ISOLUTION
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€20,90
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Smetana – Czech Dances
Smetana, BedrichTschechische Tänze für Klavier
“Czech Dances for Piano” are the last cycle, and at the same time, the high point in Bedrich Smetana’s works for piano. The impetus for the composition of this work for Smetana was probably the first series of “Slavonic Dances” by Antonin Dvorak.
The volume contains the four polkas composed in 1877, with which Smetana completed his stylisation of the polka in masterly fashion, together with ten folk dances from 1879, with titles such as “ Furiant ”, “ Slepicka ” (Little Chicken), “ Oves ” (Oats), “ Medved ” (Bear), “ Cibulicka ” (Little Onion), “ Dupak ”, “ Hulan ” (Ulan), “ Obkrocak ” (Callipers), “ Sousedska ”, “ Skocna ” (Spring Dance).
Behind these names are diverse, richly varied types of exuberant youths’ and lyrical girls’ dances. The cycle culminates in two group dances.
– Tried and tested fingering by the editor- New foreword by Jarmila Gabrielova- (Czech, English, German )
Content
·Predmluva·Edicní poznámka·Preface·Editor’s Notes·Vorwort·Anmerkung des Herausgebers·Ceské tance / Czech Dances / Tschechische Tänze:·Rada I / Series I / Reihe I:·Polka fis moll / Polka in F sharp minor / Polka fis-Moll·Polka a moll / Polka in A minor / Polka a-Moll·Polka F dur / Polka in F major / Polka F-Dur·Polka B dur / Polka in B flat major / Polka B-Dur·Rada II / Series II / Reihe II:·1. Furiant·2. Slepicka·3. Oves·4. Medved·5. Cibulicka·6. Dupák·7. Hulán·8. Obkrocák·9. Sousedská·10. Skocná
€22,50€25,00Smetana – Czech Dances
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Smetana – Album Leaves
Smetana, BedrichAlbum Leaves- Urtext based on the Complete Edition of Bedrich Smetana’s Piano Works- Tried and tested fingerings by the editor- New foreword by Jarmila Gabrielova (Cz/Eng/Ger)
A further volume of Smetana’s piano works reveals the composer as creator of short, lyrical pieces – moments of repose, varied in character and style. The pieces were mostly written in the 1840s-50s with the intention of composing works using all 24 keys, something which Smetana ultimately did not fully realise. The composer prepared some of them for publication himself – the first six works were published in 1851 as “Album Leaves” op. 2, and others were issued later under the title “Sketches”, with the dedication “to Frau Clara Schumann in deepest admiration” (opp. 4–5, 1858). This edition contains a complete collection of pieces, also including occasional compositions and posthumously-published pieces. The music in the volume is based on the “Complete Edition of Bedrich Smetana’s Piano Works” and has been provided with fingering and pedalling suggestions by the pianist and Smetana interpreter Jan Novotny.
Contents
·Lístky do památníku op. 2: / Stammbuchblätter op. 2: / Album Leaves Op. 2:·Prelude·Chanson·Lístek do památníku G dur / Stammbuchblatt G-Dur / Album Leaf in G major·Lístek do památníku e moll / Stammbuchblatt e-Moll / Album Leaf in E minor·Lístek do památníku D dur / Stammbuchblatt D-Dur / Album Leaf in D major·Lístek do památníku h moll / Stammbuchblatt h-Moll / Album Leaf in B minor·Lístky do památníku op. 3: / Stammbuchblätter op. 3: / Album Leaves Op. 3:·Robertu Schumannovi / An Robert Schumann / To Robert Schumann·Písen pocestneho / Wanderlied / The Wayfarer’s Song·Lístek do památníku cis moll / Stammbuchblatt cis-Moll / Album Leaf in C-sharp minor·Crty op. 4: / Skizzen op. 4: / Sketches Op. 4:·Preludium / Präludium / Prelude·Idyla / Idylle / Idyll·Vzpomínka / Erinnerung / Souvenir·Vytrvalá snaha / Beharrliches Streben / Persistent Endeavour·Crty op. 5: / Skizzen op. 5: / Sketches Op. 5:·Scherzo-polka·Zádumcivost / Schwermut / Melancholy·Prívetivá krajina / Freundliche Landschaft / Friendly Landscape·Rapsodie / Rhapsodie / Rhapsody·Skladby z pozustalosti: / Kompositionen aus dem Nachlass: / Posthumous Compositions:·Lístek do památníku h moll / Stammbuchblatt h-Moll / Album Leaf in B minor·Toccatina·Lístek do památníku G dur / Stammbuchblatt G-Dur / Album Leaf in G major·Lístek do památníku g moll / Stammbuchblatt g-Moll / Album Leaf in G minor·Lístek do památníku es moll / Stammbuchblatt es-Moll / Album Leaf in E-flat minor·Lístek do památníku b moll / Stammbuchblatt b-Moll / Album Leaf in B-flat minor·Skladby prílezitostne uplatnene: / Gelegenheitsstücke: / Compositions for Various Occasions:·Pensee fugitive·Lístek do památníku B dur / Stammbuchblatt B-Dur / Album Leaf in B-flat major·Andante€25,50€28,30Smetana – Album Leaves
