Language: German/English
Product format: Piano reduction, Part
Instrumentation: Violin Solo, Piano
Solo Pages: 9
Piano Pages: 11
Publisher: Barenreiter
CONTENTS
When the young Marlene Dietrich took violin lessons in Dessau from Friedrich Seitz (1848-1918), did she have this concerto in her repertoire? Whatever the case, her career, as we all know, took off on a different slant. But the Student Concerto in G major, op. 13, advanced to become one of the most popular and effective recital pieces for young violinists en route to the great concert stage.
Friedrich Seitz was a concertmaster and violin teacher, first in Magdeburg and later, from 1884, in Dessau. He published his op. 13 concerto in 1893. It is laid out in the conventional three movements: a charming Allegro non troppo poised between concert and salon music, a sentimental Adagio in a minor key, and a merry Rondo in 6/8 metre as a finale. Like almost every work by this passionate music educator, it stands in the facile e brillant tradition, achieving maximum impact with minimum technical demands while adopting the posture of a virtuoso concerto. A solid command of the first position is sufficient for its performance, with good left- and right-hand coordination required in the fast passages. The learner’s technical skills are honed on simple double stops and détaché, legato and elementary spiccato bowing. Typical formal sections, such as a cadenza in the opening movement, and lovely, memorable melodies, call for an imaginative delivery: students learn how much fun it can be to play ‘virtuoso’ music!
This edition appears in the Bärenreiter’s Concert Pieces series, which includes popular concertos and concert pieces for young violinists. The editor is the internationally acclaimed violin teacher Kurt Sassmannshaus, who has added fingering and bowing to the solo part and explains the technical requirements in a short preface.
– One of the most popular and effective student concertos of the 19th century
– Written entirely in first position
– Includes a solo part and a score with the piano accompaniment
– Short preface in German and English with information on technical requirements

Συλλογή απο σονατίνες για πιάνο.

Περιεχόμενα:

Attwood, Thomas Sonatine G-Dur 

 

Krebs, Johann Ludwig Klavierstück Es-Dur 

 

Hässler, Johann Wilhelm Zwei Allegros 

 

Mozart, Wolfgang Amadeus Zwei Menuette KV 315a (315g) 

 

Clementi, Muzio Sonatine C-Dur op. 36/1 

 

Clementi, Muzio Sonatine G-Dur op. 36/2 

 

Vanhal, Johann Baptist Andante F-Dur op. 2/5 aus der Sonatine 

 

Komponist / Autor: Beethoven, Ludwig van Sonatine G-Dur Kinsky-Halm Anh. 5 

 

Benda, Jirí Antonín Sonatine d-Moll 

 

Benda, Jirí Antonín Sonatine F-Dur 

 

Bach, Johann Christoph Friedrich Marsch G-Dur aus “Musikalische Nebenstunden” 

 

Kabalevskij, Dmitrij Sonatine op. 27 aus “Kinderstücke” 

 

Kirnberger, Johann Philipp Passepied E-Dur 

 

Clementi, Muzio Sonatine C-Dur op. 36/3 

 

Beethoven, Ludwig van Sonatine F-Dur Kinsky-Halm Anh. 5 

 

Heller, Stephen Fünf Préludes pour Mlle. Lili op. 119 

 

Myslivecek, Josef Menuett A-Dur 

 

Benda, Jirí Antonín Sonatine g-Moll 

 

Kuhlau, Friedrich Sonatine G-Dur op. 55/2 

 

Türk, Daniel Gottlob Andantino F-Dur 

 

Haydn, Joseph Scherzo F-Dur aus Sonate Hob.XVI:9 und Sonate D-dur Hob.XVI:4 

 

Haydn, Joseph Sonate D-Dur Hob. XVI:4 

Σελίδες: 64Γλώσσα: Γερμανικά, ΑγγλικάΕκδόσεις: Barenreiter

Score Pages: 4
Publisher: Universal Edition

Dvořák had previously written solo music for Hanus Wihan, later the dedicatee of his cello concerto. When he was planning a trio concert tour for 1892 with Wihan and violinist Ferdinand Lachner and needed further works for cello and piano, he reworked “Silent Woods” for cello and piano during the Christmas holidays of 1891. Originally a four-hand piano piece from his cycle “From the Bohemian Forest”, the cantabile character piece became a popular recital item owing to its sonorous cello sound. Dvořák later arranged it as an effective concert piece for violoncello and orchestra. The first edition of 1894 is the basis for editor and Dvořák specialist Milan Pospíšil’s Urtext edition for violoncello and piano.
 
 
 
Editor: Milan Pospísil
Fingering: Klaus Schilde
Fingering and bowing for Violoncello: Reiner Ginzel
Score Pages: 14
Cello Part Pages: 4
Language: German, English, French
Publisher: Henle verlag

Antonin Dvorak (1841-1904) wrote the Polonaise in A major for the cellist Alois Neruda , with whom he premiered many of his chamber-music works. The sparkling composition shows that Dvorak, who had been violist in the Prague Provisional Theater , was intimately acquainted with the virtuoso possibilities of the string instruments.
This is a brilliant piece which absolutely should not be missing from the repertoire of proficient cellists.
 
 
 
Editor: Storck, Klaus
Fingering and bowing for Violoncello: Storck, Klaus
Score Pages: 16
Cello Part Pages: 8
Language: German, English
Publisher: Barenreiter

Score Pages: 76
Cello Part: 10
Language: German, English, French
Publisher: Henle Verlag

The two melodies in Bruch’s Kol Nidrei, are first-class. The first is an age-old Hebrew song of atonement. The second (D major) is the middle section of a moving and truly magnificent song “O weep for those that wept on Babel’s stream” (Byron), equally very old.