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  • DECKSAVER Decksaver Pioneer DJM-900 cover (Fits Nexus & SRT)

    Διάφανο προστατευτικό κάλυμμα σχεδιασμένο ειδικά για το PIONEER DJM-900 (FITS NEXUS & SRT).Kαλύπτει με ασφάλεια γύρω γύρω το controller, εξασφαλίζοντας του, προστασία χωρίς να κρύβει την ομορφιά του.
    46,0050,60

    Available in more than 30 days

  • MAGMA Magma Multi-Format Turntable Case II Ασημί θήκη flightcase

    Magma Multi-Format Turntable Case II θήκη flightcase κατάλληλη για τα πικάπ Technics 1200/1210 G / GR / MK2 / 1210 MK5 / 1210 MK7, Audio Technica LP120-USB / LP1240-USB, Pioneer PLX-1000 / PLX-500, Reloop RP-8000 / RP-7000 / RP-6000 / RP-2000, Rane Twelve κ.α.
    159,90175,89

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  • ARYLIC Arylic B50 Στερεοφωνικός Ενισχυτής με Bluetooth

    Ο ολοκληρωμένος δικάναλος ενισχυτής B50 της arylic διαθέτει τεχνολογία aptx HD, υποδοχές (phono in, line in, optical in, dac, usb disc, hdmi arc, rca in), εφαρμογή GO Control για iOS & Android και ACPWorkbench. Είναι κατάλληλος για χρήση σε βιβλιοθήκες, gaming, ξενοδοχεία, μικρές εγκαταστάσεις και άλλους χώρους.
    158,00173,80

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  • Super Drum LMBJ1607 16″x7″ White Γκρανκάσσα Μπάντας

    Γκραν κάσσα μπάντας – παρέλασης lmbj1607 της super drum.Συμπεριλαμβάνονται οι ζώνες στήριξης στους ώμους και 2 κόπανοι.Διαστάσεις 16 x 7.
    99,00116,00

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  • Tanglewood TRSF CE BW LH Αριστερόχειρη Ηλεκτροακουστική Κιθάρα

    Η αριστερόχειρη trsf ce bw lh reunion είναι ηλεκτροακουστική κιθάρα της tanglewood. της κορυφαίας εταιρείας κατασκευής μουσικών οργάνων στην Μεγάλη Βρετανία. Η σειρά reunion είναι σχεδιασμένη με βάση τις ανάγκες του σύγχρονου μουσικού. διαθέτοντας υψηλές προδιαγραφές και κατασκευαστική ποιότητα.Το σκάφος της είναι σε σχήμα superfolk με cutaway. Το καπάκι της είναι από australian red cedar και το υπόλοιπο σώμα της κιθάρας από black walnut. Η ταστιέρα είναι από eboncore.Από πλευράς ηλεκτρικών. διαθέτει τον προενισχυτή tanglewood premium plus. με ποτενσιόμετρα ρύθμισης bass/ middle/ treble. presence. volume. phase switch καθώς και ενσωματωμένο κουρδιστήρι.Σε χρώμα natural satin.
    365,00425,00

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  • Mendelssohn – Concerto in E Minor Op.64

    Mendelssohn Bartholdy, Felix
    Concerto for Violin and Orchestra in E minor Op.64
    Late version 1845
    – First ever Urtext edition of both versions of op. 64
    – Critical Commentary (Engl.) included with full score
    – Informative preface (Engl. / Ger.)
    – Piano reductions each with an Urtext violin part and a second violin part prepared with fingerings and bowings.
     
    In 1838 Felix Mendelssohn wrote to the violin virtuoso Ferdinand David informing him that he was working on a violin concerto “… the opening theme, one in E minor runs through my head and it gives me no peace”; the concerto in the state described by Mendelssohn to David was never published in a performing edition – it was only rediscovered in 1988.
    One would think that such an important work would be adequately represented in modern editions true to the sources. Alas not even the score used today represents the orchestral parts Mendelssohn saw to print in 1845, but one heavily edited in the 1860s by Julius Rietz for the Mendelssohn Complete Edition.
    For the Bärenreiter Urtext edition, the Mendelssohn specialist R. Larry Todd has edited both the original version of the concerto as well as the later version known today.
    The first version of the concerto calls for the soloist to perform the orchestral tuttis , contains a shorter cadenza by Mendelssohn, many solo violin pitches in different octaves, passages with different orchestral scoring and many many surprises regarding articulation and dynamics.
    The later version goes back to the first edition orchestral parts published in 1845 and the piano reduction sanctioned by Mendelssohn.
    Todd makes use of all known sources including the letters between Mendelssohn and David as well as Mendelssohn and the original publishers where general schemes as well as specifics of articulation were exchanged.
    This first ever Urtext edition of one of the most popular violin concertos in the repertoire finally gives performers the opportunity of playing just what Mendelssohn wrote.
    The Bärenreiter Urtext edition offers the two versions of op. 64 back to back in score and parts together with facsimiles, an informative preface describing the genesis of the composition and a detailed critical commentary.
     
