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  • Liszt – Piano Works Transcriptions IX II/24

    Volume 24 of series II of the New Liszt Edition contains transcriptions faithful to the scores of works by Bach, Beethoven, Ferdinand David, Eduard Lassen, Mozart, Robert and Clara Schumann, and Wagner. In addition to piano versions of the Bach Fantasia and Fugue in G minor, Beethoven’s song cycle An die ferne Geliebte, two excerpts from the sequences Confutatis maledictis and Lacrymosa of Mozart’s Requiem, songs by Robert and Clara Schumann, and Isoldes Liebestod from Wagner’s opera Tristan und Isolde, which are frequently programmed in concerts, two less well known works deserve attention: Ferdinand David’s series of character pieces originally for violin and piano, Bunte Reihe, and a piano transcription of Eduard Lassen’s orchestral Intermezzo (Symphonisches Zwischenspiel).
    ContentsAn die ferne Geliebte. Liederkreis von L. van Beethoven 1. (“Auf dem Hügel”)An die ferne Geliebte. Liederkreis von L. van Beethoven 2. (“Wo die Berge”)An die ferne Geliebte. Liederkreis von L. van Beethoven 3. ( “Leichte Segler”)An die ferne Geliebte. Liederkreis von L. van Beethoven 4. (“Diese Wolken”)An die ferne Geliebte. Liederkreis von L. van Beethoven 5. (“Es kehret der Maien”)An die ferne Geliebte. Liederkreis von L. van Beethoven 6. ( “Nimm sie hin denn”)Bunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 1. ScherzoBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 2. ErinnerungBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 3. MazurkaBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 4. TanzBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 5. KinderliedBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 6. CapriccioBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 7. BoleroBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 8. Elegie
    Bunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 9. MarschBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 10. ToccataBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 11. GondelliedBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 12. Im SturmBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 13. RomanzeBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 14. (Allegro agitato ma non troppo vivace)
    Bunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 15. MenuettBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 16. EtüdeBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 17.IntermezoBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 18. Serenade
    Bunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 19. UngarischBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 19bis Ungarisch (2te Version)Bunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 20. TarantellaBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 21. ImpromptuBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 22. In russischer WeiseBunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 23. Lied
    Bunte Reihe. 24 Stücke für Violine und Klavier von Ferdinand David 24. Capriccio
    Lieder von Robert und Clara Schumann – WeinachtsliedLieder von Robert und Clara Schumann – Die wandelnde GlockeLieder von Robert und Clara Schumann – Frühlings AnkunftLieder von Robert und Clara Schumann – Des Sennen AbschiedLieder von Robert und Clara Schumann – Er ist’s “Nur wer die Sehnsucht kennt “Lieder von Robert und Clara Schumann – Er ist’s “An die Türen will ich schleichen”Lieder von Clara Schumann – “Warum willst du And’re fragen”
    Lieder von Clara Schumann – “Ich hab’in Deinem Auge”Lieder von Clara Schumann – “Geheimes Flüstern hier und dort”Eduard Lassen: “Über allen Zauber Liebe”Bach, J.S.: Fantasie und Fuge in g-Moll für Orgel, BWV 542Confutatis maledictis und Lacrymosa aus Mozarts RequiemIsoldens Liebestod. Richard Wagners Tristan und Isolde
     
    Pages: 196
    Language: English / German
    Publisher: Editio Musica Budapest
    40,0044,00

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  • Liszt – Piano Works Etude ( op.6) ; Ungarische Nationalmelodien

    Contains etudes, Hungarian-style pieces and piano transcriptions of songs.
    Pages: 231
    Language: English / German
    Publisher: Editio Musica Budapest
    44,0048,00

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  • Liszt – Piano Works Dances , Marches and Scherzos II I/14

    Volumes I/13-14 of the New Liszt Edition contain dance pieces, marches, and scherzos. As far as possible, in the volumes the pieces are given in chronological order. The works in volume 14 were composed over a period spanning 35 years, with the earliest written in 1849, and the latest in 1885. Liszt wrote the Ungarischer Geschwindmarsch (Hungarian quick march) in 1870 in Szekszárd, where, with minor breaks, he spent the months from August to November. In the footnotes, as well as editorial comments we give the performance indications that August Göllerich noted down in 1884-86, when he took piano lessons from the composer.
    Pages: 160
    Language: English / German
    Publisher: Editio Musica Budapest
    37,5041,20

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  • Liszt – Piano Works Annees De Pelerinage III I/8

    1. Angelus! 
    2. Aux Cypres de la Villa d´Este, Thrénodie (I) 
    3. Aux Cypres de la Villa d´Este, Thrénodie (II) 
    4. Les jeux d´eauxa la Villa d´Este
    5. Sunt lacrymae rerum 
    6. Marche funebre 
    7. Sursum corda 
    18,2020,00

