ISOLUTION
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€22,50
€25,00Διαθέσιμο σε 1-3 ημέρες
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Bach – Concerto Nr.3 in D Major BWV1054 (Piano Reduction)
Bach, Johann SebastianConcerto for Harpsichord and Strings no. 3 in D major BWV 1054
All eight concertos [BA 5224-BA 5231] are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, it also enables the works to be played on two harpsichords.
All of Bach’s solo harpsichord concertos are now available with the “ Urtext ” of the New Bach Edition.€21,50€23,90Διαθέσιμο σε 1-3 ημέρες
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Vierne – Complete Piano Works III
Vierne, LouisThe Last Works- Urtext Edition of Louis Vierne’s “Complete Piano Works” in three volumes- Critical edition based on all available sources- Includes two previously unpublished works- With an extensive foreword (Fr/Ger/Eng), Critical Commentary and facsimile pages
Louis Vierne is best-known as a famous organist and composer of organ music. Less well-known, as it was not part of his public life but was to a large extent reserved for private circles, was the fact that he was also an outstanding pianist.
His piano works were praised by his contemporaries for their compositional refinement, fine sonority as well as frequent virtuosic passages and are on the same artistic level as his organ works.
The third volume of the chronologically arranged edition of Vierne’s works includes “ Silhouettes d’enfants ” op. 43 in the tradition of 19th century children’s pieces and the major work of his later creative period, the four-movement cycle “ Solitude ” op. 44. It also includes two pieces which only survive in manuscript form, published here for the first time.
Contents
PrefaceTo the complete edition of the piano works of Louis Vierne·Louis Vierne – Biographical overview·Jean-Pièrre Mazeirat:·Louis Vierne and the piano·The works·Facsimiles:·Composer / Author:Vierne, Louis Silhouettes d’enfants op. 43Instrumentation:Piano·Composer / Author:Vierne, Louis[Pièce pour piano] op. 49Instrumentation:Piano·Composer / Author:Vierne, LouisLetter of 10 April 1925 to Jean HuréInstrumentation:Piano·Composer / Author:Vierne, LouisPoème des cloches funèbres op. 39 (December 1916):Instrumentation:Piano·Composer / Author:Vierne, Louis[1. Cloches dans le cauchemar (lost piece)]Instrumentation:Piano·Composer / Author:Vierne, Louis2. Le Glas (first edition)Instrumentation:Piano·Composer / Author:Vierne, LouisSilhouettes d’enfants op. 43 (May-June 1918):Instrumentation:Piano·Composer / Author:Vierne, Louis1. ValseInstrumentation:Piano·Composer / Author:Vierne, Louis2. ChansonInstrumentation:Piano·Composer / Author:Vierne, Louis3. DivertissementInstrumentation:Piano·Composer / Author:Vierne, Louis4. BarcarolleInstrumentation:Piano·Composer / Author:Vierne, Louis5. Gavotte (dans le style ancien)Instrumentation:Piano·Composer / Author:Vierne, LouisSolitude op. 44 (June-July 1918):Instrumentation:Piano·Composer / Author:Vierne, Louis1. HantiseInstrumentation:Piano·Composer / Author:Vierne, Louis2. Nuit blancheInstrumentation:Piano·Composer / Author:Vierne, Louis3. Vision hallucinanteInstrumentation:Piano·Composer / Author:Vierne, Louis4. La ronde fantastique des revenantsInstrumentation:Piano·Composer / Author:Vierne, Louis[Pièce pour piano] (August 1922) op. 49first editionInstrumentation:Piano·Critical Report:·I. Abbreviations·II. Editorial policies·III. Sources / Detailed references€37,60€41,80Vierne – Complete Piano Works III
€37,60€41,80Διαθέσιμο σε 1-3 ημέρες
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Various Composers: Easy Pieces of the 17th & 18th Centuries, Bk.1
The publication contains 25 simple compositions, which were selected by Alois Sarauer and Drahomira Krizkova, and is designed for intermediate pupils. These are piano pieces of many important figures of European Baroque music (H. Purcell, J.-Ph. Rameau, G. Ph. Telemann, J. Krieger, D. Zipoli) and particularly German Classicism (J. Ch. F. Bach, L. Mozart, J. Ph. Kirnberger, Ch. G. Neefe and others), of which most bear the titles of typical period dances. The selection therefore represents a highly appropriate repertoire of recital works.