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Smetana – On The Seashore
On the Seashore / Concert Etude in C Major / Fantasia on Czech Folksongs
Following on from the “Polkas” (BA 9506) and the “Czech Dances” for Piano (BA 9507) a further edition of piano works by Bedrich Smetana appeared. This edition contains virtuosic compositions which reveal Smetana’s compositional mastery and his demanding technique in the style of Franz Liszt and other leading Romantics.
The edition contains the “Allegro capriccioso” dedicated to Alexander Dreyschock , the Concert Etude in C major, the Etude “On the Seashore” (one of Smetana’s most frequently played pieces), the “Fantasia on Czech Folksongs” and finally the early Etude in A minor.
The musical text of the volume is based on the Complete Edition of the “Piano Works by Bedrich Smetana” and contains fingerings by the pianist and Smetana interpreter Jan Novotny.
– Urtext from the Complete Edition of the “Piano Works by Bedrich Smetana”- Tried and tested fingerings by the editor- Detailed foreword ( Cz /Eng/Ger) by Jarmila Gabrielova
Contents:
Predmluva
Edicní poznámka
Preface
Editor’s Notes
Vorwort
Anmerkung des Herausgebers
Allegro capriccioso
Koncertní etuda C dur / Concert Etude in C major / Konzertetüde C-Dur
Na brehu morském – Vzpomínka / On the Seashore – A Reminiscence / Am Seegestade – eine Erinnerung
Fantasie na ceské národní písne / Fantasia on Czech Folksongs / Fantasie über tschechische Volkslieder
Etuda a moll / Etude in A minor / Etüde a-Moll€20,70€23,00Smetana – On The Seashore
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Martinu – Film En Miniature
The Puppets indeed create a special midpoint between instructive and concert compositions. Moreover, children’s world was given a few more nice piano pieces that became popular for education – Film en miniature though belongs to more demanding pieces.Martinu (1890-1959) completed this work in Paris in 1925, the cycle relates, however, to native Policka (names of particular pieces contain topographic addresses connected with both Vysocina and also Paris).Film en miniature consists of six compositions: opening Tango originating in rhythms of habanera dance, Scherzo, Berceuse, Valse, Chanson and Carillon.€14,90€16,60Martinu – Film En Miniature
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Martinu – Spring In The Garden
#html-body [data-pb-style=KDT4XCO]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The set of four piano pieces for children titled Jaro v zahrade (Spring in the Garden), H. 125 by Bohuslav Martinu (1890-1959) is here published in a new edition. The composer’s autograph is missing today, and therefore the editor Ales Brezina (whose changes are indicated in the musical text with square brackets) limited himself to correcting several obvious errors. He has retained the fingering suggested by Vilém Kurz who prepared the first edition. Perhaps the most visible change from earlier editions is omission of the titles of individual pieces in the set, because it is very likely that they are not the invention of the composer but rather were added later by the publisher or someone else. The piano texture is simple and takes into consideration the instructive intention of the work, whose greatest attributes are its lyricism and playfulness. Preface by the editor is published in four languages (Cz./Eng./Ger./Fr.).
