Barenreiter

  • Barenreiter Schubert – String Quartet in D Minor D810 [Pocket score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Aderhold, Werner
    Language: English/German
    Pages: 60
    Publisher: Barenreiter
    Composer / Author: Schubert, Franz 

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  • Barenreiter Smetana – String Quartet Nr.1 in E Minor [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Bartoš, František / Plavec, Josef / Šolc, Karel
    Language: English/German/Czech
    Pages: 38
    Publisher: Barenreiter
    Composer / Author: Smetana, Bedrich 
    The composition of the first string quartet “From My Life” was preceded by a period of fateful changes in Smetana’s life. In 1874 he lost his hearing. Two years later he moved with his family to Jabkenice in the countryside, which seemed to him like an expulsion; he suffered from his deafness and missed contact with like-minded company. He presented the string quartet as a conversation within a close circle of four friends who discuss what is tormenting them. It is a kind of passionate and resigned dialogue between a spirited person and his destiny. Smetana’s first string quartet soon became one of the most frequently performed works in the quartet repertoire.
    The musical text of the new edition is based on the “Study Edition of the Works of Bedrich Smetana”, Volume XV – Chamber Music Works.
    – Urtext from the “Study Edition of the Works of Bedrich Smetana”
    – Detailed foreword ( Cz /Eng/Ger) by Marta Ottlova
    CONTENTS
    Predmluva
    Preface
    Vorwort
    I Allegro vivo appassionato
    II Allegro moderato alla polka
    III Largo sostenuto
    IV Vivace

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  • Barenreiter Gallois – The Techniques of Bassoon Playing & 2 CD’s 1Βιβλίο για φαγκότο

    Pascal Gallois is one of the leading international bassoonists. His book on the bassoon, which is the latest in the Bärenreiter series of books on instrument playing techniques, systematically explains for the first time all the playing techniques and different ways of creating sound on the   instrument. Using appropriate examples, it shows the player how to master these techniques and provides information for composers about the instrument’s possibilities as well as special notation. The book contains a CD recorded by Pascal Gallois with examples of sound techniques and information. This long-awaited book will be an essential tool for composers, interpreters and teachers, as well as for conductors, who want to keep abreast of the latest technical possibilities on the bassoon.   – Comprehensive description of all relevant, new playing techniques on the bassoon – Clear explanation of special tonal effects and practice tips to try out – CDs with examples of all playing techniques – Tried and tested on all common makes of bassoon, with tips for all instruments in the bassoon family – Text in three languages (Ger/Eng/Fr)
    Contents

    Geleitwort/Preface/Préface
    1. Einleitung/Introduction/Introduction
    2. Traditionelle Effekte und neue Klänge/Traditional Effects and Current Sounds/Effets traditionnels et sons actuels
    3. Spektrale Effekte/Spectral Effects/Effets spectraux
    4. Perkussive Effekte/Percussive Effects/Effets percussifs
    5. Effekt ohne Rohr/Effects Without the Reed/Effets sans anche
    6. Vibrato/Vibrato/Vibrato
    7. Luftgeräusch/Air Noise/Bruits avec l’air
    8. Natürliche Atmung und Zirkularatmung/Natural Breathing and Circular Breathing/Respiration naturelle et respiration circulaire
    9. Triller und Tremoli/Trills and Tremoli/Trilles et trémoli
    10. Glissando/Glissando/Glissando
    11. Mikrotonalität/Microtonality/Microtonalité
    12. Fagott Plus/Bassoon Plus/Basson et…
    13. Die Akustik des Fagotts/Bassoon Acoustics/Acoustique du basson
    14. Das Kontrafagott/The Contrabassoon/Le Contrebasson
    15. Ratschläge für Fagottisten zur Beschäftigung mit dem neuen Repertoires/Advice too Bassoonists when Approaching the New Repertroire/Conseils aux bassonistes face au nouveau répertoire
    16. Anhänge/Appendices/Appendices
    Über den Autor/About the Author/Sur l’auteur

     
     
    Pages: 126Language: German, English, FrenchPublisher: Barenreiter

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  • Barenreiter Barenreiter – Sonatinen-Album for Piano Vol.1 Βιβλίο για πιάνο

    Συλλογή απο σονατίνες για πιάνο.