Menuet
Air
Menuet
Allegretto
Menuet
Ballet
Menuet
Bourree (ze skladeb per WA Mozarta)
Gigue
Menuet
Anglaise
Polonaise (ze skladeb per WA Mozarta)
Menuet
Allegro
Entrance (ze skladeb per WA Mozarta)
Rigaudon
Minuetto
Tanec
Polonaise (ze skladeb per WA Mozarta)
Hornpipe
Allegro
Allegro (ze skladeb per WA Mozarta)
Allegretto
Arioso
Allegro€7,80€8,70Διαθέσιμο σε 1-3 ημέρες
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€26,70
€29,60Διαθέσιμο σε 1-3 ημέρες
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€36,60
€40,60Barenreiter Beethoven – String Quartets op. 74, 95
€36,60€40,60Διαθέσιμο σε 1-3 ημέρες
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€30,90
€34,30Διαθέσιμο σε 1-3 ημέρες
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Speckert – Tango Classics for Cello and Piano
George A. Speckert has now also translated the most beautiful tangos from Argentina for cello with piano accompaniment.
There are classics like “El choclo”, gems by Eduardo Arolas and Rosendo Mendizábal, as well as lesser known ones like “El día que me quieras” by Carlos Gardel: simple but effectively implemented by the cellist, concise and stylistically exposed for the piano player.
Foreword / Preface
Piazzolla, Astor Pantaleon: Libertango
Mendizábal, Rosendo: El Enrerriano
Mendizábal, Rosendo: Odeon
Arolas, Eduardo: Derecho viejo
Villoldo, Ángel: El choclo
Gardel, Carlos: El día que me quieas€25,30€28,10Speckert – Tango Classics for Cello and Piano
€25,30€28,10Διαθέσιμο σε 1-3 ημέρες
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Pohl-Hesse – Christmas Hits for two Flutes
Music for ChristmasNo other season of the year can rival Advent and the pre-Christmas season for music-making, whether in school, with friends or in the family. This edition contains Christmas hits from the German, English and French traditions, arranged for two flutes.The duet version always appears on the left-hand page of the edition. On the right is the carol, underlaid with the words for every stanza and printed with simple guitar chords.
Adeste fideles
God Rest You Merry, Gentleman
Il est né, le divin Enfant!
Stille Nacht, heilige Nacht
O Tannenbaum
Hark! THe Herald-Angels Sing
Les anges dans nos compagnes
Jingle Bells
Joy To The World
What Child Is This?
O du fröhliche
Entre le bœuf et l’âne gris
We Wish You A Merry Christmas€18,90€21,00Pohl-Hesse – Christmas Hits for two Flutes
€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Sassmannshaus – Christmas for Beginner String Ensembles
Christmas is a time for making music, especially in ensembles. This edition with its very easy arrangements for two violins, viola and cello is ideal for beginner string players to get into the Christmas spirit. The 27 pieces are based either on works of Baroque composers such as Lully or Handel, or on traditional, mostly German, Christmas carols. One of the pieces requires an additional violin, another a viola.With their uncomplicated structure and accompanying parts which tie in closely with the melody, these pieces encourage ensemble playing from an early age.
