ISOLUTION

#html-body [data-pb-style=R1L6VJ6]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Το P-532 είναι ενα Base Drum Pedal εύκολα ρυθμιζόμενο και αρκετά ευέλικτο ώστε να ταιριάζει σε κάθε Set, ενώ λεπτομέρειες όπως τα δύο επιφανειακά DuoBeaters μεταφέρουν κάθε χτύπημα στο δέρμα  με εκτυφλωτική ακρίβεια. Προσαρμόσιμο σε πρακτικά κάθε στυλ παιξίματος με γνώμονα τον αναπτυσσόμενο ντράμερ, το P-532 σας βοηθά να παίξετε πιο γρήγορα, από την αρχή.
Χαρακτηριστικά :
Drive Cam : Linear Action Double Chain
Beaters : Two Surface Duo-Beaters
Universal Joint : Length Adjustable
Padal Frame : Radius Rods on the Main Pedal, Solid Plate on the Auxiliary
Hoop Clamp : Side Adjustable
Angle Adjustment : Uni-Lock Gearless

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 18 in B-flat major K. 456
 
 

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 16 in D major K. 451
 

Mozart, Wolfgang Amadeus
Concerto for three or two Pianos and Orchestra no. 7 in F major K. 242 “Lodron Concerto”

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 17 in G major K. 453
 
 

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 5 in D major K. 175, K. 382 Rondo
 
Composed in 1773 this was the 17 year old Mozart’s first original piano concerto – earlier efforts had been based on other composers’ works. The Rondo K.382 was added later in 1782 as a finale and includes a flute.

Beethoven, Ludwig vanConcerto for Pianoforte and Orchestra in D major op. 61 after the Violin Concerto- High quality Bärenreiter Urtext edition- Urtext solo piano part and an additional piano part with fingering- New kind of presentation of the piano reduction incorporating solo piano parts as customary in the 19 th century
 
After attending the premiere of Beethoven’s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that!Working with all known sources, Del Mar finally presents us with Beethoven’s solo piano articulation and dynamics and Beethoven’s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven’s Solo and Tutti markings.All in all, a groundbreaking scholarly critical edition; a “must“ for every pianist, every orchestra and every music library.The piano reduction will be presented in a new format:As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted – as with string and wind concertos – in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print.