DOVER Publications

  • Villa-Lobos – Piano Music

    #html-body [data-pb-style=Q36KV1G]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Piano Music: “Prole Do Bebê” Vol. 1, “Danças Características Africanas” and Other Works (Volume 1) 
     
    Brazilian composer Heitor Villa-Lobos (1887–1959) is renowned for the unique originality of his music, based in large part on indigenous melodies and rhythms associated with Brazilian folk music. These native elements, as well as many other facets of his work, may be heard and studied in this rich selection of his finest piano music.Thirty-three sparkling pieces include “Segunda Suite Infantil,” “Danças Caracteristicas Africanas,” “Suite Floral, Prole do Bebê,” “Simples Coletânea,” “Histórias da Carochinha,” and “Carnaval das Crianças.”Pianists and all music lovers will delight in this evocative, sensuous, and vibrant music, reprinted here from authoritative editions.
     

    Villa-Lobos – Piano Music

    19,3021,40

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  • DOVER Publications Grieg – Peer Gynt Holberg Suit & Other Works

    Rooted in the Norwegian Folk tradition, the piano music of Edvard Grieg offers spirited rhythms, novel harmonies and a refined lyrical sense. Included in this volume are the perennial favorites, Peer Gynt Suites Nos. 1 and2, in Grieg’s own piano arrangement, and the Holberg Suite, as well as a rich selection of other pieces.Reproduced from authoritative editions published by C.F. Peters.
     
    Concerto In A Minor Op.16
    Four Album Leaves
    Four Pieces
    From Holberg’s Time
    Humoresques
    Moods Op.73
    Nordraak’s Funeral March
    Peer Gynt Suite No.1 Op.46
    Peer Gynt Suite No.2 Op.55
    Piano Pieces After His Own Songs
    Poetic Tone-pictures
    Sonata In E Minor Op.7
    Three Piano Pieces
    Two Elegiac Melodies
    Two Melodies

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  • DOVER Publications Faure – Complete Preludes, Impromptus and Valses-Caprices

    Impromptu No.3 In A Flat Major Op.34
    Impromptus No.1 In E Flat Major Op.25
    Impromptus No.2 In F Minor/Major Op.31
    Impromptus No.4 In D Flat Major Op.91
    Impromptus No.5 In F Sharp Minor Op.102
    Prelude No.1 In D Flat Major
    Prelude No.2 In C Sharp Minor
    Prelude No.3 In G Minor
    Prelude No.4 In F Major
    Prelude No.5 In D Minor
    Prelude No.6 In E Flat Major
    Prelude No.7 In A Major
    Prelude No.8 In C Minor
    Prelude No.9 In E Minor
    Valse-caprice No.1 In A Major Op.30
    Valse-caprice No.2 In D Flat Major Op.38
    Valse-caprice No.3 In G Flat Op.59
    Valse-caprice No.4 In A Flat Major Op.62

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  • DOVER Publications Debussy – Etudes Children’s Corner Images Book II

    This volume contains several of Debussy’s best-known and most-admired compositions, including some of his most brilliant works for piano: the technically challenging ‘Etudes’, the witty and appealing ‘Children’s Corner’ and the sparkling ‘Images, Book II’ as well as other intriguing, lesser-known works. Pianists will enjoy the extraordinary diversity of these pieces and their rare, often surprising musical effects. All of the works included have been reprinted from authoritative French editions.
    157 Pages

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  • DOVER Publications Scriabin – Complete Piano Sonatas

    Like Chopin, Scriabin made the piano the focus of his art. Among the supreme achievements of that art are the ten sonatas he composed between 1892 and 1913, works that abundantly display both his technical virtuosity and the exhilarating emotional gamut he ranged with such individuality.All ten of Scriabin’s sonatas are reprinted here from the authoritative Russian edition published in 1964. The first four reveal the influences of the pianism of Chopin and Liszt. The subsequent sonatas richly display Scriabin’s emerging impressionist techniques and his deep attraction to mysticism, which progressively conjured a more and more ethereal framework of sound, now brooding and introspective, now rhapsodic and exultant.In both their technical requirements and their emotional demands, these brilliant works will offer pianists a deeply satisfying challenge. Nonpianists will also enjoy this finely made edition, with which they may follow, music in hand, the growing number of loved and recorded performances of these masterpieces.
    256 Pages

