Barenreiter

  • Barenreiter Mozart – Symphony in D Major Nr.35 KV385 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Mahling, Christoph-Hellmut
    Language: English/German
    Pages: 54
    Publisher: Barenreiter

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  • Barenreiter Beethoven – Symphony Nr.7 In A major Op.92 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Del Mar, Jonathan
    Language: English/German
    Pages: 114
    Publisher: Barenreiter

    CONTENTS
    Introduction
    Preface
    Einleitung
    Vorwort
    Composer / Author: Beethoven, Ludwig van
    Symphony No. 7 A major op. 92:
    Duration (approx.): 00:38:00
    Poco sostenuto – Vivace
    Allegretto
    Presto – Assai meno presto
    Allegro con brio

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  • Barenreiter Beethoven – Symphony Nr.2 in D Major Op.36 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Del Mar, Jonathan
    Language: English/German
    Pages: 78
    Publisher: Barenreiter

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  • Barenreiter Fiocco – Allegro in G Major for Violin & Piano Βιβλίο για σύνολα

    Language: German/English
    Product format: Piano reduction, Part
    Instrumentation: Violin Solo, Piano
    Solo Pages: 7
    Piano Pages: 6
    Publisher: Barenreiter
    CONTENTS
    The series “Bärenreiter’s Concert Pieces” presents further editions with works by Oskar Rieding (BA 8982), Friedrich Seitz (BA 8979) and Joseph-Hector Fiocco (Ba 8977).
    All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition.
    His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method.
    The series will be continued and will introduce students to more demanding repertoire with a gradually increasing level of difficulty.

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  • Barenreiter Schubert – Impromtus Op.90-Op.142 Βιβλίο

    Το φθινόπωρο του 1827 ο Schubert συνέθεσε οκτώ “Impromptus” για δημοσίευση ως πλήρη συλλογή από τις εκδόσεις Haslinger στη Βιέννη . Το όνομα των έργων που κατά πάσα πιθανότητα προήλθε από τον εκδότη Haslinger και του Schubert το χρησιμοποίησε επίσης για τη μεταγενέστερη συλλογή του, Op.142. Τα λυρικά-ρομαντικά έργα είναι κατάλληλα για προηγμένους μαθητές πιάνου. Ο Robert Schumann που τα θεωρούσε ως μέρος μίας σόνατας τεσσάρων έργων, επέστησε την προσοχή στη δεύτερη συλλογή που δημοσίευσε η Diabelli το 1839 στην ανασκόπηση του.
    Για πρώτη φορά αυτή η σημαντική ακαδημαϊκή έκδοση της Urtext παρουσιάζει το μουσικό κείμενο της “New Schubert Edition” σε νέα εκτύπωση και με γρήγορη εναλλαγή σελίδων. Λεπτομερής πρόλογος, προτάσεις για τις επιδόσεις και σημειώσεις για την αξιολόγηση των πρωτογενών πηγών συμπληρώνουν την έκδοση.

    Περιεχόμενα:

    Schubert, Franz

    Four Impromptus op. 90 – D 899:

     

    Schubert, Franz

    I. Impromptu C minor

     

    Schubert, Franz

    II. Impromptu E flat major

     

    Schubert, Franz

    III. Impromptu G flat major

     

    Schubert, Franz

    IV. Impromptu A flat major

     

    Schubert, Franz

    Four Impromptus op. post. 142 – D 935:

     

    Schubert, Franz

    I. Impromptus F minor

     

    Schubert, Franz

    II. Impromptus A flat major

     

    Schubert, Franz

    III. Impromptus B flat major

     

    Schubert, Franz

    IV. Impromptus F minor

    Σελίδες: 84Γλώσσα: Αγγλικά, ΓερμανικάΕκδόσεις: Barenreiter

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  • Barenreiter Ludwig van Beethoven – Die Streichquartette [With Audio-Video-DVD] Βιβλίο

