G. Henle Verlag
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Bach – Little Preludes and Fughes
This edition with over 50 pages contains the universally known selection of easy preludes and little fugues that has proved extremely successful in teaching the piano. Bach’s sons, with Wilhelm Friedemann and Carl Philip Emanuel leading the way, were already able to learn them.
If you make your way through these pieces (which gradually become more challenging), you can make great progress on the piano, and what is more these 300-year-old compositions are still able to work their musical magic. Those who are technically more advanced should still occasionally sight read through them; you will then immediately see that they are real gems. Incidentally, all of Bach’s piano works are available from Henle both with and without fingerings.
Little Preludes from the “Pianobook” for W.F. Bach BWV 924-928, 930, 931
6 Little Preludes for Beginners on Piano BWV 933-938
6 Little Preludes BWV 939-943, 999
Fughetta c minor BWV 961
Fugue C major BWV 952
Fugue C major BWV 953
Prelude G major BWV 902a
Fughetta BWV 902
Prelude and Fughetta d minor BWV 899
Prelude and Fugue e minor BWV 900
Prelude and Fugue a minor BWV 895€18,00€20,00Bach – Little Preludes and Fughes
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Chopin – Nocturnes (Urtext)
Time and again, Chopin succeeded in giving different piano music genres their own individual characters, whether etudes, preludes, waltzes, scherzi or nocturnes. The Irishman John Field had already composed over 20 nocturnes, which presumably greatly influenced Chopin.
The latter continued to develop the light, song-like piano writing and created works whose dreamy, longing atmosphere came to embody Chopin’s music. Our volume contains the works that were published during Chopin’s lifetime as well as ones which were only published posthumously, including the famous Lento con gran espressione in c sharp minor – in two authentic versions.
Nocturne b flat minor op. 9,1
Nocturne E flat major op. 9,2
Nocturne B major op. 9,3
Nocturne F major op. 15,1
Nocturne F sharp major op. 15,2
Nocturne g minor op. 15,3
Nocturne c sharp minor op. 27,1
Nocturne D flat major op. 27,2
Nocturne B major op. 32,1
Nocturne A flat major op. 32,2
Nocturne g minor op. 37,1
Nocturne G major op. 37,2
Nocturne c minor op. 48,1
Nocturne f sharp minor op. 48,2
Nocturne f minor op. 55,1
Nocturne E flat major op. 55,2
Nocturne B major op. 62,1
Nocturne E major op. 62,2
Nocturne e minor op. post. 72,1
Nocturne (version 1) c sharp minor KK IVa,16
Nocturne (version 2) c sharp minor KK IVa,16
Nocturne c minor KK IVb,8€32,50€36,10Chopin – Nocturnes (Urtext)
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Beethoven – Concerto for Piano and Orchestra No.3 C-moll Op.37
Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface – by Beethoven scholar Hans-Werner Küthen – concludes with valuable information about the edition.€35,40€39,30Διαθέσιμο σε 1-3 ημέρες
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Schumann – Sonata g-Moll Op.22
“I am endlessly looking forward to the second sonata”, thus Clara wrote to Robert in 1838, “Your whole being is so clearly expressed in it.” Nonetheless, she encouraged him to revise the last movement in the same letter, which provided the composition with a completely new finale. The first two movements were also reworked several times. The editor assiduously provides information on the complicated genesis of the work in this new edition. The musical text is not only followed by the original final movement, which is musically and pianistically very demanding but also the model for the second movement: Schumann made an arrangement of one of his own songs (“In the Autumn”) for the piano.?€27,60€30,60Schumann – Sonata g-Moll Op.22
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Beethoven – Complete Bagatelles
Whenever one speaks about Beethoven’s piano music, it is usually his sonatas that come to mind. However, his other works for this instrument are of no less significance.
Thus it is not a coincidence that Beethoven published the majority of his Bagatellen with an opus number, as this went hand in hand with a certain regard for the pieces in question: they represent Beethoven’s lighter, more accessible side, disproving his all too hastily attributed reputation as a master of the weighty and serious.