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  • DOVER Publications A B C Piano Note Stickers

    Turn any piano or keyboard into an easy-to-play instrument with these helpful stickers! Place the stickers, each of which represents a musical note, on their corresponding keys to provide a quick and easy way to learn piano fingering techniques. An extremely useful tool for beginning piano students of all ages.
    168 stickers on 4 plates

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  • DOVER Publications Liszt – Etudes for Solo Piano II

    Liszt’s reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the romantic repertoire.This superbly produced yet inexpensive two-volume edition presents all of Liszt’s etudes as edited by the great pianist, composer, and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and Härtel in Leipzig in 1910–11.This second volume, Series II, includes many of Liszt’s most important piano works. Liszt’s creative method can be observed in his reworking of the Etudes d’ Exécution Transcendante d’après Paganini into the Grande Etudes de Paganini (better known as simply the Paganini Etudes), and the similar revision of the “Morceau de Salon” into “Ab Irato.” The separate etudes cover a wide stylistic range, from the dazzling technical display of the most popular of the Paganini Etudes, “La Campanella,” to the graceful, restrained lyricism of “Waldesrauschen.” Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality.
    Reprint of the Breitkopf & Härtel, Leipzig, 1910–1911 editions.
    192 Pages

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  • DOVER Publications Liszt – Etudes for Solo Piano I

    Liszt’s reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the romantic repertoire.This superbly produced yet inexpensive two-volume edition presents all of Liszt’s etudes as edited by the great pianist, composer, and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and Härtel in Leipzig in 1910–11.This first volume, Series I, includes many of Liszt’s most inspired piano works. The Etude en 12 Exercises and the 12 Grandes Etudes can both be regarded as early versions of the Etudes d’ Exécution Transcendante (Transcendental Etudes). Each set is a highly successful work in its own terms, and both generally surpass the famous final version in difficulty. The separate “Mazeppa” is yet another working of one of the etudes from these sets. The individual etudes range dramatically in style from the delicate refinement of “Feux Follets” to the startling bravura of “Wilde Jagd” (both from the Transcendental Etudes). Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality.
    Reprint of the Breitkopf & Härtel, Leipzig, 1910–1911 editions.
    272 Pages

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  • DOVER Publications Liszt – Anees de Pelerinage Complete

    The present volume reproduces — directly from an authoritative Russian edition — the famous cycle of solo piano works that comprises a summa of Liszt’s pianistic achievement, representing the maturation of his style over a period of decades. The Années de Pèlerinage (Years of Pilgrimage) consists of the Première Année(Suisse); DeuxiemeAnnée (Italie) — including the formidable “Après une lecture du Dante” — and its supplement, Venezia e Napoli; and Troisième Année. Also included in this volume are a number of related pieces: “Lyon,” from Album d’un voyageur; the three pieces called Apparitions; the original version of Venezia e Napoli. In addition, new English translations of the Russian footnotes and of the editor’s preface have been provided. Printed in a sturdy, attractive, and inexpensive format, this rich cycle of masterly works for solo piano belongs in the library of every serious pianist or music lover.

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  • DOVER Publications Wagner – Gotterdammerung F/S