    Since their creation, Ludwig van Beethoven’s string quartets have fascinated and disturbed listeners and performers, lovers and connoisseurs through their free dealings with the norms of the genre and the listener’s expectations, as well as through their untamed imagination. With this book, Beethoven’s uncompromising path from the quartets op. 18 to his last five string quartets and the “Great Fugue” op. 133 is understandable step by step:
    – Peter Gülke reflects on Beethoven’s “Music of the Other Time”.- Emil Platen describes the genesis of the last quartets from the first idea to performances to publication on the basis of musical autographs and transcripts, correspondence and conversation books.- Gerd Indorf treats each quartet on a set of about 100 pages sentence by sentence and presents their ideas and forms in a generally comprehensible form. Time indications are supplemented by minutes / seconds based on the recording of the Leipzig string quartet, so that the explanations are comprehensible even without notes ,- Matthias Moosdorf, the cellist of the Leipzig String Quartet, comments on the performance practice.- Peter Korfmacher portrays the most important complete recordings.
    A “musical picture noise” offers the attached video-audio DVD with the “Big Fugue”. It can not only be heard in the interpretation of the Leipzig String Quartet, but also in moving pictures: its fascinating sound world can be experienced in a new way as video art.
     
    Pages: 154
    Language: German
    Publisher: Barenreiter

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  • Barenreiter Carl P. E. Bach – Versuch über die wahre Art das Clavier zu spielen Βιβλίο

    “Essay on the real Art of Piano Playing” (Text in German)  Reprint of the first edition Berlin 1753 and 1762, with extensive biographical and subject index – music examples in modern clefs.  On the one hand this is a practical teaching book which brought about many innovations in the areas of technique, ornaments and refined playing of a figured bass; on the other hand is is a significant document of the “new music” aesthetics favoured by the generation between J.S.Bach and the Vienna Classic.
     
     
    Pages: 378Language: GermanPublisher: Barenreiter

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  • Barenreiter Debussy – Quatuor Op.10 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Woodfull-Harris, Douglas
    Language: English, French, German
    Pages: 70
    Publisher: Barenreiter
    Debussy’s only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period, “ Prélude à l’après -midi d’un faune ” and “ Pelléas et Mélisande ”, the quartet established the composer’s position as the rising star of the French music scene.
    Discrepancies existed from the initial publication in 1894 between the score, corrected and seen into print by the composer and the parts, not corrected by him. At a later point, Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.
    This scholarly-critical edition utilises all sources including the composer’s letters, which offer a valuable insight into the genesis of the composition.
    – Indispensable edition for all string quartets
    – High quality Bärenreiter Urtext edition
    – With a foreword (Ger/Fr/Eng) and facsimiles

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  • Barenreiter Faure – Quatuor à Cordes Op.121 [Pocket Score] Βιβλίο για σύνολα

    Volume / Series : BÄRENREITER URTEXT
    Editor: Sobaskie, James William
    Language: English, French, German
    Pages: 30
    Publisher: Barenreiter
    Gabriel Fauré’s only string quartet which was composed in 1923-24 is the composer’s final work and was written at the suggestion of his publisher Jacques Durand. Until then, Fauré had always put off writing a string quartet, evidently because of Beethoven’s imposing shadow.
    When Fauré composed the quartet he was already extremely ill. He added dynamics   and slurs only in some parts of the exposition of the first movement and then asked his former pupil Jean Roger-Ducasse to complete the work. Roger-Ducasse’s additions were however very extensive; he even altered and supplemented some of Fauré’s own markings in the exposition. Bärenreiter’s first ever scholarly critical edition of the quartet utilises all sources including the composer’s letters which provide valuable insights into the origins of the composition.
    In particular, Fauré’s penultimate work, the Piano Trio op. 120, was used to guide the editor with his emendations.
    – First scholarly-critical edition of this work
    – High-quality Urtext edition based on “the Complete Works of Gabriel Fauré”
    – Standard repertoire work for every string quartet
    – Foreword (Eng/Fr/Ger)
    CONTENTS
    Introduction
    Editorial Notes
    Introduction
    Notes sur l’édition
    Einführung
    Zur Edition
    Composer / Author:
    Fauré, GabrielQuatuor à cordes

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  • Barenreiter Edward Elgar – Concerto for Violoncello and Orchestra E minor op. 85 Βιβλίο