€10,90€12,10Martinu – Spring In The Garden
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Martinu – Marionetten I
#html-body [data-pb-style=QDBQSAV]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}This cycle of piano pieces occupies an exceptional position among the other compositions from Bohuslav Martinu’s early period. In view of the musical and aesthetic challenges this work presents, the cycle Puppets goes beyond the other pieces from this period which, broadly speaking, are didactic in nature and designed for the purposes of study. Martinu wrote the cycle between the years 1912-1925 and, during this time, he reworked and changed the pieces to the extent that Puppets I chronologically comes after Puppets III, which is the earliest in the series. The third book (Puppets I) dates from 1925 and contains five short pieces: Columbine Dances, The New Puppet, The Shy Doll, Fairy Tale and, finally, The Puppets’ Dance. Puppets I-III are a joy to play, while providing a worthwhile source of study material, and are an essential part of the repertoire of young pianists. All three books are published by Editio Bärenreiter in new, revised urtext editions edited by Ales Brezina.
Contents
·Kolombína tancí / Colombine tanzt / Columbine Dances
·Nová loutka / Die neue Puppe / The New Puppet
·Ostychavá panenka / Das schüchterne Püppchen / Teh Shy Puppet
·Pohádka / Märchen / Fairy-Tale
·Tanec loutek / Tanz der Puppen / The Puppets Dance€12,50€13,90Martinu – Marionetten I
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Martinu – Puppets I – III
MARTINU PUPPETS I – III H7970
Despite the extraordinary significance attributed to Bohuslav Martinu’s 14 short piano pieces entitled Puppets, surprisingly little is known about the exact time and circumstances of their composition. It is however certain that these are the first works by Martinu which transcended his initial attempts at composition and they quickly found a publisher. Thanks to their lasting popularity particularly with young pianists, they were published in numerous editions. The pieces take the characters of Italian commedia dell’arte as their theme; Pierrot, Colombine and Harlequin. Also included are dance and ball scenes, as well as scenes from the “private lives” of the puppets. The three editions of Puppets were composed between 1912 and 1925 in reverse order. The works all differ from one another, beginning with different aesthetic starting points and ending with piano writing which gradually matures. Now the cycle is published for the first time in one volume.
Contents:
Colombìna tancí / Columbine tanz / Columbine Dances·Nová loutka / Die neue Puppe / The New Puppet·Ostychavá panenka / Das schüchterne Püppchen / The Shy Puppet·Pohádka / Märchen / Fairy-Tale·Tanec loutek / Tanz der Puppen / The Puppets’ Dance·Loutkové divadlo / Puppentheater / Puppet Theatre·Harlekyn / Harlekin / Harlequin·Colombina vzpomíná / Colombines Erinnerungen / Colombine Reminisces·Nemocná loutka / Die kranke Puppe / The Sick Puppet·Colombina zpívá / Colombine singt / Colombine sings·Pierrotovo zastaveicko / Pierrots Ständchen / Pierrot’s Serenade·Valcík sentimentální loutky / Walzer einer sentimentalen Puppe / Waltz of the Sentimental Puppet·Colombina / Colombine / Colombine·Ples loutek / Puppenball / Puppet’s Ball·Ples loutek (autografní verze) / Puppenball (autographe Fassung) / Puppet’s Ball (autograph version)€24,40€27,10Martinu – Puppets I – III
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Mozart – Concerto for Piano & Orchestra no. 22 in E-flat major K. 482
Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 22 in E-flat major K. 482€22,50€25,00Διαθέσιμο σε 1-3 ημέρες
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Bach – Concerto Nr.3 in D Major BWV1054 (Piano Reduction)
Bach, Johann SebastianConcerto for Harpsichord and Strings no. 3 in D major BWV 1054
All eight concertos [BA 5224-BA 5231] are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, it also enables the works to be played on two harpsichords.
All of Bach’s solo harpsichord concertos are now available with the “ Urtext ” of the New Bach Edition.€21,50€23,90Διαθέσιμο σε 1-3 ημέρες
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Vierne – Complete Piano Works III
Vierne, LouisThe Last Works- Urtext Edition of Louis Vierne’s “Complete Piano Works” in three volumes- Critical edition based on all available sources- Includes two previously unpublished works- With an extensive foreword (Fr/Ger/Eng), Critical Commentary and facsimile pages
Louis Vierne is best-known as a famous organist and composer of organ music. Less well-known, as it was not part of his public life but was to a large extent reserved for private circles, was the fact that he was also an outstanding pianist.
