Barenreiter
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€10,80
€12,00Barenreiter Bach – Orchestral Suite in B minor, BWV 1067 [Pocket Score] Βιβλίο για σύνολα
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Barenreiter Glazunov – Concerto in E-flat major, Op.109 for Alto Sax & String Orchestra Βιβλίο για σύνολα
The Concerto for Alto Saxophone and Orchestra is Alexander Glazunov’s last work; since its first performance in 1934 it has become part of the standard saxophone repertoire. The sole surviving autograph manuscript is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet).This score contains the original version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also contains some performance markings by Raschèr.The correspondence between Raschèr and Glazunov documents the composer’s thoughts on the work and his recommendations about the size of the accompanying string orchestra. Evidence from this correspondence has been integrated into this edition.This first scholarly-critical edition of a work by Glazunov contains an informative introduction with commentaries about the history of its composition, facsimiles and a critical commentary.The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.- Includes the original and new solo cadenzas- With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr- With an Urtext solo saxophone part and a second part prepared by Carina Raschèr- Informative foreword (Ger/Eng)
Pages: 22 (Alto Sax & Piano Book) & 11 (Alto Sax Score) & 11 (Alto Sax Score)Language: German, EnglishPublisher: Barenreiter€27,80€30,90Barenreiter Glazunov – Concerto in E-flat major, Op.109 for Alto Sax & String Orchestra Βιβλίο για σύνολα
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Barenreiter Piano Kaleidoscope Βιβλίο για πιάνο
This album is a special edition not only due to its very affordable price but also because it features a cross section of Bärenreiter’s extensive piano catalogue.The pieces and movements range from the 18th century through to the first decades of the 20th century. During these approximately 200 years keyboard playing developed considerably and together with the unstoppable rise of the pianoforte since the end of the 18th century, it became hugely popular.The fifteen composers who are represented in this edition have each, in their inimitable way, shaped the possibilities of sound and playing techniques of this instrument in their works. In our piano collection you will find compositions from the Baroque, Classical, Romantic and Early Modern eras. The pieces also vary in national style and range from low through to high technical difficulty.An appetizer for our Urtext editions – give it a try!
ContentsBach, Johann Sebastian
Prelude in C major BWV 846
No. 1 from: The Well-Tempered Clavier ISatie, Erik
1ère Gymnopédie
Schubert, Franz
Allegretto in C minor D 915
Brahms, Johannes
Waltz in B minor
No. 11 from: Waltzes op. 39. Easy EditionJanácek, Leoš
In the Mists no. 1
Debussy, Claude
The little Shepherd
No. 5 from: Children’s CornerSchumann, Robert
Sicilienne
from: Album for the Young op. 68Satie, Erik
In Addition
from: 3 Morceaux en forme de PoireMendelssohn Bartholdy, Felix
Venetian Gondola Song op. 30/6
Mozart, Wolfgang Amadeus
Allegro
1st movement from: Sonata C major (“facile”) K. 545Bach, Johann Sebastian
Prelude in D minor BWV 851
Beethoven, Ludwig van
Adagio sostenuto
1st movement from: Sonata quasi una Fantasia op. 27 No. 2 “Moonlight Sonata”Mussorgsky, Modest
Tuilleries
No. 3 from: Pictures at an ExhibitionBrahms, Johannes
Album Leaf
Händel, Georg Friedrich
Sonatina in D minor HWV 581
Schubert, Franz
Hungarian Melody D 817
Debussy, Claude
(… Footsteps in the snow)
No. VI aus: Préludes pour piano. 1er LivreKozeluch, Leopold
Sonata in E-flat major op. 53/3
1st movementSchulhoff, Erwin
Blues (Esquisses de jazz, No. IV)
Mendelssohn Bartholdy, Felix
Allegro non troppo op. 72/1
Smetana, Bedrich
Polka in E-flat major op. 8/1
Schumann, Robert
Farewell
No. 9 from: Forest Scenes op. 82
Pages: 58Language: German, EnglishPublisher: Barenreiter
€8,90€9,90Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Mozart – Sonata in Bb Major for Cello & Piano Βιβλίο για τσέλο
This edition of Mozart’s Sonata for bassoon and violoncello K. 292 (196c) pursues an innovative concept: not only does it reproduce the obbligato parts in a strict observance of the “Urtext” of the Neue Mozart-Ausgabe, but it also adds a new dimension of sound to the interpretation of the work by providing an additional piano part that is wholly in keeping with the thoroughbass practice which was still very much alive in Mozart’s day.