    Ίσως ήταν το Βρετανικό χιούμορ που οδήγησε τον Elgar να περιγράψει το κονσέρτο του για τσέλο, ένα έργο που συνέθεσε στο φθινόπωρο της ζωής του, ως «καλό και ζωντανό». Το έργο έκανε πρεμιέρα στις 27 Οκτωβρίου 1919 στο Λονδίνο και είναι μια έκφραση των προσωπικών εμπειριών του, καθώς και εκείνων που αντιμετωπίζε ως συνθέτης, μαζί με απόηχους προηγούμενων συνθέσεων, όπως η Σερενάτα για έγχορδα. Όταν ρωτήθηκε τι σημασία είχε το κονσέρτο του, ο  Elgar απάντησε: «Η στάση ενός ατόμου στη ζωή». Σήμερα είναι ένα από τα πιο δημοφιλή έργα του για τσέλο.
    Αυτό το βιβλίο που είναι ακριβές αντίγραφο εκ του πρωτοτύπου, δημοσιεύθηκε για την 150η επέτειο από τη γέννηση του, στις 2 Ιουνίου 2007. Πιστό στο πρωτότυπο, αναπαράγει πολλές χρωματιστές διορθώσεις και προσθήκες του Elgar, προετοιμασίες για την έντυπη έκδοση της παρτιτούρας και διορθώσεις της τελευταίας στιγμής, χωρίς αμφιβολία αντανακλώντας την εμπειρία του στις πρόβες, στις συναυλίες και στις ηχογραφήσεις. Η συγκεκριμένη έκδοση περιλαμβάνει επίσης μια εισαγωγή από τον Jonathan Del Mar, που έχει ήδη ετοιμάσει την έκδοση urtext αυτού του έργου, καθώς και μια εισαγωγή από τον διάσημο τσελίστα Steven Isserlis.
     

    Σελίδες: 156
    Γλώσσα: Γερμανικά/Αγγλικά
    Εκδόσεις: Barenreiter

    ΠΕΡΙΕΧΟΜΕΝΑ
    Foreword: Elgar’s Cello Concerto – a Poem of Regret
    Introduction
    Geleitwort: Elgars Violoncellokonzert – ein Poem der Trauer
    Einführung
    Plates / Abbildungen
    Facsimile

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  • Barenreiter Bach – Six Suites For Cello Solo BWV 1007-1012 Βιβλίο για τσέλο

    This edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of A. M. Bach. All variant readings from the four other sources are clearly laid out for performance. Cellists now have the possibility of rendering performances based on just one of the five sources as well as the option of combining the sources in a mixed version.

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  • Barenreiter Beethoven – Fidelio [Vocal Score] Βιβλίο για Όπερα

    Beethoven, Ludwig van – Fidelio Op.72
    Language: German/English
    Product format: Opera
    Pages: 251
    Publisher: Barenreiter

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  • Berlioz – Die Trojaner [Vocal Score]

    Berlioz, Hector – Les Troyens

    Language: German/French/English
    Product format: Opera
    Pages: 580
    Binding: Hardback
    Publisher: Barenreiter
    CONTENTS
    The vocal score to “Les Troyens ” presents the text Berlioz conceived as a great five act opera. During the composition of this work between 1856 and 1858 and up until June 1863, Berlioz perceived “Les Troyens ” as one opera. Because of performance difficulties, the composition had to be divided into two operas, “La Prise de Troie ” and “Les Toyens à Carthage ”.
    Berlioz began to write the libretto in Paris in April 1856 and completed it on June 26th of that same year. The dramatic material of acts III-V is taken from books 1 and 4 of Virgil’s “ Aeneid ”.
    The two trojan acts are loosely based on books 1 and 2 by Virgil.
    Berlioz wrote in May 1861: “I am sure that I have created a great work, greater and superior to anything I have ever written before”.
    The vocal score is based on the three-volume New Berlioz Edition and also on the one-volume vocal score edition that under Berlioz’s supervision, was privately printed in 1861-62 and then distributed. The appendix contains two complete scenes: The Sinon scene from the first act and the original finale from the fifth act.