Preface
Vorwort
Let’s be Glad and Full of Cheer / Lasst uns froh und munter sein
Instrumentation: Violine (2), Viola, Basso continuo
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Ring Sleighbells Ring / Kling Glöckchen
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Händel, Georg Friedrich
Minuet / Menuett
Instrumentation: Violine (2), Viola, Basso continuo
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O Snowflakes how Gently / Schneeflöckchen
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Händel, Georg Friedrich
Festive March / Festlicher Marsch
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Händel, Georg Friedrich
Bourrée
Instrumentation: Violine (2), Viola, Basso continuo
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Lift up Your Heads / Macht hoch die Tür
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Lully, Jean-Baptiste
Minuet / Menuett
Instrumentation: Violine (3), Viola, Basso continuo
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Snow Falls Silent and Deep / Leise rieselt der Schnee
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Caesar, Johann Melchior
Sarabanda
Instrumentation: Violine (2), Viola, Basso continuo
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From Highest Heaven I Come to Tell / Vom Himmel hoch
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Fischer, Johann Caspar Ferdinand
Minuet / Menuett
Instrumentation: Violine (2), Viola (2), Basso continuo
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A Great and Mighty Wonder / Es ist ein Ros entsprungen
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Händel, Georg Friedrich
Minuet / Menuett
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Gruber, Franz Xaver
Silent Night / Stille Nacht
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Fischer, Johann
Gavotte
Instrumentation: Violine (2), Viola, Basso continuo
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O What a Joyful Day / O freudenreicher Tag
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Caesar, Johann Melchior
Bourrée
Instrumentation: Violine (2), Viola, Basso continuo
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Let us Weigh this Little Child / Lasst uns das Kindlein wiegen
Instrumentation: Violine (2), Viola, Basso continuo
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Every Cold December / Alle Jahre wieder
Instrumentation: Violine (2), Viola, Basso continuo
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O Children Come Quickly / Ihr Kinderlein kommet
Instrumentation: Violine (2), Viola, Basso continuo
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What a Blessed Time / O du fröhliche
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Fischer, Johann
Minuet / Menuett
Instrumentation: Violine (2), Viola, Basso continuo
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Come all You Shepherds / Kommet, ihr Hirten
Instrumentation: Violine (2), Viola, Basso continuo
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What can this be Happning / Was soll das bedeuten
Instrumentation: Violine (2), Viola, Basso continuo
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Composer / Author:
Bach, Johann Sebastian
Beside Thy Cradle Here I Stand / Ich steh an deiner Krippen hier
Instrumentation: Violine (2), Viola, Basso continuo
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Sleep my Child / Schlaf, mein Kindelein
Instrumentation: Violine (2), Viola, Basso continuo€20,20€22,40Διαθέσιμο σε 1-3 ημέρες
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Barenreiter’s Cello Collection – Concert Pieces for Cello and Piano
In the line with the series “Bärenreiter’s Concert Pieces” which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s “Humoresque”, Mendelssohn Bartholdy’s “Song without Words”, Fauré’s “Berceuse” and “The Swan” by Camille Saint-Saëns.The editor is Christoph Sassmannshaus, the grandson of the founder of “The Sassmannshaus tradition”, Egon Sassmannshaus.
Preface
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Vorwort
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Composer / Author:
Simonetti, Achille
Madrigal
Instrumentation: Cello, Klavier
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Composer / Author:
Beethoven, Ludwig van
Menuett
Instrumentation: Cello, Klavier
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Composer / Author:
Dvorák, Antonín
Humoresque op. 101/7
Instrumentation: Cello, Klavier
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Composer / Author:
Wolf, Hugo
Wiegenlied
Instrumentation: Cello, Klavier
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Composer / Author:
Gabriel-Marie, Jean
La Cinquantaine
Instrumentation: Cello, Klavier
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Composer / Author:
Goltermann, Georg
Notturno op. 43/3
Instrumentation: Cello, Klavier
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Composer / Author:
Goltermann, Georg
Notturno op. 92/1
Instrumentation: Cello, Klavier
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Composer / Author:
Have ten, Willem
Romance op. 12/1
Instrumentation: Cello, Klavier
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Composer / Author:
Seitz, Friedrich
Die Zigeuner kommen op. 16/4
Instrumentation: Cello, Klavier
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Composer / Author:
Goltermann, Georg
Notturno op. 59/1
Instrumentation: Cello, Klavier
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Composer / Author:
Klengel, Julius
Sarabande – Gigue op. 1
Instrumentation: Cello, Klavier
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Composer / Author:
Fauré, Gabriel
Berceuse op. 16
Instrumentation: Cello, Klavier
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Composer / Author:
Have ten, Willem
Rêverie op. 27
Instrumentation: Cello, Klavier
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Composer / Author:
Mendelssohn Bartholdy, Felix
Lied ohne Worte / Song Without Words op. 109
Instrumentation: Cello, Klavier
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Composer / Author:
Fauré, Gabriel
Sicilienne op. 78
Instrumentation: Cello, Klavier
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Composer / Author:
Leclair, Jean-Marie
Gavotte
Instrumentation: Cello, Klavier
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Composer / Author:
Saint-Saëns, Camille
Der Schwan / The Swan
Instrumentation: Cello, Klavier€35,10€39,00Διαθέσιμο σε 1-3 ημέρες
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Liszt – Easy Piano Pieces & Dances
Besides the popular Consolations, it also includes Liszt’s delightful piano arrangements of Hungarian folk music and simplified versions he made of various pieces. Some miniatures from Liszt’s vast œuvre that were previously available only in obscure sources appear here for the first time in a collection.
