ISOLUTION

  • Prokofiev – Peter Und Der Wolf

    #html-body [data-pb-style=SXX7YVU]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll} Το “Πέτρος και ο Λύκος” είναι μια ιστορία για τη νίκη μιας πιο αδύναμης δύναμης απέναντι σε μια φαινομενικά ανίκητη απειλή, χάρη στην εξυπνάδα και το θάρρος. Ο νεαρός Πέτρος, που ζει με τον παππού του κάπου βαθιά στη ρωσική τάιγκα, δεν θα είχε καμία πιθανότητα ενάντια στον πεινασμένο λύκο που περιπλανιέται στα δάση και δε διστάζει να πλησιάσει ανθρώπινους οικισμούς.
    Μια μέρα, ο Πέτρος βγαίνει στον κήπο χωρίς την άδεια του παππού του. Εκεί, γίνεται μάρτυρας της αγωνίας του πουλιού, της γάτας και της πάπιας που απειλούνται από τον ξαφνικό ερχομό του λύκου. Η συνάντηση αποβαίνει μοιραία για την πάπια, γεγονός που ωθεί τον Πέτρο να συλλάβει ένα σχέδιο για να παγιδεύσει τον λύκο. Σκαρφαλώνει σε ένα δέντρο και στήνει μια θηλιά. Με τη βοήθεια του γενναίου πουλιού, καταφέρνει να παρασύρει τον λύκο στην παγίδα. Λίγο αργότερα, φτάνουν οι κυνηγοί, έτοιμοι να τον πυροβολήσουν, αλλά ο Πέτρος τους σταματά, εξηγώντας ότι έχει ήδη πιάσει τον λύκο.
    Ο Πέτρος οδηγεί τον αιχμάλωτο λύκο στον ζωολογικό κήπο – με περηφάνια, αλλά και υπό την ανησυχία του παππού του, ο οποίος δεν μπορεί να παραβλέψει τις πιθανές συνέπειες που θα είχε αυτή η τολμηρή προσπάθεια αν η παγίδα του Πέτρου αποτύγχανε.

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  • Shostakovich – 24 Preludes and Fugues, Op.87/ Vol. 1 (1-12)

    #html-body [data-pb-style=GGH9NPM]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}
     
    Ως ένθερμος λάτρης της μουσικής του Γιόχαν Σεμπάστιαν Μπαχ, ο Ντμίτρι Σοστακόβιτς διέθετε βαθιά κατανόηση της αντίστιξης και εξαιρετική δεξιοτεχνία στον συγκεκριμένο τομέα. Μετά την επίσκεψή του στη Λειψία για τον εορτασμό της 200ής επετείου από τον θάνατο του Μπαχ, ο Σοστακόβιτς ξεκίνησε τον εκτενή κύκλο του έργου του, τα 24 Πρελούδια και Φούγκες για πιάνο, ως φόρο τιμής στον σπουδαίο προκάτοχό του. Αν και αρχικά τα έργα αυτά αγνοήθηκαν και δεν εκτιμήθηκαν, τόσο στη Σοβιετική Ένωση όσο και στη Δύση, σταδιακά εδραιώθηκαν στο συναυλιακό ρεπερτόριο. Τα πρελούδια και οι φούγκες, σε δύο τόμους των δώδεκα κομματιών ο καθένας, παρουσιάζονται εδώ.

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  • Shostakovich – String Quartet Nr.7 Op.108 Set of Parts

    #html-body [data-pb-style=Q6V7S96]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Dmitri Shostakovich (Composer)Streichquartett Nr. 7, Op.108
    Set of Parts

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  • Gubaidulina – Dancer On A Tightrope

    Gubaidulina Dancer On a Tightrope for violin and piano.