     
     
    Editor: Todd, R. Larry
    Score Pages: 45
    Violin Part Pages: 16×2
    Language: English, German
    Publisher: Bärenreiter
    22,5025,00

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  • Liszt – Transcriptions I of Works by Berlioz

    Language: English, German
    Length: 156 pages
    Format: 23 x 30 cm
    Weight: 0.582 kg
    Published: March 1996
    Publisher: Editio Musica Budapest Zeneműkiadó
    Item number: 13353
    ISMN: 9790080133538
     
     
    This edition is volume 27 of the New Liszt Edition, and of the soft paper bound series Liszt: Klavierwerke. It contains piano transcriptions, faithful to the score, of works by Berlioz. First there is the transcription of the Symphonie fantastique, and transcriptions of the overtures to Roi Lear and the Les francs-juges, and finally the Marche des pelerins from the Harold in Italy symphony.
    The music is complemented by a critical commentary and published in a hard clothbound edition, while the soft paper bound edition without critical commentary serves practical purposes. Both versions are illustrated with facsimiles of pages from the Liszt manuscripts used as sources.
    Contents
    1.
    Episode de la vie d’un Artiste. Grande Symphonie fantastique par Hector Berlioz
    R. 134 G. 470
     
    2.
    Ouverture des Francs-juges de Hector Berlioz
    R. 137 G. 471
     
    3.
    Ouverture du Roi Lear de Hector Berlioz
    R. 140 G. 474
     
    4.
    Marche des pelerins de la symphonie Harold en Italie de Berlioz
    R. 139 G. 473
    41,9043,90

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  • Liszt – Piano Versions Of His Own Works III

    Volumes I/15-17 of the New Liszt Edition contain versions for piano of works by Liszt written for other instruments or for voices. Of the pieces in volume 17, many works appeared here in print for the first time: the Festpolonaise, the O Roma nobilis (whose melody can be traced back to a seventh- or eighth-century pilgrims’ hymn), the San Francesco, the Cantico di San Francesco (in which the melody In dulci jubilo can be found) and In domum Domini ibimus. One interesting feature of A magyarok istene [God of the Hungarians] is that as well as the version for two hands, Liszt also made a piano transcription for left hand alone.
    As far as possible, the pieces are given in chronological order. As customary, there are two versions of the publication: a blue clothbound edition and a grey softcover edition. The informative preface giving the most important information on the contents and technical details is identical in both versions, but only the former version includes an English description of the sources and a critical commentary. Both versions include facsimiles of pages from Liszt’s original autograph manuscript.
    Works marked by an asterisk in the Contents are published here for the first time in print.
    Content1.Festpolonaise *R. (196) G. 5282.Der blinde Sänger – SlepojR. 216 G. 5463.Salve PoloniaR. 185 G. 514.Deux polonaises (de l’oratorio St. Stanislas) Polonaise IR. 186 G. 5195.Deux polonaises (de l’oratorio St. Stanislas) Polonaise IIR. 186 G. 5196.O Roma nobilis *R. (514) G ľ7.San Francesco * (preludio per il Cantico del Sol, di San Francesco d’Assisi)R. (392) G. 6658.Cantico di San Francesco *R. 191 G. 4999.2. Mephisto-WalzerR. 182 G. 51510.A magyarok istene – Ungarns GottR. 214 G. 54311.Von der Wiege bis zum Grabe – Du berceau jusqu’ a la tombeR. 179 G. 51212.Die Zelle in Nonnenwerth (4. változat – 4th version – 4. Fassung)R. 213 G. 53413.Magyar király-dal – Ungarisches KönigsliedR. 215 G. 54414.In domum Domini ibimus – Zum Haus des Herrn ziehen wir *R. 178 G. 50515.Feuille d’album No. 2 (als ‘Die Zelle in Nonnenwerth’, 3. Fassung)R. 64/2 G. 16716.Ungarns Gott – A magyarok istene (Klavier-Transkription für die linke Hand – zongoraátirat bal kézre)R. 214 G. ľ
    25,9028,80

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  • Liszt – Piano Versions Of His Own Works II

