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	Uhl – 48 Studies for Clarinet, Book 2#html-body [data-pb-style=NN3WQ8H]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}These studies are intended to complement the existing teaching material for the clarinet, making the budding clarinettist familiar with the difficulties peculiar to modern instrumental music.€21,70€24,10Uhl – 48 Studies for Clarinet, Book 2€21,70€24,10Διαθέσιμο σε 1-3 ημέρες 
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	Kreisler – Variations On A Theme by Corelli in F Major#html-body [data-pb-style=V9A2SU9]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Variations on a theme by Corelli F major in the style of Giuseppe Tartini€14,50€16,10Διαθέσιμο σε 1-3 ημέρες 
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	Chopin – Variations On A Theme By Rossini#html-body [data-pb-style=U71COCN]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Variations on a theme by Rossini from the opera “La Cenerentola”
 €17,40€19,30Chopin – Variations On A Theme By Rossini€17,40€19,30Διαθέσιμο σε 1-3 ημέρες 
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	Tchaikovsky – Pezzo Capriccioso for Cello & Piano#html-body [data-pb-style=PIW7P2O]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Εκτός από τις διάσημες Rococo Variations, ο Pyotr I. Tchaikovsky συνέθεσε και ένα άλλο έργο για σόλο τσέλο: το Pezzo capriccioso, Έργο 62. Το έργο είναι αφιερωμένο στον Brandoukoff (Brandukov), με τον οποίο το παρουσίασε για πρώτη φορά στο περίφημο καλλιτεχνικό σαλόνι της οικογένειας Μπεναρδάκη, τον Φεβρουάριο του 1888. Ο ίδιος ο σολίστ πρότεινε μερικές μικρές τροποποιήσεις στο σόλο μέρος. Ακόμη και ο σπουδαίος βιρτουόζος του τσέλου και δάσκαλος, Maurice Gendron, ασχολήθηκε ξανά με το έργο, εμπλουτίζοντας το σόλο με περισσότερες βιρτουόζικες λεπτομέρειες και προσθέτοντας μια cadenza, μια εκτεταμένη ανακεφαλαίωση και ένα παρατεταμένο τέλος στο Pezzo.
 Η παρούσα έκδοση δίνει τη δυνατότητα στον εκτελεστή να αποκτήσει μια πλήρη εικόνα των διαφορετικών εκδοχών και επιπέδων του έργου. Οι δακτυλισμοί, οι ενδείξεις δοξαριών και τα ερμηνευτικά βοηθήματα – εκτός από αυτά που περιλαμβάνονται στα πρόσθετα μέρη – είναι έργο του Maurice Gendron.€28,00€31,10Tchaikovsky – Pezzo Capriccioso for Cello & Piano€28,00€31,10Διαθέσιμο σε 1-3 ημέρες 
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	Benda – Concerto in F MajorThe early classical concerto of Friedrich Wilhelm Heinrich Benda that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best advantage. Instrumentation: viola and strings with harpsichord; 2 horns ad libitum.€27,70€30,80Benda – Concerto in F Major€27,70€30,80Διαθέσιμο σε 1-3 ημέρες 
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	The Virtuoso Piano Transcription Series, Vol. 4 Rigoletto#html-body [data-pb-style=BVAA9V8]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}#html-body [data-pb-style=XUDTYAI]{max-width:360px}Franz Liszt (Composer) | Giuseppe Fortunino Francesco Verdi (Composer)RigolettoConcert-Paraphrase about the quartet by Franz LisztPiano
 The opera paraphrases take a prominent place among Liszt’s complete works as a self-contained art form alongside original compositions. Feruccio Busoni values the high artistic merit of these compositions in the manner in which their well-considered structural planning in the arrangement of form and contrast and the endeavour to expand and embellish the chosen motifs place Liszt’s opera fantasies apart from the “plebeian potpourri”. The early Verdi paraphrases, particularly this Rigoletto-Paraphrase composed in 1859, are far superior to the later paraphrases (including those based on Don Carlos and Aida). This exceedingly brillant concert piece based on arguably the most famous quartet in the history of opera is particularly significant for the unique way in which Liszt is able to bring together the juxtaposition of extreme contrasts – the Duke’s ardent declaration of love, Maddalena’s prattling rejection, the grief-stricken cantilene of Gilda’s and Rigoletto’s furious parlando – as in Verdi’s original, resulting in a marvellous formal unity.
