ISOLUTION
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€42,30
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Barenreiter Beethoven – String Quartets Op.18 Critical Commentary
Facsimiles
Signs and conventions
Sources
Critical Commentary
Appendices
Bibliography€38,60€42,90Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Skrjabin – Complete Piano Sonatas II
Piano works were at the centre of Alexander Skrjabin’s compositional output. As an outstanding pianist, he began writing mainly miniatures for his instrument in the style of Romantic piano pieces.But it was also Skrjabin who, unlike any other composer of his generation, contributed to the continuation of the sonata tradition. Particular milestones in his output were Sonatas nos. 4 and 5 of 1903 and 1907, in which we hear forms and harmonies not heard previously.When these works are occasionally given the name “Poème” Sonatas, this indicates that they stem from the time and allude to the compositional context of Skrjabin’s daring orchestral works ‘ Le Divin Poème ‘ and ‘ Le Poème de l´exstase ‘.The editor Christoph Flamm is an expert in Russian music, particularly piano music. His research, for example, into Nikolai Medtner and the editions based on these findings, are regarded as standard works. For his Bärenreiter edition of Skrjabin’s Sonata no. 5, Christoph Flamm has drawn on sources which were until recently regarded as lost or could only be consulted with great difficulty.
Foreword / Geleitwort
Vorwort
Preface
Abbildungen / Plates
Aleksandr Skrjabin, “Le Poème de l’extase (Poema ekstasa)”, Genf / Geneva 1906
Sonate Nr. 4 op. 30
Sonate Nr. 5 op. 53
Critical Commentary€27,30€30,30Barenreiter Skrjabin – Complete Piano Sonatas II
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Barenreiter Skrjabin – Complete Piano Sonatas I
The piano sonatas are regarded as the central works of Alexander Skrjabin’s compositional output. No other composer after Beethoven reshaped this genre so radically, thereby reinvigorating the tradition of the sonata. Skrjabin’s desire not simply to continue the existing tradition, but to surpass it, is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Skrjabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.This volume contains the earlier works; sonatas officially published during the composer’s lifetime as No. 1 op. 6, No. 2 (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the sonatas written during his youth, in G-sharp minor (1886) and E-flat minor (1887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (1887) and the reconstructed parts of a sonata in G-sharp minor (1892) never previously published.The editor Christoph Flamm draws on autograph manuscripts, first printed editions and on Russian editions of the 1920s. For the first time the recordings of Sonatas nos. 2 and 3 which Skrjabin made in 1908 on paper rolls for the Hupfeld company, Leipzig are also taken into account.
Foreword
Vorwort
Preface
Plates
Composer / Author: Skrjabin, Aleksandr
Sonata-Fantaisie in G-sharp minor
Composer / Author: Skrjabin, Aleksandr
Sonata in E-flat minor
Composer / Author: Skrjabin, Aleksandr
Sonata no. 1 op. 6
Composer / Author: Skrjabin, Aleksandr
Sonata-Fantaisie op. 19
Sonata No. 2
Composer / Author: Skrjabin, Aleksandr
Sonata no. 3 op. 23
Appendix:
Composer / Author: Skrjabin, Aleksandr
Sonata in C-sharp minor
Fragment
Composer / Author: Skrjabin, Aleksandr
Sonata in G-sharp minor
Fragment€37,00€38,70Barenreiter Skrjabin – Complete Piano Sonatas I
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Schubert – Piano Sonatas I – The Early Sonatas
Unique comprehensive edition of Schubert’s early piano sonatas
Many drafts and early versions reproduced for the first time in a performing edition
Composer / Author: Schubert, Franz
Klaviersonaten I: 1. Sonate in E, D 157
Instrumentation: Klavier
Composer / Author: Schubert, Franz
2. Sonate in C, D 279
Instrumentation: Klavier
Composer / Author: Schubert, Franz
3. Sonate in E, D 459
Instrumentation: Klavier
Composer / Author: Schubert, Franz
4. Sonate in a, D 537, op. post. 164
Instrumentation: Klavier
Composer / Author: Schubert, Franz
5. Sonate in As, D 557
Instrumentation: Klavier
Composer / Author: Schubert, Franz
6. Sonate in e, D 566