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  • Liszt – Piano Works Annees De Pelerinage II I/7

    The composition of the pieces in Années de pelerinage, can be linked to Liszt’s journey to Italy in 1837-39. Italian art had a great influence on Liszt, and compositions in the volume are inspired by works of Raphael, Michelangelo, Petrarca, and Dante. The complete series was published in 1858. Later, in 1861, Liszt supplemented this with an appendix that contains the series of three pieces entitled Venezia e Napoli (this volume also gives the first version of these works).As customary, there are two versions of the publication: a blue clothbound edition and a grey softcover edition. The preface, which gives the most important information on the contents and technical details, is identical in both versions, but only the former includes an English description of the sources and a critical commentary. Both versions include facsimiles of pages from Liszt’s original autograph manuscript.
     
    45,0049,50

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  • Liszt – Piano Works Annees De Pelerinage I I/6

    Liszt was enthralled by the natural beauty of Switzerland when he stayed there in 1835-36. His experiences there inspired him to compose the 19 pieces in Album d’un voyageur. The series was published in 1842, but Liszt reworked it between 1848 and 1854, and in 1855 he published Années de pelerinage, Premiere année, Suisse, a new series of nine works (of which seven come from the Album d’un voyageur), and he withdrew the earlier collection. The pieces conjure up the atmosphere of Swiss experiences and the Alpine landscape of Switzerland, with one exception: the title Vallée d’Obermann refers not to a Swiss valley, but to a novel by Sénancour (1770-1846), although the novel is indeed set in Switzerland. The appendix to the volume includes the pieces from Album d’un voyageur that were not used, and the early version of three of the works, where there are significant differences. As customary, there are two versions of the publication: a blue clothbound edition and a grey softcover edition. The preface, which gives the most important information on the contents and technical details, is identical in both versions, but only the former includes an English description of the sources and a critical commentary. Both versions include facsimiles of pages from Liszt’s original autograph manuscript.
    45,0049,50

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  • The Boosey Woodwind Method Clarinet, Repertoire Book B

    ‘Easy pieces for beginners including music from different styles, cultures and times – classical, pop, jazz and world music. Can be used with stages 5-8 of the Boosey Clarinet Method book 1, or as a repertoire book by any beginner player. The Boosey Woodwind and Brass Method responds to the new and changing demands in teaching, designed to help make individual and group teaching easier, more integrated and more effective. The Boosey Woodwind and Brass Method provides everything you need for teaching music through the instrument. Its unique approach develops general musical skills through a programme of quality solo and ensemble music, with additional activities. Because the method is based on a clear curriculum, it provides an easy to use system for teaching and all the flexible resources you need for every situation, whether individual, group or mixed instrument teaching. This series provides a complete instrumental curriculum whilst developing technique and musicianship.
    Pages: 60
    Language: English
    Publisher: BOOSEY & HAWKES
    17,8019,80

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  • The Boosey Woodwind Method Clarinet, Repertoire Book C

    Easy pieces for beginners including music from different styles, cultures and times: classical, pop, jazz and world music. Can be used with stages 1-6 of the Boosey Clarinet Method book 2, or as a repertoire book by any beginner player. The Boosey Woodwind and Brass Method answers the new and changing demands in teaching: it helps make individual and group teaching easier, more integrated and more effective. The Boosey Woodwind and Brass Method provides everything you need for teaching music through the instrument. Its unique approach develops general musical skills through a programme of quality solo and ensemble music, with additional activities. Because the method is based on a clear curriculum, it provides an easy to use system for teaching and all the flexible resources you need for every situation, whether individual, group or mixed instrument teaching. This series provides a complete instrumental curriculum whilst developing technique and musicianship.
     