 €14,00€15,60Διαθέσιμο σε 1-3 ημέρες 
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	Liszt – Ungarische Rhapsodie No 1#html-body [data-pb-style=VPPPBLH]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}Franz Liszt (Composer) | Eugen d’Albert (Editor)
 Hungarian Rhapsody
 No. 1 E major
 
 Piano
 Series:Edition Schott – Single Edition
 €5,60€6,20Liszt – Ungarische Rhapsodie No 1€5,60€6,20Διαθέσιμο σε 1-3 ημέρες 
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	Szeleny – Nocturne#html-body [data-pb-style=YNT0KIX]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}István Szelényi (Composer)Nocturne€12,00€13,30Szeleny – Nocturne€12,00€13,30Διαθέσιμο σε 1-3 ημέρες 
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	Strawinsky – L` Oiseau De Feu#html-body [data-pb-style=NRDHX04]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The Firebird Scherzo, Berceuse and Danse Infernale arranged for piano by Soulima Strawinsky€17,60€19,50Strawinsky – L` Oiseau De Feu€17,60€19,50Διαθέσιμο σε 1-3 ημέρες 
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	Feuillard – Daily Exercises for VioloncelloLouis R. Feuillard (1872-1941) is best known as the teacher of Paul Tortelier, who described him as a man with an extraordinary pedagogical feeling. His daily exercises cover the most important areas of cello technique, such as exercises in the neck and thumb positions, double stops and bow exercises. Particularly because of the logical structure of the exercises, they have been one of the standard works of etude literature for cello since their first appearance in 1919.
 Part: Exercises in the neck positions
 Part: Exercises that encompass the cello in its entirety
 Part: Exercises with thumb attachment
 Part: double handles
 Part: bow exercises€22,40€24,90Feuillard – Daily Exercises for Violoncello€22,40€24,90Διαθέσιμο σε 1-3 ημέρες 
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	Renate Bruce-Weber – Die fröhliche Violine Band 1(Package)At the violin school The Happy Violin, the focus is on having fun while learning: the textbook aims at a playful, early start with the instrument. As the lesson progresses, the growing students are then consciously addressed in a language that corresponds to their age development. This also includes a stylistically diverse range of pieces from classical and folklore, and all sorts of interesting facts about the music and its composers are always reported.
 Volume 1: Detailed introduction to the bow position – songs and pieces using only the first type of fingering, with a focus on rhythmic, melodic and bowing technique variety – playful exploration of violin playing techniques such as pizzicato, position playing, flageolet and double stops CD for volume 1 (T 3272). all songs and pieces, with funny dialogues spoken by children. A motivating addition to the lesson and a nice gift idea!
 The playbook is designed as a supplement to the first volume of the teaching work The Happy Violin. Therefore, all violin parts can be played in the 1st fingering to suit the violin school. Musically, however, the booklet goes far beyond the content of a first year of teaching, so that the pieces are also well suited to recapitulating familiar content.
 The pieces contain a wide variety of musical ideas and styles, from baroque to modern, from the shanty to the Japanese national anthem, from the light canon to the effective prelude piece.
 Contents
 Preface
 Welcome to violin lessons
 Visit to the violin maker
 The four strings
 The bow stance
 Eighth notes
 The left hand
 The first type of grip
 The flageolet
 sign
 Bound sheet music
 The first double stops
 Short notes
 Songs for special occasions
 Songs and plays:
 Evening song
 Ali ben Ule
 All of Alabama’s monkeys
 American gospel song
 Andulka
 To sing on rainy days
 Asian dream song
 Elevator
 From Beethoven’s Violin Concerto
 From the Peasant Cantata
 From the 9th Symphony
 Babushka’s Evening Song
 At the violin maker
 Bella Bimba
 movement game
 Brother Jacob
 Cantata Domino
 Chinese melody
 The dachshund drama
 The echo
 The sad child
 The excursion
 The hedgehog and the porcupine
 The Cuckoo and the donkey
 The night violinist
 The clever Purzel
 The snail
 The proud poodle
 The proud poodle – something different
 The old bridge
 The old bridge-somewhat changed
 The goose Agathe
 The Nightingale
 The snail mail
 English sea shanty
 English sea shanty (chorus)
 Finger climbing song 1
 Eve! Caroline!