Composer / Author: Töpel, Michael
Preface
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Composer / Author: Liszt, Franz
Carrousel de Madame P[elet]-N[arbonne] R 60b (LW A271)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Christmas Song R 197 (LW A227)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Lullaby R 58 (LW A303)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Farewell. Russian Folksong R 104 (LW A324)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Piano Piece in E major R 60 (LW A233/1)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Piano Piece in A-flat major R 44a (LW A116)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
En Rêve. Nocturne R 87 (LW A336)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Un portrait en musique. La Marquise de Blocqueville R 65 (LW A241)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Two Piano Pieces R 60 (LW A233/3,4)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Two Hungarian Folksongs R 108 (LW A263/2,3)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Consolation No. I R 12 (LW A111b/1)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Consolation No. II R 12 (LW A111b/1)
Instrumentation: Piano
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Composer / Author: Liszt, Franz
Romance R 66a (LW A148)
Instrumentation: Piano€18,90€21,00Liszt – Easy Piano Pieces & Dances
€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Bach – Six Partitas BWV 825-830
Johann Sebastian Bach’s ‘six partitas’ BWV 825–830 represent the pinnacle of his keyboard suites. In the search for the greatest variety of stylistic and compositional techniques, the collection shows itself to have the status of a ‘musical art book’. In keeping with this, Bach had these most prestigious works printed at his own expense as Part I of the ‘Clavier Übung ’.This expanded new edition takes into consideration not only the revised main text of the ‘six partitas’ but also, for the first time evaluates printed copies known to have been used by Bach and his closest circle and copies made by his circle of pupils. These include annotations on ornamentation and valuable hints on performance practice which are invaluable for present-day musicians. This is the first extensive edition to take all existing sources into account. The editor is the British musicologist Richard Douglas Jones, well-known for his numerous discoveries and publications on Bach.Bach’s Six Partitas are also published in an edition with fingerings by the renowned Bach interpreter Ragna Schirmer.