    Περιεχόμενα:

    Attwood, Thomas Sonatine G-Dur 

     

    Krebs, Johann Ludwig Klavierstück Es-Dur 

     

    Hässler, Johann Wilhelm Zwei Allegros 

     

    Mozart, Wolfgang Amadeus Zwei Menuette KV 315a (315g) 

     

    Clementi, Muzio Sonatine C-Dur op. 36/1 

     

    Clementi, Muzio Sonatine G-Dur op. 36/2 

     

    Vanhal, Johann Baptist Andante F-Dur op. 2/5 aus der Sonatine 

     

    Komponist / Autor: Beethoven, Ludwig van Sonatine G-Dur Kinsky-Halm Anh. 5 

     

    Benda, Jirí Antonín Sonatine d-Moll 

     

    Benda, Jirí Antonín Sonatine F-Dur 

     

    Bach, Johann Christoph Friedrich Marsch G-Dur aus “Musikalische Nebenstunden” 

     

    Kabalevskij, Dmitrij Sonatine op. 27 aus “Kinderstücke” 

     

    Kirnberger, Johann Philipp Passepied E-Dur 

     

    Clementi, Muzio Sonatine C-Dur op. 36/3 

     

    Beethoven, Ludwig van Sonatine F-Dur Kinsky-Halm Anh. 5 

     

    Heller, Stephen Fünf Préludes pour Mlle. Lili op. 119 

     

    Myslivecek, Josef Menuett A-Dur 

     

    Benda, Jirí Antonín Sonatine g-Moll 

     

    Kuhlau, Friedrich Sonatine G-Dur op. 55/2 

     

    Türk, Daniel Gottlob Andantino F-Dur 

     

    Haydn, Joseph Scherzo F-Dur aus Sonate Hob.XVI:9 und Sonate D-dur Hob.XVI:4 

     

    Haydn, Joseph Sonate D-Dur Hob. XVI:4 

    Σελίδες: 64Γλώσσα: Γερμανικά, ΑγγλικάΕκδόσεις: Barenreiter

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  • Barenreiter Seitz – Concerto Nr.2 in G Major Op.13 for Violin & Piano Βιβλίο για σύνολα

    Language: German/English
    Product format: Piano reduction, Part
    Instrumentation: Violin Solo, Piano
    Solo Pages: 9
    Piano Pages: 11
    Publisher: Barenreiter
    CONTENTS
    When the young Marlene Dietrich took violin lessons in Dessau from Friedrich Seitz (1848-1918), did she have this concerto in her repertoire? Whatever the case, her career, as we all know, took off on a different slant. But the Student Concerto in G major, op. 13, advanced to become one of the most popular and effective recital pieces for young violinists en route to the great concert stage.
    Friedrich Seitz was a concertmaster and violin teacher, first in Magdeburg and later, from 1884, in Dessau. He published his op. 13 concerto in 1893. It is laid out in the conventional three movements: a charming Allegro non troppo poised between concert and salon music, a sentimental Adagio in a minor key, and a merry Rondo in 6/8 metre as a finale. Like almost every work by this passionate music educator, it stands in the facile e brillant tradition, achieving maximum impact with minimum technical demands while adopting the posture of a virtuoso concerto. A solid command of the first position is sufficient for its performance, with good left- and right-hand coordination required in the fast passages. The learner’s technical skills are honed on simple double stops and détaché, legato and elementary spiccato bowing. Typical formal sections, such as a cadenza in the opening movement, and lovely, memorable melodies, call for an imaginative delivery: students learn how much fun it can be to play ‘virtuoso’ music!
    This edition appears in the Bärenreiter’s Concert Pieces series, which includes popular concertos and concert pieces for young violinists. The editor is the internationally acclaimed violin teacher Kurt Sassmannshaus, who has added fingering and bowing to the solo part and explains the technical requirements in a short preface.
    – One of the most popular and effective student concertos of the 19th century
    – Written entirely in first position
    – Includes a solo part and a score with the piano accompaniment
    – Short preface in German and English with information on technical requirements

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  • Halleluja – Festive Hymns For Congregation Choir & Organ

    This new collection for mixed choir contains the most important hymns from the “Evangelical Gesangbuch ” and “ Gotteslob ”. It offers new dimensions for Mass and church services. Every hymn appears with the following elements to be used as building blocks:

    Short organ prelude
    Unison voice part for the congregation with organ accompaniment
    Four-part harmony, also singable a cappella
    Sweeping, brillant choral piece with upper register vocal ad libitum

    These features allow even the simplest hymns to be transformed into impressive, dramatic as well as inspired experiences, not only for the congregation but also for the choir.
     
     
    Pages: 214Language: German, EnglishPublisher: Barenreiter

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  • Berlioz – Die Trojaner [Vocal Score]

    Berlioz, Hector – Les Troyens

    Language: German/French/English
    Product format: Opera
    Pages: 580
    Binding: Hardback
    Publisher: Barenreiter
    CONTENTS
    The vocal score to “Les Troyens ” presents the text Berlioz conceived as a great five act opera. During the composition of this work between 1856 and 1858 and up until June 1863, Berlioz perceived “Les Troyens ” as one opera. Because of performance difficulties, the composition had to be divided into two operas, “La Prise de Troie ” and “Les Toyens à Carthage ”.
    Berlioz began to write the libretto in Paris in April 1856 and completed it on June 26th of that same year. The dramatic material of acts III-V is taken from books 1 and 4 of Virgil’s “ Aeneid ”.
    The two trojan acts are loosely based on books 1 and 2 by Virgil.
    Berlioz wrote in May 1861: “I am sure that I have created a great work, greater and superior to anything I have ever written before”.
    The vocal score is based on the three-volume New Berlioz Edition and also on the one-volume vocal score edition that under Berlioz’s supervision, was privately printed in 1861-62 and then distributed. The appendix contains two complete scenes: The Sinon scene from the first act and the original finale from the fifth act.

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  • Barenreiter Beethoven – Fidelio [Vocal Score] Βιβλίο για Όπερα

    Beethoven, Ludwig van – Fidelio Op.72
    Language: German/English
    Product format: Opera
    Pages: 251
    Publisher: Barenreiter

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  • Barenreiter Edward Elgar – Concerto for Violoncello and Orchestra E minor op. 85 Βιβλίο

    Ίσως ήταν το Βρετανικό χιούμορ που οδήγησε τον Elgar να περιγράψει το κονσέρτο του για τσέλο, ένα έργο που συνέθεσε στο φθινόπωρο της ζωής του, ως «καλό και ζωντανό». Το έργο έκανε πρεμιέρα στις 27 Οκτωβρίου 1919 στο Λονδίνο και είναι μια έκφραση των προσωπικών εμπειριών του, καθώς και εκείνων που αντιμετωπίζε ως συνθέτης, μαζί με απόηχους προηγούμενων συνθέσεων, όπως η Σερενάτα για έγχορδα. Όταν ρωτήθηκε τι σημασία είχε το κονσέρτο του, ο  Elgar απάντησε: «Η στάση ενός ατόμου στη ζωή». Σήμερα είναι ένα από τα πιο δημοφιλή έργα του για τσέλο.
    Αυτό το βιβλίο που είναι ακριβές αντίγραφο εκ του πρωτοτύπου, δημοσιεύθηκε για την 150η επέτειο από τη γέννηση του, στις 2 Ιουνίου 2007. Πιστό στο πρωτότυπο, αναπαράγει πολλές χρωματιστές διορθώσεις και προσθήκες του Elgar, προετοιμασίες για την έντυπη έκδοση της παρτιτούρας και διορθώσεις της τελευταίας στιγμής, χωρίς αμφιβολία αντανακλώντας την εμπειρία του στις πρόβες, στις συναυλίες και στις ηχογραφήσεις. Η συγκεκριμένη έκδοση περιλαμβάνει επίσης μια εισαγωγή από τον Jonathan Del Mar, που έχει ήδη ετοιμάσει την έκδοση urtext αυτού του έργου, καθώς και μια εισαγωγή από τον διάσημο τσελίστα Steven Isserlis.
     

    Σελίδες: 156
    Γλώσσα: Γερμανικά/Αγγλικά
    Εκδόσεις: Barenreiter

    ΠΕΡΙΕΧΟΜΕΝΑ
    Foreword: Elgar’s Cello Concerto – a Poem of Regret
    Introduction
    Geleitwort: Elgars Violoncellokonzert – ein Poem der Trauer
    Einführung
    Plates / Abbildungen
    Facsimile

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  • Barenreiter Faure – Quatuor à Cordes Op.121 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Sobaskie, James William
    Language: English, French, German
    Pages: 30
    Publisher: Barenreiter
    Gabriel Fauré’s only string quartet which was composed in 1923-24 is the composer’s final work and was written at the suggestion of his publisher Jacques Durand. Until then, Fauré had always put off writing a string quartet, evidently because of Beethoven’s imposing shadow.
    When Fauré composed the quartet he was already extremely ill. He added dynamics   and slurs only in some parts of the exposition of the first movement and then asked his former pupil Jean Roger-Ducasse to complete the work. Roger-Ducasse’s additions were however very extensive; he even altered and supplemented some of Fauré’s own markings in the exposition. Bärenreiter’s first ever scholarly critical edition of the quartet utilises all sources including the composer’s letters which provide valuable insights into the origins of the composition.
    In particular, Fauré’s penultimate work, the Piano Trio op. 120, was used to guide the editor with his emendations.
    – First scholarly-critical edition of this work
    – High-quality Urtext edition based on “the Complete Works of Gabriel Fauré”
    – Standard repertoire work for every string quartet
    – Foreword (Eng/Fr/Ger)
    CONTENTS
    Introduction
    Editorial Notes
    Introduction
    Notes sur l’édition
    Einführung
    Zur Edition
    Composer / Author:
    Fauré, GabrielQuatuor à cordes

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  • Barenreiter Debussy – Quatuor Op.10 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Woodfull-Harris, Douglas
    Language: English, French, German
    Pages: 70
    Publisher: Barenreiter
    Debussy’s only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period, “ Prélude à l’après -midi d’un faune ” and “ Pelléas et Mélisande ”, the quartet established the composer’s position as the rising star of the French music scene.
    Discrepancies existed from the initial publication in 1894 between the score, corrected and seen into print by the composer and the parts, not corrected by him. At a later point, Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.
    This scholarly-critical edition utilises all sources including the composer’s letters, which offer a valuable insight into the genesis of the composition.
    – Indispensable edition for all string quartets
    – High quality Bärenreiter Urtext edition
    – With a foreword (Ger/Fr/Eng) and facsimiles

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  • Barenreiter Carl P. E. Bach – Versuch über die wahre Art das Clavier zu spielen Βιβλίο

    “Essay on the real Art of Piano Playing” (Text in German)  Reprint of the first edition Berlin 1753 and 1762, with extensive biographical and subject index – music examples in modern clefs.  On the one hand this is a practical teaching book which brought about many innovations in the areas of technique, ornaments and refined playing of a figured bass; on the other hand is is a significant document of the “new music” aesthetics favoured by the generation between J.S.Bach and the Vienna Classic.
     
     
    Pages: 378Language: GermanPublisher: Barenreiter

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  • Barenreiter Ludwig van Beethoven – Die Streichquartette [With Audio-Video-DVD] Βιβλίο

    Since their creation, Ludwig van Beethoven’s string quartets have fascinated and disturbed listeners and performers, lovers and connoisseurs through their free dealings with the norms of the genre and the listener’s expectations, as well as through their untamed imagination. With this book, Beethoven’s uncompromising path from the quartets op. 18 to his last five string quartets and the “Great Fugue” op. 133 is understandable step by step:
    – Peter Gülke reflects on Beethoven’s “Music of the Other Time”.- Emil Platen describes the genesis of the last quartets from the first idea to performances to publication on the basis of musical autographs and transcripts, correspondence and conversation books.- Gerd Indorf treats each quartet on a set of about 100 pages sentence by sentence and presents their ideas and forms in a generally comprehensible form. Time indications are supplemented by minutes / seconds based on the recording of the Leipzig string quartet, so that the explanations are comprehensible even without notes ,- Matthias Moosdorf, the cellist of the Leipzig String Quartet, comments on the performance practice.- Peter Korfmacher portrays the most important complete recordings.
    A “musical picture noise” offers the attached video-audio DVD with the “Big Fugue”. It can not only be heard in the interpretation of the Leipzig String Quartet, but also in moving pictures: its fascinating sound world can be experienced in a new way as video art.
     
    Pages: 154
    Language: German
    Publisher: Barenreiter

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  • Barenreiter Schubert – Impromtus Op.90-Op.142 Βιβλίο

    Το φθινόπωρο του 1827 ο Schubert συνέθεσε οκτώ “Impromptus” για δημοσίευση ως πλήρη συλλογή από τις εκδόσεις Haslinger στη Βιέννη . Το όνομα των έργων που κατά πάσα πιθανότητα προήλθε από τον εκδότη Haslinger και του Schubert το χρησιμοποίησε επίσης για τη μεταγενέστερη συλλογή του, Op.142. Τα λυρικά-ρομαντικά έργα είναι κατάλληλα για προηγμένους μαθητές πιάνου. Ο Robert Schumann που τα θεωρούσε ως μέρος μίας σόνατας τεσσάρων έργων, επέστησε την προσοχή στη δεύτερη συλλογή που δημοσίευσε η Diabelli το 1839 στην ανασκόπηση του.
    Για πρώτη φορά αυτή η σημαντική ακαδημαϊκή έκδοση της Urtext παρουσιάζει το μουσικό κείμενο της “New Schubert Edition” σε νέα εκτύπωση και με γρήγορη εναλλαγή σελίδων. Λεπτομερής πρόλογος, προτάσεις για τις επιδόσεις και σημειώσεις για την αξιολόγηση των πρωτογενών πηγών συμπληρώνουν την έκδοση.

    Περιεχόμενα:

    Schubert, Franz

    Four Impromptus op. 90 – D 899:

     

    Schubert, Franz

    I. Impromptu C minor

     

    Schubert, Franz

    II. Impromptu E flat major

     

    Schubert, Franz

    III. Impromptu G flat major

     

    Schubert, Franz

    IV. Impromptu A flat major

     

    Schubert, Franz

    Four Impromptus op. post. 142 – D 935:

     

    Schubert, Franz

    I. Impromptus F minor

     

    Schubert, Franz

    II. Impromptus A flat major

     

    Schubert, Franz

    III. Impromptus B flat major

     

    Schubert, Franz

    IV. Impromptus F minor

    Σελίδες: 84Γλώσσα: Αγγλικά, ΓερμανικάΕκδόσεις: Barenreiter

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  • Barenreiter Fiocco – Allegro in G Major for Violin & Piano Βιβλίο για σύνολα

    Language: German/English
    Product format: Piano reduction, Part
    Instrumentation: Violin Solo, Piano
    Solo Pages: 7
    Piano Pages: 6
    Publisher: Barenreiter
    CONTENTS
    The series “Bärenreiter’s Concert Pieces” presents further editions with works by Oskar Rieding (BA 8982), Friedrich Seitz (BA 8979) and Joseph-Hector Fiocco (Ba 8977).
    All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
    His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method.
    The series will be continued and will introduce students to more demanding repertoire with a gradually increasing level of difficulty.

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  • Barenreiter Beethoven – Symphony Nr.2 in D Major Op.36 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Del Mar, Jonathan
    Language: English/German
    Pages: 78
    Publisher: Barenreiter

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  • Barenreiter Beethoven – Symphony Nr.7 In A major Op.92 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Del Mar, Jonathan
    Language: English/German
    Pages: 114
    Publisher: Barenreiter

    CONTENTS
    Introduction
    Preface
    Einleitung
    Vorwort
    Composer / Author: Beethoven, Ludwig van
    Symphony No. 7 A major op. 92:
    Duration (approx.): 00:38:00
    Poco sostenuto – Vivace
    Allegretto
    Presto – Assai meno presto
    Allegro con brio

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  • Barenreiter Mozart – Symphony in D Major Nr.35 KV385 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Mahling, Christoph-Hellmut
    Language: English/German
    Pages: 54
    Publisher: Barenreiter

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  • Barenreiter Mozart – The Horn Concertos [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Breig, Werner
    Language: English/German
    Pages: 116
    Publisher: Barenreiter
    All four Mozart horn concertos are closely associated with the horn player Joseph Leutgeb, for whom they were written during the composer’s period in Vienna (between 1783 and 1791). They display his compositional approach to the possibilities and limitations of the instrument at that time and were also influenced by Leutgeb’s skills as a performer; he was evidently a virtuoso of the hand-stopping technique on the horn.
    The new Bärenreiter Urtext study score replaces the existing individual horn concerto editions (TP 307–310). It contains the authoritative musical text of the New Mozart Edition together with Franz Giegling’s informative foreword(Ger/Eng) on the history of composition of the works, on their transmission and on the former edition of the works which has been revised for the new edition,based on current scholarly findings.
    For the first time the study score also includes the Concerto in D major K. 412 + 514 (386b) which is traditionally performed in the version completed by Franz Xaver Süßmayr as well as Mozart’s incomplete Rondo movement with the famous derisive allusions to the horn player Joseph Leutgeb.
    – All four horn concertos now available in an Urtext study score edition
    – Mozart’s incomplete Rondo K. 412 included for the first time
    – Informative revised foreword (Ger/Eng)
    CONTENTS
    Vorwort
    Zur Edition
    Preface
    Editorial
    Composer / Author: Mozart, Wolfgang Amadeus
    Concerto E flat major K. 417
    Concerto E flat major K. 495
    Concerto E flat major K. 447
    Concerto D major K. 412 + K. 514 (386b)
    Version: Süßmayr
    Appendix: Rondo D major K. 412 (386b)
    Fragment

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  • Barenreiter Franck – Quatuor [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Strucken-Paland, Christiane
    Language: English/German
    Pages: 78
    Publisher: Barenreiter
    César Franck’s string quartet was completed and premiered in 1890 shortly before the composer’s death; he did not live to see the work published. Now Bärenreiter, together with the “Association Internationale César Franck”, presents the string quartet in a scholarly-critical edition for the first time. This publication draws on the first edition, the engraver’s copy used for the first edition and the sketches with their many crossed out attempts which contain an earlier version of the first movement as well as a copy of the autograph. Franck’s letters and a set of hand-written parts which he produced for Eugene Ysaÿe’s string quartet have also been taken into account.
    In her foreword, the editor Christine Strucken-Paland portrays the significance of the string quartet for Parisian musical life at the end of the 19 th century and places it in the context of the composer’s other late chamber music works. She also describes the work’s development, its publication and reception and discusses aspects of performance practice. The facsimiles show Franck’s struggles with the opening movement and the critical commentary lists variant readings found in the sources
    – First Urtext edition of Franck’s masterwork
    – Informative foreword (Ger/Fr/Eng)
    – Facsimiles and a critical commentary (Eng)
    CONTENTS
    Einführung
    Introduction
    Introduction
    Quatuors à cordes
    Appendix:
    Facsimiles
    Bibliography
    Sources
    Critical Commentary

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  • Barenreiter Mozart – Requiem KV626 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Nowak, Leopold
    Language: English/German
    Pages: 164
    Publisher: Barenreiter
    Composer / Author: Mozart, Wolfgang Amadeus
    CONTENTS
    Vorwort
    Zur Edition
    Preface
    Editorial note
    I. Introitus
    II. Kyrie
    III. Sequenz
    IV. Offertorium
    V. Sanctus
    VI. Benedictus
    VII. Agnus Dei
    VIII. Communio

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  • Barenreiter Mozart – Concerto for Violin and Orchestra N.1 in Bb Major KV207 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Mahling, Christoph-Hellmut
    Language: English/German
    Pages: 52
    Publisher: Barenreiter
    Composer / Author: Mozart, Wolfgang Amadeus

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  • Barenreiter Bach – Double Concerto in D Minor BWV 1043 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Kilian, Dietrich
    Language: English/German
    Pages: 36
    Publisher: Barenreiter
    CONTENTS
    Vorwort
    Zur Edition
    Preface
    Editorial Note
    Composer / Author: Bach, Johann Sebastian
    Double Concerto for two Violins, Strings and Basso continuo D minor BWV 1043
    Duration (approx.): 00:16:00

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  • Barenreiter Brahms – Sextet in Bb Major Op.18 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Hogwood, Christopher
    Language: English/German
    Pages: 60
    Publisher: Barenreiter
    The two string sextets (op. 18 and op. 36 [BA 9420, TP 420]) by Johannes Brahms are amongst the high points of the Romantic string repertoire and some of the most popular chamber music works of all.
    The new Bärenreiter Urtext editions, edited by Christopher Hogwood, are the first scholarly- critical editions of these much-performed works. The editor has taken all known sources into consideration including the versions for piano two and four hands which the composer wrote as well as a set of contemporary performing parts which offer variant readings and insights into performance practice during Brahms’ lifetime.
    The study scores to each of these works include facsimile pages, a foreword (Ger/Eng) and a critical commentary (Eng) on the work and history of the composition.
    – First Urtext editions of these popular chamber music works
    – Include variant readings from contemporary parts
    – With facsimile pages

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