G. Henle Verlag
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Beethoven – Violin Concerto in D Major Op.61
Ludwig van Beethoven – Violin Concerto in D Major Op.61
Piano Reduction
For decades Henle’ s edition of this masterpiece from the violin repertoire has been de rigueur for all serious violinists. Now we are presenting it with a revised text reflecting the latest research findings from the Beethoven Complete Edition. A new preface provides a full account of the concerto’s convoluted genesis. And as a special treat, our revised edition contains cadenzas by Robert D. Levin!
Editor: Shin Augustinus Kojima
Piano reduction: Jürgen Sommer
Fingering and bowing for Violin: Wolfgang Schneiderhan
Preface: Ernst Herttrich
Cadenzas: Robert D. Levin
Score Pages : 41
Violin Part Pages: 29
Language: English, French, German
Publisher: Henle Verlag€15,90€17,60Beethoven – Violin Concerto in D Major Op.61
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Beethoven – Cadenzas For The Violin Concerto In D Major Op.61
Encouraged by Muzio Clementi, the head of a distinguished publishing house in London, Beethoven transformed his Violin Concerto into a Piano Concerto, but retained the cadenzas to the first and third movements for this version. As to the original Violin Concerto, there are no extant cadenzas in Beethoven’s hand. This is why the great violinist Wolfgang Schneiderhan transcribed the cadenzas of the piano version for his own instrument, the violin, thus leaving us, in a way, with an original cadenza for the original version.
Contents
Cadenzas for the Violin Concerto D Major Op.61
Cadenza (Wolfgang Schneiderhan)
Transition from the Andante to the Rondo (Wolfgang Schneiderhan)
Second transition to the theme of the Rondo (Wolfgang Schneiderhan)
Cadenza to the Rondo (Wolfgang Schneiderhan)
Score Pages : 21
Language: English, French, German
Publisher: Henle Verlag€11,20€12,40Διαθέσιμο σε 1-3 ημέρες
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Berg – Violin Concerto
The genesis of Berg’s Violin Concerto in 1935 is shrouded in tragedy. He had only just finished making the first sketches when Manon Gropius – the daughter of Walter Gropius and Alma Mahler, with whom Berg was friends – died of polio. He dedicated the concerto “To the memory of an angel” in her memory. Then Alban Berg died in 1935, so he no longer lived to see it printed or performed. Our edition – violin part and piano reduction – follow the score edited by Michael Kube, which is being published simultaneously by Breitkopf & Härtel together with the orchestral parts and pocket score. The illustrious violinist Frank Peter Zimmermann has provided fingerings and bowings for the violin part. This edition is worldwide available.
Contents
Preface
I Andante
Allegretto (scherzando)
II Allegro
Adagio
Comments
Editor: Michael Kube
Piano reduction: Jan Philip Schulze
Fingering and bowing for Violin: Frank Peter Zimmermann
Score Pages : 57
(Unmarked) Violin Part Pages: 18
(Marked) Violin Part Pages: 18
Language: English, French, German
Publisher: Henle Verlag€26,30€29,20Berg – Violin Concerto
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Schubert – Piano Sonata B flat major D960
In 1828, the last year of his life, Franz Schubert composed three sonatas for piano which are generally described as the culmination of his lifelong occupation with the piano sonata genre. Schubert’s role as successor to classical-era composers is clearly evident in them, while at the same time his very own, deeply personal tone resounds here. Our carefully revised edition of this frequently performed B flat major Sonata is based on the autograph and first edition. Once again, Schubert here seems to have gathered up all his powers of introspection and tranquillity. Above all, the calm theme of the first movement captivates through its dreamlike expression. While it does not pose technical-virtuosic problems for the player, itis highly demanding in terms of luminosity of tone and of subtlety of nuance.€18,50€20,50Schubert – Piano Sonata B flat major D960
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G. Henle Verlag Liszt – Valee D`Obermann
“Obermann”, the epistolary novel by the French Romantic Senancour, inspired Liszt to write the first volume in his collection “Années de Pèlerinage” (HN 173). A wanderer is searching for his ideals in the solitude of the Swiss mountains. The composer was able to identify with these ideas to such a great degree that he prefaced the eighth piece (“Le Mal de Pays”) with an extract from the novel’s 38th letter.