    Melding literary, philosophical, and political — as well as musical — influences in his works, Richard Wagner (1813-83) brought the expressive power of German romantic opera to new heights — indeed, his music was its crowning glory. George Bernard Shaw, a critic not given to hyperbole, acknowledged Wagner’s preeminent status in The Perfect Wagnerite “He was the summit of the nineteenth-century school of dramatic music.”
    In Der Ring des Nibelungen, Wagner drew on a medieval German epic, the Nibelungenlied, and Norse mythology to create a new synthesis of music and drama on the largest scale. Of the four works in the Ring cycle, Götterdämmerung is perhaps the grandest and most sweeping of all. Although it is the final work in the series, the opera was actually first sketched out by Wagner in 1848, under the title Siegfrieds Tod. As it turned out, dramaturgic difficulties forced the composer to expand the tragedy of Siegfried into the four-part Ring. In 1851 he amplified Siegfrieds Tod with Der junge Siegfried (later Siegfried), and the following year wrote the texts of Die Walküre and Das Rheingold. In effect, the text of the Ring cycle was written in reverse order.
    Wagner began composing the musical drafts of Götterdämmerung in 1869. Five years later, the work was complete — the capstone of an epic masterpiece that aroused near-religious fervor among its devotees. Shaw opined of the Ring as a whole: “The musical fabric is enormously elaborate and gorgeous,” while Grove’s Dictionary offers this comment on the special appeal of Götterdämmerung “It is in the epic and reflective passages of Götterdämmerung, the narratives and orchestral epic of the Funeral March, that there unfurls that ‘associative magic’ praised so highly by Thomas Mann.”
    Götterdämmerung has never been available in the United States in full operatic score — until now. Reprinted directly from the rare 1877 first edition, this is the score that Wagner himself approved with the instrumentation he intended. Except for the original title page, the German-language front matter has been omitted in this edition for reasons of space and replaced by an English translation.
    New admirers of Wagner, opera enthusiasts, and all music lovers can savor the full heroic impact of this majestic musical achievement in Dover’s characteristically inexpensive, superbly produced edition.

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  • DOVER Publications Mendelssohn – Major Orchestral Works F/S

    Alfred Music Publishing is the world’s largest educational music publisher. Alfred produces educational, reference, pop, and performance materials for teachers, students, professionals, and hobbyists spanning every musical instrument, style, and difficulty level.
    Generally considered to be Mendelssohn’s finest orchestral works: the complete ‘Midsummer Night’s Dream,’ ‘Hebrides Overture,’ ‘Calm Sea and Prosperous Voyage Overture,’ ‘Symphony No. 3 in A (‘Scottish’),’ and ‘Symphony No. 4 in A (‘Italian’). ‘Breitkopf & HSrtel edition. Study score. 416 pgs.

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  • Verdi – La Traviata F/S

    One of Verdi’s most popular opera, La Traviata is based on La Dame aux Camélias (“Camille”), the novel and play by Alexandre Dumas, fils that enthralled Parisian audiences of the 1850s with a stirring portrayal of a beautiful courtesan redeemed by love. With his librettist, Francesco Maria Piave, Verdi transformed the Dumas story of a passionate, ultimately poignant love affair within the intoxicating demimonde of Paris in the mid-1800s to an exciting, deeply moving musical drama.La Traviata fortunately survived its dismal first production in Venice in 1853 to become a worldwide favorite, treasured by musical artists and audiences alike for the lyric beauty of its arias and ensembles, and for the dramatic force and finesse of its orchestral scoring. This full-score edition, designed to provide a lifetime of study and enjoyment, is reproduced from the authoritative edition prepared for G. Ricordi of Milan. It will afford opera lovers a rare opportunity to study intimately Verdi’s genius for operatic composition in the early years of its greatest flowering.
    Publisher ‏ : ‎ Dover Publications; Reprint edition (June 1, 1990)
    Language ‏ : ‎ English
    Paperback ‏ : ‎ 432 pages

    Verdi – La Traviata F/S

    39,0043,00

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  • MOTU M2 Κάρτα Ήχου USB 2in/2out

    Κάρτα ήχου USB 2-in / 2-out από τη MOTU με ιδιαίτερα χαμηλό Latency

    Διαθέσιμο σε 7-15 ημέρες

  • MAESTRO TR-8BW Μπακέτα Μαέστρου

    Χαρακτηριστικά:


    ·        
    Μήκος:
    16'' ιντσών


    ·        
    Χερούλι:
    Ξύλινο σε σχήμα λεπτεπίλεπτο

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  • MAESTRO TR-14BW Μπακέτα Μαέστρου

    Χαρακτηριστικά:


    ·        
    Μήκος:
    18'' ιντσών


    ·        
    Χερούλι:
    Ξύλινο σε σχήμα “δάκρυ”

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  • MAESTRO TR-15BW Μπακέτα Μαέστρου

    Χαρακτηριστικά:


    ·        
    Μήκος:
    20'' ιντσών


    ·        
    Χερούλι:
    Ξύλινο σε σχήμα “δάκρυ”

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  • MAESTRO SV-34 Βιολί 3/4 Μαθητικό

    Μαθητικό
    Βιολί 3/4.Η ιδανική και οικονομικότερη επιλογή για το ξεκίνημα στην εκμάθηση
    βιολιού.