Preface
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Vorwort
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Faksimile / Facsimile: Einzeldruck (1726) der Partita 1, Titelseite / Separate print (1726) of Partita 1, title page
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Faksimile / Facsimile: Einzeldruck (1727) der Partita 2, Titelseite / Separate print (1727) of Partita 2, title page
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Faksimile / Facsimile: Originaldruck von 1731, Titelseite / Original print of 1731, title page
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Faksimile / Facsimile: Verzierungstabelle in Bachs Handschrift / Table of ornaments in Bach’s hand
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Faksimile / Facsimile: Originaldruck von 1731, Sarabande der Partita 3 / Original print of 1731, Sarabande from Partita 3
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Faksimile / Facsimile: Originaldruck von 1731, Beginn der Partita 5 / Original print of 1731, opening of Partita 5
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Partita 1, BWV 825
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Partita 2, BWV 823
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Partita 3, BWV 827
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Partita 4, BWV 828
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Partita 5, BWV 829
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Partita 6, BWV 830
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Anhang I: Verzierte Fassungen / Appendix I: Ornamented versions:
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Partita 1, Sarabande, BWV 825-4, Nach Quelle G 26 / According to source G 26
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Partita 1, Menuet 2, BWV 825-6, Nach Quelle G 26 / According to source G 26
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Partita 2, Sinfonia, BWV 826-1, Nach Quelle H 20 / According to source H 20
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Partita 2, BWV 826, Nach den Quellen G 25, 26 und 28 / According to sources G 25, 26 and 28
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Faksimile / Facsimile: Sinfonia, T. 17-30, aus dem Originaldruck von 1731 (Quelle G 25) / Sinfonia, bb. 17-30, from the original print of 1731 (source G 25)
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Partita 4, Courante, BWV 828-3, Nach Quelle G 26 / According to source G 26
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Partita 5, Sarabande, BWV 829-4, Nach den Quellen G 26 und H 20 / According to sources G 26 und H 20
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Anhang II / Appendix II:
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Partita 3, Gigue, BWV 827-7, Variantenfassung nach Quelle G 25 / Variant version according to source G 25
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Faksimile / Facsimile: Gigue, T. 25-50, aus dem Originaldruck von 1731 (Quelle G 25) / Gigue, bb. 25-50, from the original print of 1731 (source G 25)
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Annotations to the music text
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Anmerkungen zum Notentext€31,10€34,50Bach – Six Partitas BWV 825-830
€31,10€34,50Διαθέσιμο σε 1-3 ημέρες
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Bach – The Well-Tempered Clavier I BWV 846-869
Volume 1 of the Well-Tempered Clavier, based on the New Bach Edition, closely follows Bach’s autograph score. The Foreword draws on earlier versions contained in the autograph as well as on non-autograph variants found in reliable secondary sources. This edition which does full justice to Bach’s work enables musicians to try out and play alternative readings.
Vorwort
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Preface
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge C-Dur BWV 846
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge c-Moll BWV 847
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge Cis-Dur BWV 848
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge cis-Moll BWV 849
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge D-Dur BWV 850
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge d-Moll BWV 851
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge Es-Dur BWV 852
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge es/dis-Moll BWV 853
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge E-Dur BWV 854
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge e-Moll BWV 855
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge F-Dur BWV 856
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge f-Moll BWV 857
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge Fis-Dur BWV 858
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge fis-Moll BWV 859
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge G-Dur BWV 860
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge g-Moll BWV 861
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge As-Dur BWV 862
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge gis-Moll BWV 863
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge A-Dur BWV 864
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge a-Moll BWV 865
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge B-Dur BWV 866
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge b-Moll BWV 867
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge H-Dur BWV 868
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuge h-Moll BWV 869
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Anhang: Fuge d-Moll BWV 851/2
Version Quelle B2.12
Instrumentation:
Cembalo, Klavier€31,10€34,50Bach – The Well-Tempered Clavier I BWV 846-869
€31,10€34,50Διαθέσιμο σε 1-3 ημέρες
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Bach – The Well-Tempered Clavier II BWV 870-893
Volume 2 of the „WTC“ has survived in two distinct manuscript traditions. Till now, all printed editions have combined these two traditions into a single hybrid edition, „preferring now this reading, now that one, at the editor’s discretion “ (A. Dürr).Our volume presents each piece in the version containing the largest number of Bach’s subsequent changes; significant variants from the other version are added as alternatives. A detailed preface by the editor discusses the source material and performance practice, including the execution of ornaments.
