DECKSAVER

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 18 in B-flat major K. 456
 
 

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 16 in D major K. 451
 

Mozart, Wolfgang Amadeus
Concerto for three or two Pianos and Orchestra no. 7 in F major K. 242 “Lodron Concerto”

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 17 in G major K. 453
 
 

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 5 in D major K. 175, K. 382 Rondo
 
Composed in 1773 this was the 17 year old Mozart’s first original piano concerto – earlier efforts had been based on other composers’ works. The Rondo K.382 was added later in 1782 as a finale and includes a flute.

Beethoven, Ludwig vanConcerto for Pianoforte and Orchestra in D major op. 61 after the Violin Concerto- High quality Bärenreiter Urtext edition- Urtext solo piano part and an additional piano part with fingering- New kind of presentation of the piano reduction incorporating solo piano parts as customary in the 19 th century
 
After attending the premiere of Beethoven’s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that!Working with all known sources, Del Mar finally presents us with Beethoven’s solo piano articulation and dynamics and Beethoven’s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven’s Solo and Tutti markings.All in all, a groundbreaking scholarly critical edition; a “must“ for every pianist, every orchestra and every music library.The piano reduction will be presented in a new format:As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted – as with string and wind concertos – in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print.

#html-body [data-pb-style=U39QB9G]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}The series “Bärenreiter’s Concert Pieces” presents further editions with works by Oskar Rieding (BA 8982), Friedrich Seitz (BA 8979) and Joseph-Hector Fiocco (Ba 8977).All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method.
 

Mozart, Wolfgang Amadeus
Concerto for Piano and Orchestra no. 8 in C major K. 246 “Lützow Concerto”

Smetana, BedrichTschechische Tänze für Klavier
“Czech Dances for Piano” are the last cycle, and at the same time, the high point in Bedrich Smetana’s works for piano. The impetus for the composition of this work for Smetana was probably the first series of “Slavonic Dances” by Antonin Dvorak.
The volume contains the four polkas composed in 1877, with which Smetana completed his stylisation of the polka in masterly fashion, together with ten folk dances from 1879, with titles such as “ Furiant ”, “ Slepicka ” (Little Chicken), “ Oves ” (Oats), “ Medved ” (Bear), “ Cibulicka ” (Little Onion), “ Dupak ”, “ Hulan ” (Ulan), “ Obkrocak ” (Callipers), “ Sousedska ”, “ Skocna ” (Spring Dance).
Behind these names are diverse, richly varied types of exuberant youths’ and lyrical girls’ dances. The cycle culminates in two group dances.
– Tried and tested fingering by the editor- New foreword by Jarmila Gabrielova- (Czech, English, German )
 
Content
·Predmluva·Edicní poznámka·Preface·Editor’s Notes·Vorwort·Anmerkung des Herausgebers·Ceské tance / Czech Dances / Tschechische Tänze:·Rada I / Series I / Reihe I:·Polka fis moll / Polka in F sharp minor / Polka fis-Moll·Polka a moll / Polka in A minor / Polka a-Moll·Polka F dur / Polka in F major / Polka F-Dur·Polka B dur / Polka in B flat major / Polka B-Dur·Rada II / Series II / Reihe II:·1. Furiant·2. Slepicka·3. Oves·4. Medved·5. Cibulicka·6. Dupák·7. Hulán·8. Obkrocák·9. Sousedská·10. Skocná
 
 

Smetana, BedrichAlbum Leaves- Urtext based on the Complete Edition of Bedrich Smetana’s Piano Works- Tried and tested fingerings by the editor- New foreword by Jarmila Gabrielova (Cz/Eng/Ger)
A further volume of Smetana’s piano works reveals the composer as creator of short, lyrical pieces – moments of repose, varied in character and style. The pieces were mostly written in the 1840s-50s with the intention of composing works using all 24 keys, something which Smetana ultimately did not fully realise. The composer prepared some of them for publication himself – the first six works were published in 1851 as “Album Leaves” op. 2, and others were issued later under the title “Sketches”, with the dedication “to Frau Clara Schumann in deepest admiration” (opp. 4–5, 1858). This edition contains a complete collection of pieces, also including occasional compositions and posthumously-published pieces. The music in the volume is based on the “Complete Edition of Bedrich Smetana’s Piano Works” and has been provided with fingering and pedalling suggestions by the pianist and Smetana interpreter Jan Novotny.
Contents
·Lístky do památníku op. 2: / Stammbuchblätter op. 2: / Album Leaves Op. 2:·Prelude·Chanson·Lístek do památníku G dur / Stammbuchblatt G-Dur / Album Leaf in G major·Lístek do památníku e moll / Stammbuchblatt e-Moll / Album Leaf in E minor·Lístek do památníku D dur / Stammbuchblatt D-Dur / Album Leaf in D major·Lístek do památníku h moll / Stammbuchblatt h-Moll / Album Leaf in B minor·Lístky do památníku op. 3: / Stammbuchblätter op. 3: / Album Leaves Op. 3:·Robertu Schumannovi / An Robert Schumann / To Robert Schumann·Písen pocestneho / Wanderlied / The Wayfarer’s Song·Lístek do památníku cis moll / Stammbuchblatt cis-Moll / Album Leaf in C-sharp minor·Crty op. 4: / Skizzen op. 4: / Sketches Op. 4:·Preludium / Präludium / Prelude·Idyla / Idylle / Idyll·Vzpomínka / Erinnerung / Souvenir·Vytrvalá snaha / Beharrliches Streben / Persistent Endeavour·Crty op. 5: / Skizzen op. 5: / Sketches Op. 5:·Scherzo-polka·Zádumcivost / Schwermut / Melancholy·Prívetivá krajina / Freundliche Landschaft / Friendly Landscape·Rapsodie / Rhapsodie / Rhapsody·Skladby z pozustalosti: / Kompositionen aus dem Nachlass: / Posthumous Compositions:·Lístek do památníku h moll / Stammbuchblatt h-Moll / Album Leaf in B minor·Toccatina·Lístek do památníku G dur / Stammbuchblatt G-Dur / Album Leaf in G major·Lístek do památníku g moll / Stammbuchblatt g-Moll / Album Leaf in G minor·Lístek do památníku es moll / Stammbuchblatt es-Moll / Album Leaf in E-flat minor·Lístek do památníku b moll / Stammbuchblatt b-Moll / Album Leaf in B-flat minor·Skladby prílezitostne uplatnene: / Gelegenheitsstücke: / Compositions for Various Occasions:·Pensee fugitive·Lístek do památníku B dur / Stammbuchblatt B-Dur / Album Leaf in B-flat major·Andante