    Χαρακτηριστικά:


    ·        
    Μέγεθος:
    3/4


    ·        
    Βαλίτσα
    Μεταφοράς με λουριά ώμου


    ·        
    Ρετσίνι
    συμπεριλαμβάνεται


    ·        
    Δοξάρι
    με τρίχα αλόγου

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  • STUDIOLOGIC Numa X Piano 73

    88 or 73 Keys, TP/110 Premium Hammer Action
    Triple switch detection system
    Aftertouch
    Touch
    Soft, Medium, Hard, Fixed (programmable)
    Keyboard Sensitivity Control
    Black/White keys Balance
    Features
    250 User Programs
    Zoom function to quick edit Zone parameters
    4 Zones assignable to internal sounds or external MIDI
    Split/Keyrange for each Zone
    Dedicated Split button
    Favorites
    16 Favorites groups with 24 Programs for each one
    Favorite content preview on display
    Global Equalizer
    Bass, Mid, Treble gain
    Mid frequency control
    Sound generation
    8 Sound Banks with over 200 Factory Sounds
    New Sounds installable with the Manager app
    Max Polyphony 300 voices
    Acoustic Pianos
    Acoustic Modeling Technology
    Release samples, Damper and Key-off noises
    Zoom controls: Tone, Strings Resonance, Duplex, Damper Noise
    Electric Pianos
    Electric Modeling Technology: Physical Modeling of Vintage Electric and Hybrids
    Zoom controls: Hammer, Offset, Tine, Damper Noise
    Keyboards, Bass & Guitars, Organs, Synthesizers, Orchestral, Other
    Zoom controls: Filter Cutoff, Resonance, Attack, Release
    Effects / Processing
    8 indipendent Insert FX (2 for each Zone)
    FX1
    Distortion, Overdrive, Auto Wah, Pedal Wah, Auto Pan, Tremolo, Vibrato, Equalizer, Compressor
    FX2
    Chorus1, Chorus 2, Flanger 1, Flanger 2, Phaser100, Phaser90, Phaser HMX, Phaser Pad, Rotary, Auto Pan, Tremolo, Vibrato, Equalizer, Compressor
    Master Delay
    Delay, Pan Delay
    Master Reverb
    FDN (Feedback Delay Network) technology
    Room 1, Room 2, Hall 1, Hall 2, Cath. 1, Cath. 2, Plate 1, Plate 2, Spring 1, Spring 2
    Audio input / Mixer
    4 Audio Input Zones Mic/Line
    Configurations: 4 Mono, 1 Stereo + 2 Mono, 2 Stereo
    Zoom controls: Gain/Low/Mid/Hi for each Audio Zone
    7 Delay FX presets
    Eko 1, Eko 2, Eko, 3, Eko 4, Paneko 5, Paneko 6, Paneko 7
    7 Reverb FX presets
    Club, Lounge, Studio, Vocal, Stage, Bighall, Chorale
    Controls / UI
    2,8″ Color Display (320 x 240)
    Master Volume
    Navigation Encoder
    13 Encoder with push functions
    Assignable Encoder for input volume (Audio / USB /Audio + USB)
    22 buttons
    2 Programmable Sticks
    Stick 1 bidirectional-springed
    Stick 2 directional-not springed
    Connections
    Audio OUT: 2x 6,3 mm mono jack (L+R)
    Audio IN: 4x mono jack 6,3 mm
    Headphones: 6,3 mm stereo jack
    Pedals: 2 auto switch/continuous, 1 universal1
    MIDI: In/Out
    USB: Audio In/Out, MIDI In/Out, Manager App
    Power supply
    DC IN: 12V
    Adapter
    Input: 100-240V / Output: 12V-2,5A
    Package content
    Numa X Piano
    VFP1/10 sustain pedal
    Power adapter
    Width: 105,2 cm
    Depth: 31 cm
    Height: 12,3 cm
    Weight: 11,7 Kg
    1.069,001.283,00