Vorwort
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Preface
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Verzierungstabelle
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga C-Dur BWV 870
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga c-Moll BWV 871
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga Cis-Dur BWV 872
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga cis-Moll BWV 873
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga D-Dur BWV 874
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga d-Moll BWV 875
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga Es-Dur BWV 876
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga dis-Moll BWV 877
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga E-Dur BWV 878
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga e-Moll BWV 879
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga F-Dur BWV 880
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga f-Moll BWV 881
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga Fis-Dur BWV 882
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga fis-Moll BWV 883
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga G-Dur BWV 884
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga g-Moll BWV 885
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga As-Dur BWV 886
Instrumentation:
Cembalo, Klavier
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Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga gis-Moll BWV 887
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga A-Dur BWV 888
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga a-Moll BWV 889
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga B-Dur BWV 890
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga b-Moll BWV 891
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga H-Dur BWV 892
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga h-Moll BWV 893
Instrumentation:
Cembalo, Klavier
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Anhang:
·
Composer / Author:
Bach, Johann Sebastian
Praeludium und Fuga C-Dur BWV 870b
Fassung A
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium C-Dur BWV 870b
Variante der Fassung A
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Praeludium cis-Moll BWV 873
Fassung A
Instrumentation:
Cembalo, Klavier
·
Composer / Author:
Bach, Johann Sebastian
Fuga As-Dur BWV 886/2
Variante
Instrumentation:
Cembalo, Klavier€31,10€34,50Bach – The Well-Tempered Clavier II BWV 870-893
€31,10€34,50Διαθέσιμο σε 1-3 ημέρες
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Handel – Keyboard Works I – The Eight Great Suites
Throughout his life Handel was famous as a brilliant performer on keyboard instruments, and he began composing for them in his youth: his early training under Zachow included the study of the most important 17th-century German composers for the keyboard, and their influence can be seen in the harpsichord music which he had written by the time he left Hamburg for Italy in 1706. He seems to have taken it up again only after he settled in England in 1712, and during the next few years he wrote a large number of harpsichord works, with a peak about 1717, when he was becoming involved with the music at Cannons.Apparently Handel was in no hurry to publish these compositions, and manuscript copies were made for friends and patrons. The primary source for our text is the third impression of the Cluer edition. As well as the Walsh, le Cène and Leclerc editions there are important manuscript sources, including some autographs, which give much additional information concerning the text.€36,50€40,50Handel – Keyboard Works I – The Eight Great Suites
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Celletti – Geschichte Des Belcanto
Belcanto, Virtuosentum, Hedonismus
Die Vokalen Aspekte des Barocken Musiktheaters:
Vom “recitar cantando” zur römischen Oper
Monteverdi
Cavalli und Cesti
Legrenzi, Sartorio, P. A. Ziani und Pollarolo
C. Pallavicino und Steffani
Scarlatti
Das goldene Zeitalter: Von Lotti bis Händel
Einige Besonderheiten der Barocken Oper
Die Kastraten und die Gesangskunst ihrer Zeit
Die Sturm-Arien
Die Buffo-Rollen
Rossini:
Rossinis Vorstellungen von Melodie und Gesang
Einige Merkmale von Rossinis Vokalstil
Die Gesangstypen Rossinis
Der Gesang in der Ära Rossinis. Aufführungspraxis. Der Gesang aus der Sicht Stendhals
Tod und Auferstehung des Belcanto
Verzeichnis der Namen und Werke€24,90€27,70Celletti – Geschichte Des Belcanto
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Rossini – The Barber of Seville Critical Commentary
Editorial Policy
Abbreviations
Principal Sources
Sources
Critical Notes:
Sinfonia
Act I
Act II
Appendix I: Vocal variants of Rossini for the Cavatina Rosina (N. 5), the Duetto Rosina – Figaro (N. 7), and the Terzetto (N. 16)
Appendix II: N. 14bis Recitativo ed Aria [Rosina]
Appendix III: Two documented revivals from 1816: Bologna and Florence: N. 11a Cavatina Rosina / N. 8a Aria Bartolo
Appendix IV: Revivals in Naples
Appendix V (by Will Crutchfield): Early vocal ornamentation€410,00€450,00Rossini – The Barber of Seville Critical Commentary
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Beethoven – Symphony No. 9 in D minor op. 125 Critical Commentary
Scoring: Picc.2.2.2.2.Kontra – 4.2.3.0 – Timp.Perc – Strings
Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven’s Nine Symphonies edited by the first-class musicologist Jonathan Del Mar. The editorial process was a massive undertaking because of the complex source situation regarding Beethoven’s Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was unsurprising that Bärenreiter’s new Urtext edition caused a considerable stir in the music world.