It is this text which also accompanies our edition of the sixth piece “Vallée d’Obermann”. To aid comprehension we have also included translations of the French orginal into German and English. Now the most important composition in the “Années I” is also available in a separate Henle urtext edition.
25 Pages€14,00€15,60G. Henle Verlag Liszt – Valee D`Obermann
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G. Henle Verlag Liszt – Sonate H-Moll
Following the revision of our facsimile of the Piano Sonata in b minor in 2015, we are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction, we were able to analyse several passages in the autograph more reliably; in addition, the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt’s, in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: “It is only blind noise – not a single healthy thought, everything confused.” Today we view this differently. Our new edition of this key piano work is further enhanced by the sophisticated fingerings supplied by the piano titan Marc-André Hamelin.€15,00Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Liszt – Rigoletto Concert Paraphrase
Liszt drew on three themes from Verdi’s “Rigoletto” in this glittering virtuoso work; its climax is the finale with the theme in the quartet from Act III “Bella figlia dell’amore”. If one ignores the fact that at this point in the opera the betrayal of Gilda’s love is made known, the work offers no sign that it was written at a time of deep depression: Liszt’s hope of legally marrying Princess von Sayn-Wittgenstein was slowly disappearing. Maybe Liszt’s opera paraphrases are therefore to be understood as memories of happier times in Weimar.€11,00Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Liszt – Funeralles
Liszt‘s Funérailles is a broadly conceived, virtuoso funeral march that has found a permanent place in the repertoire of all great pianists while remaining within the reach of talented amateurs. This separate print from Liszt‘s cycle “Harmonies poétiques et religieuses” (published by Henle in HN 639) opens with a new preface by the editor devoted specifically to Funérailles. Critical comments on the sources and on peculiarities of the musical text can be found at the end of the volume.€9,50Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Liszt – 3 Etudes De Concert
Im März 1848 ließ sich Liszt zusammen mit seiner neuen Lebensgefährtin, der Prinzessin Carolyne Sayn-Wittgenstein, in Weimar nieder. Es begann ein Lebensabschnitt der Sesshaftigkeit. Nicht zuletzt von der Partnerin zur Abkehr von der Virtuosenkarriere und zur Konzentration aufs kompositorische Metier angespornt, schloss er die Arbeit an den heute unter Il lamento, La leggierezza und Un sospiro bekannten Etüden im Sommer 1848 ab.
Im Gegensatz zu den mehr klaviertechnisch orientierten frühen Etüden Liszt, dominiert in den neuen Konzertetüden die poetische Idee und Klangvorstellung. Sie werden häufig im Konzert gespielt und gehören zu den Pflichtstücken in Musikhochschule und Klavierwettbewerb.
Fingersatz: Franz Liszt
Il lamento
La leggierezza
Un sospiro
40 Pages€14,00Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Liszt – Two Concert Etudes
The pianistically demanding studies “Waldesrauschen” and “Gnomenreigen” were written during the composer’s mature late phase, in which one does not necessarily expect such virtuosic pieces. Liszt composed them in 1862 in Rome for the Große theoretisch-praktische Klavierschule by Siegmund Lebert and Ludwig Stark.
In so doing he honoured a pledge he had made sometime before. Liszt was now teaching a large group of students. The two studies, published in 1863 and independent of the Klavierschule, were dedicated to his extremely gifted pupil Dionys Pruckner. He and other Liszt pupils often played them in concerts.
28 Pages€15,50Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Grieg Lyric Pieces Op.54 Vol. 5
Shepherd Boy
Norwegian Peasant March
March of the Trolls
Notturno
Scherzo
Peals of Bells€16,50Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Grieg Klaviersonate E Moll Op.7
GRIEG KLAVIERSONATE E Moll Op.7 HN604€15,50Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Handel – Six Fugues
Handel and fugues? The connection is not the first thing to cross our minds when we think of baroque keyboard music. Yet Handel, besides writing keyboard fugues as parts of larger works, also turned out separate fugues beginning from his days in Hamburg. Our edition combines the well-known Six Fugues (HWV 605–610) with two isolated fugues (HWV 611 and 612).