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  • Vasks – Selected Piano Works

    #html-body [data-pb-style=V0Q2PH1]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Pēteris Vasks (Composer)Ausgewählte Klavierwerke / selected piano wroks
    contents
    a little night music (13′)
    white scenery (7′)
    autumn music (13′)

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  • Matschawariani – Kinder-Album

    #html-body [data-pb-style=PDPKGYA]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Alexi Matchavariani
    Kinder-Album
    für Klavier
     
    Contents
    BällchenGäste (aus dem Ballett “Othello”)Im GartenImprovisationKarawaneKleine Tarantella (aus dem Ballett “Othello”)LeierkastenMärchenMorse-AlphabetPuppenparadeTanzTanz der Bianca (aus dem Ballett “Othello”)

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  • TGI Ζώνη Κιθάρας Woven Cotton Vegan Μαύρη

    Υψηλής ποιότητας υφασμάτινη ανθεκτική ζώνη κιθάρας κατασκευασμένη χωρίς καθόλου υλικά που προέρχονται από ζώα. Διαθέτει ανθεκτικές άκρες από φελλό και ρύθμιση 66-126 cm. Συμπεριλαμβάνει και κορδόνι για προσαρμογή σε όργανα που έχουν μόνο ένα strap button. ]

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  • PEAVEY PVi 2500

    Detent volume controls
    Ground lift switch
    2 dual speed fans for cooling
    Noise-free on-off
    Independent DC and thermal overload protection on each channel
    Short circuit and speaker protection
    DC servo operation
    Power ON, Clip, Signal, and Protect LED indicators for each channel
    Stereo (dual channel), parallel-input, or bridged mono operating modes with selector switch
    Road-worthy, rugged double rack space (2U) housing
    Parallel balanced XLR and 1/4″ TRS inputs
    ~115(60Hz)/~230V(50Hz) AC select switch and IEC power cord connector
    Built-in DC offset
    1900 Watts
    Binding post (banana plug) outputs
    Built-in digital current limiter

    PEAVEY PVi 2500

    589,00655,00

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  • PEAVEY PV Series MSP1 Microphone XLR

    Complete microphone/microphone stand package
    Includes PV®i100 dynamic cardioid microphone
    Designed for stand-mount application
    Black powder-coat finish tripod microphone stand with boom arm
    6-meter microphone cable
    Mic clip
    Convenient nylon carry bag
    Also available with 1/4″
    cable
    Packed Weight: 3.2 kg
    Packed Length: 90.81 cm
    Packed Width: 12.7 cm
    Packed Height: 10.16 cm

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  • PEAVEY AQ 15 Aquarius Series

    Two-way bi-amplified analogue amp-powered speaker system
    15″
    heavy-duty woofer
    DX™14 compression driver, with a 1.4-inch titanium diaphragm
    670 watts peak dynamic woofer power, 330 watts peak dynamic tweeter power
    Bluetooth® streaming and pairing are supported
    DSP processing is 56-bit double-precision
    DSP I/O is at 48 kHz and 24 bits, with low-jitter, professional-grade components
    Dynamic bass boost function
    Fan-cooled for maximum reliability
    Peavey® Designed Quadratic Throat Waveguide™ technology, 110 by 80-degree coverage
    Input is via a combo female XLR and 1/4″
    TRS phone jack with balanced input OR a Bluetooth ® signal can be streamed to the speaker system.
    A Mic/Line switch to accommodate a wide range of input signals
    Thru/Mix output is via a male XLR jack
    Multiple Factory Preset EQ settings for the DSP crossover system
    Rugged plastic injection-molded trapezoidal enclosure
    The cabinet has dual rear corner angled sides for floor monitor use.
    Full-coverage perforated steel grille, with powder coat finish
    Pole mount moulded-in for 1 3/8″
    diameter poles
    Packed Weight: 22.4 kg
    Packed Length: 77.47 cm
    Packed Width: 47.94 cm
    Packed Height: 44.61 cm