 Carnival duet
 Holiday song
 French troubadour song
 Brother Jacques
 Happy violin piece
 Spring song
 Five scale tongue twisters
 birthday song
 Ghost music
 Good morning, Mr. Spielmann
 Hot, Kathreinerle
 Hey, hitch up the car
 Heijo, hitch up the car (canon)
 In the rocking chair
 Indian dance
 Joseph, dear Joseph my
 Canon from Israel
 Do you know this song?
 Little festival music
 Little finger exercise
 Little melody
 Small scale piece
 Cuckoo song
 Song of the Snake Charmer
 Song with the note B
 March for the Emperor of China
 Morning song
 musette
 Another climbing scale
 Another piece with double stops
 Oh joyful day
 O Savior, tear open the heavens
 Intermission piece
 polka
 Little rose, little rose
 String changing exercise
 Scottish March
 Scottish New Year’s Eve song
 swing dance
 Dance song
 Tim the piper
 I stepped outside the door today
 Trumpet fanfare
 Hungarian dance
 Good luck and many blessings
 Virtuoso piece
 From the sky above
 waltz
 what is that supposed to mean
 What is the little mouse dreaming about?
 Lullaby
 We climb up
 We’re calling everyone
 We play with and without breaks
 We practice the dotted rhythm
 We practice for the swing dance
 Miracle song
 Happy birthday
 At Easter
 Two small fifth pieces
 Playbook:
 Two pieces on open strings:
 Sunday walk
 Birthday rally
 Two canons:
 Autumn canon
 Spring canon
 Two songs from Israel:
 Love song (Hana’ava babanot)
 Praise to King David
 Two songs from Spain:
 Summer Song (Segador)
 The Shepherdess (La Pastoreta)
 Two sea shanties:
 Was once a small sailing boat
 My Bonnie is over the ocean
 Two pieces from the “Happy Violin”:
 Peasant Cantata (JS Bach)
 The night violinist
 Two pieces from the early baroque:
 Peasant Dance (M. Praetorius)
 Dance (M. Praetorius)
 Two pieces from the Baroque period:
 Little Hunting Music (G. Ph. Telemann)
 Variations on: “We have three cats” (Augsburger Tafelkonfekt)
 Two pieces from the 21st century:
 The scary cobra
 Dance of the earthworms
 Two songs from Australia:
 Moreton Bay
 The frigate Catalpa
 Two pieces for stage performances:
 Enter the contortionists
 Rondo after a Polish dance€36,90€41,00Διαθέσιμο σε 1-3 ημέρες 
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	Piano music by female composersFemale composers have made their way in the face of prejudice and opposition. For a long time the prejudice prevailed that women lack the requisite creative talent to compose great music. It is indeed true that women have been less active in the field of musical composition than their male contemporaries, but reasons for this are found in the social circumstances of the recent past:
 In the late eighteenth and nineteenth centuries, the ages of the Enlightenment and the flowering of great achievement in music, women were denied the education and encouragement which would have made individual accomplishment possible beyond the limits of domestic music-making. In spite of these hindrances there were highly gifted women who overcame the hurdles and were able to prove their talent for composition. Of course these belonged to the wealthy middle and upper classes, or were women from musical families who were able to receive a thorough training.
 This selection, comprising 19 female composers from eight countries, cannot claim to be completely representative, both because it is limited to the period from the eighteenth century to the present, and because there is, as yet, no systematic catalogue of the autographs and printed editions in archives and libraries. But our editors are happy that this publication is worthwhile and justified, and that each of the pieces can speak for itself.
 Women will in future pursue musical composition amid a manifest change in society’s view of women and its attitude towards them.