    Content
    A Little Bossa Nova [Vella, Richard]
    Autumn In Paris [McDowall, Cecilia]
    Blue Monday [Green, Ian]
    By The Waters Of Babylon [Traditional]
    Celtic Memories [Morgan, Chris]
    Creative Reflection [Green, Ian]
    Dance! Dance! [Traditional Jewish]
    Daydreams [Green, Ian]
    Delta Serenade [Ellington, Duke]
    Engagement [Norton, Christopher]
    Galop [Offenbach, Jacques]
    Galopede [Traditional English]
    Gavotte [Couperin, Francois]
    Going Home [Green, Ian]
    Haunted [Morgan, Chris]
    Il Est Ne [Traditional French]
    Il Est Né, Le Divin Enfant [Traditional]
    Inspector Clouseau’s Theme [Mancini, Henry]
    It Had Better Be Pink Tonight [Mancini, Henry]
    Lost In The Mists [Norton, Chris]
    Monkey Dance [Green, Ian]
    Mood Change [Morgan, Chris]
    Nuage [Morgan, Chris]
    On The Sunny Side Of The Street [Mcdowall, Cecilia]
    Planting Rice [Traditional Filipino]
    Pool’s Hole [Traditional English]
    Rondo Alla Turca (Sonata In A K.331) [Mozart, Wolfgang Amadeus]
    Taffta Hindi [Traditional Arabian]
    Tango Milogna [Vella, Richard]
    The Loyal Lover [Traditional English]
    The River At Visegrad [Traditional Bosnian]
    Tinga Layo [Traditional West Indian]
    Variations On Nonesuch [Kinder, Geoffrey]
    Zira, Zira [Traditional Ethiopian]
    Pages: 68
    Language: English
    Publisher: BOOSEY & HAWKES
    17,8019,80

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  • Russland In Seinen Liedern

    Content
    Abendglocken
    Ach Nastassja
    Auf dem Berg
    Das Glöckchen
    Der Hausierer
    Der rote Sarafan
    Die Birke
    Die Post-Troika
    Ej uchnjem! (Lied der Wolgaschiffer)
    Es jagt die Troika geschwinde
    Kalinka
    Schwarze Augen
    Stenka Rasin
    Steppe ringsumher
    Troikafahrt
    Wir Soldaten sind nie allein
    Pages: 32
    Language: English / German
    Publisher: Sikorski
    12,1013,50

    Russland In Seinen Liedern

    12,1013,50

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  • Mozart – Violin Concerto Nr.2 In D Major

    Mozart, Wolfgang Amadeus – Concert Nr.2 In D Major
    For Violin and Piano
     
     
     
    Editor: Wolf-Dieter Seiffert
    Piano Reduction: Siegfried Petrenz
    Fingering, Bowing, Cadenzas and Lead-ins: Kurt Guntner
    Score Pages: 23
    Violin Part Pages: 11
    Language: German, English, French
    Publisher: Henle Verlag
    13,1014,50

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  • Mozart – Violin Concerto Nr.1 In Bb Major

    Mozart, Wolfgang Amadeus – Concert Nr.1 In Bb Major
    For Violin and Piano
     
     
     
    Suggestions for performance by Igor Ozim
    Duration: 23 min.
    Piano Reduction: Lilia Vásquez
    Score Pages: 32
    Violin Part Pages: 11
    Language: German, English
    Publisher: Barenreiter
    9,8010,90

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  • Kabalevski – Variazioni Facili Op.40

    Pages: 18
    Language: English/German/Italian
    Publisher: Ricordi
    11,2012,40

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  • Kabalevsky – Sonatinas for Piano Op.13

    Pages: 32
    Language: English 
    Publisher: Alfred
    7,508,30

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  • Serge Prokofieff – Old Grandmother’s Tales Op.31

    Pages: 12
    Language: English
    Publisher: BOOSEY & HAWKES
    15,9017,60

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  • Serge Prokofieff – Visions Fugitives Op.22

    Between the composition of the second and third piano sonatas (1912-1917), Prokofieff wrote a variety of works for a great diversity of instruments. Besides ‘Visions Fugitives’ these include the ballets ‘Chout’ and ‘The Gambler’, the Classical Symphony, the first Violin Concerto, the second Piano Concerto and various songs. This was an immensely productive period during which his obsession with percussive sounds coloured by polytonality was at its height (although the Classical Symphony is an obvious exception). ‘Visions Fugitives’ is generally less diatonically based than any of the piano sonatas although the style is perhaps closet to the harmonic quirkiness of the Fifth Sonata(1923).  Prokofieff’s compositional process habitually involved the jotting down of musical ideas as they occured to him, to be combined later. The composer’s form of spontaneous inspiration seems to have enabled him to produce, in ‘Visions Fugitives’, a set of self-contained miniatures, perfectly shaped and coherent, yet comprising a logical sequence when played as a whole.  The simplicity and transparency of the writing gives us an insight into the interpretation of Prokofieff’s music generally. The study of his shorter works enables us to understand the importance of clarity and rhythmic discipline in the performance of the later ones.  The necessity for these qualities is immediately apparent in ‘Visions Fugitives’.
     
    Pages: 36
    Language: English
    Publisher: BOOSEY & HAWKES
    16,8018,70

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  • Boosey & Hawkes Kabalevsky – Sonatinas for Piano Op.13

    KABALEVSKY SONATINAS FOR PIANO Op.13 9535
    28,4031,50

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