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  • Barenreiter Cofalik – At The Zoo for Cello – Piano Βιβλίο για τσέλο

    Young cellists (and their teachers and parents) will have fun taking this musical promenade through the zoo. Animals from A to Z help young learners to master cello techniques and skills in a spirit of fun. Tiny ants form caravans with minuscule footsteps, a lion roars in two-part counterpoint, a seal frolics in a liquid 6/8, and two little donkeys draw attention with daring glissandos.
    The colour illustrations by the well-known Polish artist Marcin Bruchnalski whet the curiosity for each piece and capture its character with a wink of the eye.
    – Easy cello pieces with piano accompaniment
    – Teaches technical skills in a spirit of fun
    – Imaginative melodies
    – Colourful illustrations
     
    The Authors
    Antoni Cofalik
    Romuald Twardowski
    Marcin Bruchnalski
     
     
     
    Cello Part Pages: 20
    Score Pages: 16
    Language: German, English, French
    Publisher: Barenreiter

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  • Halleluja – Festive Hymns For Congregation Choir & Organ

    This new collection for mixed choir contains the most important hymns from the “Evangelical Gesangbuch ” and “ Gotteslob ”. It offers new dimensions for Mass and church services. Every hymn appears with the following elements to be used as building blocks:

    Short organ prelude
    Unison voice part for the congregation with organ accompaniment
    Four-part harmony, also singable a cappella
    Sweeping, brillant choral piece with upper register vocal ad libitum

    These features allow even the simplest hymns to be transformed into impressive, dramatic as well as inspired experiences, not only for the congregation but also for the choir.
     
     
    Pages: 214Language: German, EnglishPublisher: Barenreiter

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  • Barenreiter Grutzmacher – Technology Of Cello Playing Op.38 Βιβλίο για τσέλο

    The German cellist Friedrich Grützmacher (1832-1903), an influential teacher and composer, wrote two important works containing studies: “ Tägliche Übungen ” (Daily Exercises) op. 67 and “Twenty-four Etudes” op. 38.
    Grützmacher was greatly admired during the 19th century for his brilliant playing technique and this forms the central part of his studies op. 38. To this day the twenty-four studies form an integral part of cellist’s study repertoire and the development of a well-grounded cello technique.
    As with Martin Rummel’s editions of Popper’s studies and the Duport Etudes, the new Grützmacher publication contains a booklet with valuable tips and references to other works in the cello repertoire requiring similiar solutions to technical problems.

    – Fold-out pages for ease of playing
    – Large format
    – Additional modern fingering and bowing
    – Valuable comments in English and German on the technical goals of the etudes3
     
     
     
    Editor: Rummel Martin
    Score Pages: 78
    Text Volume: 24
    Language: German, English, French
    Publisher: Barenreiter

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  • Barenreiter Merk – 20 Etudes for Violoncello Op.11 Βιβλίο για τσέλο

    On the heels of his successful cello etude publications of Popper, Duport , Grützmacher and Lee, Martin Rummel has focused his pedagogical skills on the important op. 11 etudes by Josef Merk (1795–1852). Merk was one of the most influential cellists of the first half of the 19th century enjoying the admiration of Beethoven, Schubert and Chopin. The op. 11 etudes dedicated to Schubert have remained a classic of violoncello instruction through to today.
    The editor Martin Rummel has based his new edition of the op. 11 etudes on the first edition published by the Viennese company Haslinger .
    The editor has sparingly added fingerings, bow strokes and slurs indicating them editorially so players can immediately see the textural alterations.
     
