Barenreiter
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Mozart – Die Schuldigkeit Des Ersten Gebots KV35
This work, possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach , was assigned to three Salzburg composers: W. A. Mozart (part 1), Michael Haydn (part 2), and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas, perhaps taking Johann Ernst Eberlin and even his father Leopold as his models.The first performance took place in the Knights’ Hall of the prince’s palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701–1785), town councillor and mayor of Salzburg .Mozart wrote out many of the appoggiaturas in this early work, thereby providing a useful guide to the vocal practices of his day. Aria no. 2 has come down to us with an instructive passage in which the vocal part is ornamented in the hand of Leopold Mozart.The piano reduction, by K.-H. Müller , was prepared on the basis of the New Mozart Edition. The piano part is uncluttered and easy-to-play.
Pages:162Language:English,GermanPublisher:Barenreiter
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Mozart – Missa in C Major “Sparrow Mass” KV220
Mozart’s “Missa in C major” (K.220), nicknamed the “Sparrow Mass” for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. The “Sparrow Mass” is one of the most significant pieces of church music from Mozart’s years in Salzburg.Thanks to its clarity and largely homophonic texture, it remains even today a work that is easily mastered in church and concert hall performances.
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Mozart – Missa in C “Credo-Messe” KV 257
Over time Wolfgang Amadeus Mozart‘s “Missa in C major” K. 257 has been given many nicknames. This work, also known as the “Great Credo Mass” was referred to as “Missa longa” by Leopold Mozart due to its duration. Mozart usually liked to call works of this magnitude “Missa solemnis“, but for unknown reasons, in the case of the “Great Credo Mass”, he did not use this title. As the work was originally composed for the ordination of Salzburg Canon Ignaz von Spaur, Leopold also called the work “Spaur Mass”.The mass was composed in late 1776 or early 1777 in the usual baroque tradition where the three trombones are set Tutti colla parte with the alto, tenor and bass parts.The spatial separation of singers in the Salzburg Cathedral is somewhat similar to the polychoral style, in which solo and choir ensemble performed separately with one organ each. The soloists along with the first organ formed the “concerto”, while the choir and the second organ took on the “ripieno” role.Walter Senn’s edition is largely based on the autograph score, as well as on a set of autograph parts that was added and corrected by Wolfgang Amadeus and Leopold Mozart at a later time.
Pages:61Language:English,GermanPublisher:Barenreiter
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Mozart – Missa In C Major “Dominicus Mass” KV66
The Missa solemnis K.66 was one of the compositions that Mozart composed for the first solemn mass celebrated by his childhood friend Pater Dominicus Hagenauer in the abbey church of St. Peter in Salzburg on 15 October 1769.
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Haydn – Missa Cellensis
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus
Pages:148Language:English-GermanPublisher:Barenreiter€23,10€25,60Haydn – Missa Cellensis
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Bach – Missa In G Minor BWV “Lutheran Mass”
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Bach – Missa In G Major BWV 236 “Lutheran Mass”
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Mozart – Vesperae Solennes De Dominica Kv321
We know that Mozart held his Vespers in high regard since he once asked his father, in a letter dated 12 March 1783, to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 contain settings of Psalms 109 (Dixit), 110 (Confitebor), 111 (Beatus vir), 112 (Laudate pueri), 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology at the end is derived from the themes of the various Psalms.
Pages:64Language:English,GermanPublisher:Barenreiter
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Schubert – Mass In C Major D452, Op48
The Mass in C major (D 452), composed during June and July 1816, was written for the church in Lichtental and presumably also first performed there, as can be inferred from the dedication to the choirmaster of the church, Michael Holzer. Not only is the first edition dedicated to Holzer, but also the autograph score, which bears a dedication “to Mr. Holzer” on its title page.This new edition was based on the first edition. Schubert not only added the oboe parts, but also revised the score for the performance of the Mass at St. Ulrich, an occasion that was closely connected with the publication of the first edition. Of course, the autograph was also examined in view of assuring a better interpretation of Schubert’s markings.