Instrumentation: Klavier
Composer / Author: Schubert, Franz
7a. Sonate in Des/Es,D 568 (Erste Fassung in Des)
Instrumentation: Klavier
Composer / Author: Schubert, Franz
7b. Sonate in Des/Es, D 568, op. post. 122 (Zweite Fassung in Es)
Instrumentation: Klavier
Composer / Author: Schubert, Franz
8. Scherzo in D, D 570 (siehe Anhang Nr. 9)
Instrumentation: Klavier
Composer / Author: Schubert, Franz
9. Sonate in H, D 575, op. post. 147
Instrumentation: Klavier
Composer / Author: Schubert, Franz
Anhang: Instrumentation: Klavier
Composer / Author: Schubert, Franz
1. Sonate in E, D 154
Instrumentation: Klavier
Composer / Author: Schubert, Franz
2. Rondo in C, D 309 A
Instrumentation: Klavier
Composer / Author: Schubert, Franz
3. Sonate in e, D 566 (Erste Fassung des ersten Satzes)
Instrumentation: Klavier
Composer / Author: Schubert, Franz
4. Sonate in Des/Es, D 568 (Erste Fassung in Des, Fassung des ersten Satzes nach der ersten Niederschrift)
Instrumentation: Klavier
Composer / Author: Schubert, Franz
5. Sonate in Des/Es, D 568 (Fragment des zweiten Satzes in d)
Instrumentation: Klavier
Composer / Author: Schubert, Franz
6. Sonate in Des/Es, D 568 (Erste Fassung in Des, Fragment des dritten Satzes)
Instrumentation: Klavier
Composer / Author: Schubert, Franz
7. Sonate in fis, D 571
Instrumentation: Klavier
Composer / Author: Schubert, Franz
8. Allegro in fis, D 570
Instrumentation: Klavier
Composer / Author: Schubert, Franz
9. Scherzo in D, D 570
Instrumentation: Klavier
Composer / Author:,Schubert, Franz
10. Sonate in H, D 575 (Entwurf zum ersten Satz)
Instrumentation: Klavier€44,20€49,10Schubert – Piano Sonatas I – The Early Sonatas
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Smetana – Polkas
The polka is to Bedrich Smetana (1824–1884) a compositional form similar to the polonaise and mazurka to Chopin, or the waltz to the Strauss family. The artistic stylisation of the polka engaged the composer from his earliest attempts at composition, and he returned to it in his mature works.The works in this new Urtext edition – Three Salon Polkas op. 7, Three Poetic Polkas op. 8, Reminiscences of Bohemia in the Form of Polkas op. 12 and 13 and polkas from the 1850s – together with the series of Czech dances, form a high point of Smetana’s compositions in this genre.The edition is based on a Critical Edition of the piano works of Bedrich Smetana which has been revised by the pianist and Smetana interpreter Jan Novotny. Novotny’s editorial commentary forms part of the edition.
Predmluva
Edicní poznámka
Preface
Editor’s Notes
Vorwort
Anmerkung des Herausgebers
Trois Polka de Salon / Tri salonní polky / Three Drawing-Room Polkas / Drei Salonpolkas op. 7:
Polka Fis dur / Polka in F sharp major / Polka Fis-Dur
Polka f moll / Polka in F minor / Polka f-Moll
Polka E dur / Polka in E major / Polka E-Dur
Trois Polka Poétiques / Tri poetické polky / Three Portic Polkas / Drei poetische Polkas op. 8:
Polka Es dur / Polka in E flat major / Polka Es-Dur
Polka g moll / Polka in G minor / Polka g-Moll
Polka As dur / Polka in A flat major / Polka As-Dur
Souvenir de Bôheme en forme de polkas / Vzpomínka na Cechy ve forme polek / Souvenir of Bohemia in the Form of Polkas / Erinnerung an Böhmen in Form von Polkas op. 12, op. 13:
Polka a moll / Polka in A minor / Polka a-Moll
Polka e moll / Polka in E minor / Polka e-Moll
Polka e moll / Polka in E minor / Polka e-Moll
Polka Es dur / Polka in E flat major / Polka Es-Dur
“Polky z let padesátych” / “Polkas from the 1850s” / “Polkas aus den 50er Jahren”:
Polka E dur / Polka in E major / Polka E-Dur
Polka g moll / Polka in G minor / Polka g-Moll
Polka A dur / Polka in A major / Polka A-Dur
Polka f moll / Polka in F minor / Polka f-Moll€24,90€27,60Smetana – Polkas
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Barenreiter Bach – Concerto Nr.6 F-Dur BWV1057
All eight concertos [BA 5224-BA 5231] are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, but it also enables the works to be played on two harpsichords.All of Bach’s solo harpsichord concertos are now available with the “ Urtext ” of the New Bach Edition.€21,50€23,90Barenreiter Bach – Concerto Nr.6 F-Dur BWV1057
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Barenreiter Bach – Concerto Nr. IV in A-Dur, in A Major