Bagatelle c minor WoO 52
7 Bagatelles op. 33
Bagatelle E flat major op. 33,1
Bagatelle C major op. 33,2
Bagatelle F major op. 33,3
Bagatelle A major op. 33,4
Bagatelle C major op. 33,5
Bagatelle D major op. 33,6
Bagatelle A flat major op. 33,7
Bagatelle C major WoO 56
11 new Bagatelles op. 119
Bagatelle g minor op. 119,1
Bagatelle C major op. 119,2
Bagatelle D major op. 119,3
Bagatelle A major op. 119,4
Bagatelle c minor op. 119,5
Bagatelle G major op. 119,6
Bagatelle C major op. 119,7
Bagatelle C major op. 119,8
Bagatelle a minor op. 119,9
Bagatelle A major op. 119,10
Bagatelle B flat major op. 119,11
6 Bagatelles op. 126
Bagatelle G major op. 126,1
Bagatelle g minor op. 126,2
Bagatelle E flat major op. 126,3
Bagatelle b minor op. 126,4
Bagatelle G major op. 126,5
Bagatelle E flat major op. 126,6€21,60€24,00Beethoven – Complete Bagatelles
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Beethoven – Bagatelle a-moll WoO 59 (Für Elise)
There are probably very few piano students who have not tried their hand at this piece; it is undeniably one of the most popular classical piano pieces today. And yet unanswered questions still remain. They not only concern details in the musical text but also its famous nickname: Is “Elise”, the reading in the dedication in the autograph, even actually correct? Or should it read “Therese”?
And whom might Beethoven have actually meant? The most recent findings with regard to these questions are documented in our Henle Urtext edition. The revised musical text is now being published in advance of the long-awaited volume “Piano Pieces” in the Complete Edition, prepared by the Beethoven scholar Joanna Cobb Biermann.€6,20€6,90Διαθέσιμο σε 1-3 ημέρες
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Mozart – Violin Concerto Nr.2 In D Major
Mozart, Wolfgang Amadeus – Concert Nr.2 In D Major
For Violin and Piano
Editor: Wolf-Dieter Seiffert
Piano Reduction: Siegfried Petrenz
Fingering, Bowing, Cadenzas and Lead-ins: Kurt Guntner
Score Pages: 23
Violin Part Pages: 11
Language: German, English, French
Publisher: Henle Verlag€13,10€14,50Mozart – Violin Concerto Nr.2 In D Major
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Beethoven – Variations on Folk Songs op.105 and 107
Beethoven Variations on Folk Songs op. 105 and 107 for Piano and Flute ( Violin ) ad lib.
Pages: 96 Book & 28 Parts
Language: English / German
Publisher: G. Henle Verlag€27,30€30,30Beethoven – Variations on Folk Songs op.105 and 107
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G. Henle Verlag Mozart – Concerto Nr.1 In Bb Major
REDUCTION HN706€12,10€13,50G. Henle Verlag Mozart – Concerto Nr.1 In Bb Major
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Schubert – Piano Pieces / Piano Variations
Contains the following pieces: Andante in C Major, D 29 ; 10 Piano Variations in F Major, D 156 ; Adagio in G Major, D 178 ; 13 Piano Variations in A Minor, D 576 ; Scherzo in B-flat Major, D 593, No. 1 ; Scherzo in D-flat Major, D 593 ; Fantasy in C Major (“Graz Fantasy”), D 605 A ; March in E Major, D 606 ; Hungarian Melody in B Minor, D 817 ; Allegretto in C Minor, D 915€29,00€33,00Schubert – Piano Pieces / Piano Variations
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Haydn – Violin Concerto In A Major
Haydn, Joseph – Konzert A-dur
Hob. VIIa:3
For Violin and Piano Reduction
Editor: Güntner Thomas
Piano Reduction: Stefan Zorzor
Cadenzas: Franz Beyer
Score Pages: 27
Violin Part Pages: 16
Language: German, English, French
Publisher: Henle Verlag€13,50€15,00Haydn – Violin Concerto In A Major
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Liszt – Klaviersonate H Moll Facsimile
1973. In Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 25 pages of facsimile partitions. Text in German language. Classification Dewey: 780.26-Partitions€129,00€139,00Liszt – Klaviersonate H Moll Facsimile
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Schubert – String Quintet C major op. post. 163 D 956
No music lover can remain untouched by the emotional quality of this work, composed by Schubert last year. The monumental weight of the outer movements, the intimate lyricism of the “Adagio”, as well as the unusual timbre, ensure the uniqueness of this quintet.