This charming work can be played several ways from this edition: as a duo sonata following the transmitted version, as a solo sonata for violoncello or bassoon with piano accompaniment, and as a small ensemble work for two melody instruments (bassoons or violoncelli or one of each) and piano or harpsichord.
Editor: Berke, Dietrich
Arranger: Töpel, Michael
Score Pages: 16
Cello/Fagotto Part Pages: 4 + 4
Language: German, English
Publisher: Barenreiter€16,30€18,10Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Lalo – Concerto in D Minor Βιβλίο για τσέλο
Editor: Hugh Macdonald
Score Pages: 36
Cello Part Pages: 11
Language: German, English, French
Publisher: Barenreiter€20,70€23,00Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Hirzel – Violoncello Schule N.1 Βιβλίο για τσέλο
Vorwort
Zur Gechichte des Cellos
Zur Pflege des Cellos
Die Teiledes Cellos
Die Haltung des Instruments
Die Teile des Bogens, die Bogeneinteilung
Der Bogengriff
Strichübungen auf der D- und G-Saite (Übung 1-3)
Der enge Griff: Übungen auf der D- und G-Saite (4-6)
Greifen und Streichen (7-16)
Gebundene Noten, legato (17-23)
Saitenwechsel (24-40), die G-dur Tonleiter (41-54)
Die A-Saite (55-58), die D-dur Tonleiter (59-76)
Schnelle Saitenübergänge auf D-G-A-Saite (77-84)
Die C-Saite (85-90), die C-dur-Tonleiter (91-102)
Übungen für den Saitenwechsel: Zweistimmige Übungen (103)
dreistimmige Übungen (104), vierstimmige Übungen (105)
schnelle Saitenübergänge (106), Oktavsprünge (107, 108)
Der weite Griff, nach unten (109), die F-dur Tonleiter (110-127)
die B-dur Tonleiter (128-142)
die g-moll und c-moll Tonleiter (143-148)
Der weite Griff, nach oben (149) , die A-dur Tonleiter (150-161)
Wechsel von engem und weitem Griff (162)
die D-dur Tonleiter (163-173), die d-moll Tonleiter (174-176)
Der erhöhte enge Griff (177-180)
Die halbe Lage (181-185)
die h-moll Tonleiter, die e-moll Tonleiter (186-191)
Pages: 94
Language: German
Publisher: Barenreiter€28,20€31,30Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Galliard – Sonate in G Major for Violoncello & B.C. Βιβλίο για τσέλο
Editor: Hugo Ruf
Score Pages: 10
Cello Part Pages:8
Language: English, German, French
Publisher: Barenreiter
€11,70€13,00Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Dvorak – Concerto In B Minor for Cello & Piano Reduction Βιβλίο για τσέλο
Concerto for Cello and Orchestra in B minor, Op. 104, isundoubtedly one of the mostpopular works from the worldwide cello repertoire, and it is the lastcomposition by Dvorak (1841-1904) written in America during his three-year stay when he workedas thedirector of the National Conservatory of Music in New York (1892-1895). Thecomposerwas not particularly fond of the cello as a solo instrument because he wasconvinced itcould only sound wonderful in the orchestra or chamber ensemble, since only itsmiddlepitch was refined (as he once commented: ‘up there it mumbles and down there itrumbles’),yet it is interesting to note that he wrote this concerto for the cello, apiece sincerely andunreservedly admired by artists and audiences the world over. This title is acritical editionbased on the composer’s manuscript and is part of the first Complete CriticalEdition ofWorks by Antonin Dvorak. Only exceptionally does this edition use a more modernmethodof cello notation for direct transition from bass to treble clefs – in thesecases the cellosounds the way it is written. For this edition the composer’s adaptation forpiano wassupplemented and revised by Karel Solc. The violoncello part is published in arevisionby Ladislav Zelenka, former member of the famous Bohemian Quartet.