    STUDIOLOGIC Numa X Piano 73

    1.069,001.283,00

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  • STUDIOLOGIC Numa X Piano 88

    88 or 73 Keys, TP/110 Premium Hammer Action
    Triple switch detection system
    Aftertouch
    Touch
    Soft, Medium, Hard, Fixed (programmable)
    Keyboard Sensitivity Control
    Black/White keys Balance
    Features
    250 User Programs
    Zoom function to quick edit Zone parameters
    4 Zones assignable to internal sounds or external MIDI
    Split/Keyrange for each Zone
    Dedicated Split button
    Favorites
    16 Favorites groups with 24 Programs for each one
    Favorite content preview on display
    Global Equalizer
    Bass, Mid, Treble gain
    Mid frequency control
    Sound generation
    8 Sound Banks with over 200 Factory Sounds
    New Sounds installable with the Manager app
    Max Polyphony 300 voices
    Acoustic Pianos
    Acoustic Modeling Technology
    Release samples, Damper and Key-off noises
    Zoom controls: Tone, Strings Resonance, Duplex, Damper Noise
    Electric Pianos
    Electric Modeling Technology: Physical Modeling of Vintage Electric and Hybrids
    Zoom controls: Hammer, Offset, Tine, Damper Noise
    Keyboards, Bass & Guitars, Organs, Synthesizers, Orchestral, Other
    Zoom controls: Filter Cutoff, Resonance, Attack, Release
    Effects / Processing
    8 indipendent Insert FX (2 for each Zone)
    FX1
    Distortion, Overdrive, Auto Wah, Pedal Wah, Auto Pan, Tremolo, Vibrato, Equalizer, Compressor
    FX2
    Chorus1, Chorus 2, Flanger 1, Flanger 2, Phaser100, Phaser90, Phaser HMX, Phaser Pad, Rotary, Auto Pan, Tremolo, Vibrato, Equalizer, Compressor
    Master Delay
    Delay, Pan Delay
    Master Reverb
    FDN (Feedback Delay Network) technology
    Room 1, Room 2, Hall 1, Hall 2, Cath. 1, Cath. 2, Plate 1, Plate 2, Spring 1, Spring 2
    Audio input / Mixer
    4 Audio Input Zones Mic/Line
    Configurations: 4 Mono, 1 Stereo + 2 Mono, 2 Stereo
    Zoom controls: Gain/Low/Mid/Hi for each Audio Zone
    7 Delay FX presets
    Eko 1, Eko 2, Eko, 3, Eko 4, Paneko 5, Paneko 6, Paneko 7
    7 Reverb FX presets
    Club, Lounge, Studio, Vocal, Stage, Bighall, Chorale
    Controls / UI
    2,8″ Color Display (320 x 240)
    Master Volume
    Navigation Encoder
    13 Encoder with push functions
    Assignable Encoder for input volume (Audio / USB /Audio + USB)
    22 buttons
    2 Programmable Sticks
    Stick 1 bidirectional-springed
    Stick 2 directional-not springed
    Connections
    Audio OUT: 2x 6,3 mm mono jack (L+R)
    Audio IN: 4x mono jack 6,3 mm
    Headphones: 6,3 mm stereo jack
    Pedals: 2 auto switch/continuous, 1 universal1
    MIDI: In/Out
    USB: Audio In/Out, MIDI In/Out, Manager App
    Power supply
    DC IN: 12V
    Adapter
    Input: 100-240V / Output: 12V-2,5A
    Package content
    Numa X Piano
    VFP1/10 sustain pedal
    Power adapter
    Width: 126,5 cm
    Depth: 31 cm
    Height: 12,3 cm
    Weight: 14,0 Kg
    1.325,001.590,00