 Vorwort
 Zu den Komponistinnen
 Elisabeth Jacquet de Laguerre (ca. 1664-1729): Rondeau
 Marianne Matinez (1744-1812): Sonate No. 3
 Maria Szymanowska (1789-1831): Nocturne
 Fanny Hensel (1805-1847): Mélodies, op. 4/2 und op. 5/4
 Clara Schumann (1819-1896): Andante con sentimento
 Louise Farrenc (1804-1875): Impromptu
 Cécile Chaminade (1857-1944): Pierrette, op. 41
 Ilse Fromm-Michaels (1888-1986): Langsamer Walzer
 Else Schmitz-Gohr (1901-1987): Elegie für die linke Hand allein
 Lotte Backes (1901-1987): Slow
 L.ili Boulanger (1893-1918): D’ un vieux jardin
 Priaulx Rainier (1903-1986): Barbaric Dance
 Elizabeth Lutyens (1906-1983): Two Bagatelles
 Peggy Glanville-Hicks (1912-1990): Prelude for a Pensive Pupil
 Verdina Shlonsky (1913-1990): Introduction
 Ivana Loudova: 2 Stücke (Dornröschen
 Wiegenlied)
 Barbara Heller (*1936): Piano Muziek
 Böhmisches Lied
 Susanne Erding (*1955): Chillan
 Johanna Senfter (1879-1961): Erster Schmerz
 Vogelweise€32,60€36,20Piano music by female composers€32,60€36,20Διαθέσιμο σε 1-3 ημέρες 
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	Doflein – The Doflein Method Vol.1, The Beginning [English]A course of violin instruction combined with musical theory and practice in duet-playing
 Chapter 1: Music with five notes
 Chapter 2: Music with six notes
 Chapter 3: Music with eight notes
 Chapter 4
 Chapter 5: Key-note on the first finger
 Chapter 6: Combination of both attitudes of the fingers
 Chapter 7: Dotted Quarter Notes (Dotted Crotchets)
 Chapter 8: Key-note on the third finger
 Chapter 9: Key-note on the second finger (C Major)
 Chapter 10: The keys and their signatures
 Chapter 11: Songs and pieces to Play
 Chapter 12: Music in the minor mode
 Chapter 13: Syncopation€22,40€24,90Διαθέσιμο σε 1-3 ημέρες 
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	PEAVEY PVi 2500Detent volume controls
 Ground lift switch
 2 dual speed fans for cooling
 Noise-free on-off
 Independent DC and thermal overload protection on each channel
 Short circuit and speaker protection
 DC servo operation
 Power ON, Clip, Signal, and Protect LED indicators for each channel
 Stereo (dual channel), parallel-input, or bridged mono operating modes with selector switch
 Road-worthy, rugged double rack space (2U) housing
 Parallel balanced XLR and 1/4″ TRS inputs
 ~115(60Hz)/~230V(50Hz) AC select switch and IEC power cord connector
 Built-in DC offset
 1900 Watts
 Binding post (banana plug) outputs
 Built-in digital current limiter€589,00€655,00PEAVEY PVi 2500€589,00€655,00Διαθέσιμο σε 1-3 ημέρες 
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	PEAVEY PV Series MSP1 Microphone XLRComplete microphone/microphone stand package
 Includes PV®i100 dynamic cardioid microphone
 Designed for stand-mount application
 Black powder-coat finish tripod microphone stand with boom arm
 6-meter microphone cable
 Mic clip
 Convenient nylon carry bag
 Also available with 1/4″
 cable
 Packed Weight: 3.2 kg
 Packed Length: 90.81 cm
 Packed Width: 12.7 cm
 Packed Height: 10.16 cm€76,00€84,00PEAVEY PV Series MSP1 Microphone XLR€76,00€84,00Διαθέσιμο σε 1-3 ημέρες 
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	PEAVEY AQ 15 Aquarius SeriesTwo-way bi-amplified analogue amp-powered speaker system
 15″
 heavy-duty woofer
 DX™14 compression driver, with a 1.4-inch titanium diaphragm
 670 watts peak dynamic woofer power, 330 watts peak dynamic tweeter power
 Bluetooth® streaming and pairing are supported
 DSP processing is 56-bit double-precision
 DSP I/O is at 48 kHz and 24 bits, with low-jitter, professional-grade components
 Dynamic bass boost function
 Fan-cooled for maximum reliability
 Peavey® Designed Quadratic Throat Waveguide™ technology, 110 by 80-degree coverage
 Input is via a combo female XLR and 1/4″
 TRS phone jack with balanced input OR a Bluetooth ® signal can be streamed to the speaker system.