Score Pages: 44
Cello Part Pages: 20
Publisher: Barenreiter€18,80€20,90Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Debussy – Sonate Pour Violoncello & Piano Βιβλίο για τσέλο
Debussy’s “Sonata for Violoncello and Piano” was written in the summer of 1915; it was the first of a planned series of six sonatas for various instruments, of which Debussy finally only completed three. Due to its unmistakable charm, this work established itself as a standard work in the repertoire from the first performance and is undoubtedly the most frequently performed cello sonata of the 20th century.
Regina Back’s Urtext edition includes for the first time sketches by Debussy from a private collection, which not only contain an important comment by the composer regarding the balance of the instruments, but are also used to clarify some musical contradictions in the autograph and first edition.
The Urtext edition by Bärenreiter is accompanied by a foreword (German / English / French), which not only deals with the genesis and the first performances of the composition, but also contains information about practical performance aspects. A facsimile page and a critical report complete the edition.
– Bärenreiter Urtext
– Consideration of an important new source
– Critical report (English)
– Facsimile page
– Detailed foreword
Score Pages: 22
Cello Part: 8
Language: German, English, French
Publisher: Barenreiter€15,40€17,10Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Battanchon – 12 Etudes Thumb Position Op.25 Cello Solo Βιβλίο για τσέλο
The French cellist Felix Battanchon (1814-93) was principal cellist in the orchestra at the Grand Opéra in Paris . Very little research has been carried out into his biographical details, but it is known that he composed around 40 works. By far the majority of his compositions are salon pieces for one to three cellos, but Battanchon also wrote several collections of studies. The “12 Etudes in the Thumb Position” are now available in a new edition by Martin Rummel. They are suitable both as an introduction to playing in the thumb position as well as an advanced study of this aspect of cello playing.
– Suitable for all cellists studying the thumb position
– With optimal page-turns
– Up-to-date fingerings and bowings
Pages: 30
Language: German, English
Publisher: Barenreiter€15,90€17,60Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Bach J.S.- Three Sonatas For Cello & Harpsichord Βιβλίο για τσέλο
Composer / Author: Bach, Johann Sebastian
1)Sonata G-Dur / in G major BWV 1027
2)Sonata D-Dur / in D major BWV 1028
3)Sonata G-Moll / in G minor BWV 1029
Instrumentation: Cello, Cembalo, Klavier
Pages: 52Language: German, EnglishPublisher: Barenreiter€18,80€20,90Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Haydn – The Creation Hob. XXI:2 [Vocal Score] Βιβλίο για Φωνή και Πιάνο
The oratorio ”The Creation” represents not only a crucial point in Joseph Haydn‘s compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio.
The oratorio ”The Creation” represents not only a crucial point in Joseph Haydn‘s compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.
The plot is divided into three parts:
Part One portrays the first four days of creation with the genesis of the world, the plants and the firmament, and in Part Two the animals are included. Part Three takes as its theme the life of the first people, Adam and Eve, with the oratorio culminating in two major closing choruses of praise and thanks. The text, translated from the English original by Baron van Swieten, Prefect of the imperial court library in Vienna, combines prose texts of the creation story in Luther’s translation of the bible with complementary excerpts from John Milton’s “Paradise Lost” (duration: approx. 110 mins).New edition based on the Urtext from the Complete Edition of ”Joseph Haydn’s Works”, published by G. Henle Verlag
Vocal score with a contemporary piano reduction by A. E. Müller, revised by A. Köhs
Excellent presentation on the page
Σελίδες: 202Γλώσσα: Γερμανικά, ΑγγλικάΕκδόσεις: Barenreiter€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Haydn – The Seasons Hob. XXI:3 [Vocal Score] Βιβλίο για Φωνή και Πιάνο
Joseph Haydn’s oratorio ‘ The Seasons’ was composed directly after the first successful performances of ‘ The Creation’ .‘The Seasons’ has however been greatly overshadowed by ‘ The Creation’ for a long time and yet this work has far greater changes of style between popular Singspiel and great oratorio than ‘ The Creation’ . ‘ The Seasons’ continues to impress and remains part of the core repertoire to the present with its overwhelming richness of musical character and its immense formal variety. Scarcely another oratorio is able to so captivate an audience with such variety.