    STUDIOLOGIC Numa X Piano 88

    1.325,001.590,00

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  • STUDIOLOGIC VP-27

    The StudioLogic VP-27 is a pedal that gives you continuously variable control over volume and expression functions. Boasting a slip-proof surface and a 10-kOhm pot, the pedal offers a single 1/4″ TRS connector on a 6.6′ cable. It was designed to work with the StudioLogic SL88 Grand, SL88 Studio, and SL73 keyboards, but it also works with many other StudioLogic products, as outlined below. It may work with the inputs of other manufacturer’s instruments and pedals, but such usage cannot be guaranteed, due to differences in wiring and hardware manufacturing.
    Compatibility
    Numa Concert
    Numa Stage
    Numa Compact 2
    Numa Compact 2x
    Numa Compact
    Numa Piano
    Sledge
    Sledge 2.0
    Sledge Black Edition
    Numa Organ
    Numa Organ 2
    Acuna 73
    Acuna 88
    SL88 Grand
    SL88 Studio
    SL73 Studio

    STUDIOLOGIC VP-27

    50,0060,00

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  • STUDIOLOGIC VP-25

    The VP Pedal is an organ-type volume pedal perfect for the control of any continous parameter on your electronic instrument. With its precise mechanism and analog pot, it allows for detailled real time control when both hands are in action. The foot pedal uses a grooved surface for perfect grip and comes with a 1/4 stereo plug for controlling stereo volume.
    1x TRS Jack 6,3 mm (1/4′)
    Cable lenght 2 m
    Size and Weight
    Width: 9 cm
    Depth: 24 cm
    Height: 7,5 cm (max: 11 cm)
    Weight: 0,65 Kg
    Package content
    VP Pedal
    User Guide

    STUDIOLOGIC VP-25

    50,0060,00

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  • STUDIOLOGIC PS-250 Latching

    Momentary foot switch with slip-proof surface.
    Extremely portable sustain pedal, compatible with all Studiologic instruments.
    Latching On/Off switch.

    STUDIOLOGIC PS-250 Latching

    19,4021,50

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  • STUDIOLOGIC SLEDGE 2 Black

    The exclusive dark look includes a black case, a semi-weighted keyboard with reverse black and grey keys and an even more professional touch feeling. New modulation features and sounds, with a mix of pure synthesis and sampling, push Sledge further than ever before. KEYBOARD
    61 Keys, TP/9S semi-weighted Action
    Balanced spring action
    Dual switch detection system
    Aftertouch
    touch_app 
    TOUCH
    Soft, Medium, Hard Fixed (programmable) on MIDI output
    queue_music 
    SOUND GENERATOR
    Max Polyphony 24 voices
    2 Parts
    Modulation
    LFO1, LFO2 (phase synchronized), WHEEL (for Mod wheel and Aftertouch)
    Adjustable LFOs speed and depth
    LFO shapes: sawtooth, square, triangle, sine, sample & hold, ramp
    Destinations: OSC1, OSC2, OSC3, PWM / Wave / FM, Volume, Filter Cutoff
    Oscillators (OSC1, OSC2, OSC3)
    Range from 64′ to 1′ with semitone and detune controls
    Shapes: sawtooth, square, triangle, sine, pulse (with pulse modulation)
    OSC1 with 66 original PPG Wavetables + Sample Player (60 Mb internal memory)
    FM (Tone generation): OSC2, OSC3 amount control – Oscillator hard sync (OSC2 to OSC3)
    Mixer
    Volume and On/Off switch for each oscillator
    Noise generator: White/Pink – Volume control
    Filter & Amplifier
    Slope (24/12 db) – lowpass, highpass, bandpass
    Resonance up to self oscillation
    Adjustable key track and drive
    Filter envelope – ADSR with amount control
    Amplifier envelope – ADSR with velocity control
    Proportional velocity control on Filter and Amplifier sections
    Arpeggiator
    Latch mode
    Syncable to MIDI clock
    Direction up, down, alternate
    Range up to 10 octaves
    graphic_eq 
    EFFECTS / PROCESSING
    2 simultaneous effects
    FX1: Chorus / Phaser / Flanger
    FX2: Reverb / Delay / Reverb + Delay
    check_circle FEATURES
    999 User Programs (+13 Categories)
    Fast sound selection via numeric keypad or encoder
    Auto Dual Mode – Split/Layer – programmalbe Split pount for each program
    Global
    Master tune – Transposer – Pitch/Bend range – Pedal functions (volume, mod whe

    STUDIOLOGIC SLEDGE 2 Black

    925,001.110,00

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