 A Mic/Line switch to accommodate a wide range of input signals
 Thru/Mix output is via a male XLR jack
 Multiple Factory Preset EQ settings for the DSP crossover system
 Rugged plastic injection-molded trapezoidal enclosure
 The cabinet has dual rear corner angled sides for floor monitor use.
 Full-coverage perforated steel grille, with powder coat finish
 Pole mount moulded-in for 1 3/8″
 diameter poles
 Packed Weight: 22.4 kg
 Packed Length: 77.47 cm
 Packed Width: 47.94 cm
 Packed Height: 44.61 cm€668,00€742,00PEAVEY AQ 15 Aquarius Series€668,00€742,00Διαθέσιμο σε 1-3 ημέρες 
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	PEAVEY PV14 BTNew rugged, slim, low-profile console design
 Convenient tablet cradle
 8 combination XLR/1/4″
 low noise mic preamps
 Selectable Hi Pass Filter on first 8 inputs
 3-band EQ on all channels
 8 channels of Peavey’s exclusive MidMorph® EQ
 EQ bypass per channel
 4 channels of built-in compression
 Individual channel mutes
 Individual Listen/Solo function
 LED clip and signal present indication
 8 Channels of direct out
 Stereo pan control per channel
 Channel 9/10 stereo 1/4″, RCA, or 3.5mm input channel
 Dual selectable control room outputs
 One pre-fader AUX send
 KOSMOS® bass and treble enhancement
 Main stereo outputs with 1/4″
 unbalanced and balanced XLR connectors
 Precision 60 mm faders
 High-quality master LED meter bridge
 Master mic mute
 Studio-quality headphone output
 Equipped with Bluetooth wireless connectivity, Bluetooth 3.0 + EDR, A2DP
 On-board USB-A MP3 and WAV playback
 Stereo USB-B streaming audio in and out, 16-bit, up to 48kHz sample rates
 Built-in Digital Effects with LCD Display
 Peavey’s exclusive on-board Hi Z guitar input
 Global 48V phantom power
 Product Dimensions: wide x deep x high: 41.12 cm x 43.94 cm x 5.56 cm
 Packed Weight: 6 kg
 Packed Length: 51.99 cm
 Packed Width: 47.5 cm
 Packed Height: 8.99 cm€563,00€626,00PEAVEY PV14 BT€563,00€626,00Διαθέσιμο σε 1-3 ημέρες 
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	PEAVEY IPR2 30002- Channel independent fourth-order Linkwitz-Riley crossovers
 DDT
 Revolutionary IPR class D topology
 Combi XLR 1/4″
 inputs
 Speakon output connectors
 Light Weight
 LED illuminated
 Detented input controls
 1750w at 2 ohms
 950w at 4 ohms
 525w at 8 ohms
 Individual signal pass 1/4″
 jacks on each channel.
 Packed Weight: 4.9 kg
 Packed Length: 53.34 cm
 Packed Width: 31.75 cm
 Packed Height: 11.94 cm€917,00€1.019,00PEAVEY IPR2 3000€917,00€1.019,00Διαθέσιμο σε 1-3 ημέρες 
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	PEAVEY Milestone 5 Black (5-string)34″ scale
 Dual-expanding truss rod
 20 frets
 12″ radius
 19:1 ratio tuning machines
 One straight and one split single coil pickup
 Stamped steel bridge
 Chrome hardware
 Two-volume, master tone controls
 Case not included
 Maple neck with rosewood fretboard
 Balanced, comfortable body styling with sculpted front and back, improved access neck joint
 Packed Weight: 4.99 kg
 Packed Length: 120.65 cm
 Packed Width: 37.47 cm
 Packed Height: 8.89 cm€340,00€378,00PEAVEY Milestone 5 Black (5-string)€340,00€378,00Διαθέσιμο σε 1-3 ημέρες 
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	PEAVEY PVX12Two-way sound reinforcement enclosure
 12″
 heavy-duty woofer with 2 3/8″ voice coil & 50 oz. magnet
 RX™ 14 compression driver, with 1.4-inch titanium diaphragm
 400W program / 800W peak power handling
 Peavey’s exclusive Quadratic Throat Waveguide™ technology, 100 by 50-degree coverage
 Asymmetrical horn aims the sound down 10°, at the audience, not over their heads