An additional cello, which takes on an essential melodic role, joins the classical string quartet. The editor of our new Urtext edition, Egon Voss, not only does justice to the difficult source situation; with new and convincing solutions for difficult page turns, but he also takes into account the demands of musical practice.€31,50Διαθέσιμο σε 1-3 ημέρες
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Schubert – Piano Quintet In A Maj Op.Post.114
Franz Schubert transformed five-song melodies from his rich output of Lieder into instrumental music. The song “The Trout” from 1817 served as a theme for the variations in his Quintet D. 667 for piano, violin, viola, violoncello and double bass, one of chamber music’s most popular works. The piece’s sunny mood – it sounds much more cheerful than Schubert’s other chamber music – comes across like an echo of the felicitous summer months of 1819.
The then twenty-two-year-old Schubert passed these in the convivial company at Steyr in Upper Austria and subsequently set to work composing. The present Urtext edition largely follows the Viennese first edition, which likely reproduces the original version of the now-lost autograph.
In addition, it takes into account the only manuscript source of this work, a copy by Schubert’s friend Albert Stadler. Musicians everywhere will appreciate the optimally-placed page turns in the individual parts!€39,00Διαθέσιμο σε 1-3 ημέρες
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Mozart – String Quintets Vol. 3
With the publication of the masterpieces K. 593 and 614, all of Mozart’s string quintets are now available in Henle Urtext. Our edition corrects several widespread misreadings of the musical text and also draws on the first printings as important sources. The first printing of the Finale from the Quintet in D major K. 593 diverges greatly from the autograph. The editors consider it probable that the print version was authorized, which is the reason why we have published both versions of the movement (to enable a better comparison it is given as an ossia version above the musical text). In the Preface and Comments, the editors shed light on the source situation of these two immortal works written in the last two years of Mozart’s life.€37,00Διαθέσιμο σε 1-3 ημέρες
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Mozart – String Quintets Vol. 2
In the Mozart Year 2006, Henle will begin publication of all of Mozart’s string quintets in a three-volume Urtext edition (parts and study scores). Volume II, comprising the best-known and most often played quintets in C major (K. 515), g minor (K. 516) and c minor (K. 406/516b) from 1787 is the first to appear.
This Urtext edition contains an exciting finding: it draws upon a hitherto unknown source. Recently Ernst Herttrich, one of the two editors, found handwritten parts for these works, containing additions in Mozart’s hand – predominantly concerning dynamics and articulation. The music world is sure to eagerly await volumes I and III which are to be published in the course of the next two years.