His piano works were praised by his contemporaries for their compositional refinement, fine sonority as well as frequent virtuosic passages and are on the same artistic level as his organ works.
The third volume of the chronologically arranged edition of Vierne’s works includes “ Silhouettes d’enfants ” op. 43 in the tradition of 19th century children’s pieces and the major work of his later creative period, the four-movement cycle “ Solitude ” op. 44. It also includes two pieces which only survive in manuscript form, published here for the first time.
Contents
PrefaceTo the complete edition of the piano works of Louis Vierne·Louis Vierne – Biographical overview·Jean-Pièrre Mazeirat:·Louis Vierne and the piano·The works·Facsimiles:·Composer / Author:Vierne, Louis Silhouettes d’enfants op. 43Instrumentation:Piano·Composer / Author:Vierne, Louis[Pièce pour piano] op. 49Instrumentation:Piano·Composer / Author:Vierne, LouisLetter of 10 April 1925 to Jean HuréInstrumentation:Piano·Composer / Author:Vierne, LouisPoème des cloches funèbres op. 39 (December 1916):Instrumentation:Piano·Composer / Author:Vierne, Louis[1. Cloches dans le cauchemar (lost piece)]Instrumentation:Piano·Composer / Author:Vierne, Louis2. Le Glas (first edition)Instrumentation:Piano·Composer / Author:Vierne, LouisSilhouettes d’enfants op. 43 (May-June 1918):Instrumentation:Piano·Composer / Author:Vierne, Louis1. ValseInstrumentation:Piano·Composer / Author:Vierne, Louis2. ChansonInstrumentation:Piano·Composer / Author:Vierne, Louis3. DivertissementInstrumentation:Piano·Composer / Author:Vierne, Louis4. BarcarolleInstrumentation:Piano·Composer / Author:Vierne, Louis5. Gavotte (dans le style ancien)Instrumentation:Piano·Composer / Author:Vierne, LouisSolitude op. 44 (June-July 1918):Instrumentation:Piano·Composer / Author:Vierne, Louis1. HantiseInstrumentation:Piano·Composer / Author:Vierne, Louis2. Nuit blancheInstrumentation:Piano·Composer / Author:Vierne, Louis3. Vision hallucinanteInstrumentation:Piano·Composer / Author:Vierne, Louis4. La ronde fantastique des revenantsInstrumentation:Piano·Composer / Author:Vierne, Louis[Pièce pour piano] (August 1922) op. 49first editionInstrumentation:Piano·Critical Report:·I. Abbreviations·II. Editorial policies·III. Sources / Detailed references€37,60€41,80Vierne – Complete Piano Works III
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Various Composers: Easy Pieces of the 17th & 18th Centuries, Bk.1
The publication contains 25 simple compositions, which were selected by Alois Sarauer and Drahomira Krizkova, and is designed for intermediate pupils. These are piano pieces of many important figures of European Baroque music (H. Purcell, J.-Ph. Rameau, G. Ph. Telemann, J. Krieger, D. Zipoli) and particularly German Classicism (J. Ch. F. Bach, L. Mozart, J. Ph. Kirnberger, Ch. G. Neefe and others), of which most bear the titles of typical period dances. The selection therefore represents a highly appropriate repertoire of recital works.
Menuet
Air
Menuet
Allegretto
Menuet
Ballet
Menuet
Bourree (ze skladeb per WA Mozarta)
Gigue
Menuet
Anglaise
Polonaise (ze skladeb per WA Mozarta)
Menuet
Allegro
Entrance (ze skladeb per WA Mozarta)
Rigaudon
Minuetto
Tanec
Polonaise (ze skladeb per WA Mozarta)
Hornpipe
Allegro
Allegro (ze skladeb per WA Mozarta)
Allegretto
Arioso
Allegro€7,80€8,70Διαθέσιμο σε 1-3 ημέρες
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€26,70
€29,60Διαθέσιμο σε 1-3 ημέρες
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€36,60
€40,60Barenreiter Beethoven – String Quartets op. 74, 95
€36,60€40,60Διαθέσιμο σε 1-3 ημέρες
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€30,90
€34,30Διαθέσιμο σε 1-3 ημέρες
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Speckert – Tango Classics for Cello and Piano
George A. Speckert has now also translated the most beautiful tangos from Argentina for cello with piano accompaniment.