 Crossover network for driver protection and EQ
 High-frequency driver protection
 Durable plastic injection-molded trapezoidal enclosure
 The extra angled section on the right side allows floor monitor use
 Full-coverage heavy-duty perforated steel grilles, with powder coat finish and weather-resistant foam cloth
 Pole mount molded-In
 Top, bottom and right side flying point inserts
 Packed Weight: 20 kg
 Packed Length: 67.95 cm
 Packed Width: 50.8 cm
 Packed Height: 46.36 cm€328,00€364,00PEAVEY PVX12€328,00€364,00Διαθέσιμο σε 1-3 ημέρες 
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	Sutermeister – Capriccio8 pages€10,00€11,10Sutermeister – Capriccio€10,00€11,10Διαθέσιμο σε 1-3 ημέρες 
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	Chopin – Liszt – Hiller – 33 easy piano pieces with practice tips Vol.5With the new Urtext Primo series, Wiener Urtext Edition intends to bridge the gap between studying a piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach’s Minuet in G (BWV Anh. 116), Mozart’s Minuet in F (KV 5) or Schumann’s Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume in the series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills.
 The pieces’ range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons.
 The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.
 This volume presents easy pieces for piano by great virtuosos. It unites the two greatest, and perhaps best-known, pianists of the 19th century, Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller, to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin, Hiller’s works are frequently reminiscent of folk music. His Irländisches Lied and Fandango, included in the collection, are fine examples of 19th-century ‘world music’.
 Chopin Frédéric: Bourée I in G (KK VIIb/1)
 Chopin Frédéric: Bourée II in A (KK VIIb/2)
 Chopin Frédéric: Cantabile in B (KK IVb/6)
 Chopin Frédéric: Walzer / Waltz / Valse in a (KK IVb/11)
 Chopin Frédéric: Sostenuto in Es (KK IVb/10)
 Chopin Frédéric: Prélude in e (op. 28/4)
 Chopin Frédéric: Prélude in h (op. 28/6)
 Chopin Frédéric: Prélude in A (op. 28/7)
 Chopin Frédéric: Prélude in c (op. 28/20)
 Chopin Frédéric: Polonaise in B (KK IVa/1
 Chopin Frédéric: Mazurka in g (op. 67/2)
 Chopin Frédéric: Mazurka in F (op. 68/3)
 Chopin Frédéric: Mazurka in As (op. 7/4a)
 Liszt Franz: La cloche sonne
 Liszt Franz: Ländler in As
 Liszt Franz: Andantino in As
 Liszt Franz: Ich liebe Dich
 Liszt Franz: Andante in Des
 Liszt Franz: Wiegenlied / Lullaby / Chant du berceau
 Liszt Franz: Sancta Dorothea
 Liszt Franz: Ave Maria
 Liszt Franz: Weihnachtslied / Christmas carol / Chant de Noel
 Liszt Franz: Die Hirten an der Krippe / The shepherds at the manger / Les Bergers à la crèche
 Liszt Franz: Adagio religioso
 Hiller Ferdinand von: Irländisches Lied / Irish Song / Chant irlandais (op. 117/2)
 Hiller Ferdinand von: Schottisches Lied / Scottish Song / Chant écossais (op. 117/19)
 Hiller Ferdinand von: Italienisches Lied / Italien Song / Chant italien (op. 117/31)
 Hiller Ferdinand von: Polnisches Lied / Polish Song / Chant polonaise (op. 117/18)
 Hiller Ferdinand von: Russisches Lied / Russian Song / Chant russe (op. 117/26)
 Hiller Ferdinand von: Fandango (op. 117/28)
 Hiller Ferdinand von: Ballade (op. 117/16)
 Hiller Ferdinand von: Schlummerlied / Slumber Song / Berceuse (op. 66/I/2)
 Hiller Ferdinand von: Lied / Song (op. 66/II/2)€18,90€21,00Διαθέσιμο σε 1-3 ημέρες 
 
	 
	
 
			













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