjid KhanSchwanengesang und Marsch aus Erkels Hunyadi László KonzertparaphraseGlanes de Woronince 1. Ballade ukraine, DumkaGlanes de Woronince 2. Mélodies polonaisesGlanes de Woronince 3. Complainte, Dumka6 Polnische Lieder von Frédéric Chopin (op. 74) 1. Mädchens Wunsch – Zyczenie6 Polnische Lieder von Frédéric Chopin (op. 74) 2. Frühling – Wiosna6 Polnische Lieder von Frédéric Chopin (op. 74) 3. Das Ringlein – Pierscien6 Polnische Lieder von Frédéric Chopin (op. 74) 4. Bacchanal – Hulanka6 Polnische Lieder von Frédéric Chopin (op. 74) 5. Meine Freuden – Moja pieszczotka, Nocturne6 Polnische Lieder von Frédéric Chopin (op. 74) 6. Die Heimkehr – NarzeczonyCarl Maria von Webers Schlummerlied mit Arabesken
    Carl Maria von Webers Polonaise brillante op. 72’Einsam bin ich, nicht alleine’ aus dem Schauspiel Preziosa von Carl Maria von WeberGrande paraphrase de la marche de G. Donizetti composée pour Sa Majesté le Sultan Abdul -Medjid Khan, Version facilitée
    Pages: 206
    Language: English / German
    Publisher: Editio Musica Budapest

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  • Liszt – Piano Works Free Arrangements XI II/11

    Volume 23, the penultimate volume in Series II of the complete edition contains free arrangements by Liszt dating from between 1859 and 1861. The best-known among these are the three Verdi opera fantasias: the Miserere du Trovatore, Ernani and Rigoletto, together with the two Wagner transcriptions: the Spinnerlied aus Der fliegende Holländer and the Fantasiestück über Motive aus Rienzi. The volume also contains two transcriptions each from Berlioz and Lassen, and one each from Bach, Meyerbeer and Dietsch. An interesting addition is the early version included in the appendix, which represents an important basis for study of the genesis of Ernani.
    ContentsMiserere du Trovatore de Verdi – Paraphrase de concertErnani de Verdi – Paraphrase de concert (2nd version)Rigoletto de Verdi – Paraphrase de concert’Weinen, Klagen, Sorgen, Zagen’ Praeludium nach J.S.BachFantasiestück über Motive aus Rienzi von Richard Wagner ( Santo Spirito cavaliere )Spinnerlied aus ‘Der fliegende Holländer’ von Richard WagnerDanse des Sylphes de La damnation de Faust de Hector BerliozMarche au supplice de la Symphonie fantastique (Episode de la vie d’un artiste) de Hector BerliozFestmarsch zu Schillers 100jähriger Geburtstagsfeier von Giacomo Meyerbeer
    Valse de l’opéra Faust de Charles GounodAn der Sonnenschein und Rotes Röslein – Zwei Lieder von Robert SchumannAve Maria d’ArcadeltMazurka pour piano composée par un amateur de St. PetersbourgErnani de Verdi. Paraphrase de concert (1st version)
     
    Pages: 180
    Language: English / German
    Publisher: Editio Musica Budapest

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  • Liszt – Piano Works Free Arrangements XII II/12

    The volume includes the famous ‘Weinen, Klagen’ variations, based on Bach’s similarly-titled cantata and motifs from the ‘Crucifixus’ of his B minor Mass; a paraphrase of Gounod’s ‘Hymne a Ste Cécile’, appearing here for the first time in print, ‘A la Chapelle Sixtine’, based on Allegri’s ‘Miserere’ and Mozart’s ‘Ave verum Corpus’ (the part based on a chorus from the ‘Ave verum Corpus’ can also be performed separately), the ‘Rapsodie espagnole’, a fantasia on themes from the incidental music to Beethoven’s ‘Die Ruinen von Athen’, Liszt’s transcription of the Pilgrims’ Chorus from Richard Wagner’s opera ‘Tannhäuser’, and ‘Les adieux’. ‘Reverie sur un motif de l’opéra Roméo et Juliette”’. 
    Pages: 168
    Language: English / German
    Publisher: Editio Musica Budapest

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  • Liszt – Piano Works Free Arrangements XIV II/14