All eight concertos [BA 5224-BA 5231] are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, but it also enables the works to be played on two harpsichords.All of Bach’s solo harpsichord concertos are now available with the “ Urtext ” of the New Bach Edition.€19,50€21,70Διαθέσιμο σε 1-3 ημέρες
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Bach – Concerto for Harpsichord and Strings no. 2 in E major BWV 1053
All eight concertos [BA 5224-BA 5231] are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, but it also enables the works to be played on two harpsichords.All of Bach’s solo harpsichord concertos are now available with the “ Urtext ” of the New Bach Edition.€19,20€21,30Διαθέσιμο σε 1-3 ημέρες
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Bach – Miscellaneous Works for Clavier
Sämtliche einzeln überlieferten Klavierwerke Bachs erscheinen in drei praxisgerechten, handlichen Ausgaben.In Band 1 sind zusätzlich die vielgespielten Sechs kleinen Praeludien abgedruckt, außerdem enthält er zahlreiche einzelstehende Praeludien und Fugen sowie Fantasien, darunter Praeludium und Fuge darunter Praeludien und Fuge a-Moll, BWV 894. Auch die in Bachs CEuvre einzigartige Chromatische Fantasie und Fuge d-Moll, BWV 903, ist in diesem Band enthalten. Zahlreiche Werke werden in mehreren aufschlussreich voneinander differierenden Fassungen wiedergegeben, aus denen frühere Editionen nicht selten eigenmächtige Mischfassungen konstruiert haben.
Vorwort
Preface
Composer / Author: Bach, Johann Sebastian
Six little Preludes for Beginners on the Clavier, BWV 933-938:
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude no. 1 in C major BWV 933
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude no. 2 in C minor BWV 934
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude no. 3 in D minor BWV 935
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude no. 4 in D major BWV 936
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude no. 5 in E major BWV 937
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude no. 6 in E minor BWV 938
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Fantasies, Preludes, Fugues. BWV 917, 918, 921, 922, 894-896, 903, 903a:
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Fantasy in G minor BWV 917
Appendix: Version in the J. G. Preller MS
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Fantasy in C minor BWV 918
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude in C minor BWV 921
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Fantasy in A minor BWV 922
Appendix: Version in the J. G. Preller MS
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude and Fugue in A minor BWV 894
Prelude (Early version), Prelude (Late version), Fuga
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude and Fugue in A minor BWV 895
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Prelude and Fugue in A major BWV 896
Instrumentation: Piano
Composer / Author: Bach, Johann Sebastian
Chromatic Fantasy and Fugue in D minor BWV 903
Appendix 1: Fantasy, early version, BWV 903a; Appendix 2: Fantasy, intermediate version
Instrumentation: Piano€29,50€32,80Bach – Miscellaneous Works for Clavier
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Barenreiter Bach – Keyboard Works Of Doubtful Authenticity
A large number of works have survived bearing the name of Johann Sebastian Bach, the authenticity of which has been called into question on various occasions. This edition now combines all those pieces where Bach’s authorship has been either verified by the musicologists at the “ New Bach Edition” or where there is a degree of certainty about this. The edition gathers together a range of different types of composition: as well as numerous preludes and fugues, there are toccatas, dance and concert works. Two adaptations after the violin solo sonatas BWV 1003 and 1005 are worth special mention. These two works demonstrate particularly clearly what applies to all the other works in this volume: whether Bach’s authorship is doubtful or not, there is no question that this is a collection of fascinating music.This performing edition corresponds to the complete edition volume of the “ New Bach Edition” BA 5296 (Series V, Vol. 12), published in 2006.