– Urtext edition from the Complete Edition ‘ Joseph Haydn Works’, published by G. Henle Verlag , Munich- Duration: approx. 140 minutes
Σελίδες: 326Γλώσσα: Γερμανικά, Αγγλικά, ΓαλλικάΕκδόσεις: Barenreiter€18,90€21,00Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Smetana – Moldau for Two Flutes Βιβλίο για φλάουτο
Following the “Carnival of the Animals” edition, Jennifer Seubel has now set her sights on the “Moldau”. The major stopping points in the course of the music have been insightfully and faithfully translated for two flutes. Here advanced students will find beautiful music to play which also contains some small challenges. The arrangement follows the original work with the movements “The First and the Second Source of the Vltava”, “Forest – Hunting”, “Village Wedding”, Moonlight – Nymph’s Dance”, “The Vltava’s Broad Stream – Vyšehrad-Motiv”.
Περιεχόμενα
Composer / Author:
Smetana, Bedrich
Arranger: Seubel, Jennifer
I. The first and the second source of the Moldau
Instrumentation: Flute (2)
·
Composer / Author:
Smetana, Bedrich
Arranger: Seubel, Jennifer
II. Forest – Hunting
Instrumentation: Flute (2)
·
Composer / Author:
Smetana, Bedrich
Arranger: Seubel, Jennifer
III. Village wedding
Instrumentation: Flute (2)
·
Composer / Author:
Smetana, Bedrich
Arranger: Seubel, Jennifer
IV. Moonlight – Nymph’s Dance
Instrumentation: Flute (2)
·
Composer / Author:
Smetana, Bedrich
Arranger: Seubel, Jennifer
V. The Moldau’s broad stream – Vyšehrad theme
Instrumentation: Flute (2)
Σελίδες: 20Γλώσσα: Γερμανικά, ΑγγλικάΕκδόσεις: Barenreiter€18,30€20,30Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Mozart – Two Duos for Violin and Violoncello Βιβλίο για σύνολα
In the 25 years following Mozart’s death an enormous amount of his music was arranged and adapted for the insatiable appetite of the European musical public. Nearly every major work was arranged for piano four hand, even some of the operas were arranged for string quartet or other chamber scoring. Two new Bärenreiter publications turn back the time and offer us an insight into performance practice of the early 19th century; music meant to be played! The arrangements are of highly popular Mozart chamber compositions, the Quintet for Clarinet and String Quartet K. 581 in an anonymous arrangement from 1809 for Clarinet (or Violin) and Piano as well as Mozart’s two duos for Violin and Viola K. 423-424 arranged by Johannes Traeg in 1805 for Violin and Violoncello. The “Grande Sonate” for Clarinet (or Violin) and Piano, published by Artaria, is an early arrangement of a Mozart work of which no autograph exists. The editor, Christopher Hogwood, weaves together the patchwork of sources for the quintet , justifying this arrangement for clarinet and piano as a serious source for the work. Johannes Traeg , an acquaintance of Mozart’s and a publisher, quickly responded to the public demand for domestic Mozart arrangements at the start of the 19th century.
His arrangements of the Violin – Viola duos K. 423-424 for Violin and Violoncello, published in 1805, are a response to the need for a more active cello part in chamber music.