Since its publication, Del Mar’s edition enjoys the unabashed praise of conductors, performers and critics alike. It has become the most widely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.
Facsimiles
Signs and conventions
Sources
Critical Commentary: I, II, III, IV
Contrabassoon: Critical Commentary
Appendix
Bibliography€49,90€55,40Διαθέσιμο σε 1-3 ημέρες
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Beethoven – Symphony No. 8 in F major op. 93 Critical Commentary
Facsimiles
Signs and conventions
Sources
Critical Commentary: I, II, III, IV
Appendices
Bibliography€37,60€41,80Διαθέσιμο σε 1-3 ημέρες
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Franz Schubert’s symphonies
This overall presentation of Franz Schubert’s symphonies, written by prominent authors, follows the proven work introductions to Beethoven’s, Brahms and Bruckner’s symphonies in conception:The work introduction is characterized by:- Generally understandable presentation- Separate chapters for each symphony with a description of the work, documents, and essay on overriding questions- Brief biography of Schubert- Impact of Schubert’s symphonies on those around us and on posterityThe authors:Marie-Agnes Dittrich, Christine Fischer, Peter Gülke, Rüdiger Heinze, Hans Joachim Kreutzer, Michael Kube, Jutta Pumpe, Doris Sennefelder, Wolfgang Stähr, Michael Stegemann, Renate Ulm, Egon Voss. The publisher Renate Ulm has been an editor in the music department of Bayerischer Rundfunk since 1989.
Introduction
Composer / Author:
Sennefelder, Doris
“Existing through my pain”. Notes on the work of Franz Schubert
Composer / Author:
Gulke, Peter
How and in what way was Schubert symphonic?
essay
Composer / Author:
Kube, Michael
I. Symphony in D major (D 82)
Work review and essay
Composer / Author:
Voss, Egon
II. Symphony in B flat major (D125)
Work review and essay
Composer / Author:
Stegeman, Michael
III. Symphony in D major (D 200)
Work review and essay
Composer / Author:
Heinze, Rudiger
IV. Symphony in C minor (Tragic Symphony – D 417)
Work review and essay
Composer / Author:
Ulm, Renate
V. Symphony in B flat major (D 485)
Work review and essay
Composer / Author:
Staehr, Wolfgang
VI. Symphony in C major (D 589)
Work review and essay
Composer / Author:
Gulke, Peter
VII. Symphony in B minor (The unfinished – D 759)
Work review and essay
Composer / Author:
Dittrich, Marie-Agnes
VIII. Symphony in C major (“Great” C major symphony – D 944)
Work review and essay
Conclusion:
Composer / Author:
Pump, Jutta
Spheres of activity: Schubert’s path to becoming a freelance artist
essay
Composer / Author:
Kreutzer, Hans-Joachim
Schubert as reflected in literature
essay
About the authors
literature€18,80€20,90Franz Schubert’s symphonies
€18,80€20,90Διαθέσιμο σε 1-3 ημέρες
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Schwabe – Noch Mehr Starke Stucke
· Fréderic Burgmüller: Ballade
Instrumentation: Klavier
· Wolfgang Amadeus Mozart: Das Butterbrot
Instrumentation: Klavier
· Jürgen Moser: Funky Piano
Instrumentation: Klavier
· Reiko Arima: Dance
Instrumentation: Klavier
· Michael Vetter: Rondo
Instrumentation: Klavier
· Feuerblumen
Instrumentation: Klavier
· Klänge Béla Bartók: Gyermekt
Instrumentation: Klavier
· Johann Sebastian Bach: Präludium c-Moll
Instrumentation: Klavier
· Kim Fowley: Nut Rocker
Instrumentation: Klavier
· Fréderic Chopin: Prélude No. 4
Instrumentation: Klavier
· Matthias Schwabe: Toccata
Instrumentation: Klavier
· Edvard Grieg: Kobold
Instrumentation: Klavier
· George Gershwin: But not for me
Instrumentation: Klavier
· Joe McCoy: Why don’t you do right?