String Quintet C major KV 515
String Quintet g minor KV 516
String Quintet c minor KV 406 (516b)€40,00Διαθέσιμο σε 1-3 ημέρες
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Mozart – Adagio & Rondo KV617
A genuine discovery! Written at the same time as the Magic Flute, this is Mozart’s final piece of chamber music. Anyone lacking a glass harmonica should try it with a piano or a harp (it has even been heard with a marimba!). It’s worth the effort, and Henle’s scholarly-critical urtext material offers a 100% reliable musical text.€29,50Διαθέσιμο σε 1-3 ημέρες
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Haydn – Concertante In Bb Maj
“Sometimes the symphonies … are destined to showcase the musicians’ talents” – a music dictionary of the time thus commented on a new genre, the “Symphonie concertante”. The playful competition between the solo instruments proved very popular with the audience and sparked a rivalry among the concert organizers in the music metropolis London: Ignaz Pleyel received a great deal of praise for one such “concertante” and only four weeks later Haydn achieved great fame for Hob. I:105. This attractive work is now published in piano reduction so that it can be played without orchestral accompaniment. The performing material is published by Bärenreiter.?€33,00Διαθέσιμο σε 1-3 ημέρες
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Reicha – Quintet for Wind Instruments E Flat Major Op.88/2
Reicha published a total of 24 wind quintets for the “classical” scoring of flute, oboe, clarinet, horn and bassoon- op. 88 no. 2 is one of the best-loved and most played. “If it were possible to surpass Haydn in the composition of quartets and quintets, Reicha would have succeeded with these quintets”, thus raved the “Allgemeine Musikalische Zeitung” on a performance of Reicha’s quintets, “it seems to me that it is impossible to unite more correctness and clarity with more inventiveness and originality.” This work exudes inspiration and spirit from every note. In addition to the parts, we have also produced a handy study edition of the score.€43,00Διαθέσιμο σε 1-3 ημέρες
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Beethoven – Quintet E flat major op. 16
Works for or with wind instruments (then called “Harmonie” in German) were an extraordinarily popular genre in the Viennese Classical era. Beethoven also created a number of works that call for wind instruments, including his Piano Quintet op. 16 in E flat major. It was written in 1796 while Beethoven was on his concert tour to Prague and Berlin.
Unmistakable are the parallels with Mozart’s corresponding Quintet K. 452, both in the key and in the sequence of single movements. The grace and serenity that stamp the work recall the model particularly favoured by Beethoven. That he himself had a soft spot in his heart for this work emerges from the fact that he repeatedly placed it on the programs of his concerts as a pianist, and also arranged it as a quartet for piano and three-stringed instruments.€33,00Διαθέσιμο σε 1-3 ημέρες
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Mozart – Horn Quintet E flat major K. 407 (386c)
We not only owe three of Mozart’s horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violins, the accompanying string quartet has two violas, which complement the dark and warm timbre of the horn and lend the work a unique tonal effect. Echoes of motives from the “Abduction from the Seraglio” allow us to suppose that it was composed around the same time as the Singspiel. As the autograph is missing, this edition is based on the first edition. In addition, the critical apparatus provides a careful evaluation of the secondary sources, affording important insights into Mozart’s intentions.€22,00Διαθέσιμο σε 1-3 ημέρες
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Beethoven – String Quintets
A must for all ambitious string ensembles: this classic of the Henle catalogue has received a great many improvements based on the latest findings of scholarship.
After years of research, Beethoven‘s complete string quintets are now available in a thoroughly revised set of parts and an improved appearance on the page. Needless to say, the parts are accompanied by a study score (HN 9267).
String Quintet E flat major op. 4
String Quintet C major op. 29
String Quintet c minor op. 104
Fugue for 2 Violins, 2 Violas and Violoncello D major op. 137
Quintet Movement d minor Hess 40€60,00Beethoven – String Quintets
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What makes this Urtext edition particularly valuable is the fact that all the sonatas have been edited using the surviving manuscripts as well as the original print editions personally supervised by Beethoven. When laying out the text, our editor has attempted to preserve the layout of these sources as exactly as possible. Thus Beethoven’s original notation is reproduced in strict conformity with these models, vividly elucidating the musical relationships desired by the composer.
Along with an annotated part, an extra part without fingerings is included for violinists who want to establish their own approach to Beethovens violin sonatas.
Sonate A-dur op. 30,1
Sonate c-moll op. 30,2
Sonate G-dur op. 30,3
Sonate [Kreutzersonate] A-dur op. 47
Sonate G-dur op. 96