There are classics like “El choclo”, gems by Eduardo Arolas and Rosendo Mendizábal, as well as lesser known ones like “El día que me quieras” by Carlos Gardel: simple but effectively implemented by the cellist, concise and stylistically exposed for the piano player.
Foreword / Preface
Piazzolla, Astor Pantaleon: Libertango
Mendizábal, Rosendo: El Enrerriano
Mendizábal, Rosendo: Odeon
Arolas, Eduardo: Derecho viejo
Villoldo, Ángel: El choclo
Gardel, Carlos: El día que me quieas€25,30€28,10Speckert – Tango Classics for Cello and Piano
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Pohl-Hesse – Christmas Hits for two Flutes
Music for ChristmasNo other season of the year can rival Advent and the pre-Christmas season for music-making, whether in school, with friends or in the family. This edition contains Christmas hits from the German, English and French traditions, arranged for two flutes.The duet version always appears on the left-hand page of the edition. On the right is the carol, underlaid with the words for every stanza and printed with simple guitar chords.
Adeste fideles
God Rest You Merry, Gentleman
Il est né, le divin Enfant!
Stille Nacht, heilige Nacht
O Tannenbaum
Hark! THe Herald-Angels Sing
Les anges dans nos compagnes
Jingle Bells
Joy To The World
What Child Is This?
O du fröhliche
Entre le bœuf et l’âne gris
We Wish You A Merry Christmas€18,90€21,00Pohl-Hesse – Christmas Hits for two Flutes
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Sassmannshaus – Christmas for Beginner String Ensembles
Christmas is a time for making music, especially in ensembles. This edition with its very easy arrangements for two violins, viola and cello is ideal for beginner string players to get into the Christmas spirit. The 27 pieces are based either on works of Baroque composers such as Lully or Handel, or on traditional, mostly German, Christmas carols. One of the pieces requires an additional violin, another a viola.With their uncomplicated structure and accompanying parts which tie in closely with the melody, these pieces encourage ensemble playing from an early age.
Preface
Vorwort
Let’s be Glad and Full of Cheer / Lasst uns froh und munter sein
Instrumentation: Violine (2), Viola, Basso continuo
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Ring Sleighbells Ring / Kling Glöckchen
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Händel, Georg Friedrich
Minuet / Menuett
Instrumentation: Violine (2), Viola, Basso continuo
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O Snowflakes how Gently / Schneeflöckchen
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Händel, Georg Friedrich
Festive March / Festlicher Marsch
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Händel, Georg Friedrich
Bourrée
Instrumentation: Violine (2), Viola, Basso continuo
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Lift up Your Heads / Macht hoch die Tür
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Lully, Jean-Baptiste
Minuet / Menuett
Instrumentation: Violine (3), Viola, Basso continuo
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Snow Falls Silent and Deep / Leise rieselt der Schnee
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Caesar, Johann Melchior
Sarabanda
Instrumentation: Violine (2), Viola, Basso continuo
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From Highest Heaven I Come to Tell / Vom Himmel hoch
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Fischer, Johann Caspar Ferdinand
Minuet / Menuett
Instrumentation: Violine (2), Viola (2), Basso continuo
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A Great and Mighty Wonder / Es ist ein Ros entsprungen
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Händel, Georg Friedrich
Minuet / Menuett
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Gruber, Franz Xaver
Silent Night / Stille Nacht
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Fischer, Johann
Gavotte
Instrumentation: Violine (2), Viola, Basso continuo
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O What a Joyful Day / O freudenreicher Tag
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Caesar, Johann Melchior
Bourrée
Instrumentation: Violine (2), Viola, Basso continuo
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Let us Weigh this Little Child / Lasst uns das Kindlein wiegen
Instrumentation: Violine (2), Viola, Basso continuo
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Every Cold December / Alle Jahre wieder