     
    Editor: Rummel, Martin
    Score Pages: 39
    Language: English, German
    Publisher: Barenreiter

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  • Barenreiter Hirzel – Violoncello Schule N.2 Βιβλίο για τσέλο

    Vorwort
    Die 2. Lage: 1. Die Töne (Übung 1-5)
    2. Lagenwechsel. A: Freier Einsatz (6-10)
    B: Zusammenziehen und Strecken der Finger (11-18)
    C: Gleiten mit demselben Finger (19-37)
    D: Fingerwechsel auf dem demselben Ton (38-40)
    E: Fingerwechsel und Gleiten (41, 42)
    3. Dreiklänge und Etüden (43-47)
    4. Duette (48-54)
    Die dritte Lage: 1. Die Töne (55-59)
    2. Lagenwechsel. A: Freier Einsatz (60-64)
    B: Zusammenziehen und Strecken der Finger (65-69)
    C: Gleiten mit demselben Finger (70-76)
    D: Gleiten und Aufsetzen eines anderen Fingers (77-79)
    E: Fingerwechsel auf demselben Ton (80-81)
    F: Fingerwechsel und Gleiten (82-92)
    3. Tonleitern und Dreiklänge, Etüde (93-98)
    4. Duette (99-109)
    Literaturhinweise für das Spiel in der 2. und 3. Lage
    Quellen
     
     
    Pages: 56
    Language: German
    Publisher: Barenreiter

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  • Barenreiter Hirzel – Violoncello Schule N.3 Βιβλίο για τσέλο

    Vorwort
    Die 4. Lage: Die Töne (Übung 1-6)
    Lagenwechsel (7): FreierEinsatz (7,8)
    Zusammenziehen und Strecken der Finger (9-16)
    Gleiten mit demselben Finger (17-23)
    Gleiten und Aufsetzen eines anderen Fingers (24)
    Fingerwechsel auf demselben Ton (25)
    Fingerwechsel und Gleiten (26-28)
    Ein- und zweistimmige Spielstücke (29-42)
    Tonleitern, Dreiklänge, Sexten und Dezimen (43-48)
    Das a-Flageolett;Tenorschlüssel (49-54)
    Allgemeine Kapitel: Das liegende Staccato (55-58)
    Vibrato (59) / Pizzicato (60, 61)
    Drei- und vierstimmiges Akkordspiel, Arpeggien (62, 63)
    Détaché und Martelé (64, 65)
    Verzierungen (66-73) / Geworfene und gesprungene Striche (74-83)
    Die 5. Lage: Die Töne (84)
    Lagenwechsel (85-90)
    Ein- und zweistimmige Spielstücke (91-98)
    Tonleitern, Dreiklänge, Sexten und Terzen (99-103)
    Die 6. Lage: Die Töne (104)
    Lagenwechsel (105-111)
    Ein- und zweistimmige Spielstücke (112-118)
    Tonleitern, Dreiklänge, Terzen, Sexten, Etüde (119-124)
    Die 7. Lage: Die Töne (125)
    Lagenwechsel (126-131) / Duette (132-135)
    Tonleitern, Dreiklänge, Sexten und Terzen; chromatische Tonleiter; Violinschlüssel (136-142)
    Literaturhinweise
    Quellen
     
     
     
    Pages: 104
    Language: German
    Publisher: Barenreiter

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  • Barenreiter Marton – Einfuhrung In Das Lagenspiel Βιβλίο για τσέλο

    Marton, Anna – Einführung in das Lagenspiel
    125 kleine Übungen für Violoncello
     
    Pages: 48
    Language: German
    Publisher: Barenreiter

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  • Barenreiter Marton – Einfuhrung In Die Daumenlage Βιβλίο για τσέλο

    Marton, Anna – Einführung in die Daumenlage
    100 kleine Übungen für Violoncello
     
    Pages: 40
    Language: German
    Publisher: Barenreiter

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  • Barenreiter Seitz – Concerto Nr.2 in G Major Op.13 for Violin & Piano Βιβλίο για σύνολα