Dietrich Berke, editor of the “New Mozart Edition” and editor of the NMA volume containing the duos, clearly shows the path from the Mozart autograph to the arrangement and offers us an informative preface on the duos and their place in domestic music making at the turn of the 19thcentury. Short text: The Grande Sonate for clarinet (or violin) and piano, published by Artaria , is an early arrangement of a Mozart work where no autograph exists. The editor Christopher Hogwood weaves together the patchwork of sources for the quintet, justifying this arrangement for clarinet and piano as a serious source for the work. – Mozart masterpieces in contemporary arrangements – “Grande Sonate ” in versions for clarinet in A and B-flat – First modern editions – Bärenreiter quality with detailed preface and critical report
Contents
Duo in G nach KV 423 / Duo in G major after K. 423:Allegro
Adagio
Rondeau – AllegroDuo in B nach KV 424 / Duo in B-flat major after K. 424:
Adagio – Allegro
Andante cantabile
Thema (con Variazioni) – Andante grazioso
Σελίδες: 21+15+13Γλώσσα: Γερμανικά, ΑγγλικάΕκδόσεις: Barenreiter€20,80€23,10Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Smetana – Macbeth for Piano Βιβλίο για πιάνο
Smetana’s piano sketch Macbeth, also known as Macbeth and the Witches, after William Shakespeare’s tragedy, originated in 1859 while the composer was living in Sweden. Some scholars believe that it was meant to be scored for full orchestra. The work’s dark and gloomy mood is connected with the death of Smetana’s wife Katharina on 19 April 1859. Macbeth only appeared in print posthumously in 1912. It soon entered the piano repertoire, and in the course of the 20th century it was scored for orchestra by Otakar Jeremiáš and for piano and orchestra by Jarmil Burghauser. Our Urtext edition proceeds from the only surviving source, Smetana’s pencil sketch. The editor has added as little as possible to the musical text in order to faithfully recreate the challenge of performing a sketch. Missing rests and rhythmic ‘anomalies’ have been left as in the autograph.
Σελίδες: 18Γλώσσα: Γερμανικά, Αγγλικά, ΤσέχικαΕκδόσεις: Barenreiter€16,30€18,10Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Sassmannshaus – Early Start on the Cello Nr.2 [German] Βιβλίο για τσέλο
Language: German
Pages: 64
Publisher: Barenreiter
Composer / Author: Sassmanshaus, Egon
CONTENTS
Vorwort
Der 4. Finger ist der Grundton
Dreiklänge in C-, F- und G-dur
Übungen und Spielstücke in der neuen Griffweise
Die punktierte Viertelnote
Der 2. und 3. Finger im Wechsel
Der 1. Finger ist der Grundton
Dreiklänge in A-, D- und E-dur
Übungen in der neuen Griffstellung
Der Wechsel zwischen engem Griff und weitem Griff nach oben
Doppelgriffe
Der weite Griff nach unten
Dreiklänge in Es-, B- und F-dur
Übungen und Spielstücke in der neuenGriffstellung
Die Sechzehntelnoten
Der Wechsel zwischen engem Griff und weitem Griff nach unten€17,10€19,00Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Sassmannshaus – Early Start on the Viola Nr.2 [English] Βιβλίο για βιόλα
Language: English
Pages: 64
Publisher: Barenreiter
Composer / Author: Sassmanshaus, Kurt
CONTENTS
Preface
The Fourth Finger Is The Tonic
Triads In F major, C major And G major
Songs With The New Finger Pattern
The Dotted Quarter Note
The Second Finger Changes Between High And Low Positions
The First Finger Is The Tonic
Triads In D major, A major And E major
Songs With The New Finger Pattern
Changing Between High And Low Finger Positions
The Three Finger Patterns
Playing In Different Positions With The Three Patterns
Double Stops
The Second Finger Is The Tonic
Triads In E-flat major, B-flat major And F major
Songs With The New Finger Pattern
Sixteenth Notes
The First Finger Changes Between High And Low Positions
F major Notes In First Position