Instrumentation: Violine (2), Viola, Basso continuo
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O Children Come Quickly / Ihr Kinderlein kommet
Instrumentation: Violine (2), Viola, Basso continuo
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What a Blessed Time / O du fröhliche
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Fischer, Johann
Minuet / Menuett
Instrumentation: Violine (2), Viola, Basso continuo
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Come all You Shepherds / Kommet, ihr Hirten
Instrumentation: Violine (2), Viola, Basso continuo
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What can this be Happning / Was soll das bedeuten
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Bach, Johann Sebastian
Beside Thy Cradle Here I Stand / Ich steh an deiner Krippen hier
Instrumentation: Violine (2), Viola, Basso continuo
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Sleep my Child / Schlaf, mein Kindelein
Instrumentation: Violine (2), Viola, Basso continuo€20,20€22,40Διαθέσιμο σε 1-3 ημέρες
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Barenreiter’s Cello Collection – Concert Pieces for Cello and Piano
In the line with the series “Bärenreiter’s Concert Pieces” which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s “Humoresque”, Mendelssohn Bartholdy’s “Song without Words”, Fauré’s “Berceuse” and “The Swan” by Camille Saint-Saëns.The editor is Christoph Sassmannshaus, the grandson of the founder of “The Sassmannshaus tradition”, Egon Sassmannshaus.
Preface
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Vorwort
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Composer / Author:
Simonetti, Achille
Madrigal
Instrumentation: Cello, Klavier
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Composer / Author:
Beethoven, Ludwig van
Menuett
Instrumentation: Cello, Klavier
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Composer / Author:
Dvorák, Antonín
Humoresque op. 101/7
Instrumentation: Cello, Klavier
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Composer / Author:
Wolf, Hugo
Wiegenlied
Instrumentation: Cello, Klavier
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Composer / Author:
Gabriel-Marie, Jean
La Cinquantaine
Instrumentation: Cello, Klavier
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Composer / Author:
Goltermann, Georg
Notturno op. 43/3
Instrumentation: Cello, Klavier
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Composer / Author:
Goltermann, Georg
Notturno op. 92/1
Instrumentation: Cello, Klavier
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Composer / Author:
Have ten, Willem
Romance op. 12/1
Instrumentation: Cello, Klavier
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Composer / Author:
Seitz, Friedrich
Die Zigeuner kommen op. 16/4
Instrumentation: Cello, Klavier
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Composer / Author:
Goltermann, Georg
Notturno op. 59/1
Instrumentation: Cello, Klavier
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Composer / Author:
Klengel, Julius
Sarabande – Gigue op. 1
Instrumentation: Cello, Klavier
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Composer / Author:
Fauré, Gabriel
Berceuse op. 16
Instrumentation: Cello, Klavier
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Composer / Author:
Have ten, Willem
Rêverie op. 27
Instrumentation: Cello, Klavier
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Composer / Author:
Mendelssohn Bartholdy, Felix
Lied ohne Worte / Song Without Words op. 109
Instrumentation: Cello, Klavier
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Composer / Author:
Fauré, Gabriel
Sicilienne op. 78
Instrumentation: Cello, Klavier
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Composer / Author:
Leclair, Jean-Marie
Gavotte
Instrumentation: Cello, Klavier
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Composer / Author:
Saint-Saëns, Camille
Der Schwan / The Swan
Instrumentation: Cello, Klavier€35,10€39,00Διαθέσιμο σε 1-3 ημέρες
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Liszt – Easy Piano Pieces & Dances
Besides the popular Consolations, it also includes Liszt’s delightful piano arrangements of Hungarian folk music and simplified versions he made of various pieces. Some miniatures from Liszt’s vast œuvre that were previously available only in obscure sources appear here for the first time in a collection.