    PEAVEY AQ 15 Aquarius Series

    668,00742,00

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  • PEAVEY PV14 BT

    New rugged, slim, low-profile console design
    Convenient tablet cradle
    8 combination XLR/1/4″
    low noise mic preamps
    Selectable Hi Pass Filter on first 8 inputs
    3-band EQ on all channels
    8 channels of Peavey’s exclusive MidMorph® EQ
    EQ bypass per channel
    4 channels of built-in compression
    Individual channel mutes
    Individual Listen/Solo function
    LED clip and signal present indication
    8 Channels of direct out
    Stereo pan control per channel
    Channel 9/10 stereo 1/4″, RCA, or 3.5mm input channel
    Dual selectable control room outputs
    One pre-fader AUX send
    KOSMOS® bass and treble enhancement
    Main stereo outputs with 1/4″
    unbalanced and balanced XLR connectors
    Precision 60 mm faders
    High-quality master LED meter bridge
    Master mic mute
    Studio-quality headphone output
    Equipped with Bluetooth wireless connectivity, Bluetooth 3.0 + EDR, A2DP
    On-board USB-A MP3 and WAV playback
    Stereo USB-B streaming audio in and out, 16-bit, up to 48kHz sample rates
    Built-in Digital Effects with LCD Display
    Peavey’s exclusive on-board Hi Z guitar input
    Global 48V phantom power
    Product Dimensions: wide x deep x high: 41.12 cm x 43.94 cm x 5.56 cm
    Packed Weight: 6 kg
    Packed Length: 51.99 cm
    Packed Width: 47.5 cm
    Packed Height: 8.99 cm

    PEAVEY PV14 BT

    563,00626,00

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  • PEAVEY IPR2 3000

    2- Channel independent fourth-order Linkwitz-Riley crossovers
    DDT
    Revolutionary IPR class D topology
    Combi XLR 1/4″
    inputs
    Speakon output connectors
    Light Weight
    LED illuminated
    Detented input controls
    1750w at 2 ohms
    950w at 4 ohms
    525w at 8 ohms
    Individual signal pass 1/4″
    jacks on each channel.
    Packed Weight: 4.9 kg
    Packed Length: 53.34 cm
    Packed Width: 31.75 cm
    Packed Height: 11.94 cm

    PEAVEY IPR2 3000

    917,001.019,00

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  • PEAVEY Milestone 5 Black (5-string)

    34″ scale
    Dual-expanding truss rod
    20 frets
    12″ radius
    19:1 ratio tuning machines
    One straight and one split single coil pickup
    Stamped steel bridge
    Chrome hardware
    Two-volume, master tone controls
    Case not included
    Maple neck with rosewood fretboard
    Balanced, comfortable body styling with sculpted front and back, improved access neck joint
    Packed Weight: 4.99 kg
    Packed Length: 120.65 cm
    Packed Width: 37.47 cm
    Packed Height: 8.89 cm

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  • PEAVEY PVX12

    Two-way sound reinforcement enclosure
    12″
    heavy-duty woofer with 2 3/8″ voice coil & 50 oz. magnet
    RX™ 14 compression driver, with 1.4-inch titanium diaphragm
    400W program / 800W peak power handling
    Peavey’s exclusive Quadratic Throat Waveguide™ technology, 100 by 50-degree coverage
    Asymmetrical horn aims the sound down 10°, at the audience, not over their heads
    Crossover network for driver protection and EQ
    High-frequency driver protection
    Durable plastic injection-molded trapezoidal enclosure
    The extra angled section on the right side allows floor monitor use
    Full-coverage heavy-duty perforated steel grilles, with powder coat finish and weather-resistant foam cloth
    Pole mount molded-In
    Top, bottom and right side flying point inserts
    Packed Weight: 20 kg
    Packed Length: 67.95 cm
    Packed Width: 50.8 cm
    Packed Height: 46.36 cm

    PEAVEY PVX12

    328,00364,00

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  • Cohen – Violin Method, Book 2, Piano Accompaniment