    192 Pages
    Volumes I/15-17 of the New Liszt Edition contain the piano versions of Liszt’s own works for other instruments or voices. Volume 16 features the piano version of several works with a Hungarian connection, such as the fantasy written to the melodies of the Szózat and the National Anthem, the Hungarian Coronation Mass and the Hungarian March for Coronation Ceremonies; several piano works are keyboard transcriptions of excerpts from large-scale compositions for orchestra or choir and orchestra, such as a few movements of the oratorio Christus or the Legend of Saint Elizabeth. As far as possible, the pieces are given in chronological order. In the footnotes, as well as editorial comments we give the performance indications that August Göllerich noted down in 1884-86, when he took piano lessons from the composer.
    As customary, there are two versions of the publication: a blue clothbound edition and a grey softcover edition. The informative preface giving the most important information on the contents and technical details is identical in both versions, but only the former version includes an English description of the sources and a critical commentary. At the beginning of the volume can be found a facsimile of a page from Liszt’s original autograph manuscript.
    Content
     1.
     Totentanz
     R. 188 G. 525
     2.
     Le triomphe du Tasse
     R. 184 G. 517
     3.
     Zwei Orchestersätze aus dem Oratorium Christus 1. Hirtengesang an der Krippe
     R. (478) G ľ
     4.
     Zwei Orchestersätze aus dem Oratorium Christus 2. Die heiligen drei Könige
     R. (478) G ľ
     5.
     Drei Stücke aus der Legende der heiligen Elisabeth 1. Orchester Einleitung
     R. (477) G. ľ
     6.
     Drei Stücke aus der Legende der heiligen Elisabeth 2. Marsch der Kreuzritter
     R. (477) G. ľ
     7.
     Drei Stücke aus der Legende der heiligen Elisabeth 3. Interludium
     R. (477) G. ľ
     8.
     Aus der Ungarischen Krönungsmesse 1. Benedictus
     R. 192 G. 501
     9.
     Aus der Ungarischen Krönungsmesse 2. Offertorium
     R. 192 G. 501
     10.
     Ave maris stella
     R. 195 G. 506
     11.
     Gaudeamus igitur (Humoreske)
     R. 200 G. 509
     12.
     Ungarischer Marsch (zur Krönungsfeier in Ofen-Pest am 8ten Juni 1876)
     R. 55 G. 523
     13.
     Szózat und Ungarischer Hymnus –  Szózat és Magyar Himnusz
     R. 158 G. 486
     14.
     Gretchen (Aus Faust-Symphonie)
     R. 180 G. 513
     15.
     Ungarischer Sturmmarsch (Neue Bearbeitung 1876)
     R. 54/b G. 524
     16.
     Seconde marche hongroise –  Ungarischer Sturmmarsch (1. változat -1st version -1. Fassung)
     R. 54/a G. 232
    45,0050,00

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  • Liszt – Various Cyclical Works II

    LISZT VARIOUS CYCLICAL WORKS II Z8459
    41,8043,90

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  • 35,0038,50

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  • Liszt – Piano Works Studies I

    The history of Liszt’s intensely virtuosic and unwaveringly popular Transcendental Etudes dates back to his 12 Etudes composed around 1826. Liszt later reworked 11 pieces of this not-so-technically-difficult series into virtuoso concert etudes, and replaced one of the etudes with a new piece. This version was published in 1837 under the name Grandes études. However, Liszt reworked these 12 big etudes again: the final version of the series – in which, with two exceptions, the pieces were titled – was published in 1851 under the series title Études d exécution transcendante. Transcendental Etudes was the very first volume of the New Liszt Complete Critical Edition, first published in 1970 based on the previous editions of the work. This edition includes footnotes highlighting common performance difficulties and English and German forewords, facsimiles, and critical notes in English.
    45,8047,30

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  • Larsson – 12 Concertini Op.45 Nr.8

    Larsson, Lars-Erik – 12 Concertini, Op.45 Nr.8
    for Violin and Piano
     
     
     
    Duration: 12,5 min
    Score Pages: 15
    Violin Part Pages: 7
    Language: Swedish, English
    Publisher: Gehrmans Musikförlag
    21,6024,00

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  • Locatelli – Concerto Nr.1 Op.3/1

    Locatelli, Pietro Antonio – Concerto, Nr.1
    In D Major Op.3/1
    for Violin and Piano
     
     
     
    Editor: Albert Dunning
    Piano Reduction: Reinhold Kubik
    Score Pages: 30
    Violin Part Pages: 16
    Language: English, German, Italian
    Publisher: Schott
    16,8018,70

    Available in 1-3 days

  • Locatelli – Concerto Nr.3 Op.3/3

    Locatelli, Pietro Antonio – Concerto, Nr.3
    In F Major Op.3/3
    for Violin and Piano
     
     
     
    Editor: Albert Dunning
    Piano Reduction: Reinhold Kubik
    Score Pages: 31
    Violin Part Pages: 16
    Language: English, German, Italian
    Publisher: Schott
    16,8018,70

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  • Locatelli – Concerto Nr.4 Op.3/4

    Locatelli, Pietro Antonio – Concerto, Nr.4
    In E Major Op.3/4
    for Violin and Piano
     
     
     
    Editor: Albert Dunning
    Piano Reduction: Reinhold Kubik
    Score Pages: 28
    Violin Part Pages: 12
    Language: English, German, Italian
    Publisher: Schott
    16,8018,70

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