Composer / Author: Töpel, Michael
Preface
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Composer / Author: Liszt, Franz
Carrousel de Madame P[elet]-N[arbonne] R 60b (LW A271)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Christmas Song R 197 (LW A227)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Lullaby R 58 (LW A303)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Farewell. Russian Folksong R 104 (LW A324)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Piano Piece in E major R 60 (LW A233/1)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Piano Piece in A-flat major R 44a (LW A116)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
En Rêve. Nocturne R 87 (LW A336)
Instrumentation: Piano
·
Composer / Author: Liszt, Franz
Un portrait en musique. La Marquise de Blocqueville R 65 (LW A241)
Instrumentation: Piano
·
Composer / Author: Liszt, Franz
Two Piano Pieces R 60 (LW A233/3,4)
Instrumentation: Piano
·
Composer / Author: Liszt, Franz
Two Hungarian Folksongs R 108 (LW A263/2,3)
Instrumentation: Piano
·
Composer / Author: Liszt, Franz
Consolation No. I R 12 (LW A111b/1)
Instrumentation: Piano
·
Composer / Author: Liszt, Franz
Consolation No. II R 12 (LW A111b/1)
Instrumentation: Piano
·
Composer / Author: Liszt, Franz
Romance R 66a (LW A148)
Instrumentation: Piano€18,90€21,00Liszt – Easy Piano Pieces & Dances
€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Bach – Six Partitas BWV 825-830
Johann Sebastian Bach’s ‘six partitas’ BWV 825–830 represent the pinnacle of his keyboard suites. In the search for the greatest variety of stylistic and compositional techniques, the collection shows itself to have the status of a ‘musical art book’. In keeping with this, Bach had these most prestigious works printed at his own expense as Part I of the ‘Clavier Übung ’.This expanded new edition takes into consideration not only the revised main text of the ‘six partitas’ but also, for the first time evaluates printed copies known to have been used by Bach and his closest circle and copies made by his circle of pupils. These include annotations on ornamentation and valuable hints on performance practice which are invaluable for present-day musicians. This is the first extensive edition to take all existing sources into account. The editor is the British musicologist Richard Douglas Jones, well-known for his numerous discoveries and publications on Bach.Bach’s Six Partitas are also published in an edition with fingerings by the renowned Bach interpreter Ragna Schirmer.
Preface
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Vorwort
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Faksimile / Facsimile: Einzeldruck (1726) der Partita 1, Titelseite / Separate print (1726) of Partita 1, title page
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Faksimile / Facsimile: Einzeldruck (1727) der Partita 2, Titelseite / Separate print (1727) of Partita 2, title page
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Faksimile / Facsimile: Originaldruck von 1731, Titelseite / Original print of 1731, title page
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Faksimile / Facsimile: Verzierungstabelle in Bachs Handschrift / Table of ornaments in Bach’s hand
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Faksimile / Facsimile: Originaldruck von 1731, Sarabande der Partita 3 / Original print of 1731, Sarabande from Partita 3
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Faksimile / Facsimile: Originaldruck von 1731, Beginn der Partita 5 / Original print of 1731, opening of Partita 5
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Partita 1, BWV 825
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Partita 2, BWV 823
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Partita 3, BWV 827
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Partita 4, BWV 828
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Partita 5, BWV 829
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Partita 6, BWV 830
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Anhang I: Verzierte Fassungen / Appendix I: Ornamented versions:
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Partita 1, Sarabande, BWV 825-4, Nach Quelle G 26 / According to source G 26
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Partita 1, Menuet 2, BWV 825-6, Nach Quelle G 26 / According to source G 26
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Partita 2, Sinfonia, BWV 826-1, Nach Quelle H 20 / According to source H 20
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Partita 2, BWV 826, Nach den Quellen G 25, 26 und 28 / According to sources G 25, 26 and 28
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Faksimile / Facsimile: Sinfonia, T. 17-30, aus dem Originaldruck von 1731 (Quelle G 25) / Sinfonia, bb. 17-30, from the original print of 1731 (source G 25)
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Partita 4, Courante, BWV 828-3, Nach Quelle G 26 / According to source G 26
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Partita 5, Sarabande, BWV 829-4, Nach den Quellen G 26 und H 20 / According to sources G 26 und H 20
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Anhang II / Appendix II:
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Partita 3, Gigue, BWV 827-7, Variantenfassung nach Quelle G 25 / Variant version according to source G 25
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Faksimile / Facsimile: Gigue, T. 25-50, aus dem Originaldruck von 1731 (Quelle G 25) / Gigue, bb. 25-50, from the original print of 1731 (source G 25)
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Annotations to the music text
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Anmerkungen zum Notentext€31,10€34,50Bach – Six Partitas BWV 825-830
€31,10€34,50Διαθέσιμο σε 1-3 ημέρες
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Bach – The Well-Tempered Clavier I BWV 846-869
Volume 1 of the Well-Tempered Clavier, based on the New Bach Edition, closely follows Bach’s autograph score. The Foreword draws on earlier versions contained in the autograph as well as on non-autograph variants found in reliable secondary sources. This edition which does full justice to Bach’s work enables musicians to try out and play alternative readings.