Vorwort
Preface
Faksimilia / Facsimiles: Suite B-Dur BWV 821, Fantasie und Fuge B-Dur BWV 907, Sonate d-Moll BWV 964
Composer / Author: Bach, Johann Sebastian
Suite B-Dur BWV 821
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Toccatina d-Moll bestehend aus / consulting of Präludium d-Moll BWV 899/1, Fuge d-Moll BWV 900/02, Adagio und Presto a-Moll BWV 923a, Allegretto scherzando d-Moll BWV 844, Andante g-Moll BWV 969, Presto d-Moll BWV 970
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Scherzo e-Moll BWV 844a
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fantasie und Fuge d-Moll BWV 905
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fantasie und Fughetta B-Dur BWV 907
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fantasie und Fughetta D-Dur BWV 908
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Konzert und Fuge c-Moll BWV 909
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Präludium c-Moll BWV 919
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Vier kleine Präludien BWV 939-942:
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Präludium 1 C-Dur BWV 939
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Präludium 2 d-Moll BWV 940
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Präludium 3 e-Moll BWV 941
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Präludium 4 a-Moll BWV 942
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Präludium C-Dur BWV 943
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fuge a-Moll BWV 947
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fuge B-Dur BWV 955
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fuge B-Dur, Frühere Fassung / Earlier version, BWV 955a
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fuge e-Moll BWV 956
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fuge a-Moll BWV 958
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Sonate d-Moll BWV 964 (nach BWV 1003)
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Adagio G-Dur BWV 968 (nach BWV 1005/1)
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Sarabanda con Partite BWV 990
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Polonaise d-Moll (nach BWV 1067)
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Toccata f-Moll, Fassung A / Version A, BWV Anh. 85
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Toccata f-Moll, Emendierte Fassung B / Emended version B, BWV Anh. 85
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fuge g-Moll BWV Anh. 101
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Präludium und Fuge Es-Dur BWV Anh. 177
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fughetta d-Moll BWV deest
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fantasie h-Moll BWV deest
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Menuet und Trio a-Moll BWV deest
Instrumentation: Orgel, Klavier, Cembalo
Composer / Author: Bach, Johann Sebastian
Fantasie h-Moll BWV deest
Instrumentation: Orgel, Klavier, Cembalo€30,10€33,40Διαθέσιμο σε 1-3 ημέρες
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Bach – Keyboard Works Attributed to J.S. Bach
This edition complements the volume of Keyboard Works of Doubtful Authenticity (BA 5250).It contains works which have survived bearing Johann Sebastian Bach’s name or were later attributed to Bach, but where Bach has been ruled out as a composer in the opinion of the editors on stylistic grounds or following a critical examination of the sources. But having said that, it is hard to be negative about these compositions of consistently high quality. Furthermore, this is a largely unknown repertoire; almost half of the pieces in the volume are previously unpublished. As a result, this edition invites curious and open-minded musicians on a voyage of discovery.“In fact this is the perfect source material for student editions and Interpreters, training them to think and ‘play Baroque’ without the usually printed help, and in guaranteed-unfamiliar music. Rewarding albums.”(Music Teachers, Sept. 09)
Vorwort
Preface
Sarabande g-Moll BWV 839
Fuge a-Moll BWV 897/2
Präludium und Fuge B-Dur über den Namen Bach BWV 898
Fantasie g-Moll BWV 920
Fuge e-Moll BWV 945
Fuge e-Moll BWV 960 (Fragment)
Suite F-Dur BWV Anh. 80
Gigue G-Dur Anh. 81
Fantasie c-Moll BWV ANh. 86
Fantasie C-Dur BWV Anh. 87: Erste Fassung / First Version, Zweite Fassung / Second version
Fuge C-Dur BWV Anh. 89
Fuge e-Moll BWV Anh. 95
Fuga G-Dur BWV Anh. 91
Fuga e-Moll BWV Anh. 93
Fuge G-Dur BWV Anh. 92
Fuge D-Dur BWV Anh. 96
Fuge d-Moll BWV Anh. 98
Fuge d-Moll BWV Anh. 99
Fuge d-Moll BWV Anh. 100
Fuge d-Moll BWV Anh. 100 – Variante / Alternative version
Fuge es-Moll BWV Anh. 102