Mass C major op. 48 D 452:
Preface
Composer / Author:
Schubert, Franz
Messe C-Dur op. 48 D 452:
Instrumentation:
Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe (2) ad libitum, Klarinette (2) ad libitum, Trompete (2) ad libitum, Pauke ad
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
Appendix: Benedictus (Second arrangement)
Pages:52Language:English,German Publisher:Barenreiter
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Schubert – Mass In B-Flat, D324-Op. Post. 141
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
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Mozart – Missa Trinitatis C Dur Kv167 Spartito
The “Missa in C major” K. 167 is Mozart’s only mass to bear a dedication in its title: “Missa in honorem SS:mae Trinitatis”. Thus the work is connected to a specific occasion which so far has not been able to be determined. The autograph is dated “Giugno 1773”, meaning that the work was most likely premiered on 5 June 1773 (Trinity Sunday).The large instrumentation for orchestra consisting of two oboes, two clarions, two trumpets, timpani, two violins, double bass and organ reflects the solemnity of the occasion for which the mass was composed.The “Missa in C major” shows a marked difference in comparison with previous masses; there is an absence of highly dramatic elements and stark contrasts. In addition the mood is decidedly solemn and a formal structure of the movements is adhered to.
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Mozart – Missa Longa C Dur Kv262 Spartito
Missa Longa in C major Contents: Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei Editor: Walter Senn Arranger: Martin Focke. Language(s) of work: Latin
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Mozart – Missa Brevis in D major KV194
Pages:36Language:English,GermanPublisher:Barenreiter€10,30€11,40Mozart – Missa Brevis in D major KV194
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Haydn – Missa In Angustiis Spartito
The so-called Nelson Mass is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.
Pages:142Language:GermanPublisher:Barenreiter€17,80€19,80Haydn – Missa In Angustiis Spartito
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Rossini – Petite Messe Solennelle
The “Petite Messe solennelle” is the finest work of Rossini’s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet -Will for the consecration of her private chapel, where the work received its first performance in March 1864. Together with the “Stabat mater”, the mass is one of the composer’s mostimportant sacred works.The unusual instrumentation with two pianos and harmonium is entirely in keeping with the Neapolitan keyboard tradition of the 18 th century which was cultivated in France in Rossini’s day. It forms a distinct contrast to the style of large-scale sacred compositions as written by, for example, Liszt and Bruckner. Rossini explained that he wrote the later orchestral version of the work dating from 1867 out of concern that if he did not do this, other composers might orchestrate the mass too heavily in later arrangements.The piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.
Pages:145Language:English,GermanPublisher: Barenreiter€102,00€113,30Rossini – Petite Messe Solennelle
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Mozart – Missa In C Dur KV317 Spartito
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Vivaldi – Magnificat RV610/611 Soloists Choir Organ
Pages:47Language:English,GermanPublisher:Berenreiter€10,30€11,40Vivaldi – Magnificat RV610/611 Soloists Choir Organ
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Vivaldi – Gloria In D RV 642, 589
Pages:68Language:German,EnglishPublisher:Barenreiter€13,10€14,50Vivaldi – Gloria In D RV 642, 589
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Schubert – Mass In A Flat Major D678
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Saint-Saens – Oratorio de Noel Op.12 Choir & Orgel
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Schubert Messe In G D167 Chor & Organ Vocal Score
Pages:53Language:English,GermanPublisher:Barenreiter€11,20€12,40Schubert Messe In G D167 Chor & Organ Vocal Score
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Barenreiter Handel – Keyboard Works IV
The Suites nos 1 and 2 may well be Handel’s earliest surviving keyboard works; we may reasonably assume that they were written in his boyhood in Halle. The early period which ended with his departure from Hamburg for Italy in 1706 possibly covers nos 1–18. Handel earned his living in Hamburg partly by giving harpsichord lessons and may have written some or all of those pieces for his pupils.The present volume contains all of Handel’s harpsichord works which survive only in contemporary manuscript copies. In the absence of autographs, there is little direct evidence of dates of composition. The pieces are arranged in what the editor believes is their approximate chronological order: there is no historical evidence the order has been determined on the stylistic comparison.