Vorwort
·
Preface
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge C-Dur BWV 846
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge c-Moll BWV 847
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge Cis-Dur BWV 848
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge cis-Moll BWV 849
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge D-Dur BWV 850
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge d-Moll BWV 851
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge Es-Dur BWV 852
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge es/dis-Moll BWV 853
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge E-Dur BWV 854
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge e-Moll BWV 855
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge F-Dur BWV 856
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge f-Moll BWV 857
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge Fis-Dur BWV 858
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge fis-Moll BWV 859
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge G-Dur BWV 860
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge g-Moll BWV 861
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge As-Dur BWV 862
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge gis-Moll BWV 863
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge A-Dur BWV 864
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge a-Moll BWV 865
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge B-Dur BWV 866
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge b-Moll BWV 867
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge H-Dur BWV 868
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge h-Moll BWV 869
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Anhang: Fuge d-Moll BWV 851/2
Version Quelle B2.12
Instrumentation:
Cembalo, Klavier€31,10€34,50Bach – The Well-Tempered Clavier I BWV 846-869
€31,10€34,50Διαθέσιμο σε 1-3 ημέρες
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Bach – The Well-Tempered Clavier II BWV 870-893
Volume 2 of the „WTC“ has survived in two distinct manuscript traditions. Till now, all printed editions have combined these two traditions into a single hybrid edition, „preferring now this reading, now that one, at the editor’s discretion “ (A. Dürr).Our volume presents each piece in the version containing the largest number of Bach’s subsequent changes; significant variants from the other version are added as alternatives. A detailed preface by the editor discusses the source material and performance practice, including the execution of ornaments.
Vorwort
·
Preface
·
Verzierungstabelle
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga C-Dur BWV 870
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga c-Moll BWV 871
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga Cis-Dur BWV 872
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga cis-Moll BWV 873
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga D-Dur BWV 874
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga d-Moll BWV 875
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga Es-Dur BWV 876
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga dis-Moll BWV 877
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga E-Dur BWV 878
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga e-Moll BWV 879
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga F-Dur BWV 880
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga f-Moll BWV 881
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga Fis-Dur BWV 882
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga fis-Moll BWV 883
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga G-Dur BWV 884
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga g-Moll BWV 885
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga As-Dur BWV 886
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga gis-Moll BWV 887
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga A-Dur BWV 888
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga a-Moll BWV 889
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga B-Dur BWV 890
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga b-Moll BWV 891
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga H-Dur BWV 892
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga h-Moll BWV 893
Instrumentation:
Cembalo, Klavier
·
Anhang:
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga C-Dur BWV 870b
Fassung A
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium C-Dur BWV 870b
Variante der Fassung A
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium cis-Moll BWV 873
Fassung A
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Fuga As-Dur BWV 886/2
Variante
Instrumentation:
Cembalo, Klavier€31,10€34,50Bach – The Well-Tempered Clavier II BWV 870-893
€31,10€34,50Διαθέσιμο σε 1-3 ημέρες
The three-part edition contains all of Bach’s arrangements of other composers’ compositions. The arrangements were probably commissioned by Prince Johann Ernst of Saxony-Weimar around 1713/1714. The concert arrangements are evidence of Bach’s intensive involvement with the then new Italian concert art and its leading exponent, Antonio Vivaldi.