    Series II of the New Liszt Edition contains Liszt’s free arrangements and transcriptions for the piano. Volume 14 includes pieces based on works by Händel, Ferdinand Huber, Verdi, Dargomyzhsky, Eduard Lassen, Saint-Saens, Massenet, and Géza Zichy. After losing his right arm in an accident, with his friend Liszt’s encouragement Count Géza Zichy published his studies for the left hand, and he dedicated them to the great composer. In a letter of thanks Liszt expressed his gratitude, and attached his version of the studies, arranged for two hands. Another piece with a Hungarian connection is the work Revive Szegedin!. The basis for this was a piece by Massenet that was itself an arrangement: Massenet orchestrated a march by the amateur composer Ignác Frank Szabadi for a concert in Paris in aid of the victims of the flood in the town of Szeged in 1879. Liszt was one of the people invited to the concert, and he responded with the manuscript of Revive Szegedin!. The extent to which Liszt followed the structure of the original works and how much of his own material he added varies from piece to piece.
    ContentsDanse macabre. Poeme symphonique de Camille Saint-Saens
    Trois morceaux suisses ( 2nd version – 2. Fassung) 1. Ranz de vaches. Mélodie de F. Huber, avec variations
    Trois morceaux suisses (2nd version -2. Fassung) 2. Un soir dans la montagne. Mélodie d’Ernest Knop.Nocturne
    Trois morceaux suisses ( 2nd version – 2. Fassung) 3. Ranz de chevres. Mélodie de F. Huber. RondeauValse d’Adele. Pour piano a la main gauche seule par le Comte Géza Zichy
    Agnus Dei della Messa da Requiem di Giuseppe Verdi ( 2nd version – 2. Fassung)Aus der Musik von Eduard Lassen zu Hebbels Nibelungen 1. Hagen und KriemhildAus der Musik von Eduard Lassen zu Hebbels Nibelungen 2. BechlarnAus der Musik von Eduard Lassen zu Goethes Faust 1. OsterhymneAus der Musik von Eduard Lassen zu Goethes Faust 2. Hoffest. Marsch und PolonaiseRevive Szegedin! Marche hongroise de Szabadi, orchestrée par Massenet
    Sarabande und Chaconne aus dem Singspiel ‘Almira’ von Georg Friedrich Händel
    Tarantella de Dargomijski’Vive Henri IV’
     
    Pages: 156
    Language: English / German
    Publisher: Editio Musica Budapest

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  • Liszt – Piano Works Free Arrangements XV II/15

    Volume 39 of the complete edition launched by EMB in 1970 makes accessible transcriptions made by the elderly master between 1879 and 1885. The volume includes transcriptions from works by Russian composers (a Tchaikovsky transcription, the Polonaise from the opera Eugene Onegin) transcriptions of a work each by Schumann and Schubert, the Réminiscences de Boccanegra (Verdi), and Liszt’s last operatic fantasy, from Wagner’s Parsifal: Feierlicher Marsch zum heiligen Gral.
    ContentsPolonaise aus Tschaikowkis Oper ‘Jewgeny Onegin’Prélude a la Polka d’Alexandre Porfiryevitch Borodine. Variation sur le theme favori et obligé2da Mazurka per pianoforte di Pier Adolfo Tirindelli variata de F. LisztLiebesszene und Fortunas Kugel aus dem Oratorium ‘Die sieben Todsünden’ von Adalbert von Goldschmidt. FantasiestückO! Wenn es doch immer so bliebe! Lied von Anton Rubinstein Op. 34 No. 9Der Asra. Lied von Anton Rubinstein Op. 32 No. 6Provenzalisches Minnelied von Robert SchumannDrei Lieder zu Julius Wolffs Epos ‘Tannhäuser’ komponiert von Otto Lessman 1. Der Lenz ist gekommenDrei Lieder zu Julius Wolffs Epos ‘Tannhäuser’ komponiert von Otto Lessman 2. Trinklied
    Drei Lieder zu Julius Wolffs Epos ‘Tannhäuser’ komponiert von Otto Lessman 3. Du schaust mich anRéminiscences de Boccanegra de VerdiFeierlicher Marsch zum heiligen Gral aus dem Bühnenweihfestspiel ‘Parsifal’ von Richard WagnerMarche hongroise d’apres Franz Schubert: Divertissement a l’hongroise Op. 54 No. 2 – D 818/2 Troisieme édition 1883Valse de concert d’apres la ‘Suite en forme de valse’ de Jean de Végh de VerebAbschied. Russisches VolksliedTarentelle de César Cui
     
    Pages: 160
    Language: English / German
    Publisher: Editio Musica Budapest

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  • Liszt – Piano Works Transcriptions V II/20

    Volume 30 of the New Liszt Edition is made up almost entirely of transcriptions of Schubert Lieder for solo piano. The volume starts with Die Rose, Liszt’s first, earliest song transcription, followed by Lob der Tränen, then the series of 12 Lieder selected by Liszt: 1. Sei mir gegrüsst, 2. Auf dem Wasser zu singen, 3. Du bist die Ruh, 4. Erlkönig, 5. Meeresstille, 6. Die junge Nonne, 7. Frühlingsglaube, 8. Gretchen am Spinnrade, 9. Ständchen von Shakespeare, 10. Rastlose Liebe, 11. Der Wanderer, 12. Ave Maria. The volume concludes with a transcription of the overture to Rossini’s Guillaume Tell.
    CONTENTS :
    Die Rose. Lied von Franz Schubert
    Lob der Tränen. Lied von Franz Schubert
    12 Lieder von Franz Schubert 1. Sei mir gegrüsst12 Lieder von Franz Schubert 2. Auf dem Wasser zu singen12 Lieder von Franz Schubert 3. Du bist die Ruh’12 Lieder von Franz Schubert 4. Erlkönig12 Lieder von Franz Schubert 5. Meeresstille12 Lieder von Franz Schubert 6. Die junge Nonne12 Lieder von Franz Schubert 7. Frühlingsglaube12 Lieder von Franz Schubert 8. Gretchen am Spinnrade12 Lieder von Franz Schubert 9. Ständchen von Shakespeare12 Lieder von Franz Schubert 10. Rastlose Liebe12 Lieder von Franz Schubert 11. Der Wanderer12 Lieder von Franz Schubert 12. Ave MariaOuverture de l’opéra Guillaume Tell de Gioachino Rossini
    Pages: 124
    Language: English / German
    Publisher: Editio Musica Budapest
     

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