    Study
    Scale And Study In G Major
    Chorale
    Blow Away The Morning Dew
    God Save The Queen
    Polly Wolly Doodle
    The Keeper
    Exercise For Left Hand Pizzicato
    Jimmy Crack Corn
    Exercise In Flexibility
    Oranges And Lemons
    Golden Slumbers
    Arpeggio Of G Major
    Arpeggio Exercise
    One Man Went To Mow
    The Little Sandman
    King Arthur
    Cock A Doodle Doo
    Early One Morning
    Bobby Shaftoe
    Left Hand Pizzicato Double Stopping
    Exercises For Using The Fourth Finger
    Venetian Waltz
    Sur Le Pont D’Avignon
    My Love’s An Arbutus
    Johnny Todd
    March From Scipio
    Rhythm Exercise
    The Jolly Miller
    The Flower Of County Down
    Kate Dalrymple
    Ya Ya Ya
    Scale And Arpeggio Of A Major
    Exercise In A
    First Study In A
    Eileen Aroon
    Second Study In A Major
    Minuet
    The Girl I Left Behind Me
    For He’s A Jolly Good Fellow
    Bowing And Rhythm Exercises
    Mountain Song
    John Brown’s Body
    Ilkley Moor
    Bowing Exercise
    Soldiers March
    The Bees
    The Yellow Rose Of Texas
    Scale And Arpeggio Of D Major
    Study In D
    Minuet
    The Happy Beggar
    I Had A Little Nut Tree
    A Little Child
    Ecossaise
    The Merry Peasant
    Gavotte From Ottone
    Barcarolle
    Alouette
    Cradle Song
    Song Of The Volga Boatman
    Dance Of The Blessed Spirits
    Folk Tune
    Rhythm Exercise
    Minuet In G
    On Wings Of Song
    Prelude
    Pretty Polly Oliver
    Rule Britannia
    Minuet
    Slumber Osng
    Le Petit Rien
    March In D
    Scottish Reel
    Rhythm Exercise Triplets
    Minuet
    Rustic Song
    Sonatina
    Shule Agra
    Scale And Arpggio Of C Major
    Study In C
    Lullaby
    Minuet
    March In C
    Gavotte
    Rigaudon
    Song Of The Reap Ers
    Matemos Al Gallo
    Folk Song
    Scale Of F Major
    Arpeggio And Exercise In F Major
    My Little Hen
    Emperor Of Austria’s Hymn
    En Passant Par La Lorraine
    Bourree Form The Water Music
    Musette
    Minuet
    Rhythm Exercise
    The Sailor’s Hornpipe
    Weggis Lied
    Bourree
    Scale And Arpeggio Of B Flat Major
    Study In B Flat
    Waltz
    With A Hundred Pipers
    Marching Through Georgia
    Cradle Song
    Lison Dormait
    Children’s Song From Japan
    Song Tune
    French Bugle March
    Minuet
    Muneca

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  • Faure – Requiem, Op.48

    Gabriel Faure’s unconventional composition Requiem has become a firm favourite in the repertoire and available here is the vocal score, for Soloists and SATB Choir with Piano Accompaniment, as edited by Desmond Ratcliffe. Gabriel Faure’s unconventional composition Requiem has become a firm favourite in the repertoire and available here is the vocal score, for Soloists and SATB Choir with Piano Accompaniment, as edited by Desmond Ratcliffe.
    The Requiem is probably the most famous of Gabriel Faure’s long works, taking him around 20 years to compose. The entire piece consists of seven movements with a total playing time of around 35 minutes. Although Faure’s mother and father both passed away in the early stages of composition, these tragic events were not the motivation for him to create the piece.Equally interestingly, this Requiem is not set to the standard liturgical text, with the wrathful ‘Dies Irae’ and ‘Tuba Mirum’ being omitted, and a lyrical ‘Pie Jesu’ and transcendent ‘Paradisum’ being added. The omissions were ordinarily opportunities for composers to showcase the dramatic possibilities of a chorus and orchestra to symbolise damnation, and so their deliberate exclusion by Faure creates a relatively calm and peaceful atmosphere, with sublime vocal harmonies and heavenly melodies.
    The work begins softly before dynamic volume and tempo changes are made throughout the piece, enhancing the solemn beauty of the voices. Stunning interplay between the Sopranos and Baritones gives way to some excellent opportunities for soloists that are perfectly married with the uplifting unison climaxes. Faure himself spoke eloquently about the Requiem, stating that his work was accurately called a ‘lullaby of death’, and that this speaks to his view that death is a positive transition, rather than a painful experience. It is this sentiment that informs the music, being melancholy but not depressing, heart-wrenching but not heart-breaking.
    Introitus: Requiem aeternam und Kyrie (Chor)
    Offertorium: Domine Jesu Christe (Baritonsolo und Chor)
    Sanctus (Chor)
    Pie Jesu (Sopransolo)
    Agnus Die (Chor)
    Responsorium: Libera me (Baritonsolo und Chor)
    In paradisum (Chor).