Exercises And Pieces In F major
Major And Minor Scales And Arpeggios Across Four Strings€20,40€22,60Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Sassmannshaus – Early Start on the Viola Nr.4 [German] Βιβλίο για βιόλα
Language: German
Pages: 72
Publisher: Barenreiter
Composer / Author: Sassmanshaus, Kurt
CONTENTS
Vorwort
Die 3. Lage
Abgehobene und springende Bogenstriche
Tonleitern in Dur und Moll
Dreistimmige Akkorde
Das Kletterspiel
Flageolett-Töne
Lagenwechsel
Verzierungen
Der gehämmerte Bogenstrich
Staccato
Die 2. Lage
Spielstücke in verschiedenen Lagen
Tonleitern auf einer Saite
Tonleitern in allen Tonarten durch zwei Oktaven
Tonleitern durch drei Oktaven
€19,60€21,80Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Sassmannshaus – Early Start on the Cello Nr.4 [English] Βιβλίο για τσέλο
Language: English
Pages: 72
Publisher: Barenreiter
CONTENTS
Preface
Familiar Songs In Second And Third Positions
The Scale Assembly Plan
Second Position
Third Position
Shifting
Tenor Clef
Fourth Position
Harmonics
Syncopation
Keys With Several Accidentals
Exploring Higher Positions
€21,00€23,30Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Sassmannshaus – Early Start on the Cello Nr.3 [English] Βιβλίο για τσέλο
Language: English
Pages: 72
Publisher: Barenreiter
CONTENTS
Preface
The Half Step Is Between The Third And Fourth Fingers
Ornaments
The Half Step Is Between The First And Second Fingers
The Second And Third Finger Patterns
Triplets
Extended Finger Pattern Moves Upward
Alternating Normal And Extended Finger Patterns
Minor Keys
High First Position
Half Position
Duets In Various Keys With Alternatiung Finger Patterns
€21,00€23,30Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Sassmannshaus – Early Start on the Cello Nr.2 [German] Βιβλίο για τσέλο
Language: German
Pages: 64
Publisher: Barenreiter
CONTENTS
Vorwort
Der 4. Finger ist Grundton
Dreiklänge in C-, F- und G-Dur
Übungen und Spielstücke in der neuen Griffstellung
Die punktierte Viertelnote
Der 2. und 3. Finger im Wechsel
Der weite Griff nach unten
Dreiklänge in Es-, B- und F-Dur
Übungen und Spielstücke in der neuen Griffstellung
Die punktierte Viertelnote
Der 2. und 3. Finger im Wechsel
Der weite Griff nach unten
Dreiklänge in Es-, B- und F-Dur
Übungen und Spielstücke in der neuen Griffstellung
Die Sechzehntelnoten
Der Wechsel zwischen engem Griff und weitem Griff nach unten
Doppelgriffe
Der weite Griff nach oben
Dreiklänge in A-, D- und E-Dur
Übungen in der neuen Griffstellung
Der Wechsel zwischen engem Griff und weitem Griff nach oben
Spielstücke in verschiedenen Tonarten
€19,60€21,80Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Sassmannshaus – Early Start on the Cello Nr.1 [German] Βιβλίο για τσέλο
Language: German
Pages: 64
Publisher: Barenreiter
CONTENTS
Vorwort
Notenwerte und Zeichen
Die leeren Saiten
Saitenübergänge
Die Rufterz mit dem 3. Finger
Der Dreiklang
Der 1. Finger
Das Greifen auf verschiedenen Saiten
Der 4. Finger
Die Vorzeichen
Die Tonleitern auf zwei Saiten
Weitere Übungen, Lieder und Stricharten
Neue Stricharten
Gebundene Noten
Der Portato-Strich
€19,60€21,80Διαθέσιμο σε 1-3 ημέρες
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Barenreiter Sassmannshaus – Early Start on the Violin Nr.4 [German] Βιβλίο για βιολί
Language: German
Pages: 72
Publisher: Barenreiter
Composer / Author: Sassmanshaus Kurt
CONTENTS
Vorwort
Die 3. Lage
Abgehobene und springende Bogenstriche
Tonleitern in Dur und Moll
Dreistimmige Akkorde
Das Kletterspiel
Flageolett-Töne
Lagenwechsel
Verzierungen
Der gehämmerte Bogenstrich
Staccato
Die 2. Lage
Spielstücke in verschiedenen Lagen
Tonleitern auf einer Saite
Tonleitern in allen Tonarten durch zwei Oktaven
Tonleitern durch drei Oktave€19,60€21,80Διαθέσιμο σε 1-3 ημέρες
Pages: 24Language: German, EnglishPublisher: Barenreiter