ISOLUTION

#html-body [data-pb-style=N5MPL9R]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Η νέα έκδοση της D-40 Standard προσφέρει τον απόλυτο ήχο που μπορεί να παράγει μια κιθάρα σχήματος dreadnought. Με επιλεγμένο solid Sitka Spruce στο καπάκι και με solid πλάτη και πλευρές από αφρικανικό μαόνι, η D-40 Standard προσφέρει αξιοσημείωτο όγκο, καθαρότητα και sustain που είναι ιδανικό για οτιδήποτε, από συνοδεία φωνητικών μέχρι σόλο και πολλές άλλες «unplugged» εφαρμογές.
Η D-40 Standard εκδηλώνει vintage γοητεία με διαχρονικά διακοσμητικά στοιχεία, όπως ένα tortoiseshell celluloid pickguard , λευκό δέσιμο ABS και ένθετο με το λογότυπο κορυφής της Guild στο headstock.
Η νέα D-40 Standard κατασκευάζεται με το νέο φινίρισμα Vintage Gloss nitro που είναι ένα εξαιρετικά λεπτό βερνίκι με σατινέ και γυαλιστερές ιδιότητες που αναδεικνύουν τη φυσική ομορφιά των επιλεγμένων ξύλων τόνου.
Χαρακτηριστικά :
Series : 40 USA
Number of Strings :   6
Shape : Dreadnought
Top Material : Solid Spruce
Body Sides : Solid Mahogany
Body Back : Solid Mahogany
Neck Material : Mahogany
Fretboard Material :  Indian Rosewood
Number of Frets :  20
Nut Width : 1 11/16″ (43mm)
Scale :  25 5/8″ (651mm)
Color : Natural
Finish : Gloss Nitrocellulose
Hard Case :  Yes
More Information : Guild Premium Humidified Wood Case

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 16 in D major K. 451
 

Mozart, Wolfgang Amadeus
Concerto for two Pianos and Orchestra no. 10 in E-flat major K. 365 (316a)

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 17 in G major K. 453
 
 

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 15 in B-flat major K. 450

Beethoven, Ludwig vanConcerto for Pianoforte and Orchestra in D major op. 61 after the Violin Concerto- High quality Bärenreiter Urtext edition- Urtext solo piano part and an additional piano part with fingering- New kind of presentation of the piano reduction incorporating solo piano parts as customary in the 19 th century
 
After attending the premiere of Beethoven’s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that!Working with all known sources, Del Mar finally presents us with Beethoven’s solo piano articulation and dynamics and Beethoven’s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven’s Solo and Tutti markings.All in all, a groundbreaking scholarly critical edition; a “must“ for every pianist, every orchestra and every music library.The piano reduction will be presented in a new format:As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted – as with string and wind concertos – in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print.

Bach, Johann SebastianConcerto for Harpsichord and Strings in G minor BWV 1058
 
All eight concertos [BA 5224-BA 5231] are presented in piano reductions with separate orchestra parts. Not only is the piano reduction suitable for conducting from the harpsichord, it also enables the works to be played on two harpsichords.