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    Szymanowski – The Most Beautiful

    Piano works occupy a special place in Szymanowski’s output as a demonstration of his style and an indubitable contribution to the development of twentieth-century piano music. The piano played an important part in his life. He always composed at it and appeared as an interpreter of his own works and accompanist in performances of his own songs and works for violin and piano. The present collection contains preludes, the ”Prelude and Fugue”, studies, mazurkas, four Polish dances, the ”Romantic Waltz”, the ”Metopes” and the ”Masques”. The works or extracts from particular cycles present an overview of Karol Szymanowski’s piano output with the exception of the larger forms, such as sonata, fantasia or variations. His early compositions (preludes), full of youthful emotionalism, still remain under the influence of Chopin, Brahms or Skriabin, but are not devoid of the originality and individuality characteristic of Szymanowski’s style. In the studies Op. 4 we see greater tonal expansion, more complicated structures and a wealth of interpretatitve directions. The works after 1914 bring new technical and aesthetic qualities. The studies Op. 33 are very short pieces, performed attacca and contrasting in mood, expression, texture or colour. The ”Metopes” and the ”Masques” derive from the same, ”impressionistic” period; they are the only piano works which are programmatic, originating in the literary interests of the composer. New stylistic assumptions and a modern sound language can be found in the Mazurkas involving stylisation of mountain folk music, the exploitation of its melodic, rhythmic and tonal features being combined with mazurka form. The four Polish dances are characterised by simplicity of texture, clarity and conciseness of form. The ”Romantic Waltz” is an occasional work, not typical in Szymanowski’s output.
    CONTENTS
    1. Preludes Op.1 Nos.1-5-7
    2. Prelude & Fugue C-sharp minor
    3. Studies Op.33 Nos.1-2-3-4
    4. Studies Op.4 Nos.3-4
    5. Mazurkas Op.50 Nos.1-2-3-4
    6. 4 Polish Dances
    7. Valse Romantique
    8. Metopes Calypso Op.29 No.2
    9. Masques Op.34 No.2 Tantris the Clown
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    Szymanowski – The Most Beautiful

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    Wieniawski – Capriccio-Valse Op.7

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    Grazyna Bacewicz – Theme With Variations (Violin & Piano)

    Pages: 24
    Language: English 
    Publisher: PWM
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    Grazyna Bacewicz – Theme With Variations (Violin & Piano)

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    Masterpieces of The Polish 20th Century

    Includes 10 Books
    Witold Lutoslawski – Sympony No.3
    Wojciech Kilar – Exodus
    Henryk Mikolaj Gorecki – Symfony No.3 “Symfony of Sorrowful Songs”
    Witold Lutoslawski – Concerto for Orchestra
    Tadeusz Baird – Four Love Sonnets
    Grazyna Bacewicz – Concerto for String Orchestra
    Karol Szymanowski – Stabat Mater
    Krzysztof Penderecki – Passio et Mors Domini Nostri Iesu Christi Secundum Lucam
    Karol Szymanowski – Violin Concerto No.1
    Mieczyslaw Karlowicz – Symphonic Poem
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    Masterpieces of The Polish 20th Century

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    Krakowa – Why Venus Above Me

    Pages:1Language:English,CzechPublisher:PWM 
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    Handel – Passacaille

    Pages:7Language:English,GermanPublisher:PWM Edition
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    Handel – Passacaille

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    Balanced output
    Pressure tested at extreme volume
    Reduces distortion and feedback
    Consistent output quality
    Plug & play installation
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    Lightweight and robust design
    Reduces setup times, allows you to carry less equipment

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    SAMsystems IM 10 Guitar Cab Microphone The SAMsystems IM 10 Guitar Cab Microphone is a compact yet powerful supercardioid microphone array designed to fit directly to your guitar cab/combo. The ‘retro-fit and forget’ design easily installs internally over the top of the speaker, securing in place and eliminating the issues normally caused by close micing of guitar cabs. The acoustic and harmonic range is optimised for guitar cabs, providing exceptional audio quality, ideal for both live and studio applications. The SAMsystem IM 10 is ideal for 10” guitar cabs, extracting the best possible sound from your guitar cab as well as being easy to install and use. The result is minimised overspill and feedback, providing a cleaner sound comparable with traditional micing techniques. Features

    Supercardioid microphone with extended frequency range
    Designed to fit 10-inch cabs
    Balanced output
    Pressure tested at extreme volume
    Reduces distortion and feedback
    Consistent output quality
    Plug & play installation
    ‘Fit & Forget’ design allows you to easily install and keep the microphone on your cab
    Lightweight and robust design
    Reduces setup times, allows you to carry less equipment

    €99,00€125,00
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