    Faure – Requiem, Op.48

    10,1011,20

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  • HOHNER Marine Band 1896/20

    The Marine Band 1896 is the archetypal blues harmonica. Almost unchanged since it was patented in 1896, this iconic instrument embodies the real deep blues like no other and is the benchmark against which all others are judged. Initially designed for European folk music, it quickly became a prominent voice of American blues of the early 20th century, played by all harmonica players of this era. It’s the soundtrack of broken hearts and dancing all night, of endless prairies and sweaty nightclubs. Like no other harmonica, the Marine Band 1896 is an invitation to express yourself in music, a key to unlock your creativity. When you discover this piece of living musical history, you won’t just play the blues. You’ll feel the blues.

    HOHNER Marine Band 1896/20

    46,0054,00

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  • Crusell – Concerto In F Minor Op.5

    Konzert für Klarinette und Orchester f-moll op. 5
    For clarinet and orchestra (piano reduction).

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  • TGI Clip Μανταλάκι Μικροφώνου

    Κλασικού τύπου μανταλάκι μικροφώνου της TGI, που συμπεριλαμβάνει αντάπτορα για χρήση με όλες τις βάσεις μικροφώνων, σε μαύρο χρώμα. ]

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  • TGI Μικρόφωνο Δυναμικό

    Δυναμικό μικρόφωνο φωνής της TGI, κατασκευασμένο από ποιοτικά ανθεκτικά υλικά που παράγει καθαρό και απαλό ήχο. ]

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  • TGI Clip Μανταλάκι Μικροφώνου

    Κλασικού τύπου μανταλάκι μικροφώνου της TGI, που συμπεριλαμβάνει αντάπτορα για χρήση με όλες τις βάσεις μικροφώνων, σε μαύρο χρώμα. ]

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  • PEAVEY VSX 48E

    VSX™ 48e DSP-based Loudspeaker Management SystemThe VSXe processors are DSP-based, loudspeaker management systems that boast a 96kHz sample rate and a floating point DSP processor for quite accurate filter response. The crossover filters are fully adjustable and any input can be routed to any output. The VSX Editor Program for PC allows complete remote setup and operation via the front panel USB port or by the rear panel Ethernet network connection. Files can also be saved and loaded using this interface software.
    Balanced Inputs: VSX 48e 4
    4 XLR balanced inputs and 8 XLR balanced outputs VSXe 48
    Maximum input and output level +20 dBu, XLR balanced inputs and outputs
    Frequency response 20 Hz to 20 kHz +0, -1 dB
    5 segment LED meters with limit indication on each output
    Every input features Gain, Mute, HP and LP filters, 8 bands of PEQ, polarity and Delay (680 mS)
    Security lock
    Dynamic range input to output greater than 109 dB (A-weighted) or 107 dB (unweighted)
    USB B port for setup and control
    24 bit Delta-Sigma A/D and D/A converters
    Every output features: 9 bands of PEQ, gain, compressor/limiter, polarity, Delay (680 mS), mute, and crossover/band-pass filters
    Ethernet port for setup and control
    Channels can be linked for simplified stereo operation
    96 kHz Sample rate
    Signal generator (sine, white noise, pink noise)
    PC Editor Programs allow complete remote setup and operation via USB or Ethernet
    Crossover/Band-pass filters feature Butterworth, Bessel or Linkwitz-Riley alignments from 1st order (6 dB/Oct) to 8th order (48 dB/Oct)
    Balanced Outputs: VSX 48e 8
    EQ filter types include: PEQ, Low-Shelf, Hi-Shelf, Low-Pass, High-Pass, All-Pass1 and All-Pass2
    5 segment LED meters on each input
    THD+N < 0.01% at 1 kHz Weight Unpacked: 5.80 lb(2.63 kg) Weight Packed: 7.72 lb(3.5 kg) Width Packed: 11.69"(29.6926 cm) Height Packed: 21.14"(53.6956 cm) Depth Packed: 4.9"(12.446 cm)

    PEAVEY VSX 48E

    655,00728,00

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