Drei Fugen über B A C H:
1. Fuge C-Dur BWV Anh. 107
2. Fuge C-Dur BWV Anh. 108: Fassung a / Versin a, Fassung b / Version b
3. Fuge c-Moll BWV Anh. 110
Contrapunctus alla Decima. B A C H BWV Anh. 109
Largo und Allegro BWv Anh. 111
Fuge d-Moll BWV Anh. 180
Fuge C-Dur BWV deest
Fuge c-Moll BWV deest
Fuge h-Moll BWV deest
Fuge c-Moll BWV deest
Kritischer Bericht
Critical Commentary
€32,00€35,50Bach – Keyboard Works Attributed to J.S. Bach
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Korte – Exkurse
Salonní polka / Salonpolka / Salon Polka
Passacaglia
Fughetta
Dve invence 1. (H dur) 2. (c moll) / Zwei Inventionen 1. (H-dur) 2. c-moll) / Two Inventions 1. (B major) 2. (C minor)
Canzona alla Rondo
Variace / Variationen / Variations
Smutecní pochod / Trauermarsch / Funeral March
Malá tanecní suita (Alla Marcia, Alla Forlana, Alla Menuet, Alla Tambourin) / Kleine Tnzsuite (Alla Marcia, Alla Forlana, Alla Menuet, Alla Tambourin) / Little Dance Suite (Alla Marcia, Alla Forlana, Alla Menuet, Alla Tambourin)€8,40€9,30Korte – Exkurse
€8,40€9,30Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Smetana – Ma Violast (My Country)
Vysehrad
Vltava
Sárka
Z ceskych luhu a háju / Aus Böhmens Hain und Flur / From Bohemia’s Woods and Fields
Tábor
Blaník€14,90€16,60Barenreiter Smetana – Ma Violast (My Country)
€14,90€16,60Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Bach – Complete Orchestral Works
Product format: Study score, Urtext edition, Anthology
Comments: 2 Volumes
Publisher: Bärenreiter
Binding: Paperback
Pages / Format 23,5 x 17,0 cm
Weight: 2805 g
· Composer / Author: Bach, Johann Sebastian
Band 1: 4 Ouvertüren (Orchestersuiten) BWV 1066-1069
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Brandenburgische Konzerte BWV 1046-1051 mit der 1. Fassung des Concerto I (Sinfonia F-dur BWV 1046a) und BWV 1050a (Frühfassung)
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Verschollene Solokonzerte in Rekonstruktionen:
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Violinkonzert d-moll nach BWV 1052
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Oboe d’amore-Konzert A-dur nach BWV 1055
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Violinkonzert g-moll nach BWV 1056
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Konzert für Oboe und Violine c-moll nach BWV 1060
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Konzert für 3 Violinen D-dur nach BWV 1064
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Konzert für Violine a-moll BWV 1041
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Konzert für Violine E-dur BWV 1042
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Konzert für 2 Violinen d-moll BWV 1043
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Konzert für Flöte, Violine und Cembalo a-moll BWV 1044
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Band 2: 6 Konzerte für Cembalo BWV 1052-1057
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
2 Konzerte für Cembalo BWV 1058, BWV 1059 (Fragment)
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
C. Ph. E. Bach: Konzert für Cembalo d-moll nach J. S. Bach BWV 1052a
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Konzerte für zwei Cembali BWV 1060-1062
Instrumentation: Orchester
· Composer / Author: Bach, Johann Sebastian
Konzerte für drei und vier Cembali BWV 1063, 1064, 1065
Instrumentation: Orchester€299,00Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Rossini – The Barber of Seville (Italian)
Volume / SeriesWorks of Gioachino Rossini. 2
EditorBrauner, Patricia B.
Instrumentation of the workSoloists, Choir, Orchestra
Language(s) of workItalian
Product formatEdition of selected works, Score, Urtext edition
BindingLinen
Pages / FormatLXXIV, 552 S. – 33,0 x 26,0 cm
Bärenreiter’s publication of a new volume of the “Works of Gioachino Rossini”, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the opera “Il barbiere di Siviglia” which meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted.A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume.A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini‘s „Barber of Seville” with the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009.Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ‘ Stabat Mater’ . Only after he left Italy definitively for Paris in 1855 did he find his voice again.Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ‘ Péchés de vieillesse’ (Sins of Old Age), including chamber music, songs, and the ‘Petite Messe Solennelle’.Bärenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007–2011. These are all volumes that were not issued in the “Edizione critica delle opere di Gioachino Rossini”.