Instrumentation: Klavier
· Ludwig van Beethoven: Schmerzens-Walzer
Instrumentation: Klavier
· Fréderic Chopin: Mazurka
Instrumentation: Klavier
· Domenico Scarlatti: Sonate
Instrumentation: Klavier
· Eric Satie: Gnossienne No. 1
Instrumentation: Klavier
· Matthias Schwabe: Traumstück
Instrumentation: Klavier
· Bohuslav Martinu: Kolombìna Tancì / Colombine tanzt
Instrumentation: Klavier
· Edvard Grieg: Melodie
Instrumentation: Klavier
· George Gershwin: Fascinating Rhythm
Instrumentation: Klavier
· Peter Tschaikowsky: Lied der Lerche
Instrumentation: Klavier
· Franz Schubert: Deutsche Tänze
Instrumentation: Klavier
· Aram Chatschaturjan: Etüde
Instrumentation: Klavier
· Ludwig van Beethoven: Bagatelle No. 1
Instrumentation: Klavier
· Scott Joplin: Elite Syncopations
Instrumentation: Klavier
· Paul Desmond: Take Five
Instrumentation: Klavier
· Carl Philipp Emanuel Bach: Solfeggio Rg: Opus 19 Nr. 6
Instrumentation: Klavier€25,90€28,80Schwabe – Noch Mehr Starke Stucke
€25,90€28,80Διαθέσιμο σε 1-3 ημέρες
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Twardowski – At The Zoo
Das Klavier ist herzlich willkommen im Zoo. Ein Tastenlöwe braucht man für diese kleine Sammlung aber nicht zu sein. Antilope, Rentier, Elefant, alle sind sie da und scharen sich um die jungen Pianisten. Während das Känguru muntere Sprünge wagt, bewegt sich der Bär im gemächlichen Maestoso und mit wohlgesetzten Schritten, dem Krokodil steht das Legato besser zu Gesicht und der Biber verblüfft durch seine flinke Nagetechnik. Auf dem Rücken des Ponys kommt man mit kleinen Staccatoschritten schnell voran und mancher Grashüpfer setzt seine eigenen Akzente. Die besondere spieltechnische Aufgabe für die Klavierschüler, die jedes Stück in sich trägt, wird auf diese charmante Weise spielerisch und fast unmerklich gelernt. Nichts erinnert an eine trockene Etüde. Darüber hinaus teilt sich der Charakter der Musik auch durch die farbenfrohen Illustrationen von Marcin Bruchnalski mit. – Leichte Klavierstücke – Spielerisches Lernen technischer Fähigkeiten – Fantasievolle Melodien – Farbenfrohe Illustrationen Die Autoren Antoni Cofalik , polnischer Geigenpädagoge und Verfasser der bekannten Geigenschule „Das Geigen-ABC “ Romuald Twardowski , Pianist und Komponist Marcin Bruchnalski , Schulbuchillustrator und Cartoonist
Vorwort
Wir gehen in den ZooCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Das KänguruCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Das PonyCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Das RentierCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Zwei kleine EselCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Der BärCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Das KrokodilCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Die BiberCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Der ElefantCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Der GrashüpferCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Die AmeisenCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Der löweCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Die AntilopeCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Die RobbeCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier
Unsere lieben SchülerCofalik, Antoni / Twardoski, RomualdBesetzung: Klavier€15,90€17,60Twardowski – At The Zoo
€15,90€17,60Διαθέσιμο σε 1-3 ημέρες
Concerto for Piano and Orchestra no. 22 in E-flat major K. 482