Handel later reused some of these fugues in his concerti grossi, the oratorio “Israel in Egypt”, and in a trio sonata, where they have become far more familiar today than the originals. Handel’s fugues were largely notated without ornaments. Our edition deliberately reproduces them in this original form, thereby giving performers latitude for their own interpretations.
52 Pages
Fugue g minor HWV 605
Fugue G major HWV 606
Fugue B flat major HVW 607
Fugue b minor HWV 608
Fugue a minor HWV 609
Fugue c minor HWV 610
Fugue F major HWV 611
Fugue E major HWV 612€23,50Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Liszt – Zwei Legenden
At last these two highlights of Liszt’s piano output are available in a good value “Urtext”! Every pianist knows the poetic, highly virtuosic legends about Liszt’s famous namesakes, “St. Francis of Assisi preaching to the birds” and “St. Francis of Paola walking upon the waves”. Liszt draws on all the resources of sound-painting to depict these holy events vividly. Both pieces are preceded by detailed explanations for the interested player in which the composer tells how he was inspired to compose this music. We print these texts in their French and Italian originals, and have added a German and an English translation.€16,00Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Schubert – Piano Sonatas, Volume II
Schubert’s 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year- old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas. Volume II of the three-book Henle Urtext edition contains not only the G major Sonata D 894 op. 78, with its glorious piano writing full of delicate expressiveness, but also the three great sonata masterpieces in c minor, A major and B flat major, with which Schubert looks far into the future and which have long since taken their place in the classical canon of piano sonata literature.
For
Piano
Musical Editions
Piano score (Urtext edition)
Item no.
401114
Author / Composer
Franz Schubert
Editor
Paul Mies
Level
advanced
Languages
german, english, french
Scope
127 pages; 23 × 30.5 cm€31,00Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Schubert – Klaviersonaten Band III
Schubert’s 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year- old musician one can trace a continuous development leading to the five great sonatas which he wrote in the years 1823 and 1826, and finally to the three masterworks written shortly before his death, which place him on a level with Beethoven as a composer of sonatas. The intensity with which Schubert approached the genre of the piano sonata meant that he left a large number of piano sonatas incomplete. Volume III of the three-part Henle Urtext edition contains – next to the early sonatas from the years 1815-1818 – the fragments completed by Paul Badura-Skoda, whose completions are highlighted each time by small cue notes. The Critical Report in the Appendix also provides precise information about the genesis of the individual works.
For
Piano
Author / Composer
Schubert, Franz Peter
Editor
Badura-Skoda, Paul
Publisher / Producer
Henle Verlag€44,00Διαθέσιμο σε 1-3 ημέρες
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G. Henle Verlag Schumann – Three Piano Sonatas for the Young op. 118
Following the resounding success of his “Album for the Young” op. 68, it seemed natural for Schumann to compose further works with an educational aim. This was part of a contemporary trend and his own children gave him many ideas.
The Three Sonatas op. 118 are dedicated to his eldest daughters Marie, Elise and Julie, and can be understood as character studies of the three very different girls. They are comparatively demanding teaching material, although Schumann had intended this: “The young must also become accustomed to performing longer movements”. Not only advanced students of the piano will enjoy these charming “sonatas for the young”!
For
Piano
Musical Editions
Music score (Urtext edition)
Item no.
555135
Author / Composer
Robert Schumann
Editor
Ernst Herttrich
Level
medium–advanced
Scope
56 pages; 23.5 × 31 cm€18,50Διαθέσιμο σε 1-3 ημέρες
Only now did the well-preserved copy appear in the Sotheby’s catalogue. Evaluated according to all the rules of source criticism, this first edition makes this attractive late-Romantic work available.