Editorial Policy
Criteri redazionali
Abbreviations – Abbreviazioni
Principal Sources – Fonti principali
Preface
Prefazione
Facsimiles – Facsimili
Orchestra – Organico
Characters – Personaggi
Libretto
Il barbiere di Siviglia [Almaviva o sia L’inutile precauzione]:
Sinfonia
Act I – Atto I
Act II – Atto II
Appendix I – Appendice I:
Vocal variants of Rossini – Varianti vocali di Rossini
Appendix II – Appendice II:
Recitativo ed Aria [Rosina] (N. 14bis) added by Rossini for / aggiunto da Rossini per Joséphine Fodor-Mainvielle (Venics, 1819) / (Venezia, 1819)
Appendix III – Appendice III:
Two documented revivals from 1816 – Due piprese documentate del 1816
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Janacek – String Quartet N.1 (Parts)
– Urtext from the “Critical Complete Edition of the Works of Leos Janacek”
– All available sources have been taken into consideration
– Detailed foreword (Cz/Eng/Ger) by Milos Stedron
In October 1923 the Czech Quartet invited Leos Janacek to “compose something for them”.
This provided the stimulus for his first string quartet. The work was inspired by Tolstoy’s “Kreutzer Sonata” (which he had written influenced by Beethoven’s famous violin sonata).
Janacek had also read Tolstoy’s story earlier in the original Russian and already at that time it had inspired him to compose a piano trio in 1907 which was later lost.
Janacek’s string quartet is a masterwork by the almost 70-year-old composer. The work sparked a creative impulse which continued with the composition of the second string quartet “Intimate Letters” in the last years of the composer’s life.
Set of Parts: Violin I, Violin II, Viola, Violoncello
Language: Czech, English, German
Publisher: Barenreiter€21,60€24,00Janacek – String Quartet N.1 (Parts)
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Jirmal – Suite Azure
Σελίδες: 15Γλώσσα:CezchΕκδόσεις: Barenreiter€9,30€10,40Jirmal – Suite Azure
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Debussy – Préludes for Piano
Préludes pour Piano (2me Livre)
I (… Brouillards)
II (… Feuilles mortes)
III (… La puerta del Vino)
IV (… „Les fées sont d’exquises danseuses“)
V (… Bruyères)
VI (… „General Lavine“ _eccentric_)
VII (… La terrasse des audiences du clair de lune)
VIII (… Ondine)
IX (… Hommage à S. Pickwick Esq. P. P. M. P. C.)
X (… Canope)
XI (… Les tierces alternées)
XII (… Feux d’artifice)
Pages:77Language:FrenchPublisher:Barenreiter
€33,50€37,20Debussy – Préludes for Piano
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Debussy – Children’s Corner
Pages:25Language:English,French,GermanPublisher:Barenreiter€13,90€15,40Debussy – Children’s Corner
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Franck – Sonata
Pages: 57Language: English,French,GermanPublisher: Papagrigoriou – Nakas€28,80€32,00Franck – Sonata
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€10,30
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Bach – Three Sonatas and Three Partitas
Pages:60Language:English,GermanPublisher:Barenreiter€25,30€28,10Bach – Three Sonatas and Three Partitas
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Bach – Six Sonatas, BWV 1017-1019, Vol 2
Composer / Author:
Bach, Johann Sebastian
Sonata IV, BWV 1017
Instrumentation:
Violine, Cembalo, Klavier, Gambe, Cello
Sonata V, BWV 1018
Sonata VI, BWV 1019
Pages:148Language:English,GermanPublisher:Barenreiter€30,10€33,40Bach – Six Sonatas, BWV 1017-1019, Vol 2
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Signs and conventions
Sources
Critical Commentary:
Quartet in F major op. 59 no. 1
Quartet in E minor op. 59 no. 2
Quartet in C major op. 59 no. 3
Appendices
Bibliography