Composer / Author: Händel, Georg Friedrich
Suite C-dur HWV 443
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Partita G-dur HWV 450
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Prélude d-moll HWV 563
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Prélude e Capriccio G-dur HWV 571
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Ouverture (Ouverture, Entrée, Chaconne) g-moll HWV 453
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Preludio d-moll HWV 564
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Allegro C-dur HWV472
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Chaconne F-dur (für zweimanualiges Cembalo) HWV 485
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Suite d-moll HWV 448
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Suite d-moll HWV 449
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Sonatina d-moll HWV 581
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Allemande a-moll HWV 478
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Fuga F-dur HWV 611
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Chaconne g-moll HWV 486
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Partita c-moll HWV 444
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Suite c-moll HWV 445
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Prélude-Allegro a-moll HWV 576
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Air g-moll HWV 467
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Toccata g-moll HWV 586
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Sonatina g-moll 583
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Sonata g-moll HWV 580
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Concerto G-dur HWV 487
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Air B-dur HWV 471
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Preludium F-dur HWV 567
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Preludium f-moll HWV 568
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Prélude g-moll HWV 573
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Prélude E-dur HWV 566
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Air g-moll (für zweimanualiges Cembalo) HWV 466
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Air B-dur (für zweimanualiges Cembalo) HWV 470
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Impertinence g-moll HWV 494
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Air und zwei Doubles F-dur HWV 465
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Allegro d-moll HWV 475
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Courante h-moll HWV 489
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Anhang: Air c-moll HWV 458
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Sonatina a-moll HWV 584
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
Aria c-moll HWV459 459
Instrumentation: Klavier€22,50€25,00Barenreiter Handel – Keyboard Works IV
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Barenreiter Handel – Keyboard Works III
The compositions in this volume cover a wide span of Handel’s creative life, from his Hamburg years until about 1750; but most of them were written before 1720, the date when he seems virtually to have given up composing for the harpsichord except for special commissions such as the two Suites for Princess Louisa (nos 6 and 7, c. 1739). There are Autograph MSS of all but eight pieces (2–5, 19–22), supplemented in some cases by contemporary copies, and twelve of them appeared in contemporary printed editions; nos 9–12, 15 and 16 are here printed for the first time.
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Composer / Author: Händel, Georg Friedrich
1. Six Fugues or Voluntarys for the Organ or Harpsichord op. 3: g-moll HWV 605 / G-dur HWV 606 / B-dur HWV 607 / h-moll HWV 608 / a-moll HWV 609 / c-moll HWV 610
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
2. Sonata pur le Clavesin C-dur HWV 577
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
3. Capriccio F-dur HWV 481
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
4. Preludio ed Allegro g-moll HWV 574
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
5. Fantaisie C-dur HWV 490
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
6. Suite d-moll HWV 447
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
7. Suite g-moll HWV 452
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
8. Capriccio g-moll HWV 483
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
9. Allemande A-dur HWV 477
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
10. Allemande F-durHWV 476
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
11. Gigue F-dur HWV 492
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
12. Prélude d-moll HWV 562
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
13. Sonatina (Fuga) G-dur HWV 582
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
14. Sonatina B-dur HWV 585
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
15. Prélude fis-moll HWV 570
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
16. Air A-dur HWV 468
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
17. Sonata con Trio e Gavotta C-dur (für eine Spieluhr) HWV 578
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
18. Prélude a-moll HWV 575
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
19. Lesson a-moll HWV 496
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
20. Partita A-dur HWV 454
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
21. Prélude g-moll HWV 572
Instrumentation: Klavier
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Composer / Author: Händel, Georg Friedrich
22. Sonata für zweimanualiges Cembalo G-dur HWV 579
Instrumentation: Klavier€22,50€25,00Barenreiter Handel – Keyboard Works III
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Pages:73Language:English,GermanPublisher:Barenreiter