    Language: German/English
    Product format: Piano reduction, Part
    Instrumentation: Violin Solo, Piano
    Solo Pages: 9
    Piano Pages: 11
    Publisher: Barenreiter
    CONTENTS
    When the young Marlene Dietrich took violin lessons in Dessau from Friedrich Seitz (1848-1918), did she have this concerto in her repertoire? Whatever the case, her career, as we all know, took off on a different slant. But the Student Concerto in G major, op. 13, advanced to become one of the most popular and effective recital pieces for young violinists en route to the great concert stage.
    Friedrich Seitz was a concertmaster and violin teacher, first in Magdeburg and later, from 1884, in Dessau. He published his op. 13 concerto in 1893. It is laid out in the conventional three movements: a charming Allegro non troppo poised between concert and salon music, a sentimental Adagio in a minor key, and a merry Rondo in 6/8 metre as a finale. Like almost every work by this passionate music educator, it stands in the facile e brillant tradition, achieving maximum impact with minimum technical demands while adopting the posture of a virtuoso concerto. A solid command of the first position is sufficient for its performance, with good left- and right-hand coordination required in the fast passages. The learner’s technical skills are honed on simple double stops and détaché, legato and elementary spiccato bowing. Typical formal sections, such as a cadenza in the opening movement, and lovely, memorable melodies, call for an imaginative delivery: students learn how much fun it can be to play ‘virtuoso’ music!
    This edition appears in the Bärenreiter’s Concert Pieces series, which includes popular concertos and concert pieces for young violinists. The editor is the internationally acclaimed violin teacher Kurt Sassmannshaus, who has added fingering and bowing to the solo part and explains the technical requirements in a short preface.
    – One of the most popular and effective student concertos of the 19th century
    – Written entirely in first position
    – Includes a solo part and a score with the piano accompaniment
    – Short preface in German and English with information on technical requirements

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  • Barenreiter Barenreiter – Sonatinen-Album for Piano Vol.1 Βιβλίο για πιάνο

    Συλλογή απο σονατίνες για πιάνο.

    Περιεχόμενα:

    Attwood, Thomas Sonatine G-Dur 

     

    Krebs, Johann Ludwig Klavierstück Es-Dur 

     

    Hässler, Johann Wilhelm Zwei Allegros 

     

    Mozart, Wolfgang Amadeus Zwei Menuette KV 315a (315g) 

     

    Clementi, Muzio Sonatine C-Dur op. 36/1 

     

    Clementi, Muzio Sonatine G-Dur op. 36/2 

     

    Vanhal, Johann Baptist Andante F-Dur op. 2/5 aus der Sonatine 

     

    Komponist / Autor: Beethoven, Ludwig van Sonatine G-Dur Kinsky-Halm Anh. 5 

     

    Benda, Jirí Antonín Sonatine d-Moll 

     

    Benda, Jirí Antonín Sonatine F-Dur 

     

    Bach, Johann Christoph Friedrich Marsch G-Dur aus “Musikalische Nebenstunden” 

     

    Kabalevskij, Dmitrij Sonatine op. 27 aus “Kinderstücke” 

     

    Kirnberger, Johann Philipp Passepied E-Dur 

     

    Clementi, Muzio Sonatine C-Dur op. 36/3 

     

    Beethoven, Ludwig van Sonatine F-Dur Kinsky-Halm Anh. 5 

     

    Heller, Stephen Fünf Préludes pour Mlle. Lili op. 119 

     

    Myslivecek, Josef Menuett A-Dur 

     

    Benda, Jirí Antonín Sonatine g-Moll 

     

    Kuhlau, Friedrich Sonatine G-Dur op. 55/2 

     

    Türk, Daniel Gottlob Andantino F-Dur 

     

    Haydn, Joseph Scherzo F-Dur aus Sonate Hob.XVI:9 und Sonate D-dur Hob.XVI:4 

     

    Haydn, Joseph Sonate D-Dur Hob. XVI:4 

    Σελίδες: 64Γλώσσα: Γερμανικά, ΑγγλικάΕκδόσεις: Barenreiter

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  • Barenreiter Dvorak – Polonaise In A Major for Cello & Piano Βιβλίο για τσέλο

    Antonin Dvorak (1841-1904) wrote the Polonaise in A major for the cellist Alois Neruda , with whom he premiered many of his chamber-music works. The sparkling composition shows that Dvorak, who had been violist in the Prague Provisional Theater , was intimately acquainted with the virtuoso possibilities of the string instruments.
    This is a brilliant piece which absolutely should not be missing from the repertoire of proficient cellists.
     
     
     
    Editor: Storck, Klaus
    Fingering and bowing for Violoncello: Storck, Klaus
    Score Pages: 16
    Cello Part Pages: 8
    Language: German, English
    